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	<title type="text">Hank Green | The Verge</title>
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	<updated>2025-09-29T13:58:24+00:00</updated>

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			<title type="html"><![CDATA[Dropout’s Sam Reich on business, comedy, and keeping the internet weird]]></title>
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			<updated>2025-09-29T09:58:24-04:00</updated>
			<published>2025-09-22T10:00:00-04:00</published>
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							<summary type="html"><![CDATA[Hello! This is Hank Green, general internet guy and cofounder of Complexly. This is my last time in the Decoder guest host chair unfortunately, unless Nilay decides to have another kid someday, but we’re making the best of it. Today, I’m talking with my friend Sam Reich, who is the CEO and, I at least [&#8230;]]]></summary>
			
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<p class="has-drop-cap has-text-align-none">Hello! This is Hank Green, general internet guy and cofounder of Complexly. This is my last time in the <em>Decoder</em> guest host chair unfortunately, unless Nilay decides to have another kid someday, but we’re making the best of it. Today, I’m talking with my friend Sam Reich, who is the CEO and, I at least think, founder of Dropout TV.</p>

<p class="has-text-align-none">You’ll hear him argue with me about being the founder, and that’s okay. He was there, he probably knows what he’s talking about. But it’s an incredible story: Sam bought the company, which used to be called CollegeHumor, for zero dollars, immediately had to lay off almost the entire staff, and then got smacked in the face with the covid-19 pandemic shutting everything down, because it was early 2020.</p>

<div class="wp-block-vox-media-highlight vox-media-highlight"><img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24792604/The_Verge_Decoder_Tileart.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="" data-portal-copyright="" />


<p>Listen to <em>Decoder</em>, a show hosted by <em>The Verge</em>’s Nilay Patel about big ideas — and other problems.&nbsp;Subscribe&nbsp;<a href="https://podcasts.apple.com/us/podcast/welcome-to-decoder/id1011668648?i=1000496212371&amp;itsct=podcast_box&amp;itscg=30200&amp;ls=1&amp;at=1001l7uV&amp;ct=verge091322">here</a>!</p>
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<p class="has-text-align-none">You wouldn’t think that’s a likely recipe for success, but Sam has been very successful! Dropout has grown every year. You’ve probably seen some clips on a vertical video platform, if not watched them on TV, from its most popular shows — including <em>Game Changer</em>, which Sam hosts. Well, “host” might not always be the right word for what happens in every episode, but he’s definitely there, and you’ll hear us talk about that a little bit, too.</p>

<p class="has-text-align-none">But what Sam and I really spent a lot of time on was the problem of running a business that’s getting big. It’s much easier to do your creative work when your company is just you, or maybe just you and a few other people. It’s a lot harder when you have a bunch of stakeholders with competing priorities and they all want something from you.</p>

<p class="has-text-align-none">Most media companies, for example, have to deal with some combination of advertisers and shareholders, who all want to make money. Dropout doesn’t really have advertisers or shareholders; it has Sam and a few other folks, all of whom want to make good comedy. Sam described the business model to me as a comedy SaaS: subscribers pay money and get programs they want to watch. It sounds like a pretty good business model to me, honestly. But it’s pretty rare, so Sam and I really got into the weeds about why it’s harder to do than you’d think.</p>

<p class="has-text-align-none">This was a great conversation with a great friend, and I hope you enjoy it.</p>

<p class="has-text-align-none">Okay: Sam Reich. Here we go.</p>

<iframe frameborder="0" height="200" src="https://playlist.megaphone.fm?e=VMP5453645964" width="100%"></iframe>

<p class="has-text-align-none"><em>This interview has been lightly edited for length and clarity.</em></p>

<p class="has-text-align-none"><strong>Sam Reich, you are the founder and CEO of Dropout. Welcome to </strong><strong><em>Decoder</em></strong><strong>! Hi!</strong></p>

<p class="has-text-align-none">Thank you so much for having me, Hank. I&#8217;m flattered to be here.</p>

<p class="has-text-align-none"><strong>You&#8217;re doing a very interesting thing in a very different way than, I think, anybody else in media, which is why I think it&#8217;s really going to be exciting to talk to you about this stuff. And also try to figure out the whys and hows that you can do that.</strong></p>

<p class="has-text-align-none"><strong>But to start, usually I don&#8217;t really tend to go in that much for origin stories. I think that they&#8217;re mostly just a way to sort of make people imagine that they could learn something from the very particular circumstances that one person experienced, which I think are going to be different from other people&#8217;s, and also a way for people to toot their own horns. But can you give me an origin story of Dropout from the beginning of Dropout? So we don&#8217;t need to get into 2006 and CollegeHumor and stuff, but just hit me with: how did Dropout end up in your hands?</strong></p>

<p class="has-text-align-none">Sometimes, some people call me the founder of Dropout, which is actually not true.</p>

<p class="has-text-align-none"><strong>Oh, well.</strong></p>

<p class="has-text-align-none">You beg to differ.</p>

<p class="has-text-align-none"><strong>I do.</strong></p>

<p class="has-text-align-none">Dropout was a priority that came out of IAC, which was our corporate parent at the time.</p>

<p class="has-text-align-none"><strong>This was who owned CollegeHumor?</strong></p>

<p class="has-text-align-none">This is who owned CollegeHumor, and for years and years, IAC was trying to figure out how we would make not just a lot of money, but a lot, a lot of money. And there was always kind of a… A cynic might call it a get-rich-quick scheme at the time. It was ad sales, and then social media took a big chomp out of ad sales, and then it was television. It turned out television production didn&#8217;t scale very effectively. And then finally, the idea was, let&#8217;s try going direct-to-audience.</p>

<p class="has-text-align-none"><strong>Just to go over-the-top, as they say. I&#8217;m not sure exactly what the top we&#8217;re going over is, but we&#8217;re going over the top of something. I guess the whole system.</strong></p>

<p class="has-text-align-none">That phrase makes it feel like we&#8217;re gambling the house, and in a way, we were. There was a collection of executives who were very bullish about this within CollegeHumor. I wasn&#8217;t necessarily one of them. I slowly but surely warmed up to it, imagining that if it didn&#8217;t work, at least we&#8217;d get to create our own cool stuff for a while. The notion was to go direct-to-audience. There won&#8217;t be the gatekeepers that there are in Hollywood. We won&#8217;t have to start over every year like we do in ad sales. That is, by the way, one of the intrinsic benefits of subscription: you&#8217;re not starting your business over every year, versus ad sales, where you have to go out and sell every year.</p>

<p class="has-text-align-none"><strong>And things are always changing. And also, you&#8217;re not just doing the YouTube thing where certainly you&#8217;re selling against views, but you&#8217;re selling on these platforms that decide whether or not you get the views that can have their priorities shift in ways that are going to be advantageous or not to your business, and that&#8217;s always going to be their idea.</strong></p>

<p class="has-text-align-none">That&#8217;s true. I think that was the sort of meat of our first announcement video, and I think it&#8217;s really true where AVOD, as it were, is like —</p>

<p class="has-text-align-none"><strong>What is AVOD?</strong></p>

<p class="has-text-align-none">Advertising video on demand. It&#8217;s <a href="https://www.vimond.com/post/what-are-svod-avod-and-tvod">a word</a>. You could also just say anyone who is not going with the subscription model. That is a business that involves us, the audience, the platform, and the advertiser.&nbsp;</p>

<p class="has-text-align-none"><a href="https://blog.wask.co/digital-marketing/bounce-rate/"><strong>Bounce</strong></a><strong>, and all those things. Yeah.</strong></p>

<p class="has-text-align-none">It&#8217;s not even a ménage à trois, it&#8217;s a ménage à four?</p>

<p class="has-text-align-none"><strong><em>[Laughs] </em></strong><strong>And everybody knows once you break trois, it&#8217;s just a mess in there. Somebody&#8217;s always getting left behind.</strong></p>

<p class="has-text-align-none">That&#8217;s right. That&#8217;s right. <em>[Laughs]</em> It&#8217;s harder for everybody to achieve orgasm. You can decide to keep that in or not.</p>

<p class="has-text-align-none"><strong><em>[Laughs] </em></strong><strong>Never break trois.</strong></p>

<p class="has-text-align-none">Never break trois.</p>

<p class="has-text-align-none"><strong>That&#8217;s a business rule, honestly! Sometimes I look at YouTube and I&#8217;m like, &#8220;Oh my God, their party, the YouTube party that they are having, has so many different people at it that they have to satisfy.&#8221; And that includes the government, regulators.</strong></p>

<p class="has-text-align-none"><strong>And I&#8217;m like, man, I just never want to break trois. I want to have my audience. I want to have my team, so the people who work for the thing, and then I want to have maybe the advertisers or maybe myself.</strong></p>

<p class="has-text-align-none">You can decide not to break trois if, for instance, making money isn&#8217;t important to you or satisfying the YouTube algorithm isn&#8217;t important to you. You can decide that these aren&#8217;t priorities.</p>

<p class="has-text-align-none"><strong>Yeah. Well, I mean, if you&#8217;re going to pay people&#8217;s salaries, you can&#8217;t decide that money doesn&#8217;t matter.</strong></p>

<p class="has-text-align-none">Exactly. Exactly. This was a big “aha” moment for me in running a business, realizing that the simpler your business is, arguably the better it is, or certainly the more effectively you can run it.</p>

<p class="has-text-align-none"><strong>Yeah, especially at the beginning. I mean, businesses get complicated because they&#8217;ve succeeded already, and they have opportunities to complexify. But they do not get complicated at the beginning.</strong></p>

<p class="has-text-align-none">Yeah, yeah, yeah. I am willfully trying to keep our business as uncomplex as possible, and it is hard.</p>

<p class="has-text-align-none"><strong>You just added advertising. You did it. The last episode of </strong><strong><em>Game Changer</em></strong><strong>.</strong></p>

<p class="has-text-align-none">We did not actually add advertising to Dropout. There are fans who are very concerned that&#8217;s going to happen. That is not going to happen.</p>

<p class="has-text-align-none"><strong>But there was </strong><a href="https://www.linkedin.com/posts/sara-berlowitz_linkedin-knows-who-their-target-audience-activity-7356018263513841668-TcXX/"><strong>a sponsorship</strong></a><strong>, though —</strong></p>

<p class="has-text-align-none">There was a sponsorship, yes.</p>

<p class="has-text-align-none"><strong>That [sponsorship] made a lot of sense in the place that you would have needed this, so that you could fund </strong><a href="https://www.vulture.com/article/jacob-wysocki-dropout-game-changer-interview.html"><strong>a high-dollar game show</strong></a><strong>.</strong></p>

<p class="has-text-align-none">&#8220;Made a lot of sense&#8221; is an interesting way to put that. <em>[Laughs]</em></p>

<p class="has-text-align-none"><strong><em>[Laughs]</em></strong><strong> Well, as a viewer, it made sense.</strong></p>

<p class="has-text-align-none">Yeah, for sure.</p>

<p class="has-text-align-none">So, I warmed up to subscription. I warmed up to the idea of, “Oh, going direct-to-audience means we get to simplify this operation.” It means that we get to call the shots. It means that even though budgets will be less, our creative autonomy will be more.</p>

<p class="has-text-align-none"><strong>Would budgets definitely be smaller? Obviously, per viewer, you&#8217;re making a lot more money. It&#8217;s really about the number of people you can convert. And that marketing, was there a lot of discussion about how you would actually market the subscription product, or was it just like, &#8220;Let&#8217;s make this available. We&#8217;ll pop a bumper on the end of the videos, and people will go sign up?&#8221;</strong></p>

<p class="has-text-align-none">The theory when we launched was that we would be converting YouTube subscribers to paid subscribers for a lot longer than that turned out to work. That well ran dry fast.</p>

<p class="has-text-align-none"><strong>That sounds familiar.</strong></p>

<p class="has-text-align-none"><strong>So it turns out a marketing vehicle eventually arrived, but this did not end up being a successful thing for the people at IAC and CollegeHumor. IAC is a big media conglomerate. They don&#8217;t like people; they own a bunch of magazines and TV shows, TV channels.</strong></p>

<p class="has-text-align-none">I think IAC gets a bad rap in all of this, but for the record, they were patient with us in terms of us not delivering them a big chunk of money for over a decade. Arguably, they showed more patience than I think a lot of parent companies would in that same situation. And a lot of people, meanwhile, gave birth to spectacular careers coming out of CollegeHumor when IAC did not benefit very much.</p>

<p class="has-text-align-none">So I remain grateful to IAC for being our shepherds through that decade. And then when they got bored with us… We didn&#8217;t objectively fail; we just didn&#8217;t succeed spectacularly either. We had like 75,000 subscribers at the end of year one. I think they were hoping for double that number. They tried to sell us, but we looked very bad on paper because we had just burned through their whole investment. So a lot of people were interested at first, and then they saw the amount of money we were losing and the business plan, which had us losing even more money before turning profitable, and they all dropped out one by one, leaving me.</p>

<p class="has-text-align-none"><strong>And so you came with all your big piles of money that you somehow had, and you just said, &#8220;Hey, I&#8217;m going to buy it. Hey, what&#8217;s that? You got a cigar? Backroom deals.&#8221;</strong></p>

<p class="has-text-align-none"><strong>No, this is the weirdest part of the story for me. So you did not, in fact, go to them with a bunch of money to acquire Dropout. How did you acquire CollegeHumor from IAC, Sam?</strong></p>

<p class="has-text-align-none">I find it very funny when there&#8217;s a certain sound bite on the internet that&#8217;s like, &#8220;Sam used his dad&#8217;s money to come and buy Dropout.&#8221;</p>

<p class="has-text-align-none"><strong>Oh, wow.</strong></p>

<p class="has-text-align-none">Which is very funny in the context of my dad being <a href="https://rbreich.com/">the inequality guy</a>. You are misinformed in terms of how much money you think this family has.</p>

<p class="has-text-align-none"><strong>For those who don&#8217;t know, Sam&#8217;s dad is Robert Reich, who was the Labor Secretary under one of the&#8230; Bill Clinton. Is that right?</strong></p>

<p class="has-text-align-none">Yes. Under Clinton, which, as we all know, Labor Secretary is the most lucrative profession that you can possibly imagine.</p>

<p class="has-text-align-none"><strong>You see him </strong><a href="https://bsky.app/profile/rbreich.bsky.social"><strong>on the internet</strong></a><strong> sometimes yelling </strong><a href="https://bsky.app/profile/rbreich.bsky.social/post/3lxzv24okuq2t"><strong>about inequality</strong></a><strong>, probably.</strong></p>

<p class="has-text-align-none">Yes. Yes, yes, yes. And he does it very well.</p>

<p class="has-text-align-none"><strong>He&#8217;s very talented.</strong></p>

<p class="has-text-align-none">So I went and I offered IAC zero dollars, which was the amount of money I had to buy it. There was another offer for $3 million, but it would&#8217;ve gone to a competitor. They would&#8217;ve fired everybody and taken the assets and seen what they could do with them.</p>

<p class="has-text-align-none">I think that they liked the idea of gambling, so my offer was $0. They would end up as the minority stakeholder. So it was sort of like idiot insurance for them.</p>

<p class="has-text-align-none"><strong>So they&#8217;d get to hold on to whatever Sam does with it?</strong></p>

<p class="has-text-align-none">Yeah. Insurance for them in case things go very, very well. And I think that they liked the idea of gambling on me more than the idea of handing the company over to a competitor. It&#8217;s a better story if it works out. It&#8217;s more exciting for them.</p>

<p class="has-text-align-none">So we did that deal. And for the record, I would not have done that deal purely sentimentally. I did it because I really believed in the business case.</p>

<p class="has-text-align-none"><strong>Did you feel like you saw something that the people at the parent company didn&#8217;t see, or that the executives who had been operating CollegeHumor didn&#8217;t see? Like, where the value was maybe wasn&#8217;t where they thought it was?</strong></p>

<p class="has-text-align-none">Maybe. What we did with the company was so disruptive. I have a hard time imagining any corporate parent going, &#8220;Yeah, let&#8217;s try that.&#8221; It was so extreme. I think it probably could only have happened in a new environment.</p>

<p class="has-text-align-none"><strong>So, the kind of immediate first step was that </strong><a href="https://www.theverge.com/2020/1/8/21057198/collegehumor-fired-employees-media-dorkly-drawfee-dropout"><strong>the company got very small</strong></a><strong> after it was in your hands.</strong></p>

<p class="has-text-align-none">Yeah, we went <a href="https://www.wired.com/story/collegehumor/">from 105 employees to seven employees</a> overnight.</p>

<p class="has-text-align-none"><strong>Were you also signing up for that?</strong></p>

<p class="has-text-align-none">Yes. We signed our deal with IAC on a Tuesday in March of 2020, on Wednesday, <a href="https://www.nba.com/news/coronavirus-pandemic-causes-nba-suspend-season">the basketball teams stopped playing</a>, and on Thursday, we were in COVID lockdown.</p>

<p class="has-text-align-none"><strong>Whoa, I didn&#8217;t realize that. That&#8217;s new information to me. That&#8217;s wild.&nbsp;</strong></p>

<p class="has-text-align-none"><em>[Laughs]</em> Isn&#8217;t that crazy?</p>

<p class="has-text-align-none"><strong>“The basketball team stopped playing” is such a triggering phrase to me.</strong></p>

<p class="has-text-align-none">Totally. Totally. That&#8217;s how I get people with that story. They&#8217;re like, &#8220;Oh, I remember. I remember now.&#8221;</p>

<p class="has-text-align-none"><strong>And then you had CollegeHumor, which has since rebranded to align with the name of the pre-existing streaming platform, but I would call it at this point a pretty different business, and thus I consider you the founder of Dropout.</strong></p>

<p class="has-text-align-none"><strong>But you don&#8217;t have to consider yourself that. You certainly are the CEO, though, and you&#8217;re super in charge. And a strange way for all this to happen. When you proposed this, did you feel like it was likely that they would say yes?</strong></p>

<p class="has-text-align-none">No.</p>

<p class="has-text-align-none"><strong>Ah, love that.</strong></p>

<p class="has-text-align-none">I saw the writing on the wall, which is to say I saw that they didn&#8217;t have a lot of options. But for the record, I was a chief creative officer, and even then, much to my own lack of credit over the course of 10 plus years at IAC, I didn&#8217;t really speak business. So it was a leap of faith in me as a non-businessman, and that&#8217;s what I felt very conscious of walking into that room.</p>

<p class="has-text-align-none"><strong>There was a time when media companies were more likely to be led by people who enjoyed making media and a time when, maybe now, media companies are mostly led by people who are kind of on the numbery side, the businessy side. You are a current example of a person who is a media executive, if you&#8217;ll excuse me saying that, but who is extraordinarily and deeply, and constantly involved as a creative force, as a host, on-screen talent, but also constantly ideating and even writing. You&#8217;re not just sort of showing up and reading the teleprompter. You are also coming up with ideas for shows, and you are the creative vision behind what I think is probably your most successful show, </strong><strong><em>Game Changer</em></strong><strong>.</strong></p>

<p class="has-text-align-none">I think <em>Game Changer</em> and <em>Dimension 20</em> are constantly duking it out for position on the platform.</p>

<p class="has-text-align-none"><strong><em>Dimension 20</em></strong><strong> existed as a product when CollegeHumor launched to Dropout, is that right?</strong></p>

<p class="has-text-align-none">It was a day one Dropout franchise. So did <em>Game Changer</em> [exist], though.</p>

<p class="has-text-align-none"><strong>Oh, I didn&#8217;t know that. That&#8217;s why it&#8217;s been around. That&#8217;s why it has seven seasons or eight seasons or whatever.</strong></p>

<p class="has-text-align-none">Exactly, exactly.</p>

<p class="has-text-align-none"><strong>And I know that you&#8217;re not super proud of those early episodes, but we love them in my home.</strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>That&#8217;s nice. That&#8217;s nice. So determined to jump the shark.</p>

<p class="has-text-align-none"><strong>I mean, you have got a real sort of creative problem with </strong><strong><em>Game Changer</em></strong><strong> in that you continue to escalate. And eventually, there are no more rungs on the ladder that you can keep climbing.</strong></p>

<p class="has-text-align-none">It&#8217;s true, it&#8217;s true. It&#8217;s hard to go further than outer space.</p>

<p class="has-text-align-none"><strong>For the audience who don&#8217;t know this, the idea of </strong><strong><em>Game Changer</em></strong><strong> is that it is a game show in which the game is different every episode. The contestants arrive not knowing what the game is going to be, and then they have to figure it out, which is a delight.</strong></p>

<p class="has-text-align-none">Sometimes it takes more and less work to figure it out, but yeah.</p>

<p class="has-text-align-none"><strong>I mean, the season finale of the most recent season, I don&#8217;t think I figured it out until I was halfway through. I was like, &#8220;At what point is this going to change? At what point is the next thing going to happen?&#8221; It was like, oh no, this is the whole thing. Buck wild.</strong></p>

<p class="has-text-align-none"><strong>And also part of this is that you work with a lot of improv comedians, and so that&#8217;s the jam, that&#8217;s the vibe, that we&#8217;re going to play in this space together. But it does seem like you&#8217;re able to direct the future with the way that you write the shows. It felt like it could have gone a number of ways that would&#8217;ve been much less satisfying than the way that it went. Was that an illusion? Did you create that illusion for me? Was that sort of a written thing? Or could it have gone differently?</strong></p>

<p class="has-text-align-none">I don&#8217;t think so. I mean, I think that we grappled with this internally because sometimes <em>Game Changer</em> is a game and other times it&#8217;s more akin to performance art. And there are certainly the game wonks who like those episodes better. And then there are sort of the lighter-hearted audience members who appreciate <em>Game Changer</em> no matter what it is. I really wanted to do this episode, and I would say that we pushed it through despite some inherent flaws that it has. And one of them is that the conclusion is inevitable, but <a href="https://www.polygon.com/dropout-game-changer-jacob-wysocki-interview/">what we wanted to do</a> with Jacob [Wysocki] and with the audience is to tease them in terms of just how inevitable it is.</p>

<p class="has-text-align-none"><strong>It didn&#8217;t feel inevitable as a viewer.</strong></p>

<p class="has-text-align-none">Yeah, yeah, yeah. To make him feel like there might not actually be a net underneath him, and to trick the audience into thinking there might not be a net underneath him either. But of course, I would not have let him fail. <em>[Laughs]</em></p>

<p class="has-text-align-none"><strong><em>[Laughs] </em></strong><strong>Okay. All right. You&#8217;ve ruined that for me now. I mean, the </strong><strong><em>Game Changer</em></strong><strong> host I know would absolutely terrorize anybody in any way. That&#8217;s part of the character.</strong></p>

