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	<title type="text">Katherine Cross | The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2018-09-25T13:00:02+00:00</updated>

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		<entry>
			
			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[Don’t like visual novels? These games might change your mind]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2018/9/25/17879736/visual-novel-new-games-genre-neo-cab-solace-state-admiralo-island-witches-club-necrobarista" />
			<id>https://www.theverge.com/2018/9/25/17879736/visual-novel-new-games-genre-neo-cab-solace-state-admiralo-island-witches-club-necrobarista</id>
			<updated>2018-09-25T09:00:02-04:00</updated>
			<published>2018-09-25T09:00:02-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Gaming" />
							<summary type="html"><![CDATA[Visual novels have long ventured to places that more mainstream games avoid. A genre-cum-medium of interactive stories that often feature static anime-influenced art, they also tend to be more diverse than more mainstream titles &#8212; including how they depict queer relationships. Even before programs like Twine democratized game design, visual novels were more accessible to [&#8230;]]]></summary>
			
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<p>Visual novels have long ventured to places that more mainstream games avoid. A genre-cum-medium of interactive stories that often feature static anime-influenced art, they also tend to be more diverse than more mainstream titles &mdash; including how they depict queer relationships. Even before programs like Twine <a href="https://www.nytimes.com/2014/11/23/magazine/twine-the-video-game-technology-for-all.html">democratized game design</a>, visual novels were more accessible to marginalized creators because they offered a lightweight process for development that allowed lone creators to put together a playable story. All they needed was the <a href="https://www.renpy.org/">free RenPy engine</a> and some art.</p>

<p>But visual novels are also controversial; their unmistakably feminine mien both attracts and repels. And while their non-traditional, often queer and erotic stories have earned them a devoted fandom, some gamers dismiss the clicky text-and-sprite affairs as barely worthy of the label &ldquo;game.&rdquo; Not every critic of visual novels is a stereotypical gamer bro, however.</p>

<p>Back in July, Adam Koebel, the award-winning creator of the tabletop RPG <em>Dungeon World</em>, <a href="https://twitter.com/skinnyghost/status/1022602263489961984?lang=en">tweeted</a>, &ldquo;can we please have more queer games that aren&rsquo;t visual novels? signed, a queer person who does not like visual novels.&rdquo; He held up the punky road-trip combat game <em>Get in the Car, Loser!</em> as an example of a video game that met his requirements, only for its creative lead Christine Love, an award-winning developer, to <a href="https://twitter.com/christinelove/status/1022933817453989888">pop in and say</a>:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>&ldquo;I don&rsquo;t think I&rsquo;m the developer you want to hold up if you don&rsquo;t like visual novels. My earlier game <em>Analogue</em> was the first visual novel on Steam, and frankly, I think <em>Get in the Car, Loser!</em> would be a pretty lifeless game if not for all the visual novel influences in its design.&rdquo;</p>
</blockquote>
<p>There&rsquo;s a lot more to visual novels than some people expect based on stereotypes about the genre. That&rsquo;s truer now than ever, thanks to a raft of new games &mdash; either visual novels or titles influenced by them &mdash; that demonstrate the possibilities of the format and signal a sea change that asks us to reconsider what a visual novel <em>is.</em></p>
<h3 class="wp-block-heading" id="1pXpFq"><strong>Neo Cab</strong></h3><div class="youtube-embed"><iframe title="Neo Cab Trailer - E3 2018" src="https://www.youtube.com/embed/jvlbA4f1mFg?rel=0" allowfullscreen allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div>
<p>In Uber-simulator and bisexual-lighting paragon <a href="https://www.theverge.com/2018/6/11/17451370/neo-cab-trailer-e3-2018-chance-agency"><em>Neo Cab</em></a>, Lina is the last human ride-share driver in Los Ojos, a city increasingly under the thumb of the Capra Corporation, whose driverless taxis dominate the streetscape. This is a game about agonizing choices and limits, accurately capturing the grim, gamified realities that confront your Uber or Lyft driver in real life. Should you please this passenger by parking illegally or risk losing a precious star? Get gas or another pax (aka passenger)? Answer your mercurial friend&rsquo;s call for help or get another passenger and hope he&rsquo;s going your way?</p>

<p>As always, text is central, even in these arrestingly visual games. But unlike so many others, it doesn&rsquo;t wait on you. The animation of each ride is continuous and, especially when looking out the windshield, you can&rsquo;t pause the words. There&rsquo;s no time for a breath; it feels all too real in that regard. There&rsquo;s a brief respite when you choose how Lina replies to some pax queries, each bathed in tension and the artifice of emotional labor. The game excels by allowing you to find that hidden path toward humanity and equality between driver and passenger. It isn&rsquo;t easy and it isn&rsquo;t intuitive, but it&rsquo;s like real life socializing under late capitalism in that way.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>The game excels by allowing you to find that hidden path toward humanity and equality between driver and passenger</p></blockquote></figure>
<p>A standout story in the new demo sees you deal with a date gone horribly wrong between a woman who&rsquo;s an AI researcher and enthusiastic about Capra&rsquo;s driverless cars, and an insufferably smug progressive techie who thinks of himself as &ldquo;non-hierarchical&rdquo; and condescends to you about his privilege relative to your Latina identity. It&rsquo;s pitch-perfect humor and all too familiar to those of us who work in certain spaces. Performative social justice activism versus the woman who wants you to lose your job. A pox on both their houses? Not quite.</p>

<p>The way subtle truths are revealed about who we are behind our masks of consumerism here is masterful. All I can say as a hint is: refuse to sell &ldquo;an authentic experience.&rdquo;</p>
<h3 class="wp-block-heading" id="rRWj8N"><strong>Solace State</strong></h3><div class="youtube-embed"><iframe title="Solace State First Storytelling Trailer" src="https://www.youtube.com/embed/pbh_K9n6URI?rel=0" allowfullscreen allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div>
<p>One game stood out in a satisfyingly crowded field of narrative-driven titles at the recent PAX West: Vivid Foundry&rsquo;s <em>Solace State. </em>It twists around you like a pop-up book. You click through text as in any visual novel, but the display carries you from scene to scene, a story literally unfolding and refolding around you like literary origami.</p>

<p>Abraxa, a city bound by digital mortar, is under siege. The &ldquo;Haze&rdquo; prevents communication with the outside world where a nefarious megacorporation cracks down on restive citizens leading a pro-democracy movement. The city-state becomes an island behind a great wall of fear. You play as Chloe, a neuro-hacker who just arrived back in her home city and is using her rare skills to help the rebels.</p>

<p>But it&rsquo;s the game&rsquo;s meditation on the nature of rebellion, its psychology and its costs, that really make it. The demo centers on a tense scene where a compatriot of yours uses a hacked ID to disguise himself as one of the corp soldiers in a bid to save the life of a local community leader being abused by the troops. While he does all the talking, you do all the hacking, peering deep into the life of one of the marauding soldiers, uncovering bank statements, marital problems, and a personal history that ties him deeply to this area.</p>

<p>The interplay between him, your friend, and the community leader is sublime. The point of the exercise is to find the right types of info your disguised friend can use to browbeat the fellow, while also inspiring the gathered crowd and the woman who leads them. It feels like a delicate balance. The result rhymes hacking with psychology.</p>

<p>The game twists almost lovingly around its art. It embraces 2D and adds half a dimension in a way few visual novels ever do. The proscenium of the genre is that RenPy frame that contains each panel of interacting characters, set before a static background. Lead developer Tanya Kan envisioned something different: twisting and turning to the point where one doesn&rsquo;t know where front and backstage begin or end. It&rsquo;s fitting for this game about politics and swapped identities.</p>
<h3 class="wp-block-heading" id="b3LQe8"><strong>Admiralo Island Witches Club</strong></h3>
<p>This is a game that offers a new perspective on where visual novels have <em>been</em>. Notable exemplars of the visual novel genre include Hanako Games offerings like <em>Magical Diary</em>, <em>Black Closet, </em>and <em>Long Live the Queen, </em>all of which are united by a few key features: an anime / manga art style, static frames with minimal animation, and a focus on high school-aged young women as protagonists. The stories they tell are united by themes of romance, drama, and, at least in the skilled hands of Georgina Bensley, alchemizing teenage theatrics into something deeply poignant for all ages.</p>

<p>At the recent Seattle Indie Expo, we saw a new entrant in that grand tradition, and it made me smile. <a href="https://cloverfirefly.itch.io/admiralo-island-witches-club-demo"><em>Admiralo Island Witches Club</em></a> is quintessentially a visual in what might be called an academic style. It hits the core tropes: teenagers and high school drama, anime-influenced art, and static frames with click-through text. You play as a girl staying with her aunt on a secluded Pacific Northwest island for a year who then joins a secret witchcraft club, and, of course, the supernatural is real in this version of our world.</p>

<p>The 20-minute demo, which introduced the core characters of this drama, felt as warm as a cozy hearth fire. That&rsquo;s what these games do so well: tease a smile from you and win an embarrassing gush by embracing the power of cute.</p>
<h3 class="wp-block-heading" id="q0TKEx"><strong>Necrobarista</strong></h3><div class="youtube-embed"><iframe title="Necrobarista - Opening Song (&quot;Nothing&quot; by Soft Science)" src="https://www.youtube.com/embed/CgRtVC9FtPo?rel=0" allowfullscreen allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div>
<p>The last stop before the afterlife? A cafe in a tram graveyard. There are few things quite so Melburnian as the silhouette of a Z-class tram, and they&rsquo;re piled high in the distance of this supernatural crossroads known as The Terminal. The titular necrobarista is, as you might imagine, a necromancer who summons souls with the aid of her compatriots for a final reckoning &mdash; over coffee.</p>

<p>It&rsquo;s a fittingly Aussie way to go (the country adores its unique coffee brews so much that <a href="https://www.cnbc.com/2018/07/20/starbucks-australia-coffee-failure.html">it&rsquo;s repelled Starbucks</a>), and Melbourne-based studio Route 59 embraces its homeland in a way that&rsquo;s rare among the many digital offerings from the continent. But what makes this both visual and different from others in the genre?</p>

<p>So many visual novels involve clicking through text that scrolls by in a box on the bottom of the screen. Here, as in <em>Solace State</em>, the presentation of the text is simply much more dynamic: it floats in the air, for instance, and it&rsquo;s snappier and more interactive.</p>

<p>A unique mechanic centralizes it even further. You &ldquo;collect&rdquo; keywords by clicking on them as they appear in each passing sentence. You can only gather a limited number so, eventually, you have to make choices about which ones to keep. The particular assemblage shapes the direction of the story. It&rsquo;s beguiling in its opacity. Combined with a starkly cinematic presentation, unique art style, and a blending of genres (there are first-person scenes redolent of Fulbright offerings), it becomes trailblazing.</p>

<p>In a curious way, the game expresses itself through limits. There are only so many keywords and only so many interactive objects your ghost can click before the scene advances. It&rsquo;s eerily apt for a game about time running out.</p>

<p>What links all of these games together is the way they play with visual novel fundamentals to express their themes through lavish stories: <em>Solace State</em>&rsquo;s layers of self and deception, <em>Neo Cab</em>&rsquo;s frenetic gigs, <em>Necrobarista</em>&rsquo;s lines of shadow and mortal limits. Each one also plays with text to emphasize its theme, like the way <em>Necrobarista </em>turns its collectible keywords into a pivotal mechanic that alters the experience of the game.</p>

<p>Opaque choices with unclear outcomes can be vexing, but, as with Sukeban&rsquo;s <em>VA11-HALL-A</em> where the story was shaped by how you mixed your drinks, there&rsquo;s something charming about it, too. It feels more real than simply choosing A/B/C from a menu of options. Instead, it forces you to think about the text rather than just mindlessly proceed. And in truth, that&rsquo;s what any good novel &mdash; visual or otherwise &mdash; ought to do.</p>
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			<entry>
			
			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[Toxic gaming culture can’t fully explain the Jacksonville Madden shooting]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2018/8/30/17799582/jacksonville-madden-tournament-shooting-toxic-gaming-culture" />
			<id>https://www.theverge.com/2018/8/30/17799582/jacksonville-madden-tournament-shooting-toxic-gaming-culture</id>
			<updated>2018-08-30T10:52:48-04:00</updated>
			<published>2018-08-30T10:52:48-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Gaming" /><category scheme="https://www.theverge.com" term="Internet Culture" />
							<summary type="html"><![CDATA[It didn&#8217;t take long for the Jacksonville mass shooting to yield to wearying, familiar discourses. On Fox News&#8217; The Story with Martha MacCallum, the host tried to tie games to a welter of mass shootings. &#8220;[The gunmen] spend 12, 15 hours a day [gaming], like Nikolas Cruz was one of them, Adam Lanza, and now [&#8230;]]]></summary>
			
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<p>It didn&rsquo;t take long for the Jacksonville mass shooting to yield to <a href="https://www.myajc.com/news/national/jacksonville-shooting-there-correlation-between-video-games-and-violence/83Q7CThC7CI8KpZzizSc2I/">wearying, familiar discourses</a>. On Fox News&rsquo; <em>The Story with Martha MacCallum</em>, <a href="https://www.mediamatters.org/video/2018/08/27/after-jacksonville-shooting-fox-news-panel-calls-regulation-video-games-and-smartphones/221116">the host tried to tie games to a welter of mass shootings</a>. &ldquo;[The gunmen] spend 12, 15 hours a day [gaming], like Nikolas Cruz was one of them, Adam Lanza, and now this young man, gaming,&rdquo; MacCallum said, adding that playing for hours on end is a danger on par with cigarette smoking. That&rsquo;s par for the course for Fox, but even the BBC got in on the act, <a href="https://www.bbc.com/news/world-us-canada-45323936">with a headline promising</a> an article that explores the &ldquo;Florida video game gunman&rsquo;s dark obsession with [games].&rdquo; Meanwhile, Florida&rsquo;s Trump-enthusiast attorney general, Pam Bondi, <a href="https://splinternews.com/floridas-attorney-general-finds-baffling-new-way-to-bla-1828628029">bafflingly blamed video game location services for the attack</a>.</p>

<p>The gunman, David Katz, murdered two of his fellow competitors, Elijah Clayton and Taylor Robertson, at a <em>Madden 19</em> tournament on Sunday before turning the gun on himself. Along with the victims, the game&rsquo;s publisher, EA, which sanctions the tournaments, received an outpouring of support on social media from all quarters. According to a source with knowledge of EA&rsquo;s internal communications, three EA employees were at the Jacksonville tourney but escaped unharmed.</p>

<p>However, there was a disturbing number of people who couldn&rsquo;t ignore the fact that <a href="https://www.usatoday.com/story/money/business/2018/02/01/bad-reputation-americas-top-20-most-hated-companies/1058718001/">EA is generally quite loathed</a> among gamers, and they took the opportunity to flood their social media with jokes. &ldquo;Let&rsquo;s call EA tech support in India and see if they can help us,&rdquo; <a href="https://twitter.com/sp3rmhead/status/1034063142353952768">wrote one person on Twitter</a>. Another <a href="https://twitter.com/mr_stormzy/status/1034274076884267010">tweeted</a>, &ldquo;Good response but I still won&rsquo;t be buying transgenderfield V,&rdquo; referencing <a href="https://www.theverge.com/2018/5/24/17388414/battlefield-v-fans-game-women-world-war-2-history">the outrage expressed</a> by reactionary gamers about the <a href="https://www.theverge.com/2018/5/25/17394876/battlefield-v-creators-female-characters-dice-gaming">introduction of a female protagonist</a> in <em>Battlefield V.</em> On EA&rsquo;s Facebook condolence post, <a href="https://www.facebook.com/EASPORTSMADDENNFL/posts/10156707022133756?comment_id=10156707030258756&amp;comment_tracking=%7B%22tn%22%3A%22R%2347%22%7D">a commenter wrote</a>, &ldquo;Will you be adding a thoughts and prayers <a href="https://en.wikipedia.org/wiki/Downloadable_content">dlc</a> to Madden?&rdquo; (The latter became something of a micro-meme, with people tweeting things like &ldquo;<a href="https://twitter.com/Picohinu/status/1034479321086349318">Jacksonville DLC 35$</a>&rdquo; or &ldquo;<a href="https://twitter.com/Lauzer_ssb/status/1034446480088555520">D*EA*TH Pay $100 to proceed</a>.&rdquo;)</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Gallows humor belongs only to the condemned, not those jeering from the crowd</p></blockquote></figure>
<p>More worryingly, <a href="https://twitter.com/Rodrigo_S_M21/status/1034192832913920001">one person tweeted</a> at EA&rsquo;s global community lead, &ldquo;some day all the shit that Ea [sic] has loaded in everyone of us will shock in your face, in your bodies. Stop it! Make your game great, not a fraud!&rdquo; It all goes <a href="https://twitter.com/MikeDiver/status/1033800856871882752">on and on</a>.</p>