<p class="has-text-align-none">I wasn&#8217;t going to stop the episode before he knew I stole his blood, let&#8217;s put it that way.</p>

<p class="has-text-align-none"><strong>Yeah, I guess there was a lot of stuff that you would want to have happen. Okay. It </strong><a href="https://abc7.com/post/actors-heartfelt-donation-san-pedros-rainbow-services-sparks-nationwide-wave-support/16289112/"><strong>turned out very well</strong></a><strong>.</strong></p>

<p class="has-text-align-none"><strong>But back to the thing: Why do you think that it is less likely and harder to have a creative person at the helm of a media company now than it once was?</strong></p>

<p class="has-text-align-none">Well, I mean, I think like what happens to industry in general, industries take on meta qualities as people want them to be more successful, and therefore, business people take over in an effort so that those businesses make more money. And I think what you get is a little bit of&#8230; What I&#8217;ve seen occur is this sort of separation between these companies that are giant and monolithic, and they&#8217;re run mostly by finance people or maybe promoted legal or marketing people, because those are the people who the board has basically decided can best pull the business levers. Creative is the product, but let&#8217;s pull the levers of the business. The product is a minor part of the business. I&#8217;m saying that facetiously, but that&#8217;s the attitude of these companies.</p>

<p class="has-text-align-none">And then on my side of the aisle, these smaller businesses that arguably shouldn&#8217;t exist because they&#8217;re much more vulnerable. It&#8217;s vulnerable to run a small business. It&#8217;s very vulnerable to run a medium-sized business in the world we&#8217;re in now, where the middle class of our industry has been hollowed out. Sorry to sound like someone you know.</p>

<p class="has-text-align-none"><strong>Your dad?</strong></p>

<p class="has-text-align-none">My dad. But we are run mostly by people who would be doing something like this regardless of how successful it was, because we&#8217;re so passionate about it, which means that we need to be creators because no savvy business person would do this.</p>

<p class="has-text-align-none">Now, we are in an unusual position, to be clear. When I signed up to do this, I thought it might be nice and small and humble. That I could work without a boss on my own terms for a long period of time, which, coming out of the corporate world, is what I wanted. It&#8217;s been way more successful than I could have ever imagined, and it&#8217;s a lot more work, more stress, and more complicated than I could have ever hoped for. So yeah, I got into this to run a small business, and in fact, we&#8217;re in a medium-sized business.</p>

<p class="has-text-align-none"><strong>It has grown. What kind of business is it? Obviously, Dropout itself is a streaming platform, but I imagine that you do not consider yourself a person who runs a streaming platform. Do you consider yourself the CEO of a media company?</strong></p>

<p class="has-text-align-none">I suppose, although I&#8217;m really into boiling this business down to its essence and also not glorifying it. And I think what it is is basically a subscription platform. If you were to really corner me, I would basically say I run a comedy SaaS.</p>

<p class="has-text-align-none"><strong><em>[Laughs] </em></strong><strong>I don&#8217;t actually think that you&#8217;re allowed to say that.</strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>I feel really anti-pretentious about what this is. It&#8217;s a brand.</p>

<p class="has-text-align-none"><strong>You want laughs. We will provide them for $7 per month.</strong></p>

<p class="has-text-align-none">Kind of. I do feel a little bit like Andy Warhol sometimes, insofar as I think Dropout means a lot of things to a lot of people. For my purposes, we are a <a href="https://www.moma.org/collection/works/79809">Campbell soup can on a canvas</a>, which is to say the transaction is you pay us now $6.99 per month, and we deliver to you this collection of programming. And yes, we have all sorts of creative ambitions, and yes, I think Dropout has collected this really unique and wonderful audience of people who are connected to the content. They&#8217;re connected to the talent, they&#8217;re connected to certain things that they&#8217;ve come to understand the brand stands for, but at the core of it is this mechanism that&#8217;s working. It could work or not work, and if it didn&#8217;t work, all of this would go away. And that feels really important for me to know.</p>

<p class="has-text-align-none"><strong>I guess I should ask, what is the mechanism that&#8217;s working? What&#8217;s the thing that&#8217;s working right now for you? Obviously, more people are subscribed to Dropout this year than they were last year and last year than they were the year before that. So it&#8217;s growing. What is the thing that is working there in terms of your funnel, in terms of why people sign up. Who are these people? Because you don&#8217;t have </strong><strong><em>Friends</em></strong><strong>, you don&#8217;t have a bunch of storied media properties, you don&#8217;t have that many shows. There&#8217;s not that much content on Dropout. But lots of people are signing up. I don&#8217;t know if you can tell me the number of people you have as subscribers?</strong></p>

<p class="has-text-align-none">For a while, I&#8217;ve been saying we’re like spitting distance from a million, and that&#8217;s still true.</p>

<p class="has-text-align-none"><strong>Wow. Okay.</strong></p>

<p class="has-text-align-none">I think what&#8217;s working, without putting too fine a point on it, is that people subscribe and they stay subscribed.</p>

<p class="has-text-align-none"><strong>And they watch.</strong></p>

<p class="has-text-align-none">They watch.</p>

<p class="has-text-align-none"><strong>So these people subscribe. They don&#8217;t just coast the way I do with Netflix, where I&#8217;m like, &#8220;Well, maybe there&#8217;s something I&#8217;m going to want to watch there sometime.&#8221; My rocket money situation isn&#8217;t what it should be, and I haven&#8217;t unsubscribed. But Dropout pops up on my TV a fair amount. So these people are subscribed and actively watching?</strong></p>

<p class="has-text-align-none">Yes. We have a highly engaged user base.</p>

<p class="has-text-align-none"><strong>What&#8217;s your funnel? How do people come into the platform?&nbsp;</strong></p>

<p class="has-text-align-none">There are a few different ways. The dominant one is through organic social, meaning they&#8217;ve watched clips from our shows on <a href="https://www.instagram.com/dropouttv/">Instagram</a>, <a href="https://www.tiktok.com/@dropoutdottv">TikTok</a>, and <a href="https://www.youtube.com/@dropout/shorts">YouTube Shorts</a>.</p>

<p class="has-text-align-none"><strong>And you designed shows to be good at being&#8230; Well, I don&#8217;t know if you designed them that way. But you do now.</strong></p>

<p class="has-text-align-none">I would say sometimes better and sometimes worse, we do that.</p>

<p class="has-text-align-none"><strong><em>Game Changer</em></strong><strong> is very good at this because it&#8217;s got that</strong><strong><em> Whose Line Is It Anyway?</em></strong><strong> vibe, for people who have never heard of any of this, where there are just good clippable moments [happening] a lot.</strong></p>

<p class="has-text-align-none">I think <em>Game Changer</em> is good at this. I think <em>Make Some Noise</em> is very good at this, when you think of <em>Make Some Noise</em> being prompt execution, prompt execution. Arguably, <em>Dimension 20</em> really shouldn&#8217;t be good at this, and yet it somehow is.</p>

<p class="has-text-align-none"><strong>Sometimes, yeah, they&#8217;re just talented, funny people. I say as a person who </strong><a href="https://www.cbr.com/dimension-20-mentopolis-hank-green-trailer/"><strong>was once on the show</strong></a><strong>. </strong><strong><em>[Laughs]</em></strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>Yeah, you get to claim a percentage of credit for that compliment.</p>

<p class="has-text-align-none">But it&#8217;s so true, Hank. I mean, you as that character creating moments on the show… Some little voice in the back of your head is like, &#8220;Let me turn this into a moment.&#8221; And when you have a great moment, that becomes marketing for the show in the world in which we now live.</p>

<p class="has-text-align-none"><strong>And that didn&#8217;t exist five years ago. When COVID happened, that was a very small ecosystem. And now it is a huge part of online video. And also very hard to turn into value. So </strong><a href="https://www.wsj.com/tech/social-media-influencers-arent-getting-richtheyre-barely-getting-by-71e0aad3"><strong>very few people</strong></a><strong> are able to turn their reels and their shorts and their TikToks into any amount of money.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>Some people have ways, some people have very large audiences, and then it gets easy. But you turned it around where it&#8217;s like this content only exists because of a thing that costs money, and if you would like to see more of it, you can become one of the people who are the reason that this content exists by being a subscriber.</strong></p>

<p class="has-text-align-none">I think it&#8217;d be very hard for Dropout to work if we hadn&#8217;t imploded the advertiser-supported part of our business.&nbsp;</p>

<p class="has-text-align-none"><strong>Yeah, you just kicked it off. You were like, &#8220;I don&#8217;t need this.&#8221;</strong></p>

<p class="has-text-align-none">Yeah, it was basically like, &#8220;I can&#8217;t run an ad business. I&#8217;d be no good at it. I&#8217;m, in a lot of ways, a terrible salesperson.&#8221;</p>

<p class="has-text-align-none"><strong>You can sell things, but I just don&#8217;t think that you want to sell that particular thing.</strong></p>

<p class="has-text-align-none">Sure. Hey, thanks, man.</p>

<p class="has-text-align-none"><strong>This is a very different conversation from </strong><a href="https://www.theverge.com/decoder-podcast-with-nilay-patel/776412/amy-lanzi-ceo-digitas-digital-marketing-creators-ai-hank-green"><strong>the last episode of this that I did</strong></a><strong>.</strong></p>

<p class="has-text-align-none">You are, on the other hand, a very good <a href="https://good.store/">salesman</a>. I have so many socks because of you, and I love them all.</p>

<p class="has-text-align-none"><strong>I love that!</strong></p>

<p class="has-text-align-none"><strong>So what you&#8217;re saying is the vast majority or the biggest chunk of the people who are subscribed to Dropout came in because they saw clips, and then they saw another clip, and then they saw another clip, and they&#8217;re like, &#8220;Fine, I’ve got to watch this. And where is this? I&#8217;ll find it?&#8221;</strong></p>

<p class="has-text-align-none">The vast majority of people. I think 10 percent of our subscribers right now come in through paid.</p>

<p class="has-text-align-none"><strong>Oh! Okay. So you just sort of run the best clips?</strong></p>

<p class="has-text-align-none">Yeah, we do, we do. We use organic social performance to clue us into what clips we should amplify, and I think that&#8217;s helped us out through lull periods.</p>

<p class="has-text-align-none"><strong>But even for that, you&#8217;re using the clip. You&#8217;re moving from organic to paid.</strong></p>

<p class="has-text-align-none">Yes.</p>

<p class="has-text-align-none"><strong>So that&#8217;s really the thing. I know that you did </strong><a href="https://www.polygon.com/23797617/dimension-20-dungeons-and-drag-queens-cast-review-where-to-watch/"><strong><em>Dungeons and Drag Queens</em></strong></a><strong>, where there was new talent to bring to the platform. These people have fans. Maybe those fans are going to sign up. Has that also been effective?</strong></p>

<p class="has-text-align-none">Oh, for sure, for sure. You could argue that we are certainly using the content to market itself, but there are all sorts of ways that we&#8217;re doing that. So casting and stunt casting are certainly some of them. And <em>Dungeons and Dragons Queens</em> was huge for us.</p>

<p class="has-text-align-none"><strong>Are the shows that have the most audience the most responsible for signups?</strong></p>

<p class="has-text-align-none">I would say so, yeah. It’s a bit of a self-fulfilling prophecy there, where the most popular shows, the most watched on the platform, tend to have the biggest social channels, and tend to also drive the most viewers.</p>

<p class="has-text-align-none"><strong>So what are those?</strong></p>

<p class="has-text-align-none">I mean, none of the shows currently on the platform don&#8217;t have their own hardcore dedicated audience. If a show isn&#8217;t for the audience —</p>

<p class="has-text-align-none"><strong>Well, now that&#8217;s a problem because you can&#8217;t cancel anything, Sam.</strong></p>

<p class="has-text-align-none">Yeah, I mean, we have not exactly formally canceled, but we have sort of…</p>

<p class="has-text-align-none"><strong>Paused production?</strong></p>

<p class="has-text-align-none">Paused production, sidelined, put on the back burner, shows that didn&#8217;t collect an audience as well. The most popular shows on the platform are <em>Dimension 20</em> and<em> Game Changer</em>. And then the second most popular shows on the platform are some combination of <em>Smarty Pants</em>, <em>Very Important People,</em> and <em>Make Some Noise</em>.</p>

<p class="has-text-align-none"><strong>Have you ever considered putting stuff on that you didn&#8217;t produce? So right now, everything on the platform is CollegeHumor or Dropout-produced.</strong></p>

<p class="has-text-align-none">For sure, for sure. We have. We are. I think the reason why it&#8217;s tricky is that we consider social marketing to be a big differentiator in terms of how we do things. And if we were to license a mainstream show, there&#8217;s no way that they would allow us to power their social channels. So there is no point in us doing that unless we get to do that.</p>

<p class="has-text-align-none"><strong>Weird. That&#8217;s such a specific reason to not do that that I would not have imagined</strong>.</p>

<p class="has-text-align-none">The other reasons are out there, too. If we just license anything under the sun, does it dilute the brand? We&#8217;re not trying to be a utility; we&#8217;re trying to be more of a brand play. But I would say that we are interested in potentially hosting content on the platform that could power its social content. And so we are having some of those conversations because we think it&#8217;ll be an interesting experiment. But we&#8217;re being very, very, very choosy about it, obviously.</p>

<p class="has-text-align-none"><strong>Gotcha. So how many people are at Dropout right now?</strong></p>

<p class="has-text-align-none">We are 40-ish on a full-time basis. But that really doesn&#8217;t account for so many people who are such major contributors to what we do, because there are so many contract players involved, the crew side, on the talent side.</p>

<p class="has-text-align-none"><strong>Those people do feel a lot like part of the team, especially because in terms of the Dropout cast members, those people are mostly not employees, and they are the folk that people imagine when they imagine what Dropout is. There&#8217;s just a bunch of recurring comedians who come in and are seen as the Dropout family by the audience. So those people are contractors, but are also something more, it feels like.</strong></p>

<p class="has-text-align-none">Definitely. And which is why, by the way, profit share, and so many of the things that we do, we bend over backwards to make working at Dropout a positive experience for folks. I think that Hollywood is a system where people are used to this and expect this to a degree. There are all sorts of inherent benefits and drawbacks to the full-time equation. We did have full-time talent for a long time, and the benefit there is security for both of us. We know that we have people that we can turn to, and they know that they have that amount of job security. And then the downsides are that we have to make use of those people and only those people because we have to derive that amount of value from them. So it means that the pool gets smaller, and then the downside for them is that they can&#8217;t explore other opportunities that might pop up as a result of their employment with us.</p>

<p class="has-text-align-none"><strong>This has been a weakness of a lot of YouTube companies, BuzzFeed is the best example, where you have employees and then they get a really popular show, and then they&#8217;re being paid as employees, but their show is making the company a bunch of money, and they&#8217;re not being paid as talent. And so if </strong><strong><em>Seinfeld </em></strong><strong>gets popular, Jerry Seinfeld gets paid more, but if </strong><strong><em>The Try Guys</em></strong><strong> get popular, do the Try Guys get to negotiate a three times higher salary this year? It&#8217;s sort of not how business works. And so the Try Guys start to feel pretty uncomfortable being part of BuzzFeed and maybe </strong><a href="https://www.hollywoodreporter.com/news/general-news/try-guys-leave-buzzfeed-form-production-company-1122259/"><strong>want to go do their own thing</strong></a><strong>. And this is from the very beginning of YouTube, a big problem.</strong></p>

<p class="has-text-align-none"><strong>And I feel like this model of just listening to how Hollywood has worked in the past actually makes sense in this case, where it&#8217;s like, &#8220;Okay, well, you&#8217;re going to come and you&#8217;re going to do this show this season. And the next season, if the show did really well, your agent&#8217;s going to have a conversation with us and we&#8217;re going to be figuring out&#8230; And you&#8217;re going to be able to do a bunch of other stuff, but this is going to be a big part of your yearly income now because that show is popular because people really like it, and you&#8217;re creating a lot of value.&#8221;</strong></p>

<p class="has-text-align-none">I don&#8217;t know how much people know about exclusivity, but I think this stuff is so interesting. If you are signing up to participate in a project, let&#8217;s say Apple TV comes and wants you to be in their show, you will sign a contract with Apple TV that&#8217;s like, “You are committed to X number of episodes over Y period of time.” You&#8217;re usually signing up for multiple seasons. But as a part of that contract, you can&#8217;t do other things, usually in that category. Which is to say you can&#8217;t do other streamers&#8217; shows, for instance, without Apple&#8217;s permission.</p>

<p class="has-text-align-none">But then, imagine for a moment that Apple takes a long time to pick up a second season of your show. And those times are built into your contract. So maybe it takes them nine months to pick up another season of your show. For those nine months, you are not allowed to do other streaming things.</p>

<p class="has-text-align-none"><strong>You’ve just got to learn to juggle or something. What are you doing?</strong></p>

<p class="has-text-align-none">What do you do? What do you do?</p>

<p class="has-text-align-none"><strong>What do you do? You just got to stay in shape, too, because they need you to look the same, and it&#8217;s like nine months went by, man, I&#8217;m a different guy.</strong></p>

<p class="has-text-align-none">Yeah, for sure. Keep your hair the same length, keep your nails the same length.</p>

<p class="has-text-align-none"><strong>Oh my god. Yeah.</strong></p>

<p class="has-text-align-none">That’s tough. Exclusivity is really tough for folks who are grateful to be working in this business at all, and so have very little negotiating room.</p>

<p class="has-text-align-none">So our attitude about it is, if we were not accommodating of people&#8217;s other work, we would simply be forcing them to make a choice between us and the other work, whatever it is. So the fact that we don&#8217;t ask for exclusivity of any kind means that Lou Wilson can work with us because otherwise, he is full-time at Jimmy Kimmel Live.</p>

<p class="has-text-align-none"><strong>Right. Oh. Yeah, interesting.</strong></p>

<p class="has-text-align-none">We are trying to position ourselves as everyone&#8217;s favorite second job, unless they don&#8217;t have a first job, in which case they are very happy to be working with&#8230; we want them to be very happy to be working with us.</p>

<p class="has-text-align-none"><strong>You&#8217;re getting a reputation for this, for pioneering more creative ways of doing things, being more worker-friendly to everybody from PAs to talent and everything in between. And profit sharing for contractors, for talent, it&#8217;s not usually how things work. Though there are various ways of doing this, I&#8217;ve never heard of anybody doing a straight profit share.&nbsp;</strong></p>

<p class="has-text-align-none">Why do that?</p>

<p class="has-text-align-none"><strong>I guess why? And also, why is it hard? Is it hard? Is the reason that other people don&#8217;t do it because it&#8217;s hard? Or is the reason that they don&#8217;t have to?</strong></p>

<p class="has-text-align-none">I don&#8217;t think it&#8217;s hard. I don&#8217;t think what we&#8217;re doing is that hard, say nothing about our brilliant finance team who are doing it. But specifically, the reason we&#8217;re doing profit share and not —</p>

<p class="has-text-align-none"><strong>I don&#8217;t mean it&#8217;s logistically hard to cut the checks. I mean that it&#8217;s hard to make the business model work.</strong></p>

<p class="has-text-align-none">Oh. I think it is kind of hard to cut the checks.</p>

<p class="has-text-align-none"><strong><em>[Laughs] </em></strong><strong>I feel like Paramount could figure that out.</strong></p>

<p class="has-text-align-none">I think royalties are harder.</p>

<p class="has-text-align-none"><strong>Yeah, for sure, royalties are harder. Yeah.</strong></p>

<p class="has-text-align-none">Which is why we do profit share because it&#8217;s much simpler for us from an admin standpoint.</p>

<p class="has-text-align-none">I think that other companies don&#8217;t do this because it is not standard and because they can get away with not [doing it]. But the big one is probably this, which is that they have people that they need to satisfy, a whole category of people they need to satisfy who we don&#8217;t have.</p>

<p class="has-text-align-none"><strong>They broke the trois.</strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>They ascended trois. They made that critical error, going up from trois. And right there, number four, number five, number six, depending on the company, is the shareholders. And that means that there are people&#8230; Basically, by hoarding money, you are satisfying someone, right? Which we don&#8217;t have. There&#8217;s no one to satisfy.</p>

<p class="has-text-align-none"><strong>Well, I mean, IAC, theoretically.</strong></p>

<p class="has-text-align-none">Theoretically.</p>

<p class="has-text-align-none"><strong>They never come knocking and say, &#8220;Man, you could turn this into a big boy now. Come and show us the success?&#8221;</strong></p>

<p class="has-text-align-none">Me, theoretically, right?</p>

<p class="has-text-align-none"><strong>Yeah.</strong></p>

<p class="has-text-align-none"><a href="https://variety.com/2025/digital/news/critical-role-brennan-lee-mulligan-campaign-4-1236477230/">Brennan</a> [Lee Mulligan] is also a partner in the company.</p>

<p class="has-text-align-none"><strong>I&#8217;ve tried to invest, but you will not take my money.</strong></p>

<p class="has-text-align-none">Maybe I will someday, Hank.</p>

<p class="has-text-align-none"><strong>Okay, let me know.</strong></p>

<p class="has-text-align-none">And don&#8217;t get me wrong, we&#8217;re all making money. When we say profit share, we&#8217;re not even talking about the whole profit. Right? Some of that profit goes to me and to IAC.</p>

<p class="has-text-align-none"><strong>And of course, there&#8217;s also operational funds. You&#8217;re not going to zero out the bank account every year.</strong></p>

<p class="has-text-align-none">Of course, of course. There are operational funds. There&#8217;s play money. We want to try new things. So all that money&#8217;s going all sorts of different places, but there are no shareholders to satisfy, which means us becoming more and more and more profitable every year is not necessarily our first priority.</p>

<p class="has-text-align-none"><strong>What is your first priority then? What are you trying to do? What are you trying to do, Sam Reich?!&nbsp;</strong></p>

<p class="has-text-align-none">I don&#8217;t know, man!</p>

<p class="has-text-align-none"><strong><em>[Laughs] </em></strong><strong>Why are you doing this?</strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>I don&#8217;t know, Hank. What do you think I should do?</p>

<p class="has-text-align-none"><strong>I don&#8217;t know. That&#8217;s a good point</strong>.</p>

<p class="has-text-align-none">You&#8217;re in this same boat, more or less. I could really easily flip this around on you.</p>

<p class="has-text-align-none"><strong>I mean, I can tell you why I do it.</strong></p>

<p class="has-text-align-none">Oh, please give me one. Give me one.</p>

<p class="has-text-align-none"><strong>Oh, I mean, I feel a strong sense of obligation to the things that I have made and the people I work with.</strong></p>