<p>The temptation to look at this behavior and see a proximate cause for the shooting in Jacksonville is real. Certainly, the culture that produces these comments is a diseased one. EA employees who are innocent of the sins committed by their firm&rsquo;s C-suite are pilloried for them nevertheless. The callousness required of these self-identified gamers to target employees verges on the perverse. Gallows humor belongs only to the condemned, not to those jeering from the crowd.</p>

<p>But to draw the conclusion&nbsp;that this toxicity is a direct cause of such shootings would be as wrong as blaming the games themselves. The gaming community has, in the main, grieved; in addition to shaming the trolls, <a href="https://techcrunch.com/2018/08/26/gaming-community-responds-to-florida-mass-shooting/">they&rsquo;ve also come together to honor the fallen</a>, <a href="https://www.theverge.com/2018/8/30/17799570/ea-madden-tournament-shooting-victims-1-million-donation">EA included</a>. This is the first such tragedy at a gaming event, and the game being played at the Jacksonville tourney was a sports game, not a first-person shooter.</p>

<p>The larger problems at work here aren&rsquo;t unique to gaming or its culture, toxic though it may be. The behavior of the people who harassed EA&rsquo;s staff speak to two larger issues: desensitization to these shootings and the dissociative effects of online life where we are uniquely insulated from both empathy and the consequences of our words. But for now, it seems unlikely that these are <em>causes</em> of the shooting.</p>

<p>The real issue is what it has always been: easy access to firearms.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>gaming cultures in Canada, Sweden, Australia, and Japan do not produce the same unending plague of mass shootings</p></blockquote></figure>
<p>We can, and should, scrutinize the sociological realities of online culture, its gaming subcultures included. But it&rsquo;s important to remember that those cultures are global; their local variations in Canada, Sweden, Australia, and Japan do not produce the same unending plague of mass shootings that wracks the US. It&rsquo;s not easy for an ordinary person to become a killer, but for those few who fall into that terrible mindset, the essential ingredient for mass murder is always the gun.</p>

<p>Statistically speaking, the only reliable predictor of increased gun violence <a href="https://www.nytimes.com/2017/11/07/world/americas/mass-shootings-us-international.html"><em>is</em> the availability of those guns</a>. Americans constitute 4.4 percent of the world&rsquo;s population, <a href="https://www.vox.com/policy-and-politics/2017/10/2/16399418/us-gun-violence-statistics-maps-charts">but we own almost half of the world&rsquo;s civilian-owned firearms</a>; the <a href="https://www.vox.com/a/mass-shootings-america-sandy-hook-gun-violence">results</a> are chilling in their inevitability.</p>

<p>That doesn&rsquo;t take any discussion of &ldquo;culture&rdquo; off the table, but we should move away from splashy proclamations that the <em>causal</em> factors are cultural. The chief cause of American mass shootings &mdash; again, the ease with which anyone can obtain a firearm &mdash; <a href="https://twitter.com/tha_rami/status/1035123178945880064">is known</a>. But there are still ways we can critique aspects of the gaming industry while also acknowledging the <a href="http://www.gamasutra.com/view/news/315576/Opinion_So_what_does_the_science_say_about_games_and_violence.php">scientific consensus</a> that games <a href="https://www.sciencedaily.com/releases/2018/01/180116131317.htm">don&rsquo;t cause violence</a>.</p>

<p>First, we should note that critiques of &ldquo;gamer culture&rdquo; often place the blame primarily on rank-and-file players. This is misguided. In truth, the larger blame rests with the powerful: executives who market to base impulses and bestow crowns on would-be consumer kings. EA has actively fed a toxic siege mentality among gamers in the past; once, it stoked anxiety over &ldquo;censorship&rdquo; <a href="http://www.nbcnews.com/id/31125247/ns/technology_and_science-games/t/electronic-arts-stages-fake-game-protest-e/">by astroturfing &ldquo;Christian&rdquo; protests against their own games</a>. Other companies have given in to braying, bigoted mobs at the drop of a hat, <a href="https://www.theverge.com/2018/7/12/17565218/arenanet-guild-wars-firing-games-social-media-harassment">even at the expense of their own employees</a>.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>the blame rests with the powerful: executives who market to base impulses</p></blockquote></figure>
<p>Second, we should recall that the AAA sector of the gaming industry has profited mightily from <a href="https://www.eurogamer.net/articles/2013-02-01-shooters-how-video-games-fund-arms-manufacturers">cozy agreements with arms manufacturers</a>. In 2013, Barrett Firearms&rsquo; Ralph Vaughn, who negotiates brand licensing deals with video game studios, <a href="https://www.eurogamer.net/articles/2013-02-01-shooters-how-video-games-fund-arms-manufacturers">told <em>Eurogamer</em>&rsquo;s Simon Parkin</a>, &ldquo;We must be paid a royalty fee &mdash; either a one-time payment or a percentage of sales, all negotiable. Typically, a licensee pays between 5 percent to 10 percent retail price for the agreement.&rdquo; He bragged to Parkin that &ldquo;video games expose our brand to a young audience who are considered possible future owners.&rdquo;</p>

<p>This alone does not cause mass shootings. But the arrangements become a moral issue of gut-wrenching severity when one considers that these manufacturers fund the National Rifle Association to agitate against even the slimmest of legal reforms that might help <em>prevent</em> them. Invariably, some of that lobbying money must have come from the gaming industry&rsquo;s ever-expanding coffers. One longs for the days when games like <em>GoldenEye 007</em> could make great hay with knock-off guns (like the <a href="https://www.urbandictionary.com/define.php?term=klobb">infamous</a> Klobb, named for producer Ken Lobb). Now, the industry chooses to effectively donate to the enablers of America&rsquo;s gun crisis.</p>

<p>Then there is the larger issue of ennobling violence, particularly the constant portrayal of bloody retribution as the pinnacle of masculine autonomy. Manliness means violent domination, a point not lost on gun manufacturers. Bushmaster, the maker of the AR-15 rifle &mdash; which has <a href="https://www.usatoday.com/story/news/nation/2018/02/14/ar-15-mass-shootings/339519002/">been at the center</a> of <a href="https://www.snopes.com/fact-check/were-ar-15s-used-mass-shooting-aurora/">many</a> mass shootings &mdash; <a href="https://twitter.com/JessicaValenti/status/280711110485762048/photo/1">advertised the gun with a &ldquo;Consider Your Man Card Reissued&rdquo; tagline</a>.</p>

<p>That brings us rather neatly back to the troll who used the Jacksonville shooting to complain to EA about women in <em>Battlefield V</em>, and to the bigger picture, of which gaming culture is simply a convenient microcosm.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>games join with a range of other cultural forces that sustain subtle but durable forms of prejudice</p></blockquote></figure>
<p>The men who commit mass murder (<a href="https://www.nytimes.com/2018/02/17/us/mass-murderers.html">and they are</a> <a href="https://www.theguardian.com/commentisfree/2018/apr/26/mass-killer-toronto-attack-man-men">nearly all men</a>) are motivated by a variety of factors. But <a href="https://www.washingtonpost.com/national/before-colorado-shooting-a-long-history-of-violence-against-women/2015/12/01/7f494c86-987b-11e5-8917-653b65c809eb_story.html">there is</a> <a href="http://nymag.com/daily/intelligencer/2016/06/orlando-nightclub-shooting-leaves-20-dead.html">a common</a> <a href="https://abcnews.go.com/US/story?id=8258001&amp;page=1">thread</a> <a href="https://www.theguardian.com/commentisfree/2014/may/24/elliot-rodgers-california-shooting-mental-health-misogyny">among so</a> <a href="http://www.latimes.com/nation/la-na-school-shootings-2017-story.html">many</a>: hatred of and <a href="https://www.thecut.com/2016/07/mass-killers-terrorism-domestic-violence.html">a demonstrated history of violence toward women</a> &mdash; be it <a href="http://time.com/5016731/link-between-domestic-violence-mass-shooters/">their girlfriends, wives</a>, or mothers, or just random women and <a href="http://www.latimes.com/nation/la-na-texas-shooter-20180519-story.html">girls who said &ldquo;no.&rdquo;</a> Indeed, the Jacksonville shooter got violent with his mother, <a href="https://www.bbc.co.uk/news/world-us-canada-45323936">according to the aforementioned BBC report</a>, which buried the lede by choosing to focus on his gaming habits.</p>

<p>Games, no matter how violent, will not make a mass murderer by themselves. Yet, like all media, they &mdash; especially the <a href="https://kotaku.com/the-struggle-over-gamers-who-use-mods-to-create-racist-1826606138">corporate-approved</a> <a href="https://www.independent.co.uk/voices/how-the-alt-right-invaded-geek-culture-a7214906.html">fandoms</a>, <a href="https://www.thedailybeast.com/chat-site-for-gamers-got-overrun-by-the-alt-right-now-its-fighting-back">and communities around them</a> &mdash;&nbsp;can <a href="https://www.gamerevolution.com/news/401799-former-white-supremacist-leader-multiplayer-gaming-recruitment">be used to</a> shift general political views more subtly. Games join with a range of other cultural forces &mdash; religion, parental socialization, other forms of mass media &mdash; that sustain subtle but durable forms of prejudice, particularly resentment against women <a href="https://en.wikipedia.org/wiki/Wisconsin_Sikh_temple_shooting">and minorities</a>. That can lead some to <a href="https://www.splcenter.org/hatewatch/2014/04/17/splc-report-nearly-100-murdered-stormfront-users">extremist echo chambers</a> and <a href="https://www.npr.org/2018/03/06/590292705/5-killings-3-states-and-1-common-neo-nazi-link">fascist militias</a>, about which there is nothing subtle, which is <a href="https://www.propublica.org/article/investigating-hate-theres-no-shortage-of-work">making matters</a> <a href="https://www.propublica.org/article/atomwaffen-division-inside-white-hate-group">even worse</a>.</p>

<p>It all adds to the bone-dry tinder of intimately personal and publicly political influences that may act on an angry young man. But what will ignite it all?</p>

<p>The gun he can get so easily.</p>
						]]>
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			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[The Oscar Wilde of YouTube fights the alt-right with decadence and seduction]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/tech/2018/8/24/17689090/contrapoints-youtube-natalie-wynn" />
			<id>https://www.theverge.com/tech/2018/8/24/17689090/contrapoints-youtube-natalie-wynn</id>
			<updated>2018-08-24T10:02:21-04:00</updated>
			<published>2018-08-24T10:02:21-04:00</published>
			<category scheme="https://www.theverge.com" term="Creators" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Internet Culture" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="YouTube" />
							<summary type="html"><![CDATA[&#8220;Hail mortals, I come to thee from my fairy grove to bring thee tidings of great woe,&#8221; says a glitter-speckled woman flapping a pair of iridescent wings in the midst of a faux-forest, her otherwise naked body strategically festooned in butterflies. &#8220;Western culture is being destroyed &#8212; by cucks, and by gender bending, intoxication, and [&#8230;]]]></summary>
			
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<p>&ldquo;Hail mortals, I come to thee from my fairy grove to bring thee tidings of great woe,&rdquo; <a href="https://youtu.be/hyaftqCORT4">says a glitter-speckled woman</a> flapping a pair of iridescent wings in the midst of a faux-forest, her otherwise naked body strategically festooned in butterflies. &ldquo;Western culture is being destroyed &mdash; by cucks, and by gender bending, intoxication, and sodomy,&rdquo; she intones solemnly. &ldquo;You know, things that have never happened in Europe.&rdquo;</p>

<p>ContraPoints, whose real name is Natalie Wynn, is known for slick, moodily lit <a href="https://www.youtube.com/channel/UCNvsIonJdJ5E4EXMa65VYpA">YouTube videos</a> that draw hundreds of thousands of views, where she brings a leftist perspective to a variety of hot-button issues &mdash; things like <a href="https://www.youtube.com/watch?v=GWwiUIVpmNY&amp;t=290s">structural racism</a>, <a href="https://www.youtube.com/watch?v=gJW4-cOZt8A&amp;t=100s">Marxism</a>, <a href="https://www.youtube.com/watch?v=6czRFLs5JQo">transgender politics</a>, and the alt-right. With a wink, she calls herself &ldquo;one of YouTube&rsquo;s leading B-List transsexuals.&rdquo;</p>

<p>For a time, Wynn pursued a PhD in academic philosophy, <a href="https://www.youtube.com/watch?v=JNAAAfLi0pM">but she left when she found the academy too stifling and hidebound</a>; in this light, ContraPoints is a gloriously effective act of revenge, redistributing the wealth of knowledge in digestible form.</p>

<p>But her affect and persona are what made her brainy, insightful videos popular. More than most of her contemporaries on &ldquo;LeftTube,&rdquo; Wynn has a <em>style</em>; her editorial signature is an unmistakably ornate flourish. Her ContraPoints persona is decadent in the mold of Oscar Wilde by way of Weird Twitter: sexily confident and fearlessly indulgent, with orations delivered from plush chairs and scented baths. Her style extends to the postmodern rococo of her set design and the bewildering variety of costumed characters she plays on her show, giving us something like Platonic philosophical dialogues in the idiom of social media.</p>

<p>ContraPoints as a character is nothing if not luxuriously indulgent: &ldquo;sex, drugs, and social justice&rdquo; promises Wynn&rsquo;s Twitter bio. It seemed appropriate to sit down for a drink with her &mdash; albeit a virtual one. So I poured my Scotch and set about asking her a few questions, particularly about her online persona, her controversies, and her sense of irony &mdash; a sharp cocktail of eros and empathy that elevates her political commentary to a singularly powerful plane.</p>
<img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/12005393/akrales_180810_2785_0290.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="&lt;em&gt;Natalie Wynn in her kitchen.&lt;/em&gt; | Photo by Amelia Holowaty Krales / The Verge" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" />
<p>The tension between persona and person, familiar to all who are touched by even a feather of fame, is evident in Wynn&rsquo;s work and online presence. She sometimes struggles with the potential conflicts between what she wants to say, the expectations of the fans who make memes about her and deliver her views &mdash; sometimes as many as half a million per video &mdash; and a diverse transgender community who has come to see her as a representative. The wider left online, energized by a real sense that today&rsquo;s crises present an opportunity for socialist movements, <a href="https://www.currentaffairs.org/2018/05/god-bless-contrapoints">is also starting to see her as an envoy for the cause</a>; an articulate, attractively cool leftist who&rsquo;s reaching the digital generation where we live.</p>

<p>Nathan J. Robinson, editor-in-chief at the leftist online magazine <em>Current Affairs</em>, writes that what ContraPoints does is &ldquo;smart &hellip; persuasive &#8230; fun. More of this sort of thing, please. God bless ContraPoints. She&rsquo;s a national treasure.&rdquo;</p>

<p>But such pressure makes missteps costly. Last November, Wynn was harshly criticized by many of her viewers for agreeing to a Vancouver debate at the University of British Columbia&rsquo;s &ldquo;Free Speech Club&rdquo; with <a href="https://rationalwiki.org/wiki/Blaire_White">Blaire White</a>, a <a href="https://en.wikipedia.org/wiki/Blaire_White">self-described conservative</a> YouTuber <a href="http://archive.is/XsAdW">who has shared coy tweets with Richard Spencer</a>, enthusiastically supported <a href="https://www.youtube.com/watch?v=kDtEltlWb18">far right activist Lauren Southern</a> (whose most recent exploits include participating in <a href="https://www.theguardian.com/world/2017/jun/03/far-right-raises-50000-target-refugee-rescue-boats-med">expeditions to attack asylum seekers in the Mediterranean Sea</a> and ginning up fear about <a href="https://www.theage.com.au/politics/victoria/far-right-mouthpiece-lauren-southern-hit-with-hefty-police-bill-20180719-p4zsis.html">immigrants in Melbourne</a>), as well as Milo Yiannopoulos (<a href="https://www.buzzfeednews.com/article/josephbernstein/heres-how-breitbart-and-milo-smuggled-white-nationalism">whose connections to the extreme right, and actual Neo-Nazis are well documented</a>). She has also <a href="http://archive.is/W3OLb">donned blackface</a> (which many understood to mock Black Lives Matter, <a href="https://pbs.twimg.com/media/Dlj5qhkW0AEeSOY?format=jpg">a frequent target</a> &mdash;though she has since deleted many of her YouTube videos attacking them) and once <a href="https://www.facebook.com/ImBlaireWhite/posts/if-he-ain't-aryan-%EF%BF%BD/1452226481464111/">posted on Facebook</a> that &ldquo;if he ain&rsquo;t Aryan, we ain&rsquo;t marryin&rsquo;.&rdquo; Condemnation was swift, and Wynn was accused of legitimizing a fascist.</p>