<p class="has-text-align-none">Sure.</p>

<p class="has-text-align-none"><strong>I feel a strong sense of obligation to the audience. And I also am very rewarded by making things sometimes. Obviously, there are some parts of my job that I do purely because of the obligation. There are some parts of my job that I do because I get paid to do them. And there are some parts of my job that I do&#8230; And these are different amounts in every column, in different activities, but sometimes I&#8217;m doing it because I just freaking love doing it. It&#8217;s so fun.</strong></p>

<p class="has-text-align-none">Yeah. Yeah. That&#8217;s interesting. I feel a little bit of a sense of obligation. I wouldn&#8217;t say that&#8217;s my primary driver. I think that I feel very aware and very grateful for the ability to create things under a unique set of circumstances where I don&#8217;t have&#8230; I feel uniquely under the trois, uniquely lower than trois.</p>

<p class="has-text-align-none"><strong>And you&#8217;ve got to hold onto that, what we&#8217;re learning. Hold on to the trois.</strong></p>

<p class="has-text-align-none">It’s a really unique ecosystem to be a part of, and I think it means that we can create some uniquely cool stuff, and I love that. Giving birth to stuff is my favorite part. I&#8217;m an art snob at the end of the day. I’ve been to Edinburgh Fringe —</p>

<p class="has-text-align-none"><strong>That&#8217;s a nice thing to have be a part of your job.</strong></p>

<p class="has-text-align-none">I mean, barely.</p>

<p class="has-text-align-none"><strong>You pulled some acts out of there. </strong><a href="https://www.edfringe.com/"><strong>Fringe</strong></a><strong>, by the way, is a very weird comedy festival that happens in Edinburgh. It&#8217;s like weeks long, and it&#8217;s tiny rooms, and it&#8217;s just weird art happens, and I&#8217;m very jealous. I&#8217;ve never gone.</strong></p>

<p class="has-text-align-none">Oh, Hank, we’ve got to go some year and I&#8217;ll show you around.</p>

<p class="has-text-align-none"><strong>I&#8217;m waiting for my son to be old enough.</strong></p>

<p class="has-text-align-none">Yeah, that&#8217;s fair. But I just love weird and unusual stuff, and when I think about what I want to leave behind in the world, it&#8217;s more of it.</p>

<p class="has-text-align-none"><strong>Okay, love that. How do you make decisions? That&#8217;s a </strong><strong><em>Decoder </em></strong><strong>question. We’ve got to ask that one.</strong></p>

<p class="has-text-align-none">There&#8217;s a terrific TED Talk on decision making, which talks about how when you&#8217;re faced with a difficult decision, it&#8217;s usually because there are pros and cons that feel roughly equivalent to each other. And so it kind of doesn&#8217;t matter, so just pick one. <a href="https://www.ted.com/talks/ruth_chang_how_to_make_hard_choices">Ruth Chang, How to Make Hard Choices</a>.</p>

<p class="has-text-align-none">A lot of the important decisions, it&#8217;s pretty clear which direction to go. And then with the difficult ones, you sort of have to decide what you&#8217;re voting for, what you&#8217;re optimizing for. So if you have your priorities in order, oftentimes the right decision will emerge. Meaning, again, hopefully our business is pretty simple. There are a lot of factors that we have to incorporate, and those factors are something in between the content itself, the experience of the audience, the welfare of the cast and crew, our finances, and what&#8217;s personally creatively exciting to me. And if I have those roughly in the&#8230; They&#8217;re not in that order. I don&#8217;t exactly know what order they fall into off the top of my head. But if I have those in the right order, I can usually make the right decision.</p>

<p class="has-text-align-none"><strong>How do you imagine Dropout in the media world right now? Do you even feel like you&#8217;re a part of this industry? Or do you feel like you&#8217;re kind of hanging off to the side? Do you feel like you worry about the industry broadly, or are you just sort of like, &#8220;That&#8217;s not me.&#8221;</strong></p>

<p class="has-text-align-none">It&#8217;s more “that&#8217;s not me.” I mean, I do feel like I&#8217;m on a little bit of an island where I get to be sort of the mad trickster king of the domain.</p>

<p class="has-text-align-none"><strong>For most streaming platforms that have been launched by big companies, to have a million subscribers would be a tremendous failure. In terms of macro media-ecosystem things, it seems like this is a totally inevitable thing, and that it should have happened more already, where everything keeps fracturing. So, more and more nichification of everything. And why wouldn&#8217;t this happen to streaming platforms? And we haven&#8217;t even talked about the fact that Vimeo enables this with a pretty low lift. So you use, I think, a product called Vimeo OTT.</strong></p>

<p class="has-text-align-none">That&#8217;s correct, yeah.</p>

<p class="has-text-align-none"><strong>Vimeo basically </strong><a href="https://www.theverge.com/decoder-podcast-with-nilay-patel/616820/philip-moyer-interview-vimeo-ai-google-youtube-creators"><strong>lets you build a streaming platform</strong></a><strong>, and they have a version that integrates with itself, and it can be in the app stores, on Roku, and on the PS5 or wherever, and that simplifies this process.</strong></p>

<p class="has-text-align-none"><strong>I think that what Vimeo is betting on there is that this nichification will occur. But I think when you look at the people who use that, it&#8217;s a lot of individual creators or people who have a workout thing, they&#8217;re like lifestyle influence type things. I think that maybe the RuPaul streamer runs on it.</strong></p>

<p class="has-text-align-none">Yeah, <a href="https://www.worldofwonder.com/">WOW Presents</a>, I think so. Criterion Collection.</p>

<p class="has-text-align-none"><strong>Yeah. And it just feels like it would head in that direction, and that the different segments would each get their own little world, which will, of course, continue to alienate us from each other because no one&#8217;s watching the same things, but whatever.</strong></p>

<p class="has-text-align-none">It feels symptomatic of this world of content that we&#8217;re living in. And so it&#8217;s a fair question, like, well, why not more? And that&#8217;s a good question.&nbsp;</p>

<p class="has-text-align-none"><strong>I kind of expected it. When Dropout first hit for me, I was like, &#8220;Oh, two years from now everybody&#8217;s going to have one of these things.&#8221; And that has not really happened, and people have tried to launch some that have been less successful…</strong></p>

<p class="has-text-align-none">I do think that, as is the case with the internet, when you&#8217;re browsing TikTok and you learn about someone with 9 million subscribers or followers who you&#8217;ve never heard of before, there are plenty of examples in our industry of businesses that are just running a little bit under the radar that are doing very, very well. I think <a href="https://nebula.tv/">Nebula</a>, for instance, is one of those businesses.&nbsp;</p>

<p class="has-text-align-none">And in the last couple of years, maybe a little bit inspired by us, maybe not, depending on the specific example, but the <a href="https://www.hollywoodreporter.com/business/business-news/the-try-guys-new-streaming-service-2nd-try-1235905178/">Try Guys</a> have launched their answer to this, <a href="https://beacon.tv/">Critical Role</a> has launched their answer to this, but my hope is that there are more people who follow in our footsteps because I think it&#8217;s only better for Dropout if there are more examples that people can point to to say, &#8220;I subscribe to this small collection of indie streamers.&#8221;</p>

<p class="has-text-align-none">And I think it behooves us to have that group be larger because it means better resources for our business as well. We depend on third-party technology in order to power Dropout, and if there aren&#8217;t enough streamers to use Vimeo OTT&#8230;&nbsp;</p>

<p class="has-text-align-none"><strong>They&#8217;re not going to keep supporting the product. Do you ever </strong><a href="https://www.theverge.com/news/775701/vimeo-bending-spoons-acquisition"><strong>regret using Vimeo OTT</strong></a><strong> or not building your own thing?</strong></p>

<p class="has-text-align-none">No! We tried, but people don&#8217;t realize this. The first rendition of Dropout was built on Vimeo OTT&#8217;s API, but it was our own product. We employed something like eight sophisticated engineers at IAC to build our own product around it, and it was brutal. Which is to say, it&#8217;s just very hard to do very well. And these were great engineers.</p>

<p class="has-text-align-none"><strong>What you&#8217;re doing is in part running a company, being a business person, managing your direct reports. I should ask how this is all structured. How many direct reports do you have?</strong></p>

<p class="has-text-align-none">Technically, I think I have two or three, something like that. What we decided pretty recently, within the last year, is that I should have almost no direct reports, basically just the C-suite, and then everyone else should fall under someone else. But that&#8217;s pretty new.</p>

<p class="has-text-align-none"><strong>And what are your departments?&nbsp;</strong></p>

<p class="has-text-align-none">There is creative, burgeoning department. There is marketing —</p>

<p class="has-text-align-none"><strong>Do they make a lot of YouTube shorts in the marketing department? </strong><strong><em>[Laughs]</em></strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>Uh-huh! Yes. And paid and email, and everything else that falls into the world of marketing. There is tech, which is pretty small but does exist. There is production. There is programming as it is independent from production, which are the folks who not only handle our content as it&#8217;s related to metadata, but are also responsible for maintaining our programming schedule and putting stuff up into the platform. Also, QC is a part of that department, meaning quality control. We have, for instance, one very talented person whose job it is simply to, this is not all they do, but it&#8217;s a big part of what they do, to watch every episode to make sure that there are no glaring issues with it before it posts to the website, to the platform. I think that&#8217;s about it, with one or two straggling — oh, design — With one or two straggling departments that feature one person or two people.</p>

<p class="has-text-align-none"><strong>Yeah. There&#8217;s the person who keeps the </strong><strong><em>Dimension 20</em></strong><strong> lore book to make sure they know all of that.</strong></p>

<p class="has-text-align-none">Yes, well, interestingly, <em>Dimension 20</em> is kind of like its own department because it&#8217;s such a big operation. And lately, <em>Game Changer</em>, <em>Make Some Noise</em> have sort of become their own department as well.</p>

<p class="has-text-align-none"><strong>So you&#8217;re partially running this business, trying to make all the things work, and I assume mediating when people disagree with each other and doing all of that work?&nbsp;</strong></p>

<p class="has-text-align-none">HR is new! HR is new as of the last seven heads.&nbsp;</p>

<p class="has-text-align-none"><strong>And then you&#8217;re also on-screen talent, and creative, and writing, and all this, but there&#8217;s another thing that you are… I think that this is not that unusual. There&#8217;s always a public-facing role to a CEO. But beyond that, not only do you have a public-facing role as the CEO and on-screen talent and kind of founder, depending on how you want to count that, but also you kind of embody what Dropout is trying to be.</strong></p>

<p class="has-text-align-none"><strong>And a strength and potential problem is that you&#8217;re trying to be a good guy while you do it. You&#8217;re not Carl Icahn, you&#8217;re not ruthless businessman Sam Reich. You&#8217;re trying to do this the right way. And one of the things, my brother [John] and I call this the perfect person problem, that if you tell people that you&#8217;re trying to do things well and you&#8217;re trying to do things right, then people will expect you to do it perfectly. And there&#8217;s no such thing as perfect, and there are always things that you&#8217;re balancing.</strong></p>

<p class="has-text-align-none"><strong>How do you imagine and manage your own public perception, where you want people to know that you really are trying to do things better, but you also need to convey to people that you will not be perfect?</strong></p>

<p class="has-text-align-none">I think this is definitely a work in progress, so —&nbsp;</p>

<p class="has-text-align-none"><strong>And I think that the Dropout audience, in part because of — I mean, there&#8217;s a demographic thing here, but they&#8217;re responding to and signing up in part because of a halo here that you&#8217;re helping to create by doing things well. Their expectations are going to be high. You&#8217;ve got a high-expectation crowd, and I&#8217;ve seen some examples where they feel as if you&#8217;re not living up to your values or something like that. That reputational management, do you see that as a big part of your job? And how do you imagine that?</strong></p>

<p class="has-text-align-none">Yes and no. I mean, when I say work in progress, that applies not only to this meta question, but also sort of the way I look at Dropout in general, which is, perfect is an impossible-to-achieve standard.</p>

<p class="has-text-align-none">And I try, at least when I&#8217;m out in the world, to really convey, as much as possible, that I am a comedy person who inherited this thing who is trying to do things novelly and experimentally, but that I don&#8217;t even know as much about this kind of stuff as like <a href="https://www.imdb.com/name/nm4033885/">Adam Conover</a> does, as part of my peers do. So when I say work in progress, I really mean that we are trying things and we will make mistakes. And what I&#8217;m specifically not doing on social media, or anywhere else for that matter — in conversations like this, on panels — is to portend as if Dropout or I have it all figured out, that we are an exceptionally moral company or that we are an exceptionally idealistic company. I think that tension between running a company and being good to people inherently exists.</p>

<p class="has-text-align-none">So what I&#8217;ve claimed to be the case, and I really do still think is the case, is that I consider myself a highly creative person. I&#8217;m trying to make content that&#8217;s as innovative, interesting, and funny as possible, and I hope people hold us to that standard. And otherwise, I&#8217;m trying to set maybe some new standards for decency, but I would underline that word.</p>

<p class="has-text-align-none">I am also, as you have coached me through a lot over the months and years, Hank, <em>[laughs]</em> becoming quickly used to the fact that you can&#8217;t please everybody and that you will have to make decisions that are unpopular sometimes. And that&#8217;s okay. Some people, particularly entertainers, need to be liked by everybody, and I think some people worry about me in that way because they think that my affable nature means that I would really dislike being unpopular. And I am actually totally okay if some people don&#8217;t like me.</p>

<p class="has-text-align-none"><strong>Is this part of growing up in a household where a lot of nasty things might have been said about your dad?</strong></p>

<p class="has-text-align-none">Honestly, nepotism, I&#8217;m sure, served me even in ways that I&#8217;m not fully conscious of, in all sorts of ways. But one thing that is really useful is that my dad modeled fame for me. So I do have someone very close to me out there in the world who is also a public person, who by virtue of his job, deals with controversy at least three times a year <em>[laughs]</em>, which probably thickens my skin a little bit.</p>

<p class="has-text-align-none"><strong>Interesting. Is there, on the list of reasons that you like this or want to do this, we talked about this before, but let&#8217;s end here with this. Is [the idea] that people aren&#8217;t doing things weird enough, and you want to do things weird, on that list?</strong></p>

<p class="has-text-align-none">One hundred percent. You and I have connected a lot on the topic of <a href="https://homestarrunner.com/main">Homestar Runner</a> over the years. Homestar Runner may be hugely responsible for my career taking the direction it has. It was incredibly influential on me. And something I loved about it was like, it felt like <a href="https://escholarship.org/content/qt07z9459z/qt07z9459z_noSplash_fd81953b940bc79585b5591a410c9171.pdf?t=kx0jk0">a walled garden of weird</a> that existed <a href="https://homestarrunner.com/main">at a URL</a>.&nbsp;</p>

<p class="has-text-align-none"><strong>Yeah. That resonates.&nbsp;</strong></p>

<p class="has-text-align-none">And I think about how sometimes I wish that I could plant a forest full of weird trees on the internet. I wish that the internet were still a place where, just like there was really fun, mysterious, hopeful stuff that existed a URL away. I would hope that Dropout can just be one of those things.</p>

<p class="has-text-align-none"><strong>All right. Well, that feels right to me. And I hope that you keep doing it, and I hope that people keep finding it, and… loving that weird! It&#8217;s a little place where a lot of strange things happen.</strong></p>

<p class="has-text-align-none">Hank, you are also hugely responsible for and inspiring in the creation of weird stuff for the internet. You&#8217;re also inspiring insofar as you are just so prolific in terms of the amount that you do.&nbsp;</p>

<p class="has-text-align-none"><strong><em>[Laughs]</em></strong><strong> If nothing else, there is that.&nbsp;</strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>And also a lot else. So thank you for being both the friend and the inspiration.</p>

<p class="has-text-align-none"><strong>There certainly is quantity. </strong><strong><em>[Laughs]</em></strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>But a sincere thank you for being both the friend and the inspiration that you are.</p>

<p class="has-text-align-none"><strong>Ah, well, thank you. Thanks a lot.&nbsp; I appreciate you coming on and chatting with me and getting into the weeds and the details here. And someday we will find another podcast where we will just do bits. </strong><strong><em>[Laughs]</em></strong></p>

<p class="has-text-align-none"><em>[Laughs] </em>I look forward to that day.&nbsp;</p>

<p class="has-text-align-none"><strong>Thanks, Sam.</strong></p>

<p class="has-text-align-none">Thank you, man.</p>

<p class="has-text-align-none"><em><sub>Questions or comments about this episode? Hit us up at decoder@theverge.com. We really do read every email!</sub></em></p>
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			<entry>
			
			<author>
				<name>Hank Green</name>
			</author>
			
			<title type="html"><![CDATA[How brands and creators are fighting for your attention — and your money]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/decoder-podcast-with-nilay-patel/776412/amy-lanzi-ceo-digitas-digital-marketing-creators-ai-hank-green" />
			<id>https://www.theverge.com/?p=776412</id>
			<updated>2025-09-12T13:56:22-04:00</updated>
			<published>2025-09-15T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Creators" /><category scheme="https://www.theverge.com" term="Decoder" /><category scheme="https://www.theverge.com" term="Podcasts" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="Web" />
							<summary type="html"><![CDATA[Hello, and welcome to Decoder! This is Hank Green, the cofounder of Complexly, where we make SciShow, Crash Course, and a bunch of other educational YouTube channels. I’m back in the Decoder guest host chair for another couple of episodes while Nilay is out on parental leave. Today, I’m talking with Digitas CEO Amy Lanzi, [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Image: The Verge / Photo: Digitas" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/DCD-Amy-Lanzi.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
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<p class="has-drop-cap has-text-align-none">Hello, and welcome to <em>Decoder</em>! This is Hank Green, the cofounder of Complexly, where we make <em>SciShow</em>, <em>Crash Course</em>, and a bunch of other educational YouTube channels. I’m back in the <em>Decoder</em> guest host chair for another couple of episodes while Nilay is out on parental leave.</p>

<p class="has-text-align-none">Today, I’m talking with Digitas CEO Amy Lanzi, who runs a major marketing and ad agency. You might remember Amy; Nilay <a href="https://www.theverge.com/24272562/decoder-amy-lanzi-digitas-publicis-influencers-creators-marketing-advertising-generative-ai-adweek">interviewed her for <em>Decoder </em>live at an event</a> in New York City almost a year ago. But Nilay, who runs what might be called the last website on Earth, has a very different perspective on the world of digital marketing than I do. So, as a career YouTuber, I had a lot of questions for someone in a position like Amy’s.</p>

<p class="has-text-align-none">I’ve been making videos on the internet for close to two decades now, and all the while, I’ve relied on advertising for a healthy chunk of the revenue my channels take in. I also run an e-commerce site, Good.Shop, and then, of course, my big online education brand, Complexly.</p>

<div class="wp-block-vox-media-highlight vox-media-highlight"><img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24792604/The_Verge_Decoder_Tileart.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="" data-portal-copyright="" />


<p>Listen to <em>Decoder</em>, a show hosted by <em>The Verge</em>’s Nilay Patel about big ideas — and other problems.&nbsp;Subscribe&nbsp;<a href="https://podcasts.apple.com/us/podcast/welcome-to-decoder/id1011668648?i=1000496212371&amp;itsct=podcast_box&amp;itscg=30200&amp;ls=1&amp;at=1001l7uV&amp;ct=verge091322">here</a>!</p>
</div>

<p class="has-text-align-none">One might think I’m a marketing and advertising expert. But this stuff is really, really complicated — almost like they’re trying to make it that way, and, frankly, there is a whole lot of it that I do not understand. For a lot of us, I suspect the world of digital marketing is a bit of a mystery. So, I was happy to have Amy really break down how some of this works and why her industry feels like it sits at the center of almost everything that happens on the internet today.</p>

<p class="has-text-align-none">On the surface, this all sounds pretty simple. You build a brand, you try to create a story around that brand so people associate ideas and loyalties and all sorts of other warm fuzzy feelings with the brand, and then you show them some ads to sell products or experiences or subscriptions or whatever it is you sell. But I know from experience that that is far from the whole story. And as you’ll hear Amy say, that old-school <em>Mad Men</em>-style of advertising is really a relic of the past.</p>

<p class="has-text-align-none">Today, marketing and advertising are increasingly digital and diversified, spread out across a lot of different channels and coming in all shapes and sizes. The ads you see are different from the ones I see, and the ways that brands market themselves online can involve everything from brand deals with creators like me, big TV and movie promotion tie-ins, and then really analytics-driven, algorithmic tech stuff that can feel almost impenetrable to the average person.</p>

<p class="has-text-align-none">Yet, as you’ll hear Amy lay out, there is still a huge, expensive draw for what you might call a collective shared experience, something that resonates with a lot of different people all at once. Like, say, a Super Bowl commercial that plays on TV — even if more people might watch it after the fact on YouTube.</p>

<p class="has-text-align-none">There’s also the AI of it all, which really seems like it’s on a collision course with both the creator economy and the entire economic structure of the open web. I know this because Nilay can’t stop talking about it on <em>Decoder</em>.</p>

<p class="has-text-align-none">So, I also had Amy walk me through what a modern digital marketing company really does, how different kinds of ads operate in this ecosystem, and how she sees all this changing in the future. And we had to hash out the difference between influencer and creator, because that debate isn’t dying anytime soon.</p>

<p class="has-text-align-none">Okay: Digitas CEO Amy Lanzi. Here we go.</p>

<iframe frameborder="0" height="200" src="https://playlist.megaphone.fm?e=VMP4381241749" width="100%"></iframe>

<p class="has-text-align-none"><em>This interview has been lightly edited for length and clarity.&nbsp;</em></p>

<p class="has-text-align-none"><strong>Amy Lanzi, you are the CEO of Digitas. Welcome back to </strong><strong><em>Decoder</em></strong><strong>.</strong></p>

<p class="has-text-align-none">Thank you for having me. I&#8217;m thrilled to be back.</p>

<p class="has-text-align-none"><strong>I&#8217;ve been on </strong><strong><em>Decoder</em></strong><strong>. It&#8217;s kind of scary. Is it scary sometimes?</strong></p>

<p class="has-text-align-none">It&#8217;s not kind of scary, but it&#8217;s good scary, because it makes you, I don&#8217;t know, really be with it on what you&#8217;re going to be talking about, because we know the audience is very with it, so I like that.</p>

<p class="has-text-align-none"><strong>They&#8217;re very with it.</strong></p>

<p class="has-text-align-none">Yes.</p>

<p class="has-text-align-none"><strong>I was just talking to your colleague before you showed up, and we were saying, &#8220;Hey, if the questions aren&#8217;t hard, you don&#8217;t get a chance to look smart.&#8221;</strong></p>