<p>&ldquo;I think they are worth speaking to, for a few reasons,&rdquo; she wrote in a <a href="https://twitter.com/ContraPoints/status/936055501204357120">lengthy thread defending herself</a>. &ldquo;I have conflicted feelings about it myself but have decided to take the risk in order to promote a leftist perspective that I believe at least some of the audience is receptive to.&rdquo; While some claimed that she was being used as a naive prop by the far-right, she insisted that rather than seeing all her ideological opposites as &ldquo;hopeless bigots,&rdquo; that many in their <em>audience</em> hadn&rsquo;t considered other points of view in any detail.</p>
<div class="twitter-embed"><a href="https://twitter.com/ContraPoints/status/936070059876904961" target="_blank" rel="noopener noreferrer">View Link</a></div>
<p>In the end, she told me, White &ldquo;flaked out&rdquo; on the debate, and Wynn ended up chatting with the moderator to a &ldquo;pretty small classroom.&rdquo; But amid the call-outs, <a href="https://twitter.com/ContraPoints/status/936093807904518144">she forswore future debates with right wing extremists</a>, almost petulantly, because &ldquo;my heart can&rsquo;t take the backlash anymore.&rdquo; In a subsequent, <a href="https://twitter.com/ContraPoints/status/936092717725122560">searching Twitter thread</a> she wrote about how the backlash had forced her to completely rethink her life.</p>

<p>&ldquo;At first, I was confused that anyone could see me as this figure of any importance. But now I think I&rsquo;m starting to kind of get it,&rdquo; she told me, before describing fan meetups in the US and Canada where she met over a hundred other trans people who impressed upon her the importance of her role. This, she said, led to newly out trans people looking up to her as an example of confidence and success in transition. &ldquo;There&rsquo;s a lot of emotional investment, not in <em>me</em> but in people&rsquo;s <em>idea</em> of me.&rdquo;</p>

<p>&ldquo;This is the best piece of advice I can give to aspiring YouTubers,&rdquo; <a href="https://twitter.com/ContraPoints/status/936092717725122560">she wrote on Twitter</a> at the time: &ldquo;your audience are not your friends. They are spectators. Their love is highly contingent. The moment you fuck up you&rsquo;re dead to them. They do not love you. They love an idea of you.&rdquo;</p>

<p>Eventually the hurt feelings gave way to a new sense of responsibility. &ldquo;I basically had to radically change the way I behave online,&rdquo; she tells me. She&rsquo;s tried to draw a clearer line between her persona and herself, cutting back on revealing personal streams, eschewing flashy public debates, and thinking more critically about how her work will be understood.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>ContraPoints offers us a sense of what it looks like to combat the emotional appeal of neo-fascists with something similarly visceral</p></blockquote></figure>
<p>Confronting the right, she says, is &ldquo;broadly my mission,&rdquo; but &ldquo;the way I go about it has certainly changed.&rdquo; Beyond that, however, she has come to question the utility of these sorts of one-on-one debates. &ldquo;A debate,&rdquo; she told me, &ldquo;is a very specific kind of performance.&rdquo; Wynn&rsquo;s point is well taken; debates rarely test the rigor of ideas, but the strength of one&rsquo;s pitch. That pitch combines many elements: appearance, style, rhetoric. But &ldquo;truth&rdquo; is not required, only a good argument. Though often conflated, these are not the same. A persuasive argument is not necessarily an accurate one; a poor argument is not necessarily wrong.</p>

<p>Wynn offered up an example of the latter from her earliest days as a YouTuber: she&rsquo;d debated Blaire White before, online, well before she herself had transitioned.</p>

<p>&ldquo;Even though I think everything I said is essentially true,&rdquo; she said, &ldquo;I looked awkward. I was wearing this awkward pink anime wig and not looking at the camera and just talking like an insecure man. And I&rsquo;m next to, you know, the conservative shitlord fish-queen supreme,&rdquo; she said, laughing. &ldquo;None of this has anything to do with reason, none of this has anything to do with evidence, none of these things people imagine themselves being persuaded by.&rdquo;</p>

<p>The cult of rationality that pervades so much discourse across the political spectrum neglects the role of emotion in our decisionmaking, and, perhaps most urgently, the role of emotional appeal in the success of many neo-fascist movements around the world. Perhaps the most important thing ContraPoints offers us is a sense of what it looks like to <em>combat</em> that vision with something similarly visceral.</p>
<img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/12005397/akrales_180810_2785_0628.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" />
<p>There&rsquo;s always a moment in her videos that throws you.</p>

<p>In the aforementioned episode, &ldquo;The West,&rdquo; it isn&rsquo;t her performance as a glamorously nude faerie queen; instead, it&rsquo;s her nostalgic reflection on the classic real-time-strategy game <em>Age of Empires,</em> including a bit where the bearded &ldquo;prophet&rdquo; from the game magically willed a metaphorical gender transition from male to female. She accompanies this with a flirty lament about The Golden One, a Swedish YouTube personality who mixes bodybuilding with neo-fascism and looks exactly like the &lsquo;roided-out Aryan slab you&rsquo;d expect.</p>

<p>&ldquo;Ah, The Golden One,&rdquo; Contra says, &ldquo;his soul and mine are intermingled. Probably because we both played 1,200 hours of <em>Age of Empires</em> in 1999 and then something went terribly wrong. Fuckin&rsquo; 9/11! It used to be such an innocent decision, choosing to play the Franks or the Saracens, and then it became this huge civilizational struggle&hellip; and that&rsquo;s why this guy is a fascist and I grew up to be a woman.&rdquo;</p>

<p>When deconstructing the sludge of alt-right YouTube, Contra consistently and methodically picks apart the first principles of streamers. But she uses a coquettish tone when she talks about The Golden One &mdash; a strategy that is as subversive as it is effective. Infinite jest, painfully finite seriousness, all at the expense of a self-serious fascist bodybuilder. &ldquo;There are things you can say in the voice of a fictional character that you could not explore any other way,&rdquo; she tells me.</p>

<p>As the election of Donald Trump clearly demonstrates, mocking bigots is not sufficient in itself to stop them. Instead, Wynn uses a different tool to humorously undermine her most sanctimonious right-wing targets: <em>seduction</em>. Her video about right-wing self-help guru Jordan Peterson begins with her flirting with him (or a masked mannequin of him, at any rate) at some length, sitting him down in her bathroom so he can watch her bathe while she critiques him. She calls him &ldquo;daddy.&rdquo;</p>

<p>There&rsquo;s a lot to unpack here, but in brief, as Wynn puts it, &ldquo;You [can] respond to a political opponent and have the model of that conversation be seduction. Because usually what you have on YouTube is this very combative posture right? Ownage. Wrecking. Destroying your enemy.&rdquo; It is, she says, a &ldquo;toxically masculine posture: the idea that a conversation or an argument is about <em>destroying </em>another person. That&rsquo;s a terrible thought and a terrible way to have discourse.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Irony can be a powerful tool to make people care</p></blockquote></figure>
<p>It <em>is</em> fun to watch, however, as Wynn notes. Thus, to entertain without giving into that &lsquo;x eviscerates y&rsquo; screaming-headline discourse, she turns to seduction. Far from adding to their mystique (could one imagine Jordan Peterson as a sex symbol?) it actually helps chip away at their threatening postures.</p>

<p>&ldquo;I die laughing every time TheGoldenOne is included in your videos&#65279;,&rdquo; writes one commenter. That, indeed, is the point. And it&rsquo;s bigger than just making a funny for its own sake.</p>

<p>The strategy captures a dynamic noted by fellow LeftTuber, film critic Lindsay Ellis, <a href="https://www.youtube.com/watch?v=62cPPSyoQkE">in her analysis of the satire in Mel Brooks&rsquo; <em>The Producers</em></a>. She argues that aesthetics of the earnestly anti-Nazi film <em>American History X</em> are eagerly aped by actual neo-Nazis, but the uproariously campy rendition of Hitler&rsquo;s Germany in <em>The Producers</em> is not. Real life Nazis are not, Ellis notes dryly, singing &ldquo;Springtime for Hitler.&rdquo; In the end, despite all the controversy about the film, it hit them where it hurt.</p>

<p>Wynn&rsquo;s strikes as ContraPoints are similarly surgical, and what parses as lighthearted jocularity or inexplicable sexual attraction at first quickly resolves into a virtual pantsing. It&rsquo;s a prologue to an elegant crash course in the history of postmodernism and why Peterson&rsquo;s obscurantism makes him difficult to argue with. Calling Jordan Peterson &ldquo;daddy&rdquo; and portraying him as a robot lovingly watching Wynn bathe doesn&rsquo;t ennoble him; it erodes him. That was made clear when Peterson&rsquo;s sole response to Wynn&rsquo;s carefully argued video was a mere <a href="https://twitter.com/jordanbpeterson/status/991752958638546944">&ldquo;no comment,&rdquo;</a> when he had thundered at <a href="https://newrepublic.com/minutes/147570/jordan-peterson-joins-club-macho-writers-thrown-fit-bad-review">and even threatened</a> more earnest (less flirty) critics.</p>

<p>Irony is a means rather than an end for ContraPoints. In an era <a href="https://twitter.com/kylegaddo/status/898040681804988416?lang=en">saturated by Dadaist humor</a> on every social media platform, where memes become news, this can seem to be a meaningless distinction. But it makes <em>all</em> the difference. For all of her racy humor, Wynn is no edgelord. Throughout her interview, she was nothing if not deeply sincere.</p>

<p>She decries what she calls the &ldquo;<em>South Park</em>&rdquo; sensibility, which, as she sees it, holds that &ldquo;the problem with the world is that some people take it seriously.&rdquo; It&rsquo;s a centrist viewpoint, she says, which &ldquo;the fascists latched right onto and did a great job with, because who cares more than the social justice warriors? &lsquo;Look at them with their signs, their protests, their complaints. Look at these poor, naive, uncool fools caring about a thing and trying to make the world better unironically.&rsquo;&rdquo;</p>

<p>But at the same time, she observed that irony could be a powerful tool to <em>make</em> people care.</p>
<img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/12005409/akrales_180810_2785_1513.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="&lt;em&gt;Wynn as her character, Tiffany Tumbles.&lt;/em&gt; | Photo by Amelia Holowaty Krales / The Verge" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" />
<p>Wynn is often such an eloquent middle finger to alt-right pretensions that it can obscure the fact that she is profoundly new at this. She&rsquo;s a streamer whose two-year-old YouTube channel is older than her life as an out transgender woman, the ruptures of which punctuate her videos from the past year as everything from jokes to digressions to whole episodes worth of vein-stripping insight.</p>

<p>Her humor can&rsquo;t be reduced to the discrete block of a &ldquo;skit&rdquo; or a throwaway gag; it&rsquo;s expressively woven into the points she&rsquo;s making, and only rarely feels like a distraction &mdash; as it so often can when late-night comedians clumsily try to join serious topics with zany humor. Where John Oliver&rsquo;s humor is a non-sequitur punctuation to the meaty topics that he covers on <em>Last Week Tonight</em>, ContraPoints&rsquo; form <em>is</em> the content. And in the process she&rsquo;s just as enlightening as Oliver, more radical, and certainly more elegant.</p>

<p>In her <a href="https://www.youtube.com/watch?v=j1dJ8whOM8E">recent video &ldquo;Tiffany Tumbles,&rdquo;</a> she appears as a satirical character &mdash; the eponymous Tiffany &mdash; a sassy trans fashion vlogger who dons a MAGA hat and rants about &ldquo;the Muslims&rdquo; in between makeup tips. The point of this episode, one of her most elaborate and emotional performances, is to get inside the head of Tiffany to reveal how &ldquo;how bigotry becomes internalized and how internalized bigotry becomes the alibi of external bigotry.&rdquo;</p>

<p>This sort of exercise in vulnerability is quite unique &mdash; even among comedians, who practice an artform defined by self-deprecation. Wynn&rsquo;s humor folds back on itself into affirmation, after all, which trans people in particular need in a political age where our very existence is held up for debate. And that&rsquo;s how we come to the semiotics of sucking a trans woman&rsquo;s dick.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Wynn is an eloquent middle finger to alt-right pretensions </p></blockquote></figure>
<p>About halfway through the Tiffany Tumbles video, viewers get an extended disquisition about the unique contours of transgender sexuality. In the guise of another character, a plaid shirt-wearing trans lesbian named Adria, Wynn discusses why being a lesbian needn&rsquo;t involve an aversion to penises, because, among other things, a &ldquo;feminine penis&rdquo; attached to a woman can involve a physically different experience.</p>

<p>&ldquo;So to start with,&rdquo; Adria says, &ldquo;it doesn&rsquo;t get as hard, it doesn&rsquo;t really ejaculate, and it has a different mouthfeel. Can we please talk about the mouthfeel? Why is no one talking about the mouthfeel?&rdquo; she repeats, looking straight into the camera through her clear-framed glasses as the camera zooms in. &ldquo;Girl-dick is everything soft and smooth.&rdquo; The irony lies in the confronting vulgarity of this speech, but not in its substance. It&rsquo;s a sincere report on sexual experience among trans women and trans-feminine people. A woman with a penis is not a contradiction, and she can also offer a distinct sexual experience; none of that invalidates her claim to womanhood.</p>

<p>The video is a crescendo for Contra&rsquo;s cast of characters, nearly all of whom stay on just the right side of caricature. &ldquo;Anyone who writes fiction strives to show characters as more than one-dimensional,&rdquo; she tells me. Not so with political satire, she laments, &ldquo;even though your villains have interiority &mdash; they love, they hate, they feel.&rdquo; She wants to go beyond mockery and the point-scoring of pointing out hypocrisy. &ldquo;There&rsquo;s this artistic drive or something in me that impels me to sympathize with villains,&rdquo; she reflects, &ldquo;but it&rsquo;s maybe not a great impulse as someone who wants to do activism as well.&rdquo;</p>

<p>The story she tells about Tiffany Tumbles is a tragedy about self-loathing turning to evil, revealing that potential trajectory in us all. Wynn uses Tiffany to explore the struggles of all trans women in a way that doesn&rsquo;t excuse that bigotry. It&rsquo;s a surprisingly affecting tableau of trans sexuality, insecurity, and the quiet desperation we all live with, refracted through the life of a self-immolating woman who sells out her sisters in the hopes of dulling her own pain. Tiffany&rsquo;s personal hell &mdash; revealed through a climactic breakdown scene that Wynn says took her eight takes over three days to film &mdash; is framed as a particularly deep circle of infernal insecurity shared by all trans women, including Wynn herself.</p>

<p>&ldquo;It&rsquo;s very personal stuff,&rdquo; Wynn says about the transness of her videos, which have seen her change visibly before her audience, &ldquo;and it&rsquo;s deeply interwoven with political commentary, including great things about my sex life and things about my body, or anxious thoughts I have when I&rsquo;m trying to fall asleep at night&hellip; The deeper target of [the Tiffany Tumbles video] is not Blaire White, but my brain.&rdquo;</p>
<img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/12005411/akrales_180810_2785_1306.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="&lt;em&gt;Wynn as her character, Tiffany Tumbles.&lt;/em&gt; | Photo by Amelia Holowaty Krales / The Verge" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" />
<p>There can be no decadence without the theatrical tragedy of a shattered glass; when the glass falls here, it punctures a scalding scene about the reality of trans existence. Tumbles is alone at night, after participating in a right-wing debate show, drinking herself into a stupor after reading transphobic comments from the very right wingers she&rsquo;s pandering to. Her cocktail glass shatters as she finally passes out; she&rsquo;ll face another day as a MAGA vlogger. She lives a lie, but not as a woman. The lie is her tragic belief that her public self-abasement will win her any real affection from anyone.</p>

<p>Wynn calls the video &ldquo;cathartic&rdquo; &mdash; and I felt it too; it was a piece of work that transmutes black humor into searing empathy. It toyed with deeply personal pain that somehow cut deeply to <em>my</em> bone. Tiffany&rsquo;s anxieties &mdash; about dysphoria, her self-loathing, her false belief that she could do anything to stop bigotry being hurled at her &mdash; are common to so many of us trans people. Yet the ironic tone, a mixer in a fine cocktail, took the edge off the hard stuff. When pain emerged ungarnished, it was not only more poignant, but <em>expressive</em> for that fact. The wound is real, and the fact that there are no Contra jokes to wrap it up in gives Tiffany&rsquo;s breakdown a hiss-inducing sting. Through it all, Contra&rsquo;s irony isn&rsquo;t just used to wound others, but to expand our sense of empathy.</p>

<p>We see it <a href="https://www.youtube.com/watch?v=fD2briZ6fB0">in her latest video</a>, too &mdash; a meaningfully fresh take on so-called &ldquo;incel&rdquo; communities. Without validating what she likens to a &ldquo;death cult,&rdquo; Wynn explores the similarities between the digital self-harm of incels and that of trans women who are early in their transitions, building a bridge of empathy with a noxious group that has produced literal terrorists. She calls their worldview &ldquo;masochistic epistemology&rdquo;: &ldquo;whatever hurts is true.&rdquo;</p>

<p>In the process, she not only helps us understand why incels believe what they believe, but why all of us feel a certain desire to read hurtful things about ourselves online; all this, interspersed with phrenology jokes that Contra links to her own desire to get facial feminization surgery.&nbsp;Speaking to incels, Contra tells them that they use their arguments not as true policy positions, but &ldquo;as razor blades to abuse yourselves. And I know. Because I&rsquo;ve done the exact same thing.&rdquo;</p>
<img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/12005407/akrales_180810_2785_1171.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="&lt;em&gt;Wynn as her character, Tabby.&lt;/em&gt; | Photo by Amelia Holowaty Krales / The Verge" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" />
<p>Despite the sharpening of her skills as an ironist, and learning how to balance persuasiveness with conviction, that disconnect between Wynn and her online persona remains; it bedevils her as it bedevils <a href="https://www.newyorker.com/magazine/2018/07/09/ice-poseidons-lucrative-stressful-life-as-a-live-streamer">all the streamers</a> and microcelebrities who dominate our age. <a href="https://twitter.com/ContraPoints/status/1015381211169075201">In a recent tweet she observed</a>, with characteristic humor: &ldquo;<a href="https://www.theverge.com/2018/6/26/17505548/ariana-grande-pete-davidson-big-dick-energy">BDE</a> [Big Dick Energy] is a really useful concept to me because I&rsquo;m often asked to describe the difference between my online persona and me as a person. I can&rsquo;t think of a better way to put it than this: &lsquo;Contra&rsquo; has BDE. I do not.&rdquo;</p>

<p>It brings one back to the question of what &ldquo;BDE&rdquo; is&nbsp;&mdash; a question that&rsquo;s very much Contra&rsquo;s kind of philosophy. &ldquo;A lot of Contra&rsquo;s BDE comes from what, in real life, would be <a href="https://en.wikipedia.org/wiki/L%27esprit_de_l%27escalier">escalator wit</a>,&rdquo; she tells me. &ldquo;After an encounter with a bigot, you think of clever retorts that, in a real confrontation, you don&rsquo;t have the agility or the courage to produce. Well, Contra has a script and she can fire these things off from the safety of the studio.&rdquo;</p>

<p>Wynn added, &ldquo;I&rsquo;m agreeable to a fault. So Contra is like this superhero I imagined that says the things I want to say.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>“Contra is like this superhero I imagined that says the things I want to say.”</p></blockquote></figure>
<p>Her views have been influenced by the characters she has created, too. The wildly popular character of Tabby &mdash; an anarcho-communist trans cat-girl who sports an ANTIFA patch and wields a baseball bat to smash capitalism &mdash; began life as a caricature of radicals that Wynn felt weren&rsquo;t strategically minded enough. But her audience &ldquo;resonated with the character,&rdquo; finding her a &ldquo;cute and sort of cathartic&rdquo; presence and, thus, she says, &ldquo;I&rsquo;ve switched to portraying her in a more sympathetic light.&rdquo; Increasingly, Tabby feels like a part of Wynn&rsquo;s own psyche as she herself has radicalized.</p>

<p>In a recent video, when Contra and Tabby were arguing about revolution versus electoral reform, Tabby broached the unsettling possibility that the 2020 presidential election might be &ldquo;delayed&rdquo; or canceled outright. &ldquo;Well,&rdquo; Contra said, &ldquo;then I&rsquo;ll transition into you and become you unironically.&rdquo; It feels like she&rsquo;s getting there, certainly.</p>

<p>The most notable difference between Contra and the woman who plays her lies in the question of sincerity; in person, Wynn is earnest and agonizes over the utility of her work. Contra, meanwhile, can blithely say into the camera: &ldquo;Reason; power; truth. These are the kinds of topics that I simply don&rsquo;t care about.&rdquo; Alas, she sighs, she supposes she has to talk about them. But after my time with her, I now sense a perceptible wink behind all that affected aloofness and decadent disdain. Committing the cardinal sin of our age, Wynn cares deeply; almost too much.</p>
<img src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/12005391/akrales_180810_2785_0132.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" alt="" title="" data-has-syndication-rights="1" data-caption="&lt;em&gt;Natalie Wynn at home in Baltimore.&lt;/em&gt; | Photo by Amelia Holowaty Krales / The Verge" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" />
<p>This self-awareness and Wynn&rsquo;s forceful separation of herself from her YouTube persona has grown naturally out of her online experiences, including the painful ones. Instead of letting her fans pretend that they know the real her just from seeing her work, she has now drawn clear boundaries. Fans aren&rsquo;t friends, and performance isn&rsquo;t self. It&rsquo;s a hard lesson to learn when thousands are watching &mdash; perhaps most especially in the moments when you&rsquo;re actually in the wrong.</p>

<p>In our conversation, which sprawled over two hours and change, she was always quick to check herself, describe other points of view fairly, and even criticize herself. But she also remained resolute about critiquing her allies. We had a particularly fruitful chat about the tendency for liberals and leftists to overuse words like &ldquo;problematic&rdquo; or &ldquo;gaslighting&rdquo; to the point of meaninglessness. Leftists, she warns, are in danger of &ldquo;entombing ourselves in this paranoid world of purity,&rdquo; impenetrable to those whose past moral failings were even remotely public &mdash; a rapidly expanding population in a world dominated by social media. &ldquo;How was I able to become a leftist figure on the internet? Well, only because I was nobody.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>“How was I able to become a leftist figure on the internet? Well, only because I was nobody.”</p></blockquote></figure>
<p>I came to the interview wanting to ask pointed questions about some of her biggest controversies and criticisms: her abortive debate with Blaire White, her vulnerability to the tactic of <a href="https://en.wikipedia.org/wiki/Love_bombing">&ldquo;lovebombing&rdquo;</a> &mdash; attempting to influence someone with insincere positive attention &mdash; from the alt-right, and her decision to accept an interview with journalist Jesse Singal, an inexplicably frequent commentator on trans issues whose work is regarded by many trans people as hostile to the community.</p>

<p>Wynn brought up each of these topics without being prompted. She notes a chronic anxiety among her fans and allies &ldquo;that I am going to do a face-heel turn&hellip; that I&rsquo;m going to basically go to the dark side and become a fascist or something.&rdquo; But she clearly pays attention to who responds to her and what their motives might be. She noted that after her warm interview with Singal she was lovebombed by &ldquo;centrists and right wingers&rdquo; who offered false comfort over how she was being criticized by other trans people.</p>

<p>She&rsquo;s philosophical about the affair now, regretfully noting that she didn&rsquo;t know the relevant history behind his <a href="https://medium.com/@parkermolloy/about-that-new-york-magazine-article-on-kenneth-zucker-8212506a2bf1">story defending a doctor </a>at the infamous Centre for Addiction and Mental Health in Toronto, a state-funded clinic which many trans folk, myself included, have <a href="https://www.tandfonline.com/doi/full/10.1080/00918369.2012.653300?src=recsys&amp;">likened to conversion therapy</a> for trans people.</p>

<p>She was horrified, later, when she saw Singal&rsquo;s recent and <a href="https://jezebel.com/private-messages-reveal-the-cis-journalist-groupthink-b-1827041764">much-criticized</a> cover story for <em>The Atlantic</em>, a 10,000 word apotheosis of his <a href="https://thinkprogress.org/atlantic-jesse-singal-transgender-kids-54123639b640/">moral panic</a> about trans kids receiving treatment for gender dysphoria. It&rsquo;s a popular hobby-horse for media in <a href="https://www.nytimes.com/2017/04/18/opinion/my-daughter-is-not-transgender-shes-a-tomboy.html">both the US</a> <a href="https://www.huffingtonpost.co.uk/entry/the-sun-daily-mail-transgender_uk_5a094dcbe4b0e37d2f386b74">and UK</a>: <a href="https://www.pinknews.co.uk/2017/10/01/newspapers-attack-trans-teens-for-wanting-to-be-able-to-have-kids-later-in-life/">scaremongering</a> about an imagined wave of young gender non-conforming cis children being <a href="https://www.thestranger.com/features/2017/06/28/25252342/the-detransitioners-they-were-transgender-until-they-werent">forced by well-meaning doctors</a> to take hormones and have life-changing surgeries.</p>

<p>&ldquo;I cried when I saw that cover of <em>The Atlantic</em>,&rdquo; she told me. &ldquo;Because I realize I had been an alibi to this person who&rsquo;d just written this article for a major glossy magazine with a cover that appears to misgender a trans child twice.&rdquo;</p>

<p>For both Wynn and Contra, her ascent as a major leftist voice on YouTube has been a crash course, one that happened at the breakneck pace of social media, live-streamed in real time. There has been little room for error, none for rehearsal, and too few quiet spaces for this kind of reflection. But it is clear that she&rsquo;s listened to her left-leaning critics over the last few months, and that she&rsquo;s a good deal savvier than she&rsquo;s sometimes given credit for.</p>

<p>I&rsquo;ve been out as a trans woman for a decade now and I feel a certain arrogance creeping upon my thoughts when I&rsquo;m not looking: that yearning to condescend to newly out trans people, to declaim their lack of knowledge, experience, and, yes, suffering. But talking to Wynn candidly opened a window on what that&rsquo;s actually like for a trans woman coming out <em>today</em>, before the snap judgment of thousands of strangers in the putrefying swamps of Twitter and Reddit. Above all, it&rsquo;s a path away from shame that other queer people can follow, not just in terms of her trajectory toward success, but the playful, joyful, and honest way she approaches it.</p>

<p>&ldquo;I carry with me from my male upbringing a sense that femininity is forbidden,&rdquo; she tells me. &ldquo;So when I appear on YouTube with forty butterflies glued to my body and glitter all over my face, I have a sense that I&rsquo;m getting away with something I&rsquo;m not supposed to. I&rsquo;m being decadent. I&rsquo;m enjoying a forbidden pleasure. And that&rsquo;s fun, and it&rsquo;s funny. It&rsquo;s always funny to watch someone shamelessly enjoy something they&rsquo;re not supposed to enjoy.&rdquo;</p>

<p>&ldquo;If you&rsquo;re going to be doing this miserable business of talking to these far-right goons, you might as well enjoy it.&rdquo;</p>

<p><strong>Update 8/27/18</strong>: <em>Clarified Wynn&rsquo;s prior knowledge about the Centre for Addiction and Mental Health.</em></p>

<p><strong>Update 8/28/18</strong>: <em>This story has been updated to clarify the characterization of Blaire White</em>.</p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[The dark side of ‘Plane Bae’ and turning strangers into social media content]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2018/7/9/17544354/plane-bae-rosey-beeme-euan-holden-sousveillance-livetweeting" />
			<id>https://www.theverge.com/2018/7/9/17544354/plane-bae-rosey-beeme-euan-holden-sousveillance-livetweeting</id>
			<updated>2018-07-09T10:52:34-04:00</updated>
			<published>2018-07-09T10:52:34-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Internet Culture" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="Twitter - X" />
							<summary type="html"><![CDATA[iAt first, it seemed like a charming reprieve from Twitter&#8217;s perpetual parade of horribles: a cute, deftly narrated romance story that blossomed on a transcontinental flight. It all started here. Actress Rosey Blair and her boyfriend spun an adorkable story about what they perceived to be a budding love affair between the two, and Twitter [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Photo by Amelia Holowaty Krales / The Verge" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/11662345/akrales_180620_1777_0584_2.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>iAt first, it seemed like a charming reprieve from Twitter&rsquo;s perpetual parade of horribles: a cute, deftly narrated romance story that blossomed on a transcontinental flight. It all started here.</p>
<div class="twitter-embed"><a href="https://twitter.com/roseybeeme/status/1014122893805015041" target="_blank" rel="noopener noreferrer">View Link</a></div>
<p>Actress Rosey Blair and her boyfriend spun an adorkable story about what they perceived to be a budding love affair between the two, and Twitter was entranced. I scrolled through the tweets with a smile, letting myself get caught up in what felt like a made-for-TV drama. Then I realized that was <em>precisely</em> how I was treating these very real people. My stomach turned as I considered how I&rsquo;d feel if every twitch of my arm, half of my conversation, and even my bathroom usage were all narrated, without my knowledge, for a swelling audience of several hundred thousand people online.</p>

<p>The story&rsquo;s charm disguises the invasion of privacy at its heart: the way technology is both eroding our personal boundaries and coercing us in deleterious ways. To some, the story from that flight to Dallas already has a happy ending. The mystery man revealed himself on Twitter as former soccer player Euan Holden and gave Blair permission to share his Instagram and reveal his name. He has eagerly taken a liking to his newfound social media fandom and embraced the moniker of &ldquo;Plane Bae,&rdquo; even appearing on NBC&rsquo;s <em>Today</em> to bask in the attention. Surely, this is the ultimate consent and the final proof that people like me are just being buzzkills about a fundamentally innocent story.</p>

<p>But look closer. What about the mystery woman? She&rsquo;s clearly been far more reticent, declining an interview for the <em>Today</em> segment and asking that her full name not be revealed. It&rsquo;s hard to avoid the impression that she&rsquo;s being dragged into the public eye nonetheless. Respondents to the original thread, in thrall to the &ldquo;love story&rdquo; and eager to thwart Blair&rsquo;s half-hearted attempts at anonymizing the pair, soon found and shared the woman&rsquo;s Instagram. Holden embraced the choice that had been made for him; his companion clearly hasn&rsquo;t. She&rsquo;s since taken her Instagram offline after receiving some harassing comments, <a href="https://twitter.com/seumeninovictor/status/1015145724768673792">at least one of which</a> was related to Blair&rsquo;s speculation about what happened when the pair <a href="https://twitter.com/roseybeeme/status/1014128715322806272">simultaneously got up to use the restroom</a> (and Holden&rsquo;s cheeky comment that &ldquo;a gentleman never tells&rdquo; when asked&nbsp;about it). Of course, the sexual implication is something he&rsquo;d be praised for, while the woman is attacked.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Your consent becomes a trifling detail in a story about you that suddenly belongs to everyone else</p></blockquote></figure>
<p>This is the problem with ex post facto consent being used to justify these sorts of invasions. What if it&rsquo;s not given? The world floods into your life anyway. What had been private is now uncontrollably crowdsourced. Your consent becomes a trifling detail in a story about you that suddenly belongs to everyone else. It doesn&rsquo;t matter otherwise. Multiple news outlets, including ones <a href="https://www.news.com.au/travel/travel-advice/flights/mystery-plane-bae-opens-up-about-midair-romance/news-story/def0e775f68712733c05d9d432f0cbfb">as far away as Australia</a>, picked up the tale of Holden and his seatmate as their &ldquo;human interest&rdquo; story of the day. But if that consent had been withheld, social media denizens would have extended the drama anyway, invading the lives of two people who were singled out for celebrity on a whim. As with so much else that is mediated by the internet, the medium&rsquo;s dissociative effects prevent us from centering the humanity of the people involved.</p>