<p class="has-text-align-none">That&#8217;s right.</p>

<p class="has-text-align-none"><strong>We have faith that you&#8217;re going to look smart. I have a question, though, that may be a weird one. I did a deep dive on your whole career, and I want to ask you a question.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>For most of my life, I had assumed that the number of seats on an airplane determined the number of tickets sold for that airplane, and now I have in front of me a person who can tell me why that is not the case. So, of course, we all have heard that our airplane is in an oversold situation, and they start giving away free things in order for people not to use their ticket, and you used to be part of that system.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>How does it work? And back when you did this decades ago, what was the algorithm? How did you decide this?</strong></p>

<p class="has-text-align-none">Well, it was at a time when it was really all human, which is interesting. We did have models. It was my first job after college. I went to SMU, and I was a yield management analyst at American Airlines, and basically, that job is how do you extract the most yield out of each flight? And the assumption is that all seats are sold at the same price, as well as you can only sell the number of seats that exist, but have you ever missed a flight?</p>

<p class="has-text-align-none"><strong>I have.&nbsp;</strong></p>

<p class="has-text-align-none">Yes. That&#8217;s why there&#8217;s this whole team called yield management, and so you essentially look at the patterns of the flight. So I was assigned to LaGuardia, New York. I&#8217;m sorry, from Dallas to LaGuardia.</p>

<p class="has-text-align-none"><strong>Oh, you had one flight?</strong></p>

<p class="has-text-align-none">Yeah, we would get assigned different routes.</p>

<p class="has-text-align-none"><strong>Or not a flight, but a route.</strong></p>

<p class="has-text-align-none">Yeah, you&#8217;d get assigned different routes, so I&#8217;ll give you two points here. The first was LaGuardia to Dallas, and so you assume a lot of business travel. Someone may, like you or me now, think, &#8220;Okay, I&#8217;m on the 6AM, maybe on the 7AM, or my meeting&#8217;s running late, so I&#8217;ll get on a later flight.&#8221; So, therefore, you get to make some assumptions on how many x-</p>

<p class="has-text-align-none"><strong>That&#8217;s really specific.</strong></p>

<p class="has-text-align-none">How much can you overbook this flight?</p>

<p class="has-text-align-none"><strong>This makes sense. So, if it&#8217;s like a bunch of families going to Orlando, it&#8217;s much less likely that they&#8217;re going to miss their flight.</strong></p>

<p class="has-text-align-none">Yes. So as a kid, I really didn&#8217;t pick up some of those consumer triggers as we would today, and I was assigned Dallas to Albuquerque. I didn&#8217;t really think much about it, but that was also when the hot air balloon festival was taking place. I did not calibrate accordingly, and we had a gigantic oversold problem because everyone showed up, because this is a big sojourn for many. I totally missed it.</p>

<p class="has-text-align-none"><strong>Yeah. There&#8217;s a takeoff time. You have to make it.</strong></p>

<p class="has-text-align-none">I missed that people were traveling and planning to go from Dallas to Albuquerque to make the flight, and they weren&#8217;t going to risk it like you and I might risk it if we are going for a business meeting or whatever it is. And so then you get into that oversold situation, and then you&#8217;re the one who&#8217;s figuring out how you are basically burning the profitability of this flight because you&#8217;re prompting people to get off a plane for a planned trip, which is very different now if you&#8217;re getting off for a business trip, for example.&nbsp;</p>

<p class="has-text-align-none">So yeah, that was it, and what was great about that job — and I was also right out of college — was that it was non-revenue travel, so you could fly for free in the places that were a low load factor. You could basically just pay for the taxes on it, so we would play gate roulette, and we would pick places that we could all go to. For the weekend, we went to Des Moines, to all kinds of weird places we wouldn&#8217;t plan.</p>

<p class="has-text-align-none"><strong>You never know where you&#8217;re going to go. I love a weird accidental travel trip, like you get stuck in Denver for 48 hours and you&#8217;re like, &#8220;I guess Denver. Sure. It&#8217;s got stuff. We&#8217;re going to Meow Wolf, I guess.&#8221;</strong></p>

<p class="has-text-align-none">But it was great, and my thing too is just wow, I had a front row seat to customer service and what that means.</p>

<p class="has-text-align-none"><strong>I bet they don&#8217;t do that anymore. I bet they don&#8217;t, because I read this, that they also were like, &#8220;And now you have to go and actually do the job of telling people that their flight is oversold.&#8221;</strong></p>

<p class="has-text-align-none">Yes. American Airlines was great about this. They had us go work at an airport, so I worked in Miami, which then all of a sudden, you&#8217;re like, &#8220;Hi, Hank. I see you&#8217;re a Super Whiz Bang traveler and you&#8217;re oversold, and I&#8217;m not going to get you on this flight.&#8221; And then you&#8217;re calling the people, and you&#8217;re like, &#8220;Oh, do me a solid. I got to get them on the flight.&#8221;&nbsp;</p>

<p class="has-text-align-none">So yeah, it was great. It was a reminder of customer service, everything matters. Decisions you make in one place have a real impact on other people, even if they&#8217;re invisible to you in the moment. It was a fantastic experience.</p>

<p class="has-text-align-none"><strong>Well, now you&#8217;re the CEO of Digitas, which is an advertising agency inside of an advertising agency inside of an advertising agency, as far as I can tell, something like that. Is that right?</strong></p>

<p class="has-text-align-none">Something like that, yes.</p>

<p class="has-text-align-none"><strong>[Laughs] And your parent company has been around for 100 years.</strong></p>

<p class="has-text-align-none">Next year is 100 years, yes.</p>

<p class="has-text-align-none"><strong>Wow. Oh wow. So that&#8217;s real. I was guessing.&nbsp;</strong></p>

<p class="has-text-align-none">No, it&#8217;s real. Next year is 100 years.</p>

<p class="has-text-align-none"><strong>My god. So I have to say, I don&#8217;t understand advertising, and I know that you also don&#8217;t, all the way, because what a mystery it all is to try and change people&#8217;s behavior with messages that are paid for. But I want you to explain something else that I have never understood, and I really want to know.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>So, you&#8217;ve told me about how overbooked flights work, so now help me with this. I&#8217;ve been part of the advertising industry for 20 years now because I make stuff and then I sell ads on that stuff. It feels like magic, though, how any of this works. I guess, how does it work? What are you doing?</strong></p>

<p class="has-text-align-none">That&#8217;s a big, wide question.</p>

<p class="has-text-align-none"><strong>How do you explain it? I don&#8217;t know. It feels like it&#8217;s all obvious and everybody&#8217;s seeing it all the time, but I&#8217;m in it and I still am very confused.</strong></p>

<p class="has-text-align-none">Yes. A couple of things. First, I would say there&#8217;s a bit of a reframe from advertising, like the <em>Mad Men</em> days, where you were in a room and you made a thing, and then you watched ABC, NBC, or CBS, and you saw this, or you saw a bus. Like in New York, it&#8217;s great to <a href="https://broadsign.com/blog/out-of-home-advertising/">go see the Out-of-Home ad</a> that was inside a bus, and those were the only things. We lived in a very static world.</p>

<p class="has-text-align-none"><strong>There&#8217;s so much now, it&#8217;s so fractured now, which I feel like maybe is good for you?</strong></p>

<p class="has-text-align-none">Well, so for me, Digitas is really a modern marketing agency versus an advertising agency, so that&#8217;s a shift — because the job is really building out a capability versus just the wallpaper you see. It’s so that I can figure out how much more I know about you through data, and I can magically surprise and delight Hank by understanding, &#8220;I think I can get Hank to do the one more thing.&#8221; Whether it&#8217;s buying a confectionery brand or booking a trip to wherever, I know a little bit about you because I&#8217;m picking up on the signals that you&#8217;re putting out there. Then I&#8217;m able to, one, create a relationship with you, but two, get you to do the thing that I think will make you better, faster, stronger. That&#8217;s how it works.</p>

<p class="has-text-align-none">In the past, like 100 years ago, it was much more static. You had a story, you saw a thing, and most people did that thing. Now, everyone is so distributed. You talk a lot about this in terms of distribution when you think about where you and Nilay speak. This is really about understanding how to make meaning around the machines. This is what has become very hard.&nbsp;</p>

<p class="has-text-align-none">So, if you are constantly just trying to win that algorithm, that gets hard unless you really stand for something in the world of AI. You need to actually make the market for yourself before you&#8217;re just trying to bid through terms to be able to beat the algorithms. It&#8217;s very difficult to do that. You have to really break through with real stories, but then you also have to be very smart about being in tune and picking up those signals to then say, &#8220;Okay, I see you. I see that you&#8217;re interested in something, and now I&#8217;m going to stay with you along that path to purchase or path to loyalty,&#8221; or whatever the job to be done is from the client.</p>

<p class="has-text-align-none"><strong>This sounds extremely personalized. You&#8217;re going for me specifically, you&#8217;re talking about my story and how you connect with Hank Green, which is wild. Of course, you&#8217;re not theoretically marketing to any individual, though with certain products, it feels like maybe you&#8217;re aiming for a total of 25 people who make decisions, but whatever.</strong></p>

<p class="has-text-align-none">Well, there are cohorts that exist that then enable us to do this in a scaled manner. It&#8217;s a very good question. That&#8217;s where the magic of media and creative come together, so I can start to understand that there&#8217;s a sizable group. I&#8217;m not going to be weird, and also, no one can afford to go find 25 people to be able to say, &#8220;Okay, how do I do a better job with first-time expectant moms? How do I become the brand of choice for first-time expectant parents?&#8221;&nbsp;</p>

<p class="has-text-align-none">That&#8217;s the way to think about it, and there are a lot of people — and we think about ages and stages — that are in similar spots to create these big frameworks. So then you can start using the power of all the data and technology that&#8217;s in the market to be able to fine-tune those messages to feel relevant to you.</p>

<p class="has-text-align-none"><strong>And follow me through that. Can I ask a YouTuber-specific question, and then I&#8217;m going to zoom back out?</strong></p>

<p class="has-text-align-none">Sure, please.</p>

<p class="has-text-align-none"><strong>So imagine that there are two ways to advertise, to show a 15-second spot, and one of those ways lets you target people with a ton of specificity, there are relatively fewer ads per minute of content. It&#8217;s newer, it&#8217;s a hipper place, it has higher-value demographics, and it has really good analytics for you.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>And then another place, you have no idea whether the people are watching the ads, the targeting is really broad. You&#8217;re often only able to hit people over 65 years old. Your ad&#8217;s going to be sandwiched between five other ads. Which one of those would you think would have a higher </strong><a href="https://advertising.amazon.com/library/guides/cost-per-mille"><strong>[cost-per-mille]</strong></a><strong>? Which one of those would you think I would be getting paid more for as a creator on that platform?</strong></p>

<p class="has-text-align-none">I would think that the first one.</p>

<p class="has-text-align-none"><strong>Yeah. And yet I feel as if, and correct me if I&#8217;m wrong, but I get paid less per advertisement (by a lot) than somebody who&#8217;s making content for cable TV.</strong></p>

<p class="has-text-align-none">I think this is where you get into the definition of, first of all, the way in. Did I find you on a creator platform, or did I find you because I went through and did a deal with one of these previously known as broadcast networks, or whatever? So now the entry point is much more around a media approach, versus I really want to find people who are into Hank. Those are two different ways in.</p>

<p class="has-text-align-none"><strong>I&#8217;m confused by the difference between those two things.</strong></p>

<p class="has-text-align-none">So, let&#8217;s say I want to do something on one of those major cable networks. I might go in because I&#8217;m going through the media partner that represents those assets that are on that cable network, and I&#8217;m going to do a media deal that also enables me to have access to one of their stars.&nbsp;</p>

<p class="has-text-align-none"><strong>Oh, really? It&#8217;s like part of a package deal, and one of those stars is like a Property Brother or something.</strong></p>

<p class="has-text-align-none">Yeah, potentially, and you&#8217;re leveraging your position to be able to then create a special integration for the brand they&#8217;re representing. That&#8217;s one way to do it. That&#8217;s a different value, that&#8217;s a different pricing mechanism than going into a creator platform, which is, for us, we have Influential, and I want to find someone who is very into someone like you.</p>

<p class="has-text-align-none"><strong>I&#8217;m talking about buying just on YouTube, like buying through YouTube.</strong></p>

<p class="has-text-align-none">Well, but the logic is a little similar in terms of how it happens, where YouTube is a whole different process in terms of the engagement model, on how you&#8217;re able to think about buying within that world.</p>

<p class="has-text-align-none"><strong>I&#8217;m going to act like a little baby and ask you to tell me what an engagement model is. I feel confused.</strong></p>

<p class="has-text-align-none">That means in terms of how I go out to the market and buy certain things. So if you&#8217;re asking about why one is more valuable than the other, the market controls what is priced at what level. Also, YouTube is very dynamic.&nbsp;</p>

<p class="has-text-align-none"><strong>Aren&#8217;t you the market? Aren&#8217;t you the buyer? So you determine what the prices are. You determine what you&#8217;re willing to pay, right?</strong></p>

<p class="has-text-align-none">Well, it&#8217;s a big market first of all.</p>

<p class="has-text-align-none"><strong>But you, the advertising industry. I would assume it&#8217;s worth more to you to advertise on TV than it is to advertise on YouTube per 15-second spot. I know that because you pay more for it. Why is it worth more to be on TV?</strong></p>

<p class="has-text-align-none"><strong>Do you think that the people in television are just better at selling you stuff? They work with you more, or it&#8217;s not an auction?</strong></p>

<p class="has-text-align-none">I think it&#8217;s just a different market. So that&#8217;s what I mean by engagement model. So the model is different in terms of how we are able to buy things from different partners, just like it&#8217;s different when you buy something at Walmart versus somewhere else.&nbsp;</p>

<p class="has-text-align-none">So, that&#8217;s why I&#8217;m saying the engagement model is different, and so biddable spaces are different. There&#8217;s so much more dynamic activity that&#8217;s happening on digitally native platforms versus some of the other ones, although they are starting to converge with the rise of [connected TV]. So you are seeing these worlds more blurred, but that doesn&#8217;t mean the commercial models have converged.</p>

<p class="has-text-align-none">The models and measurements for each of these are different, so there&#8217;s a little bit of making all of those things work together. Because they&#8217;re not exactly all the same, but some companies use certain analytic modeling that is also favorable for certain channels.&nbsp;</p>

<p class="has-text-align-none">So it&#8217;s not as simple as it seems, in terms of putting money in like it&#8217;s a calculator, and voila, this is what happens. That&#8217;s not how it works because they&#8217;re not all the same. Some are brand new. TikTok is relatively new versus some of these other partners you&#8217;re talking about, and so they&#8217;re all not exactly the same. Every impression isn&#8217;t the same, I guess, is the way to think of it, and they&#8217;re not all measured the same.</p>

<p class="has-text-align-none"><strong>For sure. Yeah. Well, that is a real mess, like how you measure an impression. Maybe we should get into this for a second: what do you think of a platform where everybody can skip the ad instantaneously and has been trained by the platform to skip the ad? So with all these swipeable platforms, there&#8217;s no ad that you hit that you can&#8217;t swipe away from. Does that pose even some kind of threat to you?&nbsp;</strong></p>

<p class="has-text-align-none"><strong>It&#8217;s wild. And then what you see on those platforms, what you get, is just a preponderance of ads for things that you can really tightly measure how much you spend versus how much you make. So it&#8217;s a very Home Shopping Network kind of experience.</strong></p>

<p class="has-text-align-none">Yes, it is a threat, or compare that to someone who is watching a more traditional experience, and they have their phone in front of them, so they&#8217;re passively paying attention.&nbsp; In one way, you&#8217;re actually legitimately measuring whether someone skips or not, if you think about it, versus if you&#8217;re like my mother&#8217;s phrase, &#8220;I leave my TV on for company.&#8221; That&#8217;s also a whole other thing that I don&#8217;t think we&#8217;ve talked about that exists.</p>

<p class="has-text-align-none"><strong>That&#8217;s an amazing thing that makes me feel like YouTube is a really valuable place to advertise. Not to rep my home base here. For an unskippable ad on YouTube or… YouTube reports whether or not someone skipped a skippable ad; you know that that person is there. They could mute their phone or their monitor or TV or whatever, but they aren&#8217;t probably for the most part. And maybe for some of those mid-roll ads, people could be in the other room, and they&#8217;re leaving YouTube on for company, just like they did with TV.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>But it just feels like, at this point, YouTube is TV, and it&#8217;s surprising. If I were an advertiser, I&#8217;d be like, &#8220;Why would I ever, ever — unless I was trying to reach a very specific demographic — go on TV, where it remains more expensive?&#8221;</strong></p>

<p class="has-text-align-none">It depends. If you&#8217;re in sports, that&#8217;s an interesting place. There are some moments that push you to not be on YouTube. I am a big fan of YouTube. Many of my clients love the YouTube experience. If you can search, shop, socialize, and have all of those things coexisting in one place, and it is the most watched thing that is horizontal in your living room.&nbsp;</p>

<p class="has-text-align-none">If I look at my 11-year-old, where they spend time, it’s watching Minecraft creators on YouTube in our living room, when I would have watched whatever show was on. So, I agree with you, but sometimes you&#8217;re not going to get things like the Super Bowl.</p>

<p class="has-text-align-none"><strong>For sure. Those things you can&#8217;t get, for sure. So help me understand what Digitas does, because I think that Digitas is a very interesting piece of the advertising industry. To really get down to the nuts and bolts, can you imagine for a moment that you are approached by a brand? They do about $10 million in business per year; they&#8217;re small. They donate all their profit to charity, and they sell a variety of products. The idea is they&#8217;re a store, maybe it’s </strong><a href="https://good.store/"><strong>Good.Store</strong></a><strong>. This is a thing that I run.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>So they have coffee and they have soap, and they&#8217;re to figure out how to do marketing. If they approached you and were like, &#8220;We&#8217;re going to go big. We&#8217;ve got some money. We&#8217;re going to try and get into this space,&#8221; what would Digitas do? What services would they provide? How would they start? How would we start working together? What does that look like?</strong></p>

<p class="has-text-align-none">Sure. So first, we would think about how we describe the value prop of this company. What is your right to win, and how do we start to tell our story?</p>

<p class="has-text-align-none"><strong>My right to win?</strong></p>

<p class="has-text-align-none">Yes. Why are you better than somebody else?</p>

<p class="has-text-align-none"><strong>That&#8217;s why you&#8217;re in this business. My right to win. I deserve your money. I deserve to destroy my competition.</strong></p>

<p class="has-text-align-none">[Laughs] Yes. So what is the single thing that these consumers are going to rush to your connected ecosystem to purchase and tell everyone about? So what do we stand for? How are we going to tell our story to the world? That’s part one.&nbsp;</p>

<p class="has-text-align-none">Second, how are we investing those dollars you might have to recruit and retain consumers? What makes sense? Are we spending all of our money on YouTube? It sounds like that&#8217;s what you would like to do.&nbsp;</p>

<p class="has-text-align-none"><strong>[Laughs] I&#8217;ve had success on a variety of platforms, but I don&#8217;t think that we&#8217;re going to hit HDTV anytime soon.</strong></p>

<p class="has-text-align-none">So then we think about how we are going to be able to both recruit and retain the consumers you want so that you can grow. Third, and I am guessing, but this feels like a very socially relevant type of organization, as well as the value prop you&#8217;re putting out there. We might want to have creators who are also loving this and want to make the market for you. That&#8217;s something we call “social as a system.”&nbsp;</p>

<p class="has-text-align-none">Now I&#8217;m going to go out and say, &#8220;We know that cat video makers and people that make cooking videos and travel videos, those that follow those types of creators are also going to want to come and buy something from our store, so we&#8217;re going to co-create with them so that they are then able to bring more understanding of our offering as well as eventually drive more sales,&#8221; as an example.&nbsp;</p>

<p class="has-text-align-none"><strong>It&#8217;s interesting, and I like this, that you talk about the role of marketing in the acquisition of a customer, but also the retention of that customer, which I completely agree with. I often find that when I&#8217;m working with marketing agencies, it&#8217;s very acquisition cost-focused and not thought about later. Retention is on us. We think about retention, and that&#8217;s not really integrated into our marketing strategy.</strong></p>

<p class="has-text-align-none">To me, I grew up on the 80/20 rule.&nbsp;</p>

<p class="has-text-align-none"><strong>In this context, what is the 80/20 rule?</strong></p>

<p class="has-text-align-none">That 80 percent of your sales come from 20% of your customer base. So, when you&#8217;re obsessed with acquisition, you might not be getting incremental value out of your core. You also might be losing them because you&#8217;re doing things to drive acquisition that may turn off your core audience. So you should be thinking about recruiting and retaining always as a way to think about creating your own brand flywheel.</p>

<p class="has-text-align-none"><strong>Well, thank you for my free consultation.</strong></p>

<p class="has-text-align-none"><br>[Laughs] No problem.</p>

<p class="has-text-align-none"><strong>So tell me about Digitas. I guess we should </strong><strong><em>Decoder</em></strong><strong> it. You&#8217;ve been here before, but how is Digitas structured?</strong></p>

<p class="has-text-align-none">Digitas is structured… We are a modern marketing agency. We have five different practices that work together to deliver what we call network experiences. That means, “How do I build experiences to be able to get Hank to move from like to love to loyalty with the brands that we represent?” The practices are creative experiences, integrated media, CRM, commerce, and social transformation. We are powered by data and analytics.</p>

<p class="has-text-align-none"><strong>Okay, I’ve got to make you define all those terms now.</strong></p>

<p class="has-text-align-none">So you asked me about creative experiences. You asked me about this mythical company. That means, what do I sound like? What do I look like? What are the types of creative that I need to be able to engage with the consumers? Integrated media: how am I able to take the money that you have to spend in media, and I&#8217;m going to tell you where to spend it.&nbsp;</p>

<p class="has-text-align-none">CRM, or customer relationship management — this is loyalty. How am I texting and sending you emails so that you do more things with me and like me even more? Commerce is about how I make sure that I&#8217;m showing up in easy and seamless ways for you to buy my things. And then the last one is social: how am I using creators? How am I showing up on social so I am making the market for myself?</p>

<p class="has-text-align-none"><strong>So Digitas refers to itself, describes itself, as a networked experience agency.</strong></p>

<p class="has-text-align-none">Yes.</p>

<p class="has-text-align-none"><strong>Again, I’ve got to ask you to define the terms. There are so many words in that order. I&#8217;m not quite sure. I think… actually, I&#8217;ve done a little research. So I think I know, but please tell me.&nbsp;</strong></p>