<p>It was, after all, the digital equivalent of must-see TV. &ldquo;Have not been this riveted since the final episode of <em>Lost</em>, and this *didn&rsquo;t* piss me off! Amazing!&rdquo; wrote one Twitter user in reply to Blair&rsquo;s thread. &ldquo;Please @TheEllenShow have a look on it! We need to know more about this happy end,&rdquo; wrote another. Blair should be credited, if nothing else, with spinning the relatively unremarkable behavior of two strangers into such a simple but compelling story. The problem, of course, was that she was telling a story about two people who had no idea they&rsquo;d been cast as leads in a riveting story for thousands of strangers. That cinematic element wasn&rsquo;t lost on Blair, who told ABC&rsquo;s <em>Good Morning America</em>, &ldquo;It felt like, honestly, being in a movie, and [my boyfriend and I] were the two best friends.&rdquo;</p>

<p>There&rsquo;s another unfortunate dimension to this whole saga that mimics the coercive effect of public marriage proposals: everyone innocently cheers on the romance because it tells a good story, but it places the woman in the invidious position of being the &ldquo;bad guy&rdquo; if she says no. Holden has since made romantic overtures in the press, telling <em>Today</em>, &ldquo;She&rsquo;s a very, very, very lovely girl. Very attractive, beautiful. She has a lot to say for herself and is very intelligent.&rdquo; <a href="https://abcnews.go.com/GMA/Living/plane-bae-hope-mystery-woman/story?id=56379244"><em>ABC News</em> implied that Holden said &ldquo;there&rsquo;s still hope&rdquo; for the relationship</a>, though this framing is at odds with what Holden actually said, which seemed to be a more generic statement about hopefulness. That narrative frame is a reminder of the story everyone here is being coerced into. They <em>must</em> get together.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>This is the Faustian alchemy of social media</p></blockquote></figure>
<p>Let&rsquo;s pause the academic analysis for a moment and consider this: we all know the early stages of romance are sometimes incredibly awkward and uncertain. Now imagine doing it in front of millions of people and the international media. And imagine doing it without the benefit of a true celebrity&rsquo;s phalanx of staff and bodyguards or the lucre such a status normally confers. Instead, all you have is that same vulnerability before a vast crowd that feels entitled to the most intimate parts of your life. How difficult would it be to conduct that relationship on your own terms?</p>

<p>This is the Faustian alchemy of social media: we are all given the opportunity to become celebrities in an instant, sometimes for nonsensical reasons, with or without our input. But we gain virtually none of the benefits of that fame, none of the glamor or the institutional support to help deal with the <em>invasiveness</em> of celebrity and how it can eat away at every boundary you ever took for granted.</p>

<p>There are also sobering lessons here about the limits and ethics of <a href="https://en.wikipedia.org/wiki/Sousveillance">&ldquo;sousveillance,&rdquo;</a> the use of our handheld devices to record from &ldquo;below.&rdquo; (This is in contrast to <em>sur</em>veillance from on-high, a la CCTV or drones.) In some cases, our use of cellphone cameras has the potential to liberate us when directed at the state, subjecting the powerful and privileged to forms of accountability that they&rsquo;re not used to. That&rsquo;s been made plain by the significant role of cellphone video in the movement against police brutality. The brutality isn&rsquo;t new, but the widespread availability of high-definition pocket video cameras is. It&rsquo;s also led to significant pushback against ordinary people who try to marshal the power of the state against ethnic minorities. Think of the sagas of Barbecue Becky and Permit Patty, who tried to call the police on innocent black citizens (including an eight-year-old girl) and were publicly shamed for their cruelty.</p>

<p>But as we surveil each other in profoundly coercive ways, we also risk &mdash; as is often the case with informal forms of power &mdash; replicating the coercive power of the state itself. Surveillance disciplines our behavior, as any minority who&rsquo;s passed through a security checkpoint in America can tell you in detail. It creates certain behaviors by design, most notably compliance, the willingness to do anything to avoid being hurt. This is all to escape the Lidless Eye unseen, or perhaps just to escape the TSA agent&rsquo;s grope with some measure of dignity intact. We have the capacity to inflict this disciplinary regime on each other, as well, for good and for ill.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>As we surveil each other in profoundly coercive ways, we also risk replicating the coercive power of the state itself</p></blockquote></figure>
<p>Seemingly innocent cases, like that of &ldquo;Plane Bae,&rdquo; are small warning signs on the road to our even more networked future. We are all watching each other, mining each other&rsquo;s lives for &ldquo;content&rdquo; that we give for free to large corporations who then monetize it. &ldquo;Plane Bae&rdquo; didn&rsquo;t just benefit Twitter, a company badly in need of good PR, but also T-Mobile, whose savvy CEO swooped in to offer Blair a reimbursement on the Wi-Fi she purchased to write her thread.</p>

<p>Creating threads of content based on the lives of average people, particularly with photos, has the potential to summon panoptic interest in the form of millions of eyes whose gaze weighs terribly on a person who is unused to a life of celebrity, as the vast majority of social media users are. We should be thinking more seriously about the ethics of live-tweeting: when is it appropriate? When it is, what should and shouldn&rsquo;t you do? In Blair&rsquo;s case, she seemed to think that lightly obscuring the faces of the two people she surveilled was enough to be ethical. (One face, that of a small child looking over her seat two rows ahead, was not obscured at all.)</p>

<p>Yet the identities of both were inevitably pursued and eventually discovered. At a certain level of virality, you cannot stop motivated people on the internet from piercing your veils. In the case of that woman from Blair&rsquo;s flight, her legions of &ldquo;fans&rdquo; are digging day and night to find more information, to meet the female lead of this summer&rsquo;s hottest rom-com. They want to know what happens next. They want to make her finish the story. Go on a date; now kiss; now get engaged; tell us what it was like. We need to know more. More. More.</p>

<p>Until she has nothing left to give, and the next thread about some other person plucked from obscurity comes along.</p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[We need to talk about Chelsea Manning]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2018/2/7/16976180/chelsea-manning-alt-right" />
			<id>https://www.theverge.com/2018/2/7/16976180/chelsea-manning-alt-right</id>
			<updated>2018-02-07T09:00:02-05:00</updated>
			<published>2018-02-07T09:00:02-05:00</published>
			<category scheme="https://www.theverge.com" term="Verge Archives" />
							<summary type="html"><![CDATA[When whistleblower Chelsea Manning was released from prison last May, I penned an essay for The Verge titled &#8220;One of Us&#8221; about how she had become &#8220;a hero, even a saintly figure&#8221; to many trans women in particular. It was a testament to her courage and dignity amid Kafkaesque injustice, something I still admire in [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Photo by Bryan Bedder / Getty Images for OUT Magazine" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/10162163/872328916.jpg.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>When whistleblower Chelsea Manning was released from prison last May, I penned an essay for<em> The Verge</em> titled &ldquo;<a href="https://www.theverge.com/2017/5/16/15643638/chelsea-manning-trans-woman-community">One of Us</a>&rdquo; about how she had become &ldquo;a hero, even a saintly figure&rdquo; to many trans women in particular. It was a testament to her courage and dignity amid Kafkaesque injustice, something I still admire in Manning. Many of us on the political left, desperate for a heroine in difficult times, were eager to put Manning on a pedestal &mdash; elevating her to the sort of suffocating heights that almost inevitably precede a fall. Looking back on it now, it revealed a lot about the accelerant of social media, race, and gender, and how all three intersect with cults of celebrity.</p>

<p>I&rsquo;ve been reflecting on this a lot since the recent revelations that Manning had spent time with members of the white supremacist alt-right &mdash; including <a href="https://mic.com/articles/187585/this-is-what-really-happened-when-chelsea-manning-partied-with-the-far-right#.16DugRyPT">sharing an escape room experience</a> and visiting one&rsquo;s home to play board games. Her questionable fraternizing became public knowledge after she tweeted that she had &ldquo;<a href="https://twitter.com/xychelsea/status/954931315526299648">crashed</a>&rdquo; an alt-right party celebrating the first anniversary of Trump&rsquo;s presidency, because she had &ldquo;learned in prison that the best way to confront your enemies is face-to-face in their space.&rdquo; But critics quickly noted that this confrontation had not seemed very confrontational, and she had been photographed laughing, drink in hand, with Gavin McInnes, the founder of The Proud Boys, a self-described &ldquo;Western chauvinist&rdquo; organization. (Although McInnes &mdash; who&nbsp;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=https%3A%2F%2Ftwitter.com%2FGavin_McInnes&amp;si=4668926584684544&amp;pi=485bf453-81b5-478b-f965-af104e096717">identifies</a>&nbsp;as anti-Islam, often discusses the idea of &ldquo;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=https%3A%2F%2Ftwitter.com%2Fgavin_mcinnes%2Fstatus%2F847600518511837184&amp;si=4668926584684544&amp;pi=485bf453-81b5-478b-f965-af104e096717">white genocide</a>,&rdquo;&nbsp;referred to actress Jada Pinkett Smith as a &ldquo;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=https%3A%2F%2Fwww.salon.com%2F2016%2F01%2F29%2Fvice_co_founder_and_fox_news_guest_gavin_mcinnes_refers_to_jada_pinkett_smith_as_that_monkey_actress%2F&amp;si=4668926584684544&amp;pi=485bf453-81b5-478b-f965-af104e096717">monkey actress</a>,&rdquo; referred to former U.S. diplomat Susan Rice with the racial slur &ldquo;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=https%3A%2F%2Ftwitter.com%2Fgavin_mcinnes%2Fstatus%2F821593461866594304%3Flang%3Den&amp;si=4668926584684544&amp;pi=485bf453-81b5-478b-f965-af104e096717">dindu nuffin</a>,&rdquo;&nbsp;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=http%3A%2F%2Ftakimag.com%2Farticle%2Fok_lets_not_kill_everyone_in_china_gavin_mcinnes%2Fprint%23axzz571FDF9NA&amp;si=4668926584684544&amp;pi=485bf453-81b5-478b-f965-af104e096717">called</a>&nbsp;Asians &ldquo;slopes&rdquo; and &ldquo;rice balls,&rdquo; and characterized Palestinians as &ldquo;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=http%3A%2F%2Fwww.canadalandshow.com%2Frebel-media-star-gavin-mcinnes-has-theories-on-jews%2F&amp;si=4668926584684544&amp;pi=485bf453-81b5-478b-f965-af104e096717">stupid Rottweilers</a>&rdquo; &mdash; insists that he and his organization are not white supremacist or white nationalist, even the host of an&nbsp;alt-right podcast&nbsp;<a href="http://t.sidekickopen05.com/e1t/c/5/f18dQhb0S7lC8dDMPbW2n0x6l2B9nMJW7t5XX43M2cMbW2zW-dz1pNfvgW63RzZn56dwprdVpGXq02?t=https%3A%2F%2Fwww.splcenter.org%2Fhatewatch%2F2017%2F08%2F10%2Fdo-you-want-bigots-gavin-because-how-you-get-bigots&amp;si=4668926584684544&amp;pi=591aa85e-888e-4fbb-ebc1-a9177affb2cd">described</a>&nbsp;McInnes as &ldquo;essentially doing white nationalism but [he] came up with a new name for it.&rdquo;) Even Pizzagate conspiracy theorist Mike Cernovich <a href="https://twitter.com/Cernovich/status/954967064434937856">claimed</a> that he and Manning had shaken hands at the event.</p>

<p>In response to the immediate backlash &mdash; including accusations that she was a turncoat &mdash; Manning <a href="https://www.thedailybeast.com/chelsea-manning-i-was-a-spy-not-a-racist">spoke with <em>The Daily Beast</em></a>, insisting she was not socializing but instead gathering intelligence on the extreme right (<a href="http://www.independent.co.uk/news/world/politics/alt-right-antifa-undercover-europe-expansion-gay-far-right-white-supremacist-racism-islamaphobia-a7957256.html">a tactic</a> sometimes used by anti-fascist activists). &ldquo;I viewed this as an opportunity to use the celebrity and fame I&rsquo;ve gotten since getting out of prison to gather information and to ultimately find ways in which we who are against the alt-right can undermine the alt-right,&rdquo; she told <em>The Daily Beast</em>. <a href="https://www.thedailybeast.com/chelsea-manning-i-was-a-spy-not-a-racist">According to Manning</a>, the photo with McInnes also was not an accurate representation of her experience &mdash; she says he called her a &ldquo;cunt&rdquo; and that she forced herself to smile through a tense confrontation.</p>

<p>The reaction to this was as complex as it was furious and fiercely polarizing, shattering the fragile coalition of enthusiastic leftists and respectful but lukewarm liberals whose support Manning had enjoyed. Many queer women of color, myself included, were furious with Manning for her na&iuml;vet&eacute; in engaging with white nationalists as a celebrity. White trans women radicals, meanwhile, by and large, closed ranks around her, insisting she had done nothing wrong and was, rather, a tactical genius. Many trans veterans, who never liked Manning to begin with, are crowing. Many mainstream liberals, including erstwhile supporters, have thrown her overboard entirely. Conspiracy theorists like Louise Mensch have argued Manning must be a <a href="https://twitter.com/LouiseMensch/status/955560894339145728">Russian agent</a>.</p>

<p>After a week, Manning herself seemed worn down by the fury:</p>
<figure class="wp-block-embed is-type-rich is-provider-twitter wp-block-embed-twitter alignnone"><div class="wp-block-embed__wrapper">
<blockquote class="twitter-tweet" data-dnt="true"><p lang="en" dir="ltr">its been over a week since ive let everyone who helped me out of prison down, so many of you have helped me thru tough times, i tried too hard to do too much, im sorry im a human being and not a symbol, i have hit rock bottom</p>&mdash; Chelsea E. Manning (@xychelsea) <a href="https://twitter.com/xychelsea/status/958420714884882443?ref_src=twsrc%5Etfw">January 30, 2018</a></blockquote>
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<p>But the fiasco&rsquo;s implications go beyond Manning to the dissociative effects of hero worship, especially on social media; how they turn people into icons and symbols who are not permitted to be fully human, particularly when they&rsquo;re asked to carry the unbearable weight of an oppressed community&rsquo;s hopes and dreams.</p>
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<p>When I wrote &ldquo;One of Us,&rdquo; Manning had just been released; I wanted to celebrate her new lease on life, and all I wished it could offer her.</p>

<p>&ldquo;The greatest gift we could give her is the ordinariness that is normally accorded to anonymity among the masses, a sense that she is not a holy woman whose every appendage is an icon to be treasured in some reliquary. &lsquo;One of us&rsquo; will have to mean something Chelsea Manning can rest in, can be herself in, can be flawed and silly in. That&rsquo;s what she deserves, and it is what I hope to play some small part in giving her.&rdquo;</p>

<p>Instead, Manning underwent an apotheosis. But if we made her into an angel, blessing us all with her emoji-sprinkled tweets, it was because so many others cast her as a demon. This polarization was yet another variation on the ancient tug of war between Madonna and Devil that governs the image of all women; neither image is human, neither can contain our failures. For trans women, there&rsquo;s added pressure. We&rsquo;re disordered and diseased in the minds of some, fit only to be criminalized and institutionalized. The idealization of our luminaries can be more intense precisely because they radiate proof against such bigotry. They have to carry not just the weight of celebrity, but the image of an entire community that treats them as an emissary to a hostile world.</p>

<p>Social media only magnifies this objectification. At a certain level of fame, people become memetic &mdash; ideas and symbols, content to be consumed, rather than fallible human beings. This isn&rsquo;t a new phenomenon for celebrities, but as with so much else, the internet democratizes this impulse and accelerates it to light speed. Every time we built Manning up as an icon &mdash; with every like, every meme, every beatific tweet about how she could do no wrong &mdash; we ensured that her inevitable fall would be that much more painful. Aided by social media, her Biblical arc, from Creation to Fall, only took eight months.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Aided by social media, her Biblical arc, from Creation to Fall, only took eight months</p></blockquote></figure>
<p>I&rsquo;ll never forget the furious reaction in some corners of the trans community when <a href="https://www.advocate.com/politics/transgender/2014/08/26/laverne-cox-distances-herself-controversial-trans-inmate">actress Laverne Cox</a> repudiated a video where she read a letter from an incarcerated trans woman. Although she had intended to &ldquo;<a href="http://lavernecox.tumblr.com/post/95567409116/when-i-agreed-to-participate-in-a-recent-sylvia">highlight the horrific conditions many trans people experience during incarceration</a>,&rdquo; she later learned that the letter-writer had been convicted of the 1993 rape and murder of a child. One white trans man, a prominent figure in the small world of trans professionals, scorned her loudly and publicly for this decision. In his mind, she had caved to a pressure campaign from reactionary groups that wanted to tar <em>all</em> trans people as criminal and pedophilic. &ldquo;How can we ever trust Cox again?&rdquo; he thundered.</p>

<p>I remember feeling a bit put off by the man&rsquo;s fury. &ldquo;Why were you <em>trusting</em> her at all?&rdquo; I wondered. I reserve trust for friends and loved ones. Celebrities are merely people whose actions I have opinions about. But it hit on a critical dynamic in marginalized communities where our exemplars are not just seen as successful people, but avatars of our hopes and dreams, with expansive responsibilities to their community. We invest trust in them to stand for us because they&rsquo;re one of us, a symbolic role that asks one person to contain <em>all</em> our humanities, with little room left for that of the host.</p>
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<p>There is nothing to suggest Manning&rsquo;s radical and progressive convictions are anything less than sincere, but her actions were devastatingly naive. Nor was there much to be gained from her &ldquo;reconnaissance,&rdquo; per her reflections at <em>The Daily Beast</em>, save that &ldquo;[alt-right personalities] don&rsquo;t actually believe the things that they say. I just feel they&rsquo;re opportunists and that they exploit their Twitter followers&rsquo; fears.&rdquo; This is likely true, but also not very pertinent. Alt-right extremists often use the intimation that they&rsquo;re &ldquo;just kidding&rdquo; or &ldquo;trolling&rdquo; to slither out of being held accountable for their actions, as <a href="https://www.huffingtonpost.com/entry/daily-stormer-nazi-style-guide_us_5a2ece19e4b0ce3b344492f2">a leaked copy of the &ldquo;style guide&rdquo;</a> for the neo-Nazi website <em>The Daily Stormer </em>makes painfully clear. Whether a mouthpiece believes what he says is irrelevant, their fans do believe it, and therein lies the harm.</p>

<p>Also, at the risk of stating the obvious, rule one of spying is that no one knows who you are. Leftist infiltration of fascist movements is a time-honored tradition, but such functions are best performed by activists who are not public figures; it&rsquo;s not a job for the &ldquo;face of the movement.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>At the risk of stating the obvious, rule one of spying is that no one knows who you are</p></blockquote></figure>
<p>On the night of the revelations, it was Manning&rsquo;s celebrity that opened the door for the alt-right to have a social media field day, alternately spreading transphobic abuse and loudly declaring that Manning&rsquo;s operation proved they weren&rsquo;t hateful bigots after all. (&ldquo;We treated her well and didn&rsquo;t call her a man!&rdquo;) It was an embarrassing, easily avoided spectacle that created a massive headache for everyone in LGBT and radical politics. And, regardless of her intentions, she hurt people who looked up to her. As mistakes go, hanging out with white nationalists is quite severe.</p>

<p>What might lead her to take such a path? Her personality, celebrity, and prior incarceration may all have played roles. Celebrity culture can seduce a person into a lonely, distorted feeling of indispensability. When Manning saw the terrorism summoned by the alt-right and their Nazi allies at Charlottesville she felt <em>she</em> needed to <em>do</em> something; when she devised a plan, she carried it out alone. She left the network behind. In RPG terms, she split the party.</p>

<p>Had Manning stepped back and truly assessed her role as a node in a network,&nbsp;she might have realized that she could not do this alone, that there were a variety of jobs to be done, and that she was better suited to rallying people than personally infiltrating extremist groups.</p>

<p>And fame can be disorienting even without the utterly dehumanizing and stultifying effects of incarceration; Manning endured seven years of imprisonment, which totally disconnected her from the rapidly evolving online discourse around the extreme right. The 24/7 news stream of communication and debate those of us on the outside were taking for granted was denied to her. Then, suddenly, she was assigned a place of leadership in a world that was very different from the one she had left behind.</p>

<p>&ldquo;The thing people need to understand about Chelsea is she&rsquo;s still adapting to her role as a celebrity after years and years of being a prisoner and a soldier,&rdquo; a source close to Manning told me. &ldquo;She&rsquo;s a human being and she struggles just like everyone else, but she also sees how high the stakes have become and feels like she can&rsquo;t just sit around while things get worse.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Is “don’t hang out with fascists and <a href="https://twitter.com/carolinesinders/status/957783627949137920">let them use you</a>” really a hyper-new norm in political discourse?</p></blockquote></figure>
<p>And yet, is &ldquo;don&rsquo;t hang out with fascists and <a href="https://twitter.com/carolinesinders/status/957783627949137920">let them use you</a>&rdquo; really such a hyper-new norm in political discourse? For many queer women of color, it seemed there was an additional factor that could help explain the debacle &mdash; idealistic white privilege gone awry. If you aren&rsquo;t in a racial or ethnic group targeted by the extreme right, it&rsquo;s a lot easier to indulge <a href="https://www.avclub.com/samantha-bee-other-white-people-advise-hugging-rather-1809064586">a certain innocence about the sheer depravity of these sorts of extremists</a>. For the rest of us, knowing what they&rsquo;re really about, and why you can&rsquo;t play nice with them, is drilled into us from birth.</p>

<p>&ldquo;I think Chelsea made a colossal error of judgment, not that she&rsquo;s a secret white supremacist,&rdquo; said Angela (a pseudonym), a trans woman of color and a prominent community organizer. &ldquo;She saw evil, decided she had to do something about it, and then rushed in&hellip; Like a lot of young white radicals, she just didn&rsquo;t think the implications and consequences through. I do think the alt-righters were definitely trying to recruit her, or, failing that, wreck her credibility, and she played right into their hands &mdash; poor judgment that did real harm.&rdquo;</p>

<p>Manning admitted as much, telling <em>The Daily Beast, </em>&ldquo;regardless of good intentions, I leveraged my privilege to gain access to spaces others couldn&rsquo;t dream of entering safely.&rdquo; Giving <a href="https://twitter.com/Cernovich/status/954967064434937856">a propaganda tool to the extreme right</a> by attending these events, of course, is difficult to forgive for those of us whom they want to &ldquo;peacefully ethnically cleanse.&rdquo;</p>

<p>Still, there have been no shortage of defenders insisting that Manning did nothing wrong. When the photo of Manning at the escape room surfaced, for example, some leftists called it a &ldquo;terrible photoshop.&rdquo; It was later confirmed by <em>The Guardian</em> and Manning herself to be genuine. While it&rsquo;s critical to stand with her against the deluge of transphobia that has been unleashed on her in the aftermath&nbsp;&mdash; or the fatuous claims that she&rsquo;s a &ldquo;traitor&rdquo; or a &ldquo;Russian agent&rdquo; &mdash; Manning is poorly served by enablers who insist that there was <em>nothing</em> for her to be sorry about.</p>

<p>She is not a demon beyond forgiveness; she&rsquo;s a person. But that means that she has to accept and learn from her mistakes. Those of us who support her, in turn, should also think critically about our own need to build up our heroes into infallible paragons. If she is to grow as a thinker and activist then she needs constructive critique from her fellow radicals, not a fantasy of infallibility.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Manning’s canonization had consequences; we’re experiencing them now</p></blockquote></figure>
<p>I am not exempt from this reckoning. Was my own Manning essay hero-worship? Did I contribute to all those &ldquo;Chelsea is perfect&rdquo; memes that blossomed on Twitter? If I&rsquo;m honest, yes. Despite what I wrote at the end of &ldquo;One of Us,&rdquo; I knew she wouldn&rsquo;t retreat to happy obscurity and I was secretly <em>glad</em> she didn&rsquo;t. It felt like the trans community needed an angel of radical hope in the age of Trump&rsquo;s <a href="https://qz.com/1095558/trump-said-hed-protect-lgbt-americans-but-his-white-house-has-been-attacking-them/">aggressive attacks</a> <a href="https://www.huffingtonpost.com/entry/transgender-office-for-civil-rights_us_5a5688ade4b08a1f624b2144">on our</a> <a href="https://slate.com/technology/2018/01/trumps-new-hhs-rule-is-a-license-to-discriminate-against-lgbtq-people-and-abortion-seekers.html">humanity</a>. But her canonization had consequences; we&rsquo;re experiencing them now.</p>

<p>The way out of this wilderness is, as always, to keep the flawed humanity of heroes foremost in our minds. We can look up to them as role models, perhaps, and celebrate their successes, but it is too much to ask that we <em>trust</em> them or treat them as extensions of ourselves. The arms-length approach to activist celebrity now seems like the best model for all varieties of fame, one where a prominent figure is respected but never treated as familial or deific.</p>

<p>To do otherwise, I now realize, is to set ourselves up for a lifetime of little treasons. How else does one feel when a jealously guarded possession seems to rebel? I know I held so very tightly to my heroes &mdash; adult-sized teddy bears to cling to during political storms &mdash; but this is untenable, and unfair. To myself, to my community, and to them.</p>

<p>In the end, I can only speak for myself when I say this: Chelsea, I forgive you, and I let you go.</p>

<p><em>Update 2/13/18 6:40 PM</em>: This story has been updated to clarify the characterization of the organization The Proud Boys.</p>
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			<author>
				<name>Katherine Cross</name>
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			<title type="html"><![CDATA[It’s not just Logan Paul and YouTube — the moral compass of social media is broken]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2018/1/4/16850798/logan-paul-youtube-social-media-twitch-moderation" />
			<id>https://www.theverge.com/2018/1/4/16850798/logan-paul-youtube-social-media-twitch-moderation</id>
			<updated>2018-01-04T16:20:55-05:00</updated>
			<published>2018-01-04T16:20:55-05:00</published>
			<category scheme="https://www.theverge.com" term="Creators" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Policy" /><category scheme="https://www.theverge.com" term="Speech" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="Twitter - X" /><category scheme="https://www.theverge.com" term="YouTube" />
							<summary type="html"><![CDATA[We&#8217;re only a few days into the new year, but it didn&#8217;t take long for the latest viral embarrassment to hit YouTube, as yet another popular, telegenic young man posted something reckless and offensive on the video-sharing platform. This time around, YouTube star Logan Paul shared a video where he discovered and awkwardly laughed at [&#8230;]]]></summary>
			
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<p>We&rsquo;re only a few days into the new year, but it didn&rsquo;t take long for the latest viral embarrassment to hit YouTube, as yet another popular, telegenic young man posted something reckless and offensive on the video-sharing platform. This time around, YouTube star Logan Paul <a href="https://www.theverge.com/2018/1/2/16840176/logan-paul-suicide-video-apology-aokigahara-forest">shared a video</a> where he discovered and awkwardly laughed at the corpse of a suicide victim in Japan&rsquo;s <a href="https://www.atlasobscura.com/places/aokigahara-suicide-forest">Aokigahara forest</a>.</p>

<p>&ldquo;Bro, did we just find a dead person in the suicide forest?&rdquo; he says in the now-deleted video.</p>

<p>Although Paul subsequently issued apologies, the callous stunt was just the latest in a string of incidents where popular YouTubers have posted jaw-droppingly <a href="https://www.polygon.com/2017/3/14/14928506/jontron-youtube-immigration-controversy">offensive</a>, <a href="https://www.wsj.com/articles/disney-severs-ties-with-youtube-star-pewdiepie-after-anti-semitic-posts-1487034533">prejudiced</a>, or unethical content that would never pass muster at a traditional outlet.</p>

<p>Their behavior is enabled by YouTube&rsquo;s design as an effectively accountability-free platform, particularly for its most popular, envelope-pushing stars. There are rules and community guidelines about <a href="https://money.howstuffworks.com/youtube6.htm">&ldquo;disgusting&rdquo; content</a> and <a href="https://help.twitch.tv/customer/portal/articles/983016">hate speech</a>, of course, but they&rsquo;re enforced haphazardly, often with little context or transparency, and can be <a href="https://www.theverge.com/2018/1/3/16844704/youtube-logan-paul-reupload-japan-suicide-video">easy to circumvent</a>.</p>

<p>It&rsquo;s a problem that extends beyond YouTube as a platform to streaming and social media at large, where large platforms tiptoe around the sensibilities of loud, angry users at the expense of anyone they can sacrifice on their pyre of rage. It creates a situation where women, people of color, queer, and disabled people all lack equal access to the service, laboring under the added burden of an angry mob scrutinizing their every move, even when they&rsquo;re not &ldquo;famous&rdquo; by any metric.</p>

<p>The <a href="https://www.theverge.com/2017/7/20/15992846/socialstar-creator-camp-la-teen-internet-celebrity">idealistic dream</a> these services sell to users &mdash; that anyone can be famous with a mic, a keyboard, a webcam, and a bit of elbow grease &mdash; sounds like the culmination of early <a href="https://allpoetry.com/All-Watched-Over-By-Machines-Of-Loving-Grace">cyber utopianism</a>. But in practice, it often means <a href="https://www.theverge.com/2018/1/2/16841260/logan-paul-youtube-suicide-controversy-carelessness-online-celebrity">elevating people to fame</a> when they are wildly unprepared for the ethical responsibilities or consequences of broadcasting their content to millions of fans (including children) around the world. As a principle, it means companies tie their own hands when dealing with edgelords who think Nazism is cool; there are only empty platitudes about free speech to be found in their wake.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>The internet’s lawlessness came about as a feature, not a bug</p></blockquote></figure>
<p>The internet&rsquo;s lawlessness came about as a feature, not a bug, premised on a libertarian ideal of self-direction unfettered by systems. Everything would be permitted, the thinking went, and cyber-society would simply balance itself out automatically without the need for oppressive governments or organizational rules. It hasn&rsquo;t worked out that way, to put it lightly. The scope has also changed dramatically since the early days of the internet: the voices the internet amplifies are no longer niche or cordoned off from the &ldquo;real&rdquo; world. Social media celebrities can reach tens or hundreds of millions and sometimes have <a href="http://variety.com/2015/digital/news/millennials-find-youtube-content-more-entertaining-relatable-than-tv-study-1201445092/">more impact on their viewers</a> than television or film stars. They&rsquo;re not just influential: for many people, particularly younger users, they <em>are</em> the media &mdash; and they can do pretty much whatever they want.</p>

<p>There are two sides to this, of course. One great boon of the internet, particularly for marginalized voices, is how it allows people to share content and ideas that might never make it past old-school gatekeepers and censors. At times, it can be refreshing and enlightening to see media and perspectives that don&rsquo;t labor under stultifying FCC obscenity codes, to hear voices we might not have otherwise heard. But as we&rsquo;ve seen over and over again for many years, this is an increasingly sharp double-edged sword.</p>

<p>The vile content that is amplified through digital megaphones is a reminder of why ethics and standards can be valuable, especially for the platforms that project the loudest voices in our culture. The solution, however, is not merely to clutch our pearls and demand that social media &ldquo;think of the children,&rdquo; but rather to implement clear, contextual codes of conduct with transparent enforcement that is tailored to the distinctions of every case, including human oversight at every stage. The latter is important. Without it, we run the risk of employing automated systems that reproduce biases at light speed.</p>