<p class="has-text-align-none">Sure. Networked experience is essentially how we&#8217;re delivering an experience around the consumer so that we earn our way into your networks. You can&#8217;t just put comms out there and put any communication out there and think that consumers are just going to take it. They&#8217;re very hard to find, and we are in an attention battle, so I have to earn my way in as a brand that you go to and you pay attention to.&nbsp;</p>

<p class="has-text-align-none">That comes from a combination of the things I talked about, which is: what I stand for. How am I going to, as a brand, make you faster, smarter, stronger? How am I going to find you in the places you&#8217;re spending your attention, whether you&#8217;re watching sports or whatever that is? And then how do I bring in some of those other services I talked about so that I&#8217;m continuing to drive growth for the brands we work with?</p>

<p class="has-text-align-none"><strong>So we have also noticed in our background research that things at Digitas are described as unicorns. Digitas AI is the unicorn of AI operating systems, and SWOT is run by our team of social unicorns. The headline on your careers page is “Unicorns welcome.” I was just talking to your colleague, and in the background, there was an inflatable unicorn.</strong></p>

<p class="has-text-align-none">[Laughs] Yes. So our people are unicorns, and the people power the offerings from Digitas.</p>

<p class="has-text-align-none"><strong>Part of this… It&#8217;s a weird thing. So Publicis has a bunch of different agencies inside of it, so I assume to some extent, you&#8217;re competing with your colleagues for business.</strong></p>

<p class="has-text-align-none">We are not competing with each other. So that&#8217;s a very good question.</p>

<p class="has-text-align-none"><strong>Does it ever feel like you are?</strong></p>

<p class="has-text-align-none">No, because the culture of Publicis Groupe is very much around, we have the promise of the power of one, which is what my boss&#8217;s boss&#8217;s boss says to our clients. What that means is we are committed to bringing the very best talent and solutions to clients, and those come from all different types of agencies, not just one agency. We&#8217;re not biased by the one agency perimeter. This is very true. This is not true for every holding company. This is very much the core of Publicis Groupe. Otherwise, it&#8217;s bad for clients. If I&#8217;m in a fight for revenue for me versus my sister agency, that&#8217;s just not good for clients. That&#8217;s a distraction.</p>

<p class="has-text-align-none">For me, Digitas, when we think about ourselves as unicorns, the culture of Digitas is we&#8217;re fearless, inventive, and generous, and our role is really finding those new inventive things that clients that come to us want and expect. That&#8217;s a little different than some of the places my sister agencies sit and where they focus on.</p>

<p class="has-text-align-none">So, I&#8217;ll give you an example. We worked with Reddit to build out their community insights AI product. This is something that we co-created with them, because we found so many of our strategic planners were coming in looking for unique insights around what&#8217;s going on on Reddit. How are people talking about these brands? What can we find that would help me understand my right to win? See, I used it again?</p>

<p class="has-text-align-none"><strong>[Laughs] Mm-hmm.</strong></p>

<p class="has-text-align-none">So then we said to Reddit, &#8220;Let&#8217;s make a product, because this is something that we can do more with.&#8221; That&#8217;s a little bit of the things that Digitas would do. Some of the other agencies may not focus on that, and then we build that into our value prop to clients. It also might be something that we give to other clients through the power of one model.</p>

<p class="has-text-align-none"><strong>Sure. And can you explain that product to me? So, if I have a brand, if I sell candy, is Reddit providing you reports of the buzz of communication of what&#8217;s going on with M&amp;Ms or whatever?</strong></p>

<p class="has-text-align-none">That&#8217;s exactly right, and it&#8217;s basically what I can learn from the chatter on Reddit that bubbles up into insights, so I can learn something that may not be expected but is showing up there. Reddit is the gossip channel of the internet.</p>

<p class="has-text-align-none"><strong>A lot of it, yeah.&nbsp;</strong></p>

<p class="has-text-align-none">And so this is a place for you to be able to look for those insights that might be the edges that then help you break through for that confectionery brand, for example.</p>

<p class="has-text-align-none"><strong>And then you can do a Harry Styles-flavored Oreo, because that&#8217;s what everybody wants.&nbsp;</strong></p>

<p class="has-text-align-none">Exactly. I&#8217;ll give you a real example. When we were working on Rivian, we were pitching their business, and Rivian is one of the most talked-about auto brands on Reddit. You [wouldn’t] think that just because they&#8217;re an EV and they&#8217;re not as giant as some of the other brands you might think of, but because the core of Reddit is really quite tech-oriented, or the original power users of Reddit, it makes sense.&nbsp;</p>

<p class="has-text-align-none"><strong>A first adopter place.</strong></p>

<p class="has-text-align-none">Yeah. This is a place for Rivian. You may not spend more money on Reddit. You may spend more money on other places because they&#8217;re trying to get moms to buy their product, so don&#8217;t fish where you already have won the people. This is your recruit and retain story.</p>

<p class="has-text-align-none"><strong>Interesting.</strong></p>

<p class="has-text-align-none">So that was an example. And so we had a couple of those come our way, and then we said to Reddit, &#8220;Hey, we think this could be a really interesting product for us to build together so that we can get to these insights faster for our clients.&#8221;</p>

<p class="has-text-align-none"><strong>Have you thought about doing that with other platforms? Twitter, YouTube? It seems like there&#8217;s a lot of insight, a lot of what happens in comments and various places.</strong></p>

<p class="has-text-align-none">We have different engagement models and products with different partners. Four years ago, we built the TikTok community commerce effort. This was really before TikTok understood the power or potential of TikTok Shops.</p>

<p class="has-text-align-none"><strong>Oh, I think they understood it.&nbsp;</strong></p>

<p class="has-text-align-none">In the US, this is a US story. So what does that mean if a brand wants to do something on TikTok Shops? What do they need? What does TikTok need to do? What do I, as a brand, need to do to be able to stand that up, etc.?</p>

<p class="has-text-align-none">So we worked with them to build that out, and then part of it is being able to get the connection so that you&#8217;re able to understand what&#8217;s possible, and also, is it moving? What insights are driving that assortment I should be selling on TikTok shops, for example?</p>

<p class="has-text-align-none"><strong>And is that a revenue generator for Reddit? Are you paying for that insight?&nbsp;</strong></p>

<p class="has-text-align-none">No, it&#8217;s not something like that. It&#8217;s more like the more you use a product like that, the more partners want to do more things with Reddit. Whether it&#8217;s more media investment or more content, they&#8217;re creating content specific to Reddit. So think of it as more of a lead-gen opportunity for Reddit.</p>

<p class="has-text-align-none"><strong>Right. And that&#8217;s something that you helped Reddit build internally?</strong></p>

<p class="has-text-align-none">Yes, we helped them on the product roadmap.</p>

<p class="has-text-align-none"><strong>Interesting. Weird. We&#8217;re talking about AI. We&#8217;re talking about AI. Everybody&#8217;s talking about AI. We&#8217;ve brought up AI several times already.</strong></p>

<p class="has-text-align-none">Yes.</p>

<p class="has-text-align-none"><strong>I don&#8217;t know. First, is there a threat there? Is there a world where a lot of this work is just being done by machines?</strong></p>

<p class="has-text-align-none">This is the big hot topic in my industry, and of course, there is a threat that there is a CMO who decides they&#8217;re just going to pick an AI partner and dump everything into that, and let the robots take over. But I think we&#8217;ve also determined that humans matter. Humans matter to be able to come up with actual creative ideas, not just content. It also matters when you think about brand governance and brand safety.&nbsp;</p>

<p class="has-text-align-none">When you think about AI for creative, and if you&#8217;re familiar with programmatic and the amount of brand safety that&#8217;s required to make sure that you are putting content in the right areas, all of that is even more important. So there&#8217;s governance that&#8217;s required so that the brand is holding up to the integrity of what the brand should be and what it stands for, and that&#8217;s still humans that need to be able to do that.</p>

<p class="has-text-align-none">To me, the future is around how these things work together. As you mentioned, Digitas AI, for me, we&#8217;ve been working on that for two years, and it really is about how we create agents to minimize low-value activity that our clients don&#8217;t care about, but we need to do. So then you&#8217;re freeing up your time to do things that are human-based and more strategic, and that&#8217;s more valuable to them.</p>

<p class="has-text-align-none">So, like reporting, pulling a report. Sure, we did the report, great. The insights around the report come from your brain, so let&#8217;s make sure that, whether it&#8217;s through automation or it&#8217;s through AI agents, we are able to get to that level of output, but then be able to take the brand and our clients to the next place they should be based on what we&#8217;ve learned from this assessment because we&#8217;ve done that much faster.</p>

<p class="has-text-align-none"><strong>I don&#8217;t know, I&#8217;m of the opinion that this transition happens more slowly than we might expect it otherwise would, because people have relationships with people, and ultimately, Digitas, an advertising agency, might be able to introduce some efficiencies.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>But ultimately, a lot of what I would be paying for if Good.Store was working with Digitas, would be someone whom I trust. [Someone] who can explain the choices that are being made with my money, and then start from a place of a little bit of trust and work toward a lot of trust.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>I guess I could probably develop that with an AI agent at some point, but I feel as if that is going to take a lot of time. And a lot of CMOs… I don&#8217;t know, you let me know, but maybe they’re not actually the most innovative thinkers? I&#8217;m sorry, I feel mean saying that.</strong></p>

<p class="has-text-align-none">No, no, I think it is a people business. Clients call me because they say, &#8220;I don&#8217;t know what to do. What should I do?&#8221; And that sometimes is a technical question, and to your point, CMOs need to now be full-stack operators, and that means you now need to be technically advanced to be able to choose between all these AI products that are coming at you, which is not really the core of most of them.&nbsp;</p>

<p class="has-text-align-none">It&#8217;s not that they can&#8217;t get there. It&#8217;s just that they don&#8217;t have a new team as well as that. That&#8217;s a full other day job to be able to determine all of that and the modern tech stack. The promise of it is great, not to mention that brand managers aren&#8217;t trained in business school to figure out how to use the Adobe or Salesforce AI products.</p>

<p class="has-text-align-none">So, let&#8217;s pretend everything turns over. Then all of a sudden, they graduate and they suddenly get out of business school or whatever, and they go to CPG XYZ. They don&#8217;t know how to use that. They don&#8217;t know how to use Adobe Journey Manager. It gets very technical very fast, and it&#8217;s important because we want to have — where we started the call — greater personalization.&nbsp;</p>

<p class="has-text-align-none">You&#8217;re a busy person, so I would hope the communications I send you are more on par with what you need versus waste, but that doesn&#8217;t mean we don&#8217;t need to thoughtfully think about the brand, what it stands for, what you want to engage with through culture, or what you don&#8217;t. What kind of new products you want to make, that takes time. And so I agree with you. I think it&#8217;s an important thing to bring into the fold, but I don&#8217;t see it completely just collapsing in the next quarter.</p>

<p class="has-text-align-none"><strong>Can I hit you with an assumption, and you can tell me where my assumption lies in your view of the world? There&#8217;s this narrative that this has all gotten really hard for advertising agencies because it&#8217;s very fractured, and there&#8217;s so much more data. So instead of vibing and being like, &#8220;Well, this is the kind of advertisement that would resonate with me, so maybe it&#8217;s going to resonate with other people,&#8221; that has made it much more difficult for advertising agencies.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>But I think that while that might be true, my assumption is that this is better for advertising agencies because when things are more complicated, people are more likely to need a partner who understands that world rather than trying to figure it all out themselves.</strong></p>

<p class="has-text-align-none">So, two things: it&#8217;s an exciting time to be in an agency because all of the complexity enables us to see what actually worked, because we have so much data. At the core of Digitas is data and analytics. It was born to compete with the more traditional creative agencies that were just making ads for TV, and it was born on the promise of direct marketing. If I know more about you, I can think about what I should be sending to your house.&nbsp;</p>

<p class="has-text-align-none">Now, when you think about what&#8217;s happening, it&#8217;s like I can tell you, no, no, no. Your question earlier was, “Did this perform? Is my investment in YouTube performing harder than my investment in other places?” When we think about closed-loop measurement, I can pretty much start to figure out what&#8217;s working and what isn&#8217;t. So that&#8217;s pretty exciting, and if you&#8217;re okay with following the data versus wanting to put out things you think are cool, you&#8217;re in the right business. And I think that&#8217;s a change in the market where you need big ideas, but the ability to be humble to say, &#8220;Well, that didn&#8217;t work,&#8221; and we need to do something else faster.</p>

<p class="has-text-align-none"><strong>I do not know you, but do you feel like on the scale of quant to creative, that you are more in the quant part?</strong></p>

<p class="has-text-align-none">I&#8217;m a quant. My dad was a physicist.</p>

<p class="has-text-align-none"><strong>Okay.</strong></p>

<p class="has-text-align-none">Yeah, I&#8217;m a quant. I don&#8217;t know. I grew up in finance as an analyst and in yield management.&nbsp;</p>

<p class="has-text-align-none"><strong>But then you&#8217;re managing a lot of creative people.</strong></p>

<p class="has-text-align-none">Sure.</p>

<p class="has-text-align-none"><strong>How does that go? Is that ever a source of friction and conflict?</strong></p>

<p class="has-text-align-none">No, because the business is really about balancing art and science. So the founder that I worked for at an agency that was eventually acquired by Omnicom, he would say, &#8220;There are people who are linear thinkers and gut thinkers. Know the difference, and you need to be able to walk right down the middle.&#8221;&nbsp;</p>

<p class="has-text-align-none">So if you&#8217;re always leaning on the data, you may do nothing that&#8217;s very interesting perhaps, but if you&#8217;re always focused on that gut feeling of &#8220;I think this is cool,&#8221; that may not be the thing that breaks through. You have to be able to harness both to really do something that&#8217;s going to deliver breakthrough thinking and growth.</p>

<p class="has-text-align-none"><strong>The nice thing about being a creator in this day and age is that you can make something and then get direct feedback from an audience very quickly, and I assume that that is also the case for the creators who work for Digitas, making things with brands.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>I wanted to ask also, so there&#8217;s Publicis and there&#8217;s Omnicom, which are two giants in this space, and there&#8217;s a ton of smaller agencies that they now have gobbled up, and they&#8217;re part of them. When you get down to it, it&#8217;s basically just two very large companies controlling a lot of this world. What else is the competition for y&#8217;all?</strong></p>

<p class="has-text-align-none">The competition is wider than what I&#8217;ll call the holding companies, or holdcos, you&#8217;ve identified. So there&#8217;s Publicis, there&#8217;s Omnicom, there&#8217;s WPP, there&#8217;s a handful of them. I think there are about six that you would look at in terms of holdcos, then there are many independents that come in with a point solution that are fantastic at creative product, or they&#8217;re fantastic at CRM, and there are many of those that may be part of a holding company or are more independent.</p>

<p class="has-text-align-none"><strong>What is the advantage of the holding company? Can you articulate?</strong></p>

<p class="has-text-align-none">Scale.&nbsp;</p>

<p class="has-text-align-none"><strong>So what&#8217;s the scale advantage? Just having HR and finance?</strong></p>

<p class="has-text-align-none">No, it&#8217;s like that Reddit example because they&#8217;re a gigantic partner of ours, so I&#8217;m able to work with them because we are a scaled partner, and I&#8217;m able to make things because of that scale. That is really important.</p>

<p class="has-text-align-none">So in my world, if I don&#8217;t have that and a client calls me and says, &#8220;I want sports consulting,&#8221; that is not what we do. I can say, &#8220;Great, I can call Agency X, and I&#8217;m going to bring my friends into this session. They&#8217;re trusted partners.&#8221; I brief them, it&#8217;s much faster for the client. They don&#8217;t have to worry about all the other things.</p>

<p class="has-text-align-none"><strong>This is such a complicated and multifaceted world with so much expertise necessary. It sounds like it would be very difficult to compete as a smaller agency.</strong></p>

<p class="has-text-align-none">You need to be very good to compete as a small agency, and if you&#8217;re very good, you can do well because most scaled clients also have determined a partner that&#8217;s large that can do the big things like media, your media partner, so then that enables some of these smaller players to come in and out because someone else has solved the big infrastructure need in the marketing world.</p>

<p class="has-text-align-none"><strong>Okay, last question, maybe a bit of a biggie. So I was listening to the last time you were talking to Nilay, and you talked last year about advertising being a thing that usually runs with some other kind of media, so it runs against a YouTube video, against a TV show, against a print magazine.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>I think we’re in a transitional moment, a bit of a crisis moment for media. I think media is getting passed over by Google. Those page views aren&#8217;t coming in because there are a lot of different ways that Google is eating up that traffic. [Journalism] has had its revenue eaten by platforms like Facebook and Google; that’s been going on for decades now. So, where does advertising go when there isn&#8217;t any media left for it to be placed upon?</strong></p>

<p class="has-text-align-none">Every brand has a different version of this depending on how they-</p>

<p class="has-text-align-none"><strong>Every brand, like a partner, like someone you&#8217;re partnering with?</strong></p>

<p class="has-text-align-none">Yeah, think of a retailer versus a packaged good brand versus a travel partner. Some of them are more dependent on paid than others. So if you&#8217;re a brand today, you have to really be thinking about how you get closer to my consumers so that I can act as a brand, as a publisher.&nbsp;</p>

<p class="has-text-align-none">So think about certain brands that you might&#8217;ve downloaded their app, and they&#8217;re already in your phone. You already have a relationship with that brand, and therefore, I&#8217;m not as dependent on investing more dollars in Meta or Google or whoever, because I have you already. I&#8217;ve won the battle of the storefront on your phone.</p>

<p class="has-text-align-none"><strong>Gotcha. That is a battle.</strong></p>

<p class="has-text-align-none">Especially in the world of search and AI, this is an interesting thing when you&#8217;re watching that shift. You, as a brand, really have to be the answer for something. So then I know, “Oh, this brand is the answer for this, and then how they&#8217;re going to help me be a better runner, how they&#8217;re helping me to be a better parent.” I&#8217;m not dependent on what is fed to me through search platforms, and I&#8217;m going to make that decision: “Oh, I know that this brand is going to be my brand.&#8221;&nbsp;</p>

<p class="has-text-align-none">You&#8217;re probably thinking of certain brands you just automatically go to, and you need to be able to figure out how you&#8217;re balancing out your need for paid to basically engage with those that are your fans, and then you keep them to be your superfans.</p>

<p class="has-text-align-none"><strong>What you just described is making content, right?</strong></p>

<p class="has-text-align-none">Content distribution. Brands need to be content distribution systems to be able to play within and outside.</p>

<p class="has-text-align-none"><strong>Do you think that the bigger part of that will be partnering with influencers and creators and stuff?</strong></p>

<p class="has-text-align-none">I do.</p>

<p class="has-text-align-none"><strong>Or will it be themselves as the internal content creation?</strong></p>

<p class="has-text-align-none">I think that creator collabs are a must for modern brands. Bringing creators in is like bringing in a series of best friends. We all follow creators who feel like they&#8217;re your friend, and then all of a sudden, you&#8217;re believing them.</p>

<p class="has-text-align-none"><strong>But even that is very fractional. It&#8217;s not like there&#8217;s a Michael Jordan anymore. If you&#8217;re working with creators on Instagram… In a market that I&#8217;m super interested in, like science communicators, there might be somebody who has 100,000 or 500,000 followers that I have never heard of, and that&#8217;s my business. So it&#8217;s crazy how much work that can be, and I assume that you&#8217;ve acquired or built a big thing like that internally.</strong></p>

<p class="has-text-align-none">Yes. We first acquired Influential and then Captivate. This enables us to have access to 15 million creators globally. And so then that enables you to quickly find these micro-influencers or creators, whatever language you want to use. We had a lot of debate about this the last time I was on.</p>

<p class="has-text-align-none"><strong>Yeah, actually, I wanted to ask you about that.</strong></p>

<p class="has-text-align-none">Yeah, my position is the same. Every time I hear it and I see a client brief, it&#8217;s wildly “is it a creator? Is it an influencer?” I would say creators don&#8217;t want to be treated as influencers, but they all really want to be Hollywood stars eventually, so it is still a very interesting, fluid space. It hasn&#8217;t changed incidentally.</p>

<p class="has-text-align-none"><strong>[Laughs] I&#8217;ll push back against that. So “influencer” is a big pet peeve of mine, and I have appreciated that you don&#8217;t default to that term. And I think that there are definitely people who are influencers. I think that we may use that [label] differently, though. What I hear you say, influencer tends to mean that it&#8217;s a person with a larger following.</strong></p>

<p class="has-text-align-none">Yes.</p>

<p class="has-text-align-none"><strong>Is that how you consider it?</strong></p>

<p class="has-text-align-none">That&#8217;s how I consider it, and to me, the future is collaborating with creators big and small. Your brand has to show up with a place and a point of view so that the creator feels connected to it authentically, and then you co-create what makes sense. And then the community can feed back on how I should make the next product extension. What is that thing that I should be doing? The community is fantastic at feeding your pipeline, and I think the more you have a fluid relationship with creators, the more you will be successful, because consumers see themselves in creators before they see themselves in a brand.</p>

<p class="has-text-align-none"><strong>Agreed, yes. This is why creators are creating brands, because it&#8217;s easier to draw the line for your audience from, &#8220;This is me to this is the thing I made,&#8221; than it is from, &#8220;This is me to this is the thing someone else made that I like.&#8221;</strong></p>

<p class="has-text-align-none">Yes. But then I think some creators, that&#8217;s their hope and dream is to create a brand, but also you get into supply chain dynamics and distribution.</p>

<p class="has-text-align-none"><strong>Oh yeah, it&#8217;s hard.</strong></p>

<p class="has-text-align-none">It gets hard. It sounds great, but it&#8217;s hard.</p>

<p class="has-text-align-none"><strong>No, it is. It&#8217;s not something I would have gotten into if I hadn&#8217;t had 15 years of messing around in this space before.</strong></p>

<p class="has-text-align-none">Of course.</p>

<p class="has-text-align-none"><strong>I&#8217;ll hit you with my influencer definition, which is that the reason I don&#8217;t like it is because it defines my job as what I do for you rather than what I do for my audience. So my job isn&#8217;t to influence my audience. My job is to make things that they will like, and then I am paid to influence them by companies sometimes.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>So my job isn&#8217;t influencer, my job is a creator, but absolutely, I see that the job that I do when someone buys a brand deal on Hank&#8217;s channel, the job that I do for that person is influencing. But the job that I do for my audience is delighting and educating and having a good time, and giving them something that they&#8217;re part of and having fun with.</strong></p>

<p class="has-text-align-none">Yeah, I love that distinction. I&#8217;m going to steal it.</p>

<p class="has-text-align-none"><strong>Great. This is the whole reason I agreed to do this for Nilay, so that that would happen.</strong></p>