<p>For a choice example, we need only look at a <a href="https://www.theverge.com/2017/11/16/16654800/twitch-gaming-trainwrecks-banned-female-streamers-rant-moderation">November incident</a> involving the professional Twitch streamer aptly called Trainwrecks, who is a member of the platform&rsquo;s Partner program. In a fit of entitled pique, he decided to stream a misogynistic rant about so-called &ldquo;boobie streamers,&rdquo; or female content creators on the platform who wear revealing clothing or inject elements of sexiness into their game streams. It described, in profane detail, his rage at the growing presence of these women in what his perceived as &ldquo;his&rdquo; community, and what he believed they were taking away from him:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>&ldquo;This used to be a goddamn community of gamers, nerds, kids that got bullied, kids that got fucked with, kids that resorted to the gaming world because the real world was too fucking hard, too shitty, too lonely, too sad and depressing&hellip;[Twitch now belongs to] the same sluts that rejected us, the same sluts that chose the god damn cool kids over us. The same sluts that are coming into our community, taking the money, taking the subs, the same way they did back in the day.&rdquo;</p>
</blockquote>
<p>It&rsquo;s no secret that male-dominated online communities are often benighted by a invidious and sexist mythology, one that says their specific corner of internet culture &mdash; and particularly nerd culture &mdash; is their exclusive domain, a refuge from the real world with no room for the <a href="https://www.washingtonpost.com/news/the-intersect/wp/2015/07/20/men-who-harass-women-online-are-quite-literally-losers-new-study-finds/?utm_term=.ec5286db0591">evil girls who rejected and bullied them in school</a>. The women who do make their way into these spaces are trespassers and thieves who are &ldquo;taking&rdquo; everything away again, using their sexy wiles to steal men&rsquo;s rightly earned status and money (via ad revenue and subscriptions). This is the mentality that rules social media in the absence of meaningful enforcement, the entitled anarchy that rushes into the Wild Western void.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>This is the mentality that rules social media in the absence of meaningful enforcement</p></blockquote></figure>
<p>And like any gaping black hole, it&rsquo;s never satisfied. &ldquo;No matter what I fucking wear, there&rsquo;s always a comment. There&rsquo;s always someone calling me a titty streamer, fake gamer or a whore etc,&rdquo; said female Twitch streamer ZombiUnicorn <a href="https://twitter.com/TheZombiUnicorn/status/927408995496685569">on her Twitter</a>. &ldquo;If all the titty streamers were gone tomorrow, does anyone really think shitty people would stop degrading and insulting women?&rdquo; <a href="https://twitter.com/lolrenaynay/status/928774443488370688">tweeted streamer Ren&eacute;e Reynosa</a>. &ldquo;Truth is, they&rsquo;d just find another hoop for us to jump through.&rdquo; That&rsquo;s the key here: women and other minorities face backlash no matter what they do, how they act, how they dress, or what they say. The solution, then, shouldn&rsquo;t involve regulating the behavior of the people who suffer the most abuse online, or enabling the people who inflict it.</p>

<p>It&rsquo;s a dilemma every social media platform confronts: cave to the angry fanbases of popular users who want unfettered license to do as they please? Or try more expensive, involving, context-based moderation techniques that uphold the principle that no one is too big to ban?</p>

<p>For the moment, Twitch&rsquo;s approach to this problem has <a href="https://www.polygon.com/2017/11/13/16644260/twitch-suspension-ban-trainwrecks">mostly been one of monastic silence</a>, in its own way validating the entitled complaints of men like Trainwrecks &mdash; who was banned for just five days and remains an <a href="https://www.theverge.com/2017/11/16/16654800/twitch-gaming-trainwrecks-banned-female-streamers-rant-moderation">active streamer</a> on the platform. YouTube also remains loathe to take serious action, even as LGBT streamers have grappled with a year where their videos were effectively hidden by the company in <a href="https://www.theverge.com/2017/3/19/14978318/youtube-lgbtq-videos-hidden-restricted-mode">a misguided attempt to automate moderation</a>.</p>

<p>The automoderation craze, once trumpeted as an elegant solution, is now part of the problem. These companies want the PR boost from appearing to &ldquo;do something&rdquo; while implementing faster, cheaper systems that can&rsquo;t distinguish between a <a href="https://www.teenvogue.com/story/youtube-blocks-lgbtq-videos-restricted-mode?mbid=social_twitter">trans YouTuber talking about gender identity</a> and a Nazi inciting violence. These systems are also notoriously exploited by <a href="https://kotaku.com/game-critic-uses-brilliant-workaround-for-youtubes-copy-1773452452">corporations</a> and <a href="https://venturebeat.com/2013/05/28/anita-sarkeesians-second-tropes-vs-women-video-is-back-on-youtube/">harassers</a> alike to get critical videos taken down or demonetized.</p>

<p>There is some promise in AI moderation &mdash; jerks on the internet aren&rsquo;t the most original folks, after all; there are patterns &mdash; but it requires considerably more diverse human hands at the wheel. Twitch&rsquo;s <a href="https://www.theverge.com/2016/12/12/13918712/twitch-automod-machine-learning-moderation-tool">AutoMod system</a> debuted with great fanfare, but has made few strides in cleaning up hate in live-chat. Without human insight, it cannot grapple with the ever-evolving nature of online hate that dwells in double meanings, memes, and in-jokes. Community moderation is not obsolete. It&rsquo;s a human skill that is needed now more than ever.</p>

<p>It&rsquo;s tempting to take the easy way out &mdash; technologically, financially, and morally. Automoderation is simple and cost-effective. Catering to &ldquo;both sides&rdquo; gives the appearance of fairness. This only compounds problems of access and platform equality, however, and caving into the moral panics of a few angry users only serves as a distraction from the larger problems facing social media and streaming sites. It won&rsquo;t in any way put an end to the embarrassing PR debacles that have consumed Twitter (which is now often criticized as a <a href="https://motherboard.vice.com/en_us/article/783akg/mastodon-is-like-twitter-without-nazis-so-why-are-we-not-using-it">Nazi-friendly site</a>), or YouTube (which has been embarrassed by one failing after another, from PewDiePie to Paul to <a href="https://www.theverge.com/culture/2017/11/21/16685874/kids-youtube-video-elsagate-creepiness-psychology">disturbing videos aimed at children</a>).</p>

<p>All of these platforms have rules, moderators, enforcement teams, and even researchers dedicated to improving safety &mdash; I&rsquo;ve met some of them &mdash; but it seems like every social media company, from Reddit to Twitch to Twitter, is still overwhelmed by the explosive scale achieved by their platforms and breathlessly trying to catch up by automating as much of the process as possible. That would be a mistake. Going back to basics and strengthening their core values around this issue with human assistance is the necessary first step.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>It boils down to a basic question: what is the harm being perpetrated by a user’s actions?</p></blockquote></figure>
<p>In addition to clarifying their moderation policies, these platforms should also engage in a bit of moral education: make it clear, in fearless terms, why someone was suspended or banned, and what behaviors contributed to it. Just as critically, they need to recognize the importance of judging the <em>impact</em> of a streamer&rsquo;s alleged misdeeds.</p>

<p>For platforms like YouTube and Twitch, and indeed social media in general, codes of conduct should boil down to a basic question: what is the harm being perpetrated by a user&rsquo;s actions? For instance, while one group of streamers &mdash; the women of Twitch &mdash; stood accused of a fundamentally victimless crime, Trainwrecks and his misogynistic brethren espoused views and took actions with material repercussions for the women they targeted. The same goes for PewDiePie&rsquo;s <a href="https://www.vox.com/culture/2017/2/17/14613234/pewdiepie-nazi-satire-alt-right">&ldquo;joking&rdquo; Nazism</a>, including the &ldquo;gag&rdquo; where he <a href="https://www.theverge.com/2017/2/13/14605060/pewdiepie-disney-deal-lost-nazi-anti-semitic-imagery">paid Indian freelancers</a> to hold up a sign reading &ldquo;Death to All Jews.&rdquo; (These men later said they didn&rsquo;t understand what the sign meant, and <a href="http://www.craveonline.com/design/1199545-pewdiepies-death-jews-prank-costs-two-people-jobs">lost their jobs</a> over it.) The ethics around issues of online speech are contextual, and it&rsquo;s time to act like it.</p>

<p>The playful universe of online streaming has much to recommend to it. Subjecting it to the same sort of strict broadcasting codes devised when the radio was the must-have gadget of the season seems unwise and counterproductive. But platform holders have to stop treating their users like someone else&rsquo;s wayward children and enforce <em>some</em> standards &mdash; especially where their most popular streamers are concerned. If YouTube wants to be the next broadcast network, it&rsquo;ll have to act like it. Meanwhile, it should also resist the temptation to stifle the creativity and diversity of others just because a few loud, hateful people have called for their sanction.</p>

<p>This would be a solution in search of a problem. Worse, it would hand a victory to the very people whose poisonous attitudes are the <em>real</em> threat to these platforms &mdash; assuming sites like Twitch, Twitter and YouTube want to be something more than toys for kids (<a href="https://www.theverge.com/2018/1/3/16844290/trump-twitter-protest-projection-jack-complicit">large</a> and small) who can&rsquo;t be told &ldquo;no.&rdquo; If social media platforms want to make good on the promise of a digital democracy where traditional power structures don&rsquo;t stifle us all, they will have to confront the ways in which their haphazard approach has built as many walls to speaking freely as it has taken down.</p>
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			<entry>
			
			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[In 2018, let’s stop pretending abusive fans are ‘passionate’]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2018/1/2/16840170/swatting-death-call-duty-toxic-fandom" />
			<id>https://www.theverge.com/2018/1/2/16840170/swatting-death-call-duty-toxic-fandom</id>
			<updated>2018-01-02T14:01:57-05:00</updated>
			<published>2018-01-02T14:01:57-05:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Gaming" /><category scheme="https://www.theverge.com" term="TV Shows" />
							<summary type="html"><![CDATA[2017 was a year of grim milestones, and its tail end offered one more to add to the painfully long list: the first confirmed death from a gamer-initiated swatting. Swatting, the practice of calling a SWAT team to the house of a target by fraudulently reporting a serious crime at their address, has finally done [&#8230;]]]></summary>
			
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<p>2017 was a year of grim milestones, and its tail end offered one more to add to the painfully long list: the <a href="https://www.theverge.com/2017/12/29/16830626/call-of-duty-swatting-prank-kansas-man-dead-police-shooting">first confirmed death</a> from a <a href="https://www.theverge.com/2017/12/30/16833228/call-of-duty-swatting-prank-wichita-kansas-suspect-arrested">gamer-initiated swatting</a>. Swatting, the practice of calling a SWAT team to the house of a target by fraudulently reporting a serious crime at their address, has finally done exactly what critics of toxic video game culture have long feared, and claimed a life.</p>

<p>The recent death of Andrew Finch, slain when a feud between two <em>Call of Duty </em>players ended in a SWAT team being summoned to his home in Wichita, Kansas, leads us into a thorny thicket of questions that demand introspection from policymakers, technology and gaming studio executives, and fan communities. Reflecting on change and self-improvement is all the rage at the dawn of a new year, and it&rsquo;s long past time to assess the problem of toxic fandom with the greater urgency and seriousness it deserves, as well as the terrible costs of using lethal force as a first resort in law enforcement.</p>

<p>First, we have to take stock of what led us to this moment, including technology and gaming industries too willing to indulge the &ldquo;passion&rdquo; of their most ardent fans &mdash; even when that &ldquo;passion&rdquo; is nothing more than frothing rage and unchecked entitlement. We also have to reckon with why swatting is so potentially deadly: militarized American police forces trained to shoot first and ask questions later.</p>

<p>Just a few months ago, we witnessed another case of fandom gone horribly awry, which &mdash; in its own absurd way &mdash; prefigured the same entitlement and callousness on display in the instigators of the Wichita shooting. The incident is infamous now precisely for its penny-ante stupidity: fans of <em>Rick and Morty</em> <a href="https://www.vox.com/culture/2017/10/10/16448816/rick-and-morty-szechuan-sauce-backlash">running wild at McDonald&rsquo;s restaurants</a> that ran out of szechuan sauce packets for a promotional tie-in with the show. Several McDonald&rsquo;s employees <a href="https://twitter.com/JustinRoiland/status/917145891852623873">were screamed at</a> by fans who did not receive their sauce, and treated the people behind the counter as uniformed vending machines obligated to dispense the edible fandom kitsch they desired. &ldquo;Some [fans] became physical,&rdquo; <a href="https://la.eater.com/2017/10/9/16448332/mcdonalds-mulan-szechwan-sauce-rick-morty-riot-police">reported <em>Eater</em></a>, and in one Los Angeles location, police were summoned to the scene.</p>

<p>The restaurant giant responded to the debacle by plucking a page from the PR handbook of the gaming industry, which routinely reacts to even the most vile attacks by rhapsodizing about the enthusiasm of their fans. Take Beamdog CEO Trent Oster, <a href="https://forums.beamdog.com/discussion/51161/beamdog-statement-on-siege-of-dragonspear/">who responded</a> to a <a href="https://www.polygon.com/2016/4/5/11371428/baldurs-gate-dragonspear-trans-statement">furious transphobic backlash</a> <a href="https://steamed.kotaku.com/the-social-justice-controversy-surrounding-baldurs-gate-1769176581">against <em>Baldur&rsquo;s Gate: Siege of Dragonspear</em></a> by saying: &ldquo;The last few days have showed us how passionately many of our fans care for our games.&rdquo; McDonald&rsquo;s, similarly, issued one ingratiating tweet after another, calling the unruly <em>Rick and Morty</em> fans &ldquo;the best fans in the multiverse,&rdquo; and saying that the company was &ldquo;humbled by the amazing curiosity, passion, and energy&rdquo; of the <a href="https://twitter.com/ianjsikes/status/916809543618719744?ref_src=twsrc%5Etfw&amp;ref_url=http%3A%2F%2Fwww.oregonlive.com%2Ftrending%2F2017%2F10%2Fmcdonalds_employees_victims_in_rick_and_morty_szechuan_sauce_fiasco.html">enraged sauce-seekers</a>.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>The gaming industry routinely reacts to even the most vile attacks by rhapsodizing about the enthusiasm of their fans</p></blockquote></figure>
<p>There&rsquo;s nothing quite so emblematic of commodified fan culture as corporate representatives euphemistically describing this sort of toxicity as &ldquo;passion.&rdquo; This C-suite impulse &mdash; to never draw a line in the sand and to let the ugliest and loudest voices dictate what fandom should look like &mdash; inevitably privileges the bottom line over the more vulnerable people who are harmed by the colliding forces of technology and toxic fandom.</p>

<p>A <em>Slate</em> <a href="http://www.slate.com/articles/technology/technology/2017/10/mcdonald_s_botched_an_attempt_to_cash_in_on_rick_and_morty_fans.html">op-ed</a> on the McDonald&rsquo;s debacle put it thusly: &#8220;It&rsquo;s beginning to seem like building a culture, an economy, and a society based on tolerating and amplifying the worst impulses of a bunch of jerks for profit can have undesirable secondary effects.&#8221; But sadly, this phenomenon isn&rsquo;t &ldquo;beginning&rdquo; at all; it&rsquo;s merely entering a new phase. In 2015, a man in Maryland was <a href="https://www.polygon.com/2017/4/12/15271762/swatting-maryland-shot-in-the-face-video-game">shot by rubber bullets</a> after being swatted. The gaming industry has seen this sort of behavior for years, from disgruntled fans <a href="https://www.polygon.com/2014/11/7/7172827/destiny-swatting">summoning helicopters</a> to the homes of game developers <a href="https://www.polygon.com/2014/8/24/6063149/hacker-threat-diverts-flight-carrying-sony-online-president">to calling in bomb threats</a> on planes carrying studio CEOs.</p>

<p>Ironically, it&rsquo;s <em>at</em> the corporate level of studios and tech firms where this toxicity is often cultivated and indulged &mdash; rabid fans are devoted fans, after all &mdash; but there&rsquo;s also the continued, paradoxical indulgence of the idea that the online domain is somehow real when it&rsquo;s convenient to fans&rsquo; whims, and unreal when it is not.</p>

<p>Journalists Katelyn Alanis and Nichole Manna, whose <a href="http://www.kansas.com/news/local/crime/article192388319.html">excellent on-the-ground reporting</a> of the swatting death is a reminder of why local newspapers remain vital, captured this hypocrisy vividly. According to <a href="http://www.kansas.com/news/local/article192336829.html">one of Manna&rsquo;s reports</a>, a man who claimed responsibility for placing the swatting call posted on Twitter, &ldquo;I DIDNT GET ANYONE KILLED BECAUSE I DIDNT DISCHARGE A WEAPON AND BEING A SWAT MEMBER ISNT MY PROFESSION.&rdquo; When a YouTube channel reached out to the Twitter account for an interview, the man they spoke to <a href="http://www.kansas.com/news/local/article192336829.html">added</a> that &ldquo;it&rsquo;s my personal belief that I didn&rsquo;t cause someone to die.&rdquo;</p>

<p>For anyone familiar with the excesses of fan culture, this self-justification sounds like more than just panicked denial. It stems from the dissociation encouraged by gaming communities that regard their online beefs and entitlements as real enough to merit horrific online abuse &mdash; and in the case of swatting, very tangible abuse &mdash; but unreal enough that they can delude themselves into thinking that no one really gets hurt. And if no one is harmed, no one has to be responsible. It&rsquo;s the same way &ldquo;trash talk&rdquo; in games, however abusive, threatening, or prejudiced, is often described by fans and industry executives alike as a &ldquo;heated gaming moment,&rdquo; as &ldquo;just words on a screen,&rdquo; or &ldquo;just a game.&rdquo; (But heaven help you <a href="https://www.google.com/search?q=It%27s+just+a+game+excuse&amp;rlz=1C1CHBF_enUS721US722&amp;oq=It%27s+just+a+game+excuse&amp;aqs=chrome..69i57.2743j1j7&amp;sourceid=chrome&amp;ie=UTF-8">if say that after playing less than expertly in a multiplayer game</a>.)</p>