<p class="has-text-align-none">I&#8217;m starting today. But I would say that one of the main reasons I stay away from using the word influencer is when I watch my daughter, who&#8217;s in college, react, she&#8217;s like, &#8220;Ugh.&#8221; She can tell.</p>

<p class="has-text-align-none"><strong>Right. Well, that&#8217;s the good thing, is that the people whose whole job is working for marketing companies, they&#8217;re not making very authentic content.</strong></p>

<p class="has-text-align-none">Right. So I don&#8217;t love the influencer concept. I like the idea of creators informing, and again, being a brand&#8217;s best friend and saying, &#8220;Hey, maybe you should do this.&#8221; That&#8217;s how I think of creators and how I counsel our brands, and how creators are a meaningful part of almost their marketing organization, really.</p>

<p class="has-text-align-none"><strong>Okay, last last question. Is advertising getting easier or harder right now?</strong></p>

<p class="has-text-align-none">I think it&#8217;s the same.</p>

<p class="has-text-align-none"><strong>Okay. That is the hottest take I could have imagined you having. Everything feels like it&#8217;s changing so much right now.</strong></p>

<p class="has-text-align-none">Right, but it&#8217;s always been changing, and here&#8217;s why I think it&#8217;s the same. My orientation is around: did this drive my client&#8217;s business? So if that&#8217;s always been your orientation and you&#8217;re using the data to say: did this sell more things, did I recruit more consumers in? It&#8217;s the same. If you&#8217;re holding on to what you think it used to be, which is that we&#8217;re setting culture, everyone will do exactly what we want them to do, then it&#8217;s really hard.&nbsp;</p>

<p class="has-text-align-none">Again, I&#8217;m a quant. The founder that I work for picked people who weren&#8217;t really marketing and advertising people, and he trained all of us to have a consulting point of view. The only thing that matters is if you&#8217;re surprising and delighting consumers and if they&#8217;re buying more things, so if that&#8217;s always been your North Star, it&#8217;s the same.</p>

<p class="has-text-align-none"><strong>Well, but is it not harder to get people to buy more things? I guess not. People are buying.&nbsp;</strong></p>

<p class="has-text-align-none">So what&#8217;s harder now is determining what the single source of truth is and how you measure that. That&#8217;s hard because there are a lot of new ways to get to that same North Star.</p>

<p class="has-text-align-none"><strong>Do you mean the truth in terms of the message you&#8217;re getting to consumers?</strong></p>

<p class="has-text-align-none">No. When you think about all the different data and tech partners, everyone comes in with, &#8220;It did this, it did that, it did this, it did that.&#8221; And to our previous commentary on different media partners and how they measure things, it&#8217;s not all the same, so getting to the single point of truth is hard.</p>

<p class="has-text-align-none"><strong>That&#8217;s got to be so frustrating.</strong></p>

<p class="has-text-align-none">That part is hard.</p>

<p class="has-text-align-none"><strong>Who&#8217;s the worst at it? Who do you trust the least with their data that they show you in terms of how your answers might-</strong></p>

<p class="has-text-align-none">[Laughs] I can&#8217;t. I&#8217;ll get in trouble if I answer that.</p>

<p class="has-text-align-none"><strong>Okay. But there&#8217;s somebody in there?</strong></p>

<p class="has-text-align-none">Of course. And my thing is that you can&#8217;t trust any of them. You need a healthy, unbiased partner to look across to be able to really have the right point of view on what happened in the market. And again, sales matter. Sales are a pretty good outcome of “Did we sell more things?”</p>

<p class="has-text-align-none"><strong>That&#8217;s the easy one.</strong></p>

<p class="has-text-align-none">Versus brand favorability or some of these other loose things that do matter, but can be a little squishy.</p>

<p class="has-text-align-none"><strong>Yep. Yeah, I wish there were more brand-favorable advertising in my world. I feel like I&#8217;m really sales-focused. The partners that I work with are very much like, &#8220;I don&#8217;t really care how you did. As long as we made more money than it cost us to advertise with you, that&#8217;s all we care about,&#8221; which is understandable, but sometimes I just wish I could have a big old Toyota sponsorship or something.</strong></p>

<p class="has-text-align-none">Well, brands need both. You need to be thinking fast and slow, because if everything is focused on, &#8220;Buy now, do this,&#8221; then you don&#8217;t remember that brand. So you do need to create these emotional structures with consumers.</p>

<p class="has-text-align-none"><strong>Well, keep me in mind, that&#8217;s all I&#8217;ll say.</strong></p>

<p class="has-text-align-none">I&#8217;ll keep you in mind.</p>

<p class="has-text-align-none"><strong>I&#8217;ve got a whole company of educational media. It&#8217;s very brand safe, good people doing interesting things. A big halo around it. You can help make the world better. Just advertise with Complexly.</strong></p>

<p class="has-text-align-none">All right. I&#8217;m into it. Send me your stuff, okay?</p>

<p class="has-text-align-none"><strong>Oh, well, of course. All right, Amy, thank you so much. For coming on </strong><strong><em>Decoder</em></strong><strong>.</strong></p>

<p class="has-text-align-none">Absolutely.</p>

<p class="has-text-align-none"><strong>I learned so much.</strong></p>

<p class="has-text-align-none">It was great. Thanks for having me.</p>

<p class="has-text-align-none"><em><sub>Questions or comments about this episode? Hit us up at decoder@theverge.com. We really do read every email!</sub></em></p>

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			<entry>
			
			<author>
				<name>Hank Green</name>
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			<title type="html"><![CDATA[Sal Khan is hopeful that AI won’t destroy education]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/decoder-podcast-with-nilay-patel/766082/khan-academy-ceo-sal-khan-ai-education-schoolhouse-hank-green-interview" />
			<id>https://www.theverge.com/?p=766082</id>
			<updated>2025-09-08T08:10:34-04:00</updated>
			<published>2025-09-08T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Decoder" /><category scheme="https://www.theverge.com" term="OpenAI" /><category scheme="https://www.theverge.com" term="Podcasts" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[Hello, and welcome to Decoder! This is Hank Green, cofounder of Complexly, where we make SciShow, Crash Course, and a bunch of other educational YouTube channels. I’m also an author, a TikToker, and what you might call a poster — you might have seen my face on the internet over the years. You might also [&#8230;]]]></summary>
			
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<p class="has-drop-cap has-text-align-none">Hello, and welcome to <em>Decoder</em>! This is Hank Green, cofounder of Complexly, where we make <em>SciShow</em>, <em>Crash Course</em>, and a bunch of other educational YouTube channels. I’m also an author, a TikToker, and what you might call a poster — you might have seen my face on the internet over the years.</p>

<p class="has-text-align-none">You might also remember last year when I <a href="https://www.theverge.com/24087834/hank-green-decoder-podcast-google-youtube-web-media-platforms-distribution-future">turned the tables on Nilay</a> and interviewed him on his own show, because what better <em>Decoder</em> guest than Nilay Patel? That was a ton of fun, and it was so much fun that they’ve brought me back again. This time, I’m stepping in for Nilay to host a few <em>Decoder</em> episodes while he’s out on parental leave. And because I cannot interview Nilay — that would defeat the whole purpose — I instead found some really great people to bring on the show to have conversations with.</p>

<div class="wp-block-vox-media-highlight vox-media-highlight"><img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/24792604/The_Verge_Decoder_Tileart.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="" data-portal-copyright="" />


<p>Listen to <em>Decoder</em>, a show hosted by <em>The Verge</em>’s Nilay Patel about big ideas — and other problems.&nbsp;Subscribe&nbsp;<a href="https://podcasts.apple.com/us/podcast/welcome-to-decoder/id1011668648?i=1000496212371&amp;itsct=podcast_box&amp;itscg=30200&amp;ls=1&amp;at=1001l7uV&amp;ct=verge091322">here</a>!</p>
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<p class="has-text-align-none">Today, I’m talking with a very special guest — someone who I’ve known for quite a while as what you might call a colleague in the online education community: Sal Khan, the founder and CEO of Khan Academy. Sal was actually Nilay’s <a href="https://www.theverge.com/21570482/remote-learning-khan-academy-interview-decoder-podcast">second guest on <em>Decoder</em></a>, back in 2020. And, well… a whole lot has changed since then.&nbsp;</p>

<p class="has-text-align-none">You’ve probably heard the name Khan Academy by now. The company was officially founded in 2008, but Sal actually <a href="https://support.khanacademy.org/hc/en-us/articles/202483180-What-is-the-history-of-Khan-Academy">posted his first educational videos on his YouTube account</a> in 2006, just a year after YouTube was created. He even beat <a href="https://www.youtube.com/watch?v=vtyXbTHKhI0">my brother John and I</a> by about a year to his very first YouTube upload — so that’s impressive.</p>

<p class="has-text-align-none">Sal has been around for a long time. He’s seen the growth of the online video ecosystem, alongside the online education industry, up close for nearly two decades. That’s precisely why I wanted to have him back on the show: I wanted to ask Sal not just what it’s like running Khan Academy, one of the biggest and most well-funded educational nonprofits in the world, in the aftermath of the covid-19 pandemic, but also how it’s about to change due to artificial intelligence.&nbsp;</p>

<p class="has-text-align-none">I’ve been thinking about the intersection of AI and education pretty deeply for a few years now. And as we’re coming up on the three-year anniversary of ChatGPT’s launch, it’s something that has me equal parts fascinated and terrified, especially because it seems like it’s moving awfully quickly, and we’re only just starting to really grapple with the effects of this technology on the classroom.&nbsp;</p>

<p class="has-text-align-none">I think you’ll find some really surprising answers from Sal on these very hard questions, and I hope you’ll learn a lot, too. I know I did.&nbsp;</p>

<p class="has-text-align-none">Okay: Khan Academy CEO Sal Khan. Here we go.</p>

<iframe frameborder="0" height="200" src="https://playlist.megaphone.fm?e=VMP5455064511" width="100%"></iframe>

<p class="has-text-align-none"><em>This interview has been lightly edited for length and clarity.&nbsp;</em></p>

<p class="has-text-align-none"><strong>Sal Khan, you are the founder and CEO of Khan Academy. Welcome back to </strong><strong><em>Decoder</em></strong><strong>. I am so happy that I get to talk to you, and the only thing that I&#8217;m not happy about is that I don&#8217;t get to do it for three hours because I feel like there&#8217;s so much I want to ask.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>I think that people probably have heard of Khan Academy because now it has been around for a very long time at different moments of its history, or they’ve interacted with it in different moments of its history. Can you just give us a look at what Khan Academy is in 2025, which might be somewhat different from a video that someone watched at some point? I think people don&#8217;t know how big you are, basically.</strong></p>

<p class="has-text-align-none">Oh, yeah. In some ways, the true north of Khan Academy has been surprisingly consistent. But yes, the way people might perceive it has maybe changed. If you were to go back 15 to 20 years, people might associate it with math videos that some guy made for his cousin. And today, I mean, we still have videos and things like that, but our true north has always been how we can leverage technology to scale up what we think world-class education could look like. </p>

<p class="has-text-align-none">Our mission statement as a nonprofit is to provide free world-class education for anyone, anywhere, and these are ideas like personalization or mastery learning. People should be able to practice and get feedback as much as possible. So over the years, most of our resources have actually been on our software platform, which is free, available for everyone, and philanthropically supported. Today, just to give you a snapshot, we&#8217;re in 50-plus languages.</p>

<p class="has-text-align-none">I think the latest number is 180-something million registered users. I think the big push that&#8217;s very different from where we were 15 years ago is that we do a lot of formal partnerships with school districts. We started off as a very direct-to-consumer thing, which we still do, but we realized if we really want to move the dial for real students everywhere, we have to work with their school districts. We have all these efficacy studies showing how it can improve their outcomes, but it really needs to be in a classroom setting for most students for it to work.</p>

<p class="has-text-align-none"><strong>This is wild because I chose the exact opposite. I was like, &#8220;Okay, we make YouTube videos for people that help them learn, and if people want to use them, they can use them. But man, do I not want to get involved with the process of selling something to a school board or dealing with administrators.&#8221;</strong></p>

<p class="has-text-align-none"><strong>How did you start to take that on? I mean, trust me as a person who&#8217;s dabbled in it a little bit, it&#8217;s a different business than building a tech product or making a YouTube video to actually get in there and interface with the bureaucracy a little bit. That is, I mean, I agree with you. I think that Complexly would be a more impactful organization if we did that, but we have chosen the path of personal joy to not have to do it.</strong></p>

<p class="has-text-align-none">Yes. And I had some similar feelings, and I had other thoughtful people give me even more of those feelings. It&#8217;s like, &#8220;Are you sure you want to do this?&#8221; But the reality is, and this is what I found very promising about our structure, that our philanthropists who were donating to Khan Academy, and our board, really were nudging us in this direction. They were saying, &#8220;Look,&#8221; and the first nudge was, &#8220;Okay, you&#8217;re popular. A lot of people are using you, but how do we know it&#8217;s working?” And so we started running all these efficacy studies.</p>

<p class="has-text-align-none">Well, look, it works, and  it works more than the videos. The videos are part of it, but when students practice at their own pace, and in the studies, we see if they&#8217;re even able to put in 18 hours over a whole year, which is not that much over a year, these kids are accelerating by 30 to 50 percent. There have been 50 or more studies like that.</p>

<p class="has-text-align-none">But then our board and the philanthropists said, &#8220;Okay, well, that&#8217;s nice. It works and you have a way to get to scale, and you have a lot of teachers already using you, but how do you make sure all students are able to use you?&#8221; That&#8217;s when the answer became school districts. So, we went to school districts and they said, &#8220;Well, to use systemically, you’ve got to give us support, training, integration with our rostering systems, and district-level dashboards. You have to meet all the accessibility guidelines.&#8221; That&#8217;s when we said, &#8220;Okay, if we&#8217;re serious about moving the dial at a state, national, or global level, we have to build this ground game.&#8221; So we&#8217;ve been doing it for about seven years. But, in my mind, it’s gone better than I expected.</p>

<p class="has-text-align-none"><strong>Really? I mean, it&#8217;s gone very well, but I guess that&#8217;s true of me as well. It does feel that there was a gap waiting to be filled, a little bit. What kind of organization do you think you are? You&#8217;re not really a content company. Do you think you&#8217;re a tech company? Are you an education tech company? How do you think of Khan Academy?</strong></p>

<p class="has-text-align-none">So, the way I&#8217;ve always aspired to think of Khan Academy — I&#8217;ve always daydreamed this way, and hopefully I&#8217;m convincing other people — is to view us as a global learning institution. The same part of your brain that might think of an Oxford or a Harvard, it&#8217;s like, &#8220;Wow, those are storied institutions.&#8221; But then part of your brain says, &#8220;Yeah, but they don&#8217;t really scale. Their research scales, but their education side doesn&#8217;t really scale.&#8221; If Khan Academy could say, &#8220;Wow, it&#8217;s like that.&#8221; Hopefully, in a hundred years, people will say, &#8220;Yes, this is one of the major institutions of our world, but it scales. It&#8217;s high quality, it&#8217;s very affordable, arguably free or very close to free.&#8221; So that&#8217;s what I&#8217;ve always aspired to be. </p>

<p class="has-text-align-none">I think in real implementation, 15 years ago, we were known most for our content. Maybe we are still most known for our content, and then we actually have a pretty large software engineering team to build everything around the content, the practice, the data dashboards. </p>

<p class="has-text-align-none">Now, as AI might be able to create content in the not-too-far-off future, I think we are turning… well, we&#8217;ve always been, but I would say there&#8217;s even more weight being pulled onto how we create systems that can help raise the ceiling inside of a school, but also raise the floor outside of a school. Those systems can be software systems, AI systems, but there could also be credentials, ways to connect students with each other. We have a sister nonprofit called Schoolhouse, where there&#8217;s peer-to-peer support. So how can we build these systems so we can do high-scale, high-quality education?</p>

<p class="has-text-align-none"><strong>So I do want to talk about Schoolhouse, and I want to talk about AI. I still want to talk a little bit about the moment when you were starting to do this thing. Was there a thought in your head of, “This could be a company, or it could be a nonprofit, this could be for-profit or nonprofit”?&nbsp;</strong></p>

<p class="has-text-align-none">Oh, yeah.</p>

<p class="has-text-align-none"><strong>Did you make that choice?</strong></p>

<p class="has-text-align-none">Yeah, it was a pretty explicit choice. In the early days, I was living out here in Silicon Valley. There are some VCs who took notice back in 2007 or 2008. The first conversation was fun. They said, &#8220;Hey, I&#8217;ll write a $100,000 check right now. You quit your job. We&#8217;ll start Khan Academy as a for-profit.&#8221; But then meeting two was always like, &#8220;Okay, let&#8217;s talk about monetization, and maybe we&#8217;ll do some freemium content, or we&#8217;ll do test prep. We&#8217;ll charge for that.&#8221; And there&#8217;s nothing wrong with that. I don&#8217;t want to get too all high and mighty for anyone who does have a model like that. But I just thought about how much psychological reward I was getting from people all over the world. </p>

<p class="has-text-align-none">You get this, too, like, &#8220;Hey, thank you. That really inspired me. That really helped me.&#8221; And yeah, I did have a bit of a grandiose dream that maybe this could be — I always cite the <em>Foundation</em> series by Isaac Asimov — that maybe I could be something like a Hari Seldon creating the new <em>Foundation</em> that will keep us from entering a dark age, or maybe it&#8217;ll make today look like a dark age because everyone&#8217;s going to get educated. So I didn&#8217;t want to give up on that dream. </p>

<p class="has-text-align-none"><strong>That very chill, not at all grandiose dream of </strong><a href="https://en.wikipedia.org/wiki/Hari_Seldon"><strong>being Hari Seldon</strong></a><strong>.&nbsp;</strong></p>

<p class="has-text-align-none">[Laughs] Not megalomaniacal at all. Very grounded. But, you know, why not? From my point of view, the good reasons why people will often say go for-profit are access to capital, and maybe access to people because you can pay them with equity, or maybe you could, at least in theory, pay them a little bit more, even cash-wise. There&#8217;s sometimes a stereotype that has some truth in it that nonprofits may not quite be as nimble or as vast. </p>

<p class="has-text-align-none">I had never started a nonprofit before, but I always had a little bit of a chip on my shoulder, and still do. Like hey, I think we can get the best of both worlds. We can be a nonprofit, we can have this mission. We can try to build this institution, but we can also attract the best talent. Yes, we can&#8217;t give them stock because there is no stock in Khan Academy. No one owns Khan Academy; I don&#8217;t. But we can pay them well, and you can run an organization like this as nimbly as any organization anywhere, but because we&#8217;re a nonprofit, we have some advantages. </p>

<p class="has-text-align-none">We have 50 languages. We didn&#8217;t pay to translate many of those languages. People came out of the woodwork. People, especially in this time of AI, have a bias toward a little bit more trust. Some of the best people in the world don&#8217;t want to become billionaires. They&#8217;re happy if they can have an upper-middle-class lifestyle and get to work on a fun mission with other cool people.</p>

<p class="has-text-align-none"><strong>Something that matters.&nbsp;</strong></p>

<p class="has-text-align-none">So we&#8217;ve been able to attract some really amazing people.</p>

<p class="has-text-align-none"><strong>Do you ever have a moment of regret that you didn&#8217;t do a for-profit and that you get to be Hari Seldon, but you don&#8217;t get to have a billion dollars?</strong></p>

<p class="has-text-align-none">On this journey, I&#8217;ve had to raise a lot of money, where our budget now is pushing-</p>

<p class="has-text-align-none"><strong>[Laughs] Yeah, that&#8217;s because you never get any of it.&nbsp;</strong></p>

<p class="has-text-align-none">Well, I&#8217;ve raised and I&#8217;ve met many billionaires, wonderful billionaires. Khan Academy would not exist without these billionaires&#8217; significant donations. And there&#8217;s been a couple of moments where, I won&#8217;t name names, but a couple of these folks who you and I grew up reading about, and we probably fantasized in our middle-class houses or me in my lower middle-class apartment, saying, &#8220;Oh, imagine if I had that much money, I would do this and this and this.&#8221; And they&#8217;ve told me, &#8220;Hey, Sal, I envy you.&#8221; And I&#8217;m like, &#8220;You don&#8217;t really envy me. I&#8217;ve seen how you travel. You should see how&#8230; I just got upgraded to economy premium.“</p>

<p class="has-text-align-none">But they were very genuine. I&#8217;ve heard this from at least three or four folks now. They&#8217;re like, &#8220;You&#8217;ve really found your passion and it&#8217;s really making a huge difference. I feel lucky just to be part of this journey.&#8221; That counts for a lot. And God bless them and what they do, and God bless them for donating to Khan Academy and making it possible. But I honestly wouldn&#8217;t trade places at this point. Now, could I figure out a way to spend a few more million dollars? Yeah, probably. </p>

<p class="has-text-align-none"><strong>Do you think that it could have increased your impact if you were pushing for market share, pushing for all of that stuff with an investor breathing down your neck kind of incentive?</strong></p>

<p class="has-text-align-none">To some degree, the experiment has been run. There were several organizations that were, let&#8217;s call it, the same vintage as Khan Academy, plus or minus a few years. I would say most notably the MOOCs, the Massively Open Online Courses. I know many of the people who started them; they&#8217;re very good people. They weren&#8217;t in it for the money. They were in it for the mission, but they were convinced by people. I was trying to convince them to go nonprofit, but &#8220;No, you&#8217;re not going to get the capital. You need that for profit.&#8221;</p>

<p class="has-text-align-none">If you look at the MOOCs now, the ones that exist, they have fallen, and I don&#8217;t want to denigrate them. I think they&#8217;re still doing things of impact, but they were about “let&#8217;s democratize college education, let&#8217;s do something that&#8217;s world-changing.” Now, the ones that still exist have become “let&#8217;s do some certification post-graduate that might help some people transition into a data science type of thing,” and it&#8217;s just a smaller vision. I mean, I&#8217;m sure they&#8217;re still helping those people, but they haven&#8217;t democratized higher education, I think, the way that they could. So when I look at that, I think, &#8220;No, I think it&#8217;s priceless to still have the dream alive.&#8221;</p>

<p class="has-text-align-none"><strong>The experiment has been run, and Khan Academy is very big, hitting a lot of eyeballs, and helping a lot of people. But there&#8217;s this sort of trope that a nonprofit is going to be less nimble. It&#8217;s going to be harder to run. There&#8217;s going to be more stakeholders, more consensus building.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>How do you organize yourself? How is Khan Academy organized? Do you keep that as a priority, and how is that built into the structure of it?</strong></p>

<p class="has-text-align-none">Yeah, I mean, look. When I was in business school, I had a classmate, and it was really funny because we had this case discussion, and he was talking about how narcissistic it is for people to name organizations after themselves. And his dad, I won&#8217;t name names, had named an organization after himself, a very large financial company. Everyone was laughing about it, but I remember that I was like, &#8220;Yeah, it&#8217;s super narcissistic to do that.&#8221;</p>

<p class="has-text-align-none">But then, when Khan Academy started to grow, it wasn&#8217;t called Khan Academy, and I said, &#8220;Well, maybe this could be something, but I wanted to make it a nonprofit.&#8221; I said, &#8220;Well, how do I make sure that, with my insecure side, how do I make sure that it&#8217;s hard to fire me?&#8221; They have to have a good cause, and how do I make sure that there are no shares here? I&#8217;m not like Mark Zuckerberg, who controls the voting interests of Meta. I have a vision, or I think I do. And well, my name on the door and becoming a certain quasi-mascot of the organization have helped. One, keep it focused on the vision. And frankly-</p>

<p class="has-text-align-none"><strong>And having a source of the vision, where if there&#8217;s disagreement, people know where to go to get that disagreement settled.</strong></p>

<p class="has-text-align-none">Exactly.</p>

<p class="has-text-align-none"><strong>That&#8217;s probably not always the funnest job to have, but it&#8217;s a thing that exists.</strong></p>

<p class="has-text-align-none">Yeah, and any executive manager or CEO has to have some of that in their job. But especially when an organization needs to make big pivots. I know we might talk about AI, and Khan Academy&#8217;s been doing a lot of pivoting there; it would&#8217;ve been very hard for someone who didn&#8217;t start the organization whose name&#8217;s not on the door to be able to make that type of a pivot. The lucky thing is, we have a great board. Many of them are major philanthropists, but some of them are people who just know a lot about education, and they push me in all the right ways. They&#8217;re always pushing, &#8220;Are we reaching the kids who need impact?&#8221; The trade-offs between investment and overstretching our budget, we think about that very seriously all the time.</p>

<p class="has-text-align-none">But they also see that not just me, but a lot of the people that we&#8217;ve brought into the organization are, I&#8217;d like to believe, pretty disciplined managers, engineers, designers, project managers, and content creators. A lot of our funders are people who are successful tech entrepreneurs. I say, pound for pound, put our large team of 350 people against any 350-person team in Silicon Valley or anywhere else, and I think you&#8217;re going to find as good or better talent and nimbler systems. And they see that. So that&#8217;s what keeps us focused that way.</p>

<p class="has-text-align-none"><strong>So 350 people. How is that organized from the board on down?</strong></p>

<p class="has-text-align-none">There&#8217;s the board. I&#8217;m on it, but obviously, I report to the board too, and then I have more than your average direct reports. I have 14 direct reports.</p>

<p class="has-text-align-none"><strong>Man, you work hard.</strong></p>

<p class="has-text-align-none">Well, this is the thing I learned, though. If you have the right people in the seats, the people who report to me, they&#8217;re fairly senior in their careers. So I don&#8217;t have to spend a lot of time with angst, or the “what am I going to do with my life?” type of conversation. Kristen DiCerbo is our Chief Academic Officer. She also runs the product management, design, and content teams. We have a great CTO. Our engineering team is the largest. We have what we call the external relations team, which is our philanthropy, but also all of this work. We&#8217;re partnering with school districts, and that&#8217;s a revenue source for us too, an earned revenue source.</p>

<p class="has-text-align-none">We have Khan Academy Kids, we have an internal council, we have our CFO, and all the internal functions. Then we have Schoolhouse.world, which I&#8217;m nominally the CEO of. I&#8217;m more of an executive chairman there. But the COO there nominally reports to me. So that&#8217;s kind of how we&#8217;re generally organized. </p>

<p class="has-text-align-none">But there&#8217;s really good leadership across the board here. So I get to jump around and say, &#8220;Hey, have you thought about this?&#8221; Every now and then, because people have their heads down and they&#8217;re in the forest, I can kind of surface and say, &#8220;Hey, but look,&#8221; or they&#8217;re in the trees and I&#8217;m like, &#8220;Look at the forest here. We’ve got to pivot a little bit harder.&#8221;</p>

<p class="has-text-align-none"><strong>So 14 direct reports, and that&#8217;s 14 different departments, kind of, and then Schoolhouse is a different thing?</strong></p>

<p class="has-text-align-none">Yeah, I threw Schoolhouse in. That’s all just my universe of people that I&#8217;m talking to on a regular basis. But yeah, it&#8217;s different departments plus finance, legal, a lot of the internal stuff that you have to do in running an organization.</p>

<p class="has-text-align-none"><strong>So let&#8217;s talk a little bit about Schoolhouse. I think that people might not know that this is a part of Khan Academy, or that this is a thing that you do. I find it extremely impressive and so cool and so smart, and you&#8217;re the only one who could have pulled it off. Tell me about Schoolhouse.</strong></p>

<p class="has-text-align-none">I&#8217;m happy to hear that. It&#8217;s funny, there&#8217;s been a little bit of controversy about Schoolhouse last week. I can tell you about that.</p>

<p class="has-text-align-none"><strong>Oh, wow.</strong></p>

<p class="has-text-align-none">Which I think is a good controversy.</p>

<p class="has-text-align-none"><strong>It&#8217;s going to be published like five weeks from now, so it&#8217;ll be six weeks old by then.</strong></p>

<p class="has-text-align-none">Okay. In the recent past, there&#8217;s been controversy. We should talk about that. But the idea was, I&#8217;ve always thought, &#8220;Hey, it&#8217;s great if people can learn from Khan Academy, but what about learning from each other?&#8221; And the best implementations in classrooms have always been some kids using Khan Academy, but the teacher pairing kids up, and they&#8217;re also learning from each other. When the pandemic hit, I said, &#8220;Well, now is the moment to try to do something like this at scale.&#8221; </p>

<p class="has-text-align-none">So we ran a little pilot and we said, &#8220;What if we created a website where young people” — actually, people who are learning, they don&#8217;t have to be young — “could say what they need help with, and then we could find other volunteers who can validate that they know the material?” So we needed a vetting process, but then they would tutor these people for free just out of the goodness of their hearts.&#8221; Zoom donated a bunch of licenses, and we tried it out. </p>

<p class="has-text-align-none">It&#8217;s a very utopian idea, but it worked at the scale of a few hundred people. So then we got some philanthropic funding, and we set up Schoolhouse as a separate nonprofit from Khan Academy. Honestly, the only reason to do that is just to keep the two focused on what they each needed to do. There was a little bit of fear of liability with people having real conversations on Zoom, and what might happen to Khan Academy’s liability. So we kept them separate. The name was somewhat inspired. I wrote a book back in 2011, <em>The One World Schoolhouse</em>, so we called it Schoolhouse.world, although we might change it in some ways in the next couple of years to bring it closer to Khan Academy.</p>

<p class="has-text-align-none">But we started doing it, and one of the immediate things we noticed was how to certify someone. How do we know that they know calculus, for example?&#8221; So we created a mechanism. Khan Academy already has assessments that are different every time, but we don&#8217;t prove that it&#8217;s you who did it. We said, &#8220;What if you take the Khan Academy assessment while it records your face, records the screen, you explain your reasoning out loud, and then Khan Academy will say whether you hit 90 percent?” You&#8217;re following a protocol, and you can&#8217;t be looking around and doing shady things. Then that video gets peer reviewed by people you don&#8217;t know to just make sure you&#8217;re not doing shady things.</p>

<p class="has-text-align-none">And then if you&#8217;ve got 90 percent on that unit, we say, &#8220;You know unit one of calculus, you can now begin your tutoring journey. And there&#8217;s some training for you there.&#8221; When we were doing that, the University of Chicago reached out and said, &#8220;Hey, everything&#8217;s up in the air with the pandemic. Could we use your certification for college admissions?&#8221; We said, &#8220;Yes, you can.&#8221; And then it was MIT, Columbia, Caltech, and now there&#8217;s a list on the website of 40-plus universities, including Yale and Brown. I mean, you can name them. They all said, &#8220;Hey, you could use Schoolhouse certifications as a way to prove your mastery.&#8221;</p>

<p class="has-text-align-none"><strong>People are like, &#8220;How are we going to do assessments in the future with AI and everything?&#8221; And Sal Khan&#8217;s already figured it out.</strong></p>

<p class="has-text-align-none">Well, AI is going to add a whole other layer. I mean, I think we&#8217;re going to be able to do some nice simulation-based assessments and things like that. A fun example: I just met this young woman from Afghanistan three weeks ago, and obviously, she could not go to school growing up in Afghanistan. Khan Academy was her school. The Taliban take over Kabul, and her family becomes refugees in Pakistan. She&#8217;s still not in school, but she&#8217;s been learning all this time. She wants to go to MIT. She applies, and MIT is really impressed with her application, but she has no diploma, no formal transcript, no SAT scores, no AP scores, nothing. MIT asks, &#8220;Can you go on Schoolhouse and validate yourself?&#8221; And she did. </p>

<p class="has-text-align-none">She got in based on that, and I just met her. She was at this Y Combinator event for the top AI engineers in the country, out here in Silicon Valley. My wife and I took her out to a little meal, and I was like, &#8220;Yes, this is the certification vision of Schoolhouse.” It&#8217;s pretty powerful to hear stories like that. This is where some of the controversy started coming from, but I think it&#8217;s a good controversy. The same college admissions folks, they weren&#8217;t just interested in the certification, they were also interested in the kids who tutored, because you could imagine if you certified yourself in calculus and then tutored calculus and had a high rating-</p>

<p class="has-text-align-none"><strong>Who incentivizes people to actually do the tutoring, because it isn’t paid? But I can say, as a person who tutored kids when I was a kid, that&#8217;s so powerful in just knowing the material better, if not also putting that on your little kiddo resume, or whatever they make them do these days.</strong></p>

<p class="has-text-align-none">[Laughs] Exactly. Well, if you&#8217;re one of these colleges and there&#8217;s a lot of cynicism around people gaming and et cetera, but if young Hank ran 100 sessions tutoring chemistry, and he has a 4.8 out of 5.0 rating, and there are these quotes saying, &#8220;I learned more from Hank than I did at my school,&#8221; or, &#8220;He makes me excited about chemistry.&#8221; If I were one of these universities, I’d be like, &#8220;I want Hank on my campus. That&#8217;s the kid I want.&#8221;&nbsp;</p>

<p class="has-text-align-none">But we went to these universities, said, &#8220;What else could be of value?&#8221; They said, &#8220;Well, this is probably too hard, but what if we could give students practice in having dialogue about hard subjects? We don&#8217;t want them to water down their passions, but we want them to be able to have constructive dialogue because everyone&#8217;s in their bubble now.” Geographic bubbles, socioeconomic bubbles, social media bubbles.</p>

<p class="has-text-align-none">So, that&#8217;s when we launched <a href="https://www.fastcompany.com/91332886/sal-khan-new-dialogues-program">this Dialogues platform</a>, only a couple of months ago. Most people would get anxiety, just as I&#8217;m about to describe this, but we make young people fill out surveys on tough issues — immigration, Israel-Palestine, affirmative action, and gun control. I could go down the list, the stuff that we are afraid to talk about at dinner parties, and kids fill out a survey. We pair them with kids with the opposite viewpoint, and they have a conversation. After that conversation, which usually goes about 50 minutes, they fill out a questionnaire: You don&#8217;t have to have convinced them, but we ask, “Do you feel like the other person heard you?” And “do you think they can represent your point of view? Can you represent their point of view? Is there any feedback you want to give to that other person?”</p>

<p class="has-text-align-none">It could be constructive or it can be positive feedback. You do as many sessions as you want. And then on your transcript, it just says how many sessions you participated in. It doesn&#8217;t say what your point of view was. You can highlight anything. You choose to highlight. &#8220;Hey, Hank said that Sal really opened your mind to a different viewpoint that you never took seriously before.&#8221; Whatever it is. I could put that on my transcript. And if I want to, I could share that with many of these same universities.</p>

<p class="has-text-align-none">The controversy is that there’s a <a href="https://www.nytimes.com/2025/07/15/opinion/college-admissions-essays.html"><em>New York Times</em> op-ed that argued</a>, &#8220;Oh, this is just another thing to fake in college admissions.&#8221; And Nate Silver <a href="https://x.com/NateSilver538/status/1945666693197660605">tweeted</a>, &#8220;This is affirmative action for boring kids.&#8221; All of a sudden I&#8217;m like, &#8220;No. How can it be boring? How can it be?&#8221; It&#8217;s not boring to be willing to have an open conversation about these topics, and be able to do it constructively.” And with what we&#8217;ve seen, these kids aren&#8217;t holding back. They&#8217;re holding their positions, but they&#8217;re doing it in respectful ways.</p>

<p class="has-text-align-none"><strong>All I have to say about “this is affirmative action for boring kids” is that&#8217;s a tweet. That&#8217;s such a tweet. And I&#8217;m so tired of tweets. I mean, I&#8217;m a tweeter, don&#8217;t get me wrong. I post.</strong></p>

<p class="has-text-align-none">[Laughs] I&#8217;m not.</p>

<p class="has-text-align-none"><strong>Right here. I post. I post way too much. I want to live that Sal Khan life, get off of these postings, but I post. But man, is that a post. That&#8217;s pure “I&#8217;m going to have the take that everybody&#8217;s going to feel good about, even if it makes no goddamn sense.”</strong></p>

<p class="has-text-align-none">Oh, man.</p>

<p class="has-text-align-none"><strong>Well, that&#8217;s fascinating and does make me sweaty. That&#8217;s not a choice that I think I would&#8217;ve made. That seems bold.&nbsp;</strong></p>

<p class="has-text-align-none">It&#8217;s brave.</p>

<p class="has-text-align-none"><strong>Yeah… did you just call yourself brave?</strong></p>

<p class="has-text-align-none">No, I&#8217;m saying the students are brave. I actually haven&#8217;t&#8230; I&#8217;ve observed some of these&#8230; Well, it&#8217;s a little brave of me, on my part too.</p>

<p class="has-text-align-none"><strong>[Laughs] It is. I think it&#8217;s brave on your part.</strong></p>

<p class="has-text-align-none">I&#8217;m saying it&#8217;s the opposite of boring. These students are brave enough to do that. I haven&#8217;t been able to do it because if I were to get on Dialogues, the kids will say, &#8220;Oh, that&#8217;s Sal Khan, and did you know that Sal Khan has this view about the Middle East? Did you know that Sal Khan has this view on immigration?&#8221; I&#8217;m like, &#8220;Nope, not going to be constructive.” So I can&#8217;t participate in it.</p>

<p class="has-text-align-none"><strong>That&#8217;s probably ideal. I probably won&#8217;t be on there either, but I think it&#8217;s a brave decision for an organization to make. Which leads me to a </strong><strong><em>Decoder </em></strong><strong>question. How do you make decisions? How does Sal Khan make decisions?</strong></p>

<p class="has-text-align-none">How does Sal Khan make decisions? I always try to remind myself and the other people who are involved in decisions what we&#8217;re trying to solve for to begin with. There&#8217;s a friend who&#8217;s a very successful venture capitalist, and I&#8217;ve made fun of him in the past, but he has this hack that always makes him look brilliant. You go about half an hour into any meeting, and he will say, &#8220;Hey, hold on a second, everyone. Let&#8217;s take a step back. What are we solving for?&#8221; And he looks brilliant, and everyone&#8217;s like, &#8220;Oh, yeah, we lost track of what we&#8217;re solving for.&#8221;</p>

<p class="has-text-align-none">It&#8217;s true. Thirty minutes into a meeting, most people are getting into the weeds, and you&#8217;re like, &#8220;No, what we&#8217;re solving for is how we get more students to participate in society.&#8221; So it&#8217;s important to have those true norths. And then yes, I try to listen to people who ideally are as close to the ground as possible on what they have to say, and then try to make a call that both makes sense intellectually and hopefully takes the path of less cynicism and more like “maybe the world can work this way; why don&#8217;t we just try?” People say gut sometimes it&#8217;s like that&#8217;s a lazy way of doing things, but your gut has a ton of neurons. Our gut, as you know, would be a fairly smart animal if it were just on its own.</p>

<p class="has-text-align-none"><strong>I don&#8217;t think the gut&#8217;s actually making the call here, but yeah.</strong></p>

<p class="has-text-align-none">But the gut is really… We have these neural nets. We have these hundreds of billions of neurons that are doing things subconsciously all the time.&nbsp;</p>

<p class="has-text-align-none"><strong>Yeah, there&#8217;s a lot that we don&#8217;t know about.</strong></p>

<p class="has-text-align-none">At some point, they&#8217;re just giving your conscious mind a memo saying, &#8220;Yeah, I think this is the right decision.&#8221; So, at the end of the day, if you have a good true north, if your gut has paid off in the past, and you&#8217;re surrounded by people who are advising you for the right reasons, and you make a call…It is also important to have folks around you who are willing to disagree and commit. Like, &#8220;Hey, once we make this call, let&#8217;s try our best. Let&#8217;s not grumble and be passive-aggressive after that.&#8221;</p>

<p class="has-text-align-none"><strong>So maybe you can walk me through that process a little bit, because I want to talk about Khan Academy starting to use AI tools.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>I got a call from you a couple of years ago, and I remember pacing around my basement during this phone call when you told me about you going into AI tools. I thought, &#8220;Man, I would not make this call right now. I do not know where this is going. I don&#8217;t know what the public opinion around it is going to be. I know it&#8217;s going to be complicated and weird. I don&#8217;t know where it&#8217;s headed. I don&#8217;t know how powerful these tools are.&#8221;&nbsp;</strong></p>

<p class="has-text-align-none"><strong>But I also thought, &#8220;More power to him for heading straight headfirst into it.&#8221; This was very early. This was right after GPT-4 launched. How did you make that particular decision?</strong></p>

<p class="has-text-align-none">Yeah, and I mean, I remember our call. I don&#8217;t remember exactly when that call was in the whole timeline, but we actually made the decision well before GPT-4 launched.</p>

<p class="has-text-align-none"><strong>Yeah, but this was after.&nbsp;</strong></p>

<p class="has-text-align-none">Yeah, so I probably couldn&#8217;t talk to you about it then. It was probably as soon as we were out of our NDA with OpenAI, and I probably called you and said, &#8220;Hey, maybe there&#8217;s something here.&#8221; But it was the summer of 2022, so roughly three years ago. I received a call from Sam Altman and [OpenAI cofounder] Greg Brockman. They said they&#8217;re working on their new model. They wanted to show it to us because they thought maybe there&#8217;s something interesting about Khan Academy, showing positive social uses of it. I was curious. </p>

<p class="has-text-align-none">What they showed us was GPT-4, and this was well before ChatGPT. This was about six months before ChatGPT existed. ChatGPT, for those who remember, wasn&#8217;t even launched on GPT-4. It launched on GPT-3.5. It blew my mind, and honestly, even when they showed it to us, they hadn&#8217;t fully appreciated it.&nbsp;</p>

<p class="has-text-align-none">They ran a demo with us, and they said, &#8220;Do you want access?&#8221; I remember it was a Friday, and they gave us access, me and our chief academic officer. I was messaging with Greg, and I said, &#8220;Hey, does this work in other languages?&#8221; And he wrote, &#8220;I don&#8217;t think so.&#8221; I barely speak Bengali. I tried to speak, and it spoke back, not only to speak back to me in Bengali, but it also wrote in Bengali, which I can&#8217;t read. But then I said, “Can you translate that into English text?” I was like, &#8220;Wow, it could speak Bengali.&#8221; I took a screenshot and I sent it to the OpenAI folks, and they&#8217;re like, &#8220;Yeah, after you asked, we checked. It looks like it can speak every language.&#8221;</p>

<p class="has-text-align-none"><strong>See, this is why I would&#8217;ve said no. I&#8217;d be like, &#8220;You guys don&#8217;t even know what languages it speaks?!”&nbsp;</strong></p>

<p class="has-text-align-none">There are all these emergent qualities. It’s fascinating. I have this other friend who&#8217;s a professor at Stanford, and he&#8217;s trying to understand how, apparently, you could go from one language to another as a rigid transformation in a multidimensional space. That&#8217;s why it can talk about things in Bengali that it never got trained on in Bengali. Anyway, there&#8217;s some deep linear algebra there. </p>

<p class="has-text-align-none">But this was very early on, and this was another thing I didn&#8217;t realize that we were doing. A year after that, after we had launched… well, immediately, like, that weekend, I couldn&#8217;t tell anyone about it. We had signed an NDA, but I was up all night. I asked [GPT-4], “Write the Declaration of Independence in the tone of Donald Trump, and it did it: &#8220;George III&#8217;s a loser, we&#8217;re going to have the best country.&#8221; It was actually a pretty good one.. But then, when I said, &#8220;Hey, you are an empathetic tutor” — I think the exact prompt I said is, &#8220;You are Robin Williams in <em>Dead Poets Society</em>, and you are going to Socratically tutor me,&#8221; because I knew this could be used for cheating, too.</p>

<p class="has-text-align-none">But it was able to do that. Even though it made errors and experienced hallucinations, there&#8217;s something real here. So, we started. Well, we got most of the Khan Academy team under the non-disclosure agreement so that we could see it. About a month into that — and this is still months before the rest of the world even knew that this was coming — our team was surfacing all the fears: the cheating, the safety, the privacy, the hallucinations, the math errors. </p>

<p class="has-text-align-none">But I was pretty convinced. I said, &#8220;Look, yes, those are real fears and errors. We need to turn those into features, but this is going to be so powerful, and it&#8217;s getting better so quickly that if we don&#8217;t really lean into this with our mindset and our mission-focused mindset, other people are going to use it. And those people are not going to care about whether it&#8217;s cheating. They&#8217;re not going to care about whether it&#8217;s good for kids. And honestly, this stuff&#8217;s going to be so scary for people that they&#8217;re going to need, hopefully, someone that they can trust. Someone who&#8217;s built up trust over time.&#8221;</p>

<p class="has-text-align-none">So that&#8217;s when we leaned in. It&#8217;s interesting that ChatGPT has emergent phenomena. The day that product came out, on November 30th, 2022, I messaged the OpenAI team. I said, &#8220;Wait, we&#8217;re under a non-disclosure agreement. We&#8217;re not supposed to announce any of this stuff until March. What did you guys just release?&#8221; And they said, &#8220;We didn&#8217;t release anything. We just put a chat interface on an old model that&#8217;s been out for like seven months, and the world exploded.&#8221; </p>

<p class="has-text-align-none">It&#8217;s interesting. Some kids in a garage or at a college campus could have done that and now have ChatGPT. No one did it. But even that was a shock, that you just put a chat interface on these existing models and it makes people think about it differently.</p>