<p>The age of thinking &ldquo;words on the internet&rdquo; were unreal passed us by long ago &mdash; if it ever existed at all. People have already been hurt, their lives ruined or forever altered, by <a href="https://www.wired.com/2014/10/trolls-will-always-win/">cavalcades</a> <a href="http://www.bostonmagazine.com/news/2015/04/28/gamergate/">of online harassment</a>. They have beenforced from their homes, <a href="http://www.businessinsider.com/gamergate-fbi-file-2017-2/?r=AU&amp;IR=T">only for law enforcement to not take it seriously</a>; others saw their livelihoods impacted by trolls <a href="https://www.buzzfeed.com/josephbernstein/heres-how-breitbart-and-milo-smuggled-white-nationalism?utm_term=.oaOz3A8B9D#.hegB2wqMeN">and even colleagues</a> who fed stories to <em>Breitbart</em>. More <a href="https://boingboing.net/2015/07/24/that-time-the-internet-sent-a.html">saw their families and loved ones targeted because they spoke out</a> about the abuse. Many more still, those whose names weren&rsquo;t &ldquo;important&rdquo; enough to make it into a news article, suffered in silence.</p>

<p>President Trump has demonstrated with painful clarity how even manifestly untrue tweets can move financial markets and <a href="https://www.washingtonpost.com/news/wonk/wp/2016/12/07/donald-trump-retaliated-against-a-union-leader-on-twitter-then-his-phone-started-to-ring/?utm_term=.2b51ee5d5e87">embolden harassment of the worst kind</a>. And now, for the gaming community, there&rsquo;s a bodycount for its &ldquo;passion.&rdquo; Now more than ever, we need to acknowledge what the tech industry and its associated fandoms have been egregiously remiss in addressing: that what we say and do in our fan spaces, in games, or on social media, has consequences and we are responsible for it.</p>

<p>As we reflect on this rising wave of internet-facilitated abuse, we should conclude by reflecting on why swatting happens in the first place. Part of its appeal is theatrical: you swat a streamer and then reap &ldquo;lulz&rdquo; from seeing a <a href="https://www.theguardian.com/technology/2015/feb/05/gaming-streamer-gets-swatted-as-online-griefing-enters-real-world">SWAT team burst into their living room or bedroom live on their webcam</a>. But especially for the more vicious harassers that stew in fan communities, <a href="http://gawker.com/utah-man-shot-and-killed-by-swat-team-after-calling-sui-1650268826">it&rsquo;s a SWAT team&rsquo;s capacity for violence</a> that really appeals. The police are an extension of their will, a physical manifestation of all the power they think they&rsquo;re owed. They can hurt people they dislike, or at the very least damage their property &mdash; not to mention their sense of safety &mdash; with a publicly funded battering ram. With one phone call, they can wield the lethal weaponry of law enforcement like a cudgel in their personal, petty disputes. And as is so often the case with American police, those guns might just go off.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>What we say and do in our fan spaces, in games, or on social media, has consequences</p></blockquote></figure>
<p>Swatting is not a &ldquo;prank,&rdquo; as it&rsquo;s so often <a href="https://www.npr.org/sections/thetwo-way/2017/12/30/574789231/police-arrest-suspect-in-fatal-swatting-prank">characterized by the press</a>. Two years ago, I was interviewed about it <a href="http://nhpr.org/post/4115-history-white-house-pranks-longest-running-wikipedia-hoax-swatting#stream/0">as part of a themed April Fools&rsquo; segment</a> on public radio. It must now be recognized as the potentially lethal practice it is, one with dangers that are amplified exponentially by the <a href="https://www.theatlantic.com/national/archive/2014/12/police-gun-shooting-training-ferguson/383681/">ruthless training</a> of American police forces. Among many examples, a West Virginian policeman was fired for <a href="https://www.aclu.org/blog/criminal-law-reform/reforming-police-practices/firing-officer-who-didnt-shoot-first-and-ask"><em>not</em> killing someone</a> when he could have. In Wichita, the local police force defended the killing of the unarmed Finch by saying that he didn&rsquo;t hold his hands the right way when he answered the door and appeared to be reaching for something.</p>

<p>These sorts of <a href="http://www.nydailynews.com/new-york/unarmed-amadou-diallo-shot-killed-police-1999-article-1.2095255">familiar</a> <a href="https://www.washingtonpost.com/news/post-nation/wp/2017/12/08/graphic-video-shows-daniel-shaver-sobbing-and-begging-officer-for-his-life-before-2016-shooting/?utm_term=.fffe93d55d68">excuses</a> for police violence are often buttressed by stern lectures from officers and random tweeters alike to always act thus-and-so around cops. But why must American citizens be drilled in reacting with military stoicism to having guns pointed in their faces &mdash; especially African-Americans, who bear the brunt of unwarranted police violence?</p>

<p>Emanuel Kapelsohn, a policing consultant who has trained thousands of officers in the use of force, went so far as to criticize <a href="https://www.nbcnews.com/news/crime-courts/officer-refuses-resort-deadly-force-i-wanted-be-absolutely-sure-n344011">a case</a> where a police officer safely subdued a suspect who had been &ldquo;running toward him while holding his hand in his pocket&rdquo; without using deadly force. &ldquo;From a professional point of view, the officer made an extremely poor tactical decision and needs to be retrained, not commended,&rdquo; Kapelsohn <a href="http://www.slate.com/articles/news_and_politics/crime/2017/09/police_officers_need_to_accept_the_risk_that_comes_with_showing_restraint.html">told <em>Slate</em></a> after watching the body cam footage of the incident. &ldquo;This was someone who needed to be shot, should have been shot.&rdquo;</p>

<p>This institutional belief that the overriding priority of a police officer is <a href="http://www.slate.com/articles/news_and_politics/politics/2015/12/the_tamir_rice_grand_jury_decision_shows_that_we_give_police_too_wide_a.html">self-preservation rather than serving and protecting</a>, often leads to shooting first and asking questions later &mdash; an especially pernicious approach given that implicit biases can affect <a href="http://www.apa.org/monitor/2016/12/cover-policing.aspx">people of color</a>. Taken together, it&rsquo;s all made this country a <a href="https://www.theguardian.com/us-news/2015/jun/09/the-counted-police-killings-us-vs-other-countries">world leader in fatal police shootings</a>.</p>

<p>The people who swatted Finch&rsquo;s home in a dispute over $1.50 worth of <em>Call of Duty </em>content may try to deny their responsibility for what happened, but they played an undeniable part in putting that armed officer at Finch&rsquo;s house. A militarized police force did the rest, despite their attempts to foist the blame on those who called them. Both are responsible.</p>

<p>We must do more to rein in the many violent excesses of fan culture and stop sanctioning and coddling their worst offenders as &ldquo;passionate.&rdquo; It&rsquo;ll mean finally listening to what their victims <a href="https://www.wired.com/2014/10/trolls-will-always-win/">have said for years</a>. And if we truly want to neuter swatting as a tool of abuse, we also have to address police brutality urgently, and finally heed the Black Lives Matter movement instead of consigning it to propagandistic stereotypes. No one should have to die like this. No one had to. We were warned.</p>
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			<entry>
			
			<author>
				<name>Katherine Cross</name>
			</author>
			
			<title type="html"><![CDATA[How the legal battle around loot boxes will change video games forever]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/12/19/16783136/loot-boxes-video-games-gambling-legal" />
			<id>https://www.theverge.com/2017/12/19/16783136/loot-boxes-video-games-gambling-legal</id>
			<updated>2017-12-19T09:00:01-05:00</updated>
			<published>2017-12-19T09:00:01-05:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Gaming" />
							<summary type="html"><![CDATA[Just a few weeks ago, Belgium&#8217;s Gambling Committee took up the most controversial gaming question of the season: are loot boxes gambling? Yes, they said. Loot boxes are, in short, virtual boxes with random contents that you purchase through video games with real money. They contain everything from virtual cosmetic items to power-ups to gear [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9879739/lootbox.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Just a few weeks ago, Belgium&rsquo;s Gambling Committee took up the most controversial gaming question of the season: are loot boxes gambling? <a href="https://www.gamasutra.com/view/news/310188/Belgian_officials_decide_yes_loot_boxes_are_gambling_and_theyd_like_them_banned.php">Yes, they said</a>.</p>

<p>Loot boxes are, in short, virtual boxes with random contents that you purchase through video games with real money. They contain everything from virtual cosmetic items to power-ups to gear that can dramatically alter your chances of winning the game. Rarer items, of course, show up in loot boxes far less often. The rush of buying them and rolling the dice on their contents has been likened to the psychological sensation one feels when gambling. That gets even more unsettling when you consider how many underage people play these games, and how much they spend; my own younger sibling, a few years ago, drained $400 from my bank account on Xbox Live purchases.</p>

<p>The debate over loot boxes has been one of the most divisive and furious that gaming has seen in years, and certainly one of the most important stories for the industry in 2017. Billions of dollars are on the line here &mdash; especially as legislators and regulators in more countries have started to speak up.</p>

<p>Hawaiian state representative Chris Lee recently held a press conference where he characterized loot boxes as &ldquo;<a href="https://www.youtube.com/watch?time_continue=1&amp;v=_akwfRuL4os">predatory gaming</a>,&rdquo; and is <a href="https://motherboard.vice.com/en_us/article/wjgw3y/state-legislator-want-to-ban-loot-boxes">working on legislation</a> to ban minors from buying them. He later added <a href="https://www.reddit.com/r/gaming/comments/7elin7/the_state_of_hawaii_announces_action_to_address/dq62w5m/">in a Reddit post</a> that &ldquo;these kinds of loot boxes and microtransactions are explicitly designed to prey upon and exploit human psychology in the same way casino games are so designed.&rdquo; In Australia, a regulator for the state of Victoria <a href="https://www.kotaku.com.au/2017/11/victorias-gambling-regulator-loot-boxes-constitute-gambling/">agreed</a> that &ldquo;what occurs with &lsquo;loot boxes&rsquo; does constitute gambling&rdquo; and that the regulatory body for gaming was &#8220;engaging with interstate and international counterparts&#8221; on policy changes.</p>

<p>For years, microtransactions have become more and more prominent in gaming as a way of supplementing income for developers, or replacing the revenue gained by selling units &mdash; hence &ldquo;free to play&rdquo; games that are free to download and play, but make money by selling you small-ticket items or downloadable content in the game itself.</p>

<p>The <a href="https://www.theverge.com/2017/11/14/16648218/star-wars-battlefront-2-ea-loot-crates-explained">unparalleled outcry</a> from players, fans, press, and politicians about loot boxes in <em>Star Wars Battlefront II</em> signaled that we were at a breaking point. A flagship title of perhaps the world&rsquo;s most profitable and famous IP was monetizing through microtransactions and loot boxes so pervasively that it felt openly exploitative. Every aspect of the game was now bent toward facilitating microtransactions. Characters or power-ups can take days worth of play to earn, which makes purchasing them in an in-game store more tempting.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>Loot boxes have brought the video game industry to a crossroads</p></blockquote></figure>
<p>A process that had begun over a decade ago has reached a crisis point. Loot boxes have brought the video game industry to a crossroads, and the path taken now will shape the future of the industry in profound ways.</p>

<p>It could take months or years before a final ruling is settled in any jurisdiction, and even then, a global patchwork of differing laws and rulings will need to be reckoned with. But the implications are clear. The law has always lagged behind technology, but sooner or later it&rsquo;s going to catch up, and tech companies that are used to doing as they please will suddenly have to figure out what life after regulation looks like.</p>

<p>Previously, most defenders of the loot box economy and its associated trading websites said that since real currency wasn&rsquo;t being won, no real gambling was taking place. But according to some legal experts, that isn&rsquo;t strictly true.</p>

<p><a href="https://headgum.com/robot-congress/robot-congress-52-are-loot-boxes-gambling-ft-marc-whipple">In a recent episode of his <em>Robot Congress</em> podcast</a>, prominent video game attorney Ryan Morrison interviewed another lawyer, Marc Whipple, who has experience in the gaming industry. Whipple said that gambling, in &ldquo;most jurisdictions,&rdquo; was judged to be such if it had three critical elements: &ldquo;Consideration, which means you have to pay something to play. Chance, which means there has to be something outside your control that determines the outcome of the game. And a prize. And of course, a prize is something, anything of value.&rdquo;</p>

<p>Whipple added, with deliberate clarity: &ldquo;As close as I&rsquo;m ever getting to giving actual legal advice to strangers on the internet who are not my clients is this: no, it does not have to be money. It has to be something of value, period.&rdquo;</p>

<p>This discussion neatly lays out where the legal battle lines <em>actually</em> are. The issue has come up a handful of times in American courts, but the industry won those cases because digital objects were determined to have no value. In Whipple&rsquo;s mind, this was because the judges were not &ldquo;technologically literate,&rdquo; and &ldquo;did not understand what was going on,&rdquo; instead seeing this very lucrative form of commerce as nothing more than &ldquo;blips on a screen.&rdquo;</p>

<p>The answer to this question &mdash; whether digital matter should be considered as real as what&rsquo;s in your pocketbook &mdash; affects every aspect of the tech industry. If the virtual is not real, rules are irrelevant; if it <em>is</em>, then we&rsquo;re badly in need of a digital social contract. With the events of the last few years &mdash; from a president&rsquo;s tweets moving markets, to discourse around online harassment &mdash; we&rsquo;re recognizing, slowly, that what happens online is, for all intents and purposes, real. We cannot simply switch it off.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>What happens online is, for all intents and purposes, real</p></blockquote></figure>
<p>Pursuant to this specific discussion, the American legal framework on gambling is already primed to accept that. The legal test for gambling, here, <em>never</em> required actual currency to be won.</p>

<p>&ldquo;Value doesn&rsquo;t mean necessarily mean you like it and you want it. Value means it &lsquo;has value.&rsquo;&rdquo; said Whipple. &ldquo;If you can sell it to somebody, if you can transfer it to somebody&#8230;and exchange for some consideration, some payment, I would argue under that most gambling statutes that it is almost certainly something of value. If you can&rsquo;t, that doesn&rsquo;t mean it <em>isn&rsquo;t</em> something of value, it just means it&rsquo;d be harder to prove,&rdquo;</p>

<p>The &ldquo;harder to prove&rdquo; bit is key, and that will be where the legal trenches are dug on this issue, I suspect. But it&rsquo;s no <em>guarantee </em>of forestalling regulation and adverse judgements, and that&rsquo;s equally critical to understand here.</p>

<p>The potential implications of this question are tremendous. They could theoretically categorize the entire business model of the popular deck-building game <em>Magic: The Gathering</em>&rsquo;s as a form of gambling, along with numerous similar properties, and perhaps even the &ldquo;blind boxes&rdquo; of unknown minifigures sold by many tabletop RPG companies. That&rsquo;s for courts and regulators to decide, of course. But the path is open now for major changes to the world of gaming.</p>

<p>What caused the game industry to charge so recklessly toward this precipice? Why risk doing something that would invite legal battles and government scrutiny above and beyond anything that the industry endured during the darkest days of the last generation&rsquo;s culture wars? Inescapably, the answer is money.</p>

<p><a href="http://online.liebertpub.com/doi/pdfplus/10.1089/glr2.2017.21814">A law review article</a> in the aptly titled &ldquo;Gaming Law Review&rdquo; made that abundantly clear, with language that was unusually blunt for an academic paper. In her article &ldquo;Skin Gambling: Have We Found the Millennial Goldmine or Imminent Trouble?&rdquo; lawyer Desir&eacute;e Martinelli analyses the legal landscape as relates to the practice of &ldquo;skin gambling,&rdquo; which is the practice of using skins &mdash; cosmetic alterations to in-game objects &mdash; as the ante for ever rarer ones. <a href="https://www.esportsbettingreport.com/wp-content/uploads/2016/07/A-Guide-To-Skin-Gambling.pdf">One report</a> by the gambling industry analyst Chris Grove estimated that $7.4 billion worth of skins were wagered in 2016, with