<p class="has-text-align-none"><strong>Wild. How do you actually turn ChatGPT or any LLM or GPT model into something that is useful for a student? So you have to work in math that works. You have to try to obviate hallucinations. You have to put walls around it so that it doesn&#8217;t do things you don&#8217;t want to do or be too sort of friendly with students in whatever way. It has to look and feel like a tool. How do you actually functionally do that? What do you do to it?</strong></p>

<p class="has-text-align-none">It&#8217;s evolving, because the models are changing, and just people&#8217;s expectations around these things are changing so fast. But some of our original thoughts, I think, are still true. There are some just basic prompts you can do. I say basic prompts, but when you want something that can robustly work for millions of folks, the prompt has to be quite careful, and you have to create all sorts of systems to test. But to say, &#8220;Look, this is going to be Socratic, use these techniques. You&#8217;re not going to give answers, but nudge students forward.&#8221; There&#8217;s a lot more to it. But that&#8217;s the gist of it. </p>

<p class="has-text-align-none">You&#8217;re going to want to have some level of transparency and oversight, especially if you&#8217;re talking about under-18 students. And transparency buys you a lot. It doesn&#8217;t just buy you safety. If a student is saying, &#8220;Hey, I want to learn how to build a bomb,” or “I want to hurt myself,&#8221; it’s important to not only have teachers or parents be able to see it, but also to have another agent that can see that and actively flag it. We avoid hallucinations from the get-go. The models themselves have gotten a lot better over the last two to three years, but you anchor it on content that you know is good, and we have a lot of content.</p>

<p class="has-text-align-none"><strong>Do you have a big context window that has a bunch of true facts in it or something?</strong></p>

<p class="has-text-align-none">No. There are two ways that you can do it. One is, if you&#8217;re using our tutor — which we&#8217;re calling Khanmigo in Khan Academy content, like on a Khan Academy article or Khan Academy video — it has that content context built into it. Or if you&#8217;re getting help on an exercise, it knows we&#8217;ve passed it the solution to the exercise, so it won&#8217;t hallucinate, make math errors, or very infrequently make math errors in those cases. So that&#8217;s one: anchor it on things it knows.</p>

<p class="has-text-align-none">There are also these things called vector databases. You could put a lot of content in these databases, where, based on the conversation that you&#8217;re having with the AI, it can find which pieces of content are closest to this conversation and then throw those things into the context window. You don&#8217;t have to throw everything in the context window yourself. Google now has some models where you can have like a million tokens, or roughly a million characters, in the context window. So you can actually throw a lot in there. Your average book is like 40,000 words. Well, actually, it&#8217;s not even characters. A token is like two-thirds of a word.</p>

<p class="has-text-align-none">So, you can now throw a lot into context windows too, but that also has cost issues. The other guardrails, like transparency, there&#8217;s a lot that we do around the math to just double and triple check the math — just hacks like the AI calls another AI to go through reasoning that can come up with every possible way that the student might approach it, then compare the student&#8217;s answer to that. So there are things that we&#8217;ve been playing with that have improved the AI&#8217;s ability to do that. </p>

<p class="has-text-align-none"><strong>So if I&#8217;m using Khanmigo and I get the question wrong, it might&#8217;ve already predicted that wrong answer and know that I got it wrong, like how I got it wrong.</strong></p>

<p class="has-text-align-none">And what you&#8217;ve touched on is actually one of the hardest things. The AI models are actually pretty good at math now. They weren&#8217;t good at math two and a half years ago.&nbsp;</p>

<p class="has-text-align-none"><strong>Right. But now they call math out?&nbsp;</strong></p>

<p class="has-text-align-none">That&#8217;s actually what they do. They&#8217;re making Python calls behind the scenes to actually do the computation. The places where you still see the most errors are when the AI is evaluating the student. So let&#8217;s say the correct answer is one-third, and the student has put in 0.33, that&#8217;s not quite right. It should be 0.3 repeating. A good tutor would say, &#8220;Okay, are you sure that&#8217;s the full answer? Are you sure it&#8217;s just 0.33? How would you express that as a fraction?&#8221;&nbsp;</p>

<p class="has-text-align-none">So yes, now what we have going on behind the scenes is the AI, even before looking at the student&#8217;s response, is saying, &#8220;What are reasonable responses here?&#8221; and then it compares. Or when the student gets an answer, it asks, “What are ways that the student might&#8217;ve gotten that answer?” and then it compares it. This is constantly evolving as the models get better, and we&#8217;re having to do less of that. But there is still a lot of that going on behind the scenes.</p>

<p class="has-text-align-none"><strong>One thing I&#8217;ve noticed is that people always say, “Hey, you&#8217;ve helped me. You&#8217;re the reason I got a 5 on my AP exam or whatever.” And, “I think probably you had something to do with it,” is what I say to them.</strong></p>

<p class="has-text-align-none"><strong>But what I have learned is that there&#8217;s a big component of teaching that isn&#8217;t teaching. It&#8217;s motivational. It&#8217;s like the coach in the room who you have an obligation to and who will be disappointed if you don&#8217;t do the thing that they asked you to do. It&#8217;s a human being, and it&#8217;s easier to feel an obligation to human beings. Do you think that LLMs can play a motivational role? Is that part of this?</strong></p>

<p class="has-text-align-none">Yeah, I think over time. And they&#8217;re already playing [that role] a little. We&#8217;ve even implemented a little bit of that, just even for myself, I had to give some commencement addresses. I took my first draft, and I got an AI to give me feedback, and it made me feel good. I&#8217;m more confident now.</p>

<p class="has-text-align-none"><strong>It </strong><a href="https://www.theverge.com/tech/657409/chat-gpt-sycophantic-responses-gpt-4o-sam-altman"><strong>sure does do that</strong></a><strong>. If nothing else, it will make you feel good about your writing.</strong></p>

<p class="has-text-align-none">I could have written a pretty trashy, bad speech, and it still probably would&#8217;ve given me positive feedback. But what you&#8217;re touching on is absolutely right. A lot of folks know Khan Academy started with me tutoring family members 20 years ago. When I really think about it, yes, I was explaining certain concepts to them, but a lot of what I was doing is exactly what you&#8217;re describing. I&#8217;d be like, &#8220;Hey, where are you? How come you didn&#8217;t do the thing I told you? Hey, look, you got to be a little more confident with how you answer these questions. Let&#8217;s lean into the problem,&#8221; or whatever it might be.</p>

<p class="has-text-align-none">So, our realization with the first version of Khanmigo was that it just kind of sat there and waited to be asked, and then it would help you as you needed it. I say that&#8217;s analogous to a tutor walking into a classroom and saying, &#8220;Hey, kids, I&#8217;m here in the back. If you need me, come get me. But I&#8217;m here. I&#8217;m going to be reading a novel.” That&#8217;s not good enough. You want something that holds them accountable.&nbsp;</p>

<p class="has-text-align-none">This new version we&#8217;re launching, which we&#8217;re piloting in the fall, is with the AI front and center. You come, and it&#8217;ll say, &#8220;Welcome back, Hank. It&#8217;s been a couple of days. We&#8217;re falling a little bit behind our goals. Are you ready to get started on this next task? This is what your teacher wants you to work on, and once you&#8217;re done with that, I have some ideas for you to work on.&#8221; Once you go into it, it&#8217;s constantly like, &#8220;Hey, look, you got that wrong. Not a big deal. I think it&#8217;s a good idea for a review of why you got that wrong.”</p>

<p class="has-text-align-none">There might be some game mechanics. &#8220;Hey, if you review it, I&#8217;ll give you some points,&#8221; and things like that. But that&#8217;s the future. And yes, if we fast-forward a few years, we can all imagine having AI. A real human being is always going to be better, but a real human being is not always available. That can be an even better accountability holder for us.</p>

<p class="has-text-align-none"><strong>You use a phrase for this: “It&#8217;s not the best tool, but the best available tool,” or something like that, right?</strong></p>

<p class="has-text-align-none">Yeah.</p>

<p class="has-text-align-none"><strong>Did I make up that you coined that phrase?</strong></p>

<p class="has-text-align-none">That&#8217;s not a me phrase.</p>

<p class="has-text-align-none"><strong>Oh, okay.</strong></p>

<p class="has-text-align-none">I mean, I&#8217;ve said stuff like if I had to pick between an amazing teacher and amazing technology, I&#8217;d pick an amazing teacher. But hopefully you can have both.</p>

<p class="has-text-align-none"><strong>I&#8217;ve also heard you say that replacing humans in education would be a disaster. I think that a lot of teachers, parents, and students would agree with you. How do you think we can avoid that fate? People are complicated and they&#8217;re expensive, and so it feels like lots of people would like for all the work to be done by things that are simpler and don&#8217;t complain. How do we avoid this fate?</strong></p>

<p class="has-text-align-none">Well, one, I always like to point out to people the economics of our education system. Most people would argue that the teacher role has the most direct impact on the student of everything that you&#8217;re spending money on. But if you look at a lot of places, like California, which spends around $25,000 per student per year, it has about 25 to 30 students per teacher. A lot of East Coast school districts spend $30,000 to $35,000 per student.&nbsp;</p>

<p class="has-text-align-none">So, depending on how you account for it, there&#8217;s as much as $800,000 per class of 25 to 30 kids. They&#8217;re not paying the teacher that. The fully loaded cost of a teacher with benefits, even a senior teacher with a pension and everything, may be $200,000, if you put all of that in there. It&#8217;s usually a lot less. So a lot of the costs of education are going into layers of other stuff. Some of that stuff is needed-</p>

<p class="has-text-align-none"><strong>Yeah, buildings are part of it.</strong></p>

<p class="has-text-align-none">But if you had to cut costs, that&#8217;s not the way to do it. Now, I think AI might help in some of the back-office stuff. You might be able to automate the registrar&#8217;s office. You might be able to automate other functions in the office of a school, and that might save money. But I think we&#8217;ve always said, even before AI, that our goal is to raise the ceiling. Hopefully, you already have access to a reasonably good classroom and a great teacher, but it&#8217;s still hard for that teacher to personalize for 25, 30, or 35 kids. We&#8217;ll give them the tools to do it, but we also want to raise the floor.&nbsp;</p>

<p class="has-text-align-none">I’ve talked about this young woman in Afghanistan. She did not have access to a teacher, but she was unusually motivated, and it would&#8217;ve been sad if she didn&#8217;t have something. So, that&#8217;s where we raised the floor for her. We hear other stories. There&#8217;s a young girl in a Mongolian orphanage who used Khan Academy. There are kids in rural America who don&#8217;t have a physics or a calculus class within hundreds of miles of where they live. Kids in inner cities who don&#8217;t have calculus, physics, or chemistry classes at their school or an advanced one. That&#8217;s where we raised the floor.&nbsp;</p>

<p class="has-text-align-none">But the ideal… I always point out that about 150, 200 years ago, when textbooks started to become a thing, a lot of teachers were afraid that those were going to replace them because teachers thought that, &#8220;Oh, I&#8217;m the source of the knowledge. Why would anyone come to me when they can read the whole textbook?&#8221;</p>

<p class="has-text-align-none"><strong>Right. There&#8217;s a book here.</strong></p>

<p class="has-text-align-none">There&#8217;s a whole book here with exercises and everything. But now teachers can&#8217;t imagine teaching without a textbook because they&#8217;re like, &#8220;Of course they need me still, but they need their practice. It&#8217;s good to have another resource.&#8221; I think that&#8217;s going to be the same thing with AI.&nbsp;</p>

<p class="has-text-align-none">A teacher who refused to use a textbook 50 years ago is going to have trouble. But a teacher 50 years from now who&#8217;s refusing to use AI might not be able to be all they can be. If they&#8217;re using the technology thoughtfully — and the AI is helping them form better human connections with the students, make more engaging interactive lessons, more personalized lessons, support certain students, while they can support other students, and they can tag team, and it can act as their teaching assistant —&nbsp; it&#8217;s going to become invaluable for them.</p>

<p class="has-text-align-none"><strong>I&#8217;ve heard you say that the incentives of this sector, the education sector, which is the second-biggest industry in America, are strange. I think you used the word “strange,” and then the person you were talking to did not ask a deeper, further question. I was like, &#8220;Oh my God. Do I want to know all the ways that Sal Khan thinks the incentive structure of education is strange?&#8221; So, tell me, what are some of the strange incentives?</strong></p>

<p class="has-text-align-none">Yeah, and look, this goes back to the nonprofit question. I don&#8217;t think you need to make everything in the world a nonprofit. There are certain things that the private sector does very well. I am, at my heart, a capitalist. I believe the capitalist system generally works. There are certain things you want the government to do that the private sector wouldn&#8217;t naturally do or wouldn&#8217;t have the ability to coordinate. But there are certain areas where markets aren&#8217;t working; they aren&#8217;t doing what&#8217;s efficient or what&#8217;s aligned with our values. And maybe, for political reasons, or just because the government is too slow or bureaucratic to take advantage, that&#8217;s where the nonprofit sector matters.</p>

<p class="has-text-align-none">Education — and I would say another major sector here is healthcare — is one of the areas where the beneficiary is the student, but the decision maker is typically the school district, and sometimes it&#8217;s the teacher. And the payer, in education, is the taxpayer. They’re three different entities, three different groups. You actually see a very similar thing in healthcare. Even if it was rational, we still also have this value that just as someone is bleeding and they&#8217;re dropped at the emergency room, you don&#8217;t want to say, &#8220;Hey, let&#8217;s see your insurance.&#8221; You want to treat them. Unfortunately, I think that might&#8217;ve happened sometimes, but you want to treat them first.&nbsp;</p>

<p class="has-text-align-none">Similarly, if a young person in our society wants to learn, I think most of us feel that it should not be based on how much money their family has when deciding whether they should get a high-quality education. So, that value system, and the fact that these three agents all have different incentives, I think, is what has led to education not always having the most engaging, the most effective outcomes. A lot of the people in the district office are very well-meaning people, but there are certain guidelines and regulations they have to follow. A salesperson from a big publisher comes and tells them a good story. They adopt it. The kids hate it, but too bad.</p>

<p class="has-text-align-none">Before we built our district offering, I couldn&#8217;t tell you how many times we would talk to a chief academic officer or superintendent of a district, and I would say, &#8220;Hey, why don&#8217;t you all use Khan Academy? Look at our efficacy studies.&#8221; And they&#8217;re like, &#8220;Oh, we believe you. My daughter swears by Khan Academy; it got my nephew through calculus, and even got me through statistics in grad school. But we have this vendor we adopted last year, and they&#8217;re on some state list that you&#8217;re not on, and we already wrote them a $5 million check, so I think we have to use them.&#8221; I’m like, &#8220;This makes no sense. Would you use those with your own child? Would you use them yourself?&#8221; And they say, &#8220;No, not really.&#8221;</p>

<p class="has-text-align-none"><strong>Oh my god, yeah. That is what I&#8217;ve identified. My solution to that problem was simply to not engage with it. But what we have both done, I think, and to our credit, is that our first customer was the student, and that&#8217;s how we got into these places. We didn&#8217;t get in from the top down; we got in from the bottom up. </strong></p>

<p class="has-text-align-none"><strong>I&#8217;ve seen several organizations, like for-profit companies, too, get into this business that way. That&#8217;s the way to do it if you actually want to help, whereas if your customer is the superintendent, then you&#8217;re going to have a pretty different set of structures.</strong></p>

<p class="has-text-align-none"><strong>Can I ask you a question that is a real Hank Green question here? So once upon a time, I came across this large database of videos that had been scraped to use in a sort of database that anybody could have access to for training AI. And the only YouTube channel that I found that had more videos in it than the ones that my company, Complexly, had was Khan Academy, which indicated to me that they weren’t just grabbing every video. It was videos that had good information that we can trust, and that is more valuable. Does that make sense to you that that is why we got grabbed more than the average video?</strong></p>

<p class="has-text-align-none">I think so, yeah. I don&#8217;t know about this database and all that. But even in the early stages of Khan Academy, even as a nonprofit, there&#8217;s definitely a bias, especially in Silicon Valley, to be more of a platform than to be focused on, say, the artisanal quality of whatever you&#8217;re trying to create. I would always point out that you don&#8217;t need a thousand explanations of <a href="https://en.wikipedia.org/wiki/L%27H%C3%B4pital%27s_rule">L&#8217;Hopital&#8217;s rule</a>. One good one might go a long way, but maybe four or five max [explanations], with different takes on it.&nbsp;</p>

<p class="has-text-align-none">It&#8217;s actually sometimes been hard for me to make people believe that because it goes against this idea that &#8220;Well, that won&#8217;t scale.&#8221; I said, &#8220;No, it kind of does scale because L&#8217;Hopital&#8217;s rule isn&#8217;t going away any,&#8221; it&#8217;s not like we&#8217;re creating some news site or something.&nbsp;</p>

<p class="has-text-align-none"><strong>It scales the same way a textbook does, except a lot easier because making another copy is basically instantaneous.</strong></p>

<p class="has-text-align-none">Exactly. And then we have interchangeable parts. If L&#8217;Hopital&#8217;s rule does get updated, we can just update that part.</p>

<p class="has-text-align-none"><strong>Yeah, exactly. So given that, my question is: how do you feel as a creator of content about LLMs training on the stuff that we make? Do you think that they can learn the way anybody else can learn, or is there a difference in value offered by different content that should be compensated differently?</strong></p>

<p class="has-text-align-none">If I thought Khan Academy could get a meaningful check for this, I would love to take it. But generally speaking, in a world where let&#8217;s say I don&#8217;t have a choice — I mean, maybe I do — but let&#8217;s say there&#8217;s a world where I would rather our content be used for training. If a model in two or three years can create a stock tile video and draw diagrams that are helping people, that&#8217;s going to be net good for society, I think. So yeah, I&#8217;m generally supportive of it on the intellectual debate around whether we just view an AI as just a super smart savant that sees a lot of material and now can paint in someone&#8217;s style or write in someone&#8217;s style, or create a video in someone&#8217;s style. Or should we view it as, “No, it&#8217;s IP theft.” The courts are going to decide this.</p>

<p class="has-text-align-none">But I&#8217;ve been kind of a little bit more on the savant side because, as we know, our videos aren&#8217;t directly encoded anywhere in these models. These models, literally, are learning to create and create associations of something similar. And there have been people who could paint in the style of Leonardo da Vinci or whatever. This is a similar thing, although on steroids, but that&#8217;s my current view. What about you? Are you like, &#8220;I don&#8217;t know&#8221;?</p>

<p class="has-text-align-none"><strong>I don&#8217;t know. Well, what I&#8217;m like is, “I&#8217;d like these things to make their way through the court so that we can all know, so that we can know what the legal situation is, regardless of how I feel,” because there is sort of a law intellectual property question here.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>So, I want to kind of finish with this. You talked earlier in our conversation about content creation for artificial intelligence. Of course, already these things are creating content — what an LLM exports is content in a way. Maybe it&#8217;s just for you, but it&#8217;s still stuff.&nbsp;</strong></p>

<p class="has-text-align-none"><strong>But are you thinking that someday there will be an ability for me to say, “I need to know about Lagrangians,” and Sal Khan just sort of pops up and starts tutoring me on Lagrangians with a piece of content that had not previously existed, and you&#8217;re doing the thing, the digital chalkboard is happening, and I&#8217;m hearing your voice. Is that the future? Are you going to never die is kind of what I&#8217;m asking?</strong></p>

<p class="has-text-align-none">That&#8217;s my “you know, we&#8217;ll see.”</p>

<p class="has-text-align-none"><strong>[Laughs] Mr. Seldon.</strong></p>

<p class="has-text-align-none">I mean, when you hear someone like Demis Hassabis <a href="https://www.cbsnews.com/news/artificial-intelligence-google-deepmind-ceo-demis-hassabis-60-minutes-transcript/">talk about how all diseases will be cured</a> in the next 10 years, it gives those of us who are about to be 50 a little bit of hope. But yeah, look, I think it&#8217;s only prudent that I, other content creators, and Khan Academy prepare for that reality. As best as we can guess. It&#8217;s likely to happen. It&#8217;s probably going to happen, I would guess, with really robust quality in probably three to five years. My vanity likes to think it&#8217;ll take longer. It might. We&#8217;ll see.&nbsp;</p>

<p class="has-text-align-none">Or it might be next month. And then our content can still be in some vault somewhere, like this is what people did before AI took over, or this was the source. It&#8217;ll hopefully still have an almost primary document value to it. Like, &#8220;Oh, Hank was like a real person and he talked about having an upset stomach that day,&#8221; and AI won&#8217;t do that kind of thing. Who knows?</p>

<p class="has-text-align-none"><strong>I think we&#8217;re going to give the AI some pretty upset stomachs. They won&#8217;t have stomachs, but something inside of them will feel-</strong></p>

<p class="has-text-align-none">It&#8217;ll talk about its stomach, it&#8217;ll talk about what it just ate, or what Hank just ate.</p>

<p class="has-text-align-none"><strong>[Laughs] Yeah.</strong></p>

<p class="has-text-align-none">But yeah, it&#8217;s coming, and I think we have to prepare for it, and we are building tools like the new version of Khanmigo and the teacher tools. We are having it so teachers can co-create content with the AI, including practice and administer it through the Khan Academy platform, like Khan Academy content, and then get insights back. So we&#8217;re trying to prepare for that reality.</p>

<p class="has-text-align-none"><strong>This is wild. I don&#8217;t know. My take on what I make and the way I make it is that I think it would be hard. I also think that people connect to people. I think that if people don&#8217;t know that it&#8217;s not a real person, there will be a betrayal when they find out that it isn&#8217;t. If they do know that it&#8217;s not a real person, they won&#8217;t feel the same way about it. That&#8217;s not to say it couldn&#8217;t be a useful tool, of course, but one of the hardest things to make into an AI will be a pop idol. People want a real thing, not that that&#8217;s us, but there&#8217;s an element of it.</strong></p>

<p class="has-text-align-none">[Laughs] We&#8217;re onto certain niche audiences.&nbsp;</p>

<p class="has-text-align-none"><strong>Every once in a while, somebody will be like, &#8220;I just really like a smart man who teaches me things.&#8221;&nbsp;</strong></p>

<p class="has-text-align-none"><strong>All right, weird way to end it, Sal. I remain very impressed by you, and I&#8217;m glad that you got to spend a little time chatting with me today about all of the crazy ways that you are having a big impact on the world. So thank you so much for taking the time.</strong></p>

<p class="has-text-align-none">Thanks for having me, Hank.</p>

<p class="has-text-align-none"><em><sub>Questions or comments about this episode? Hit us up at decoder@theverge.com. We really do read every email!</sub></em></p>
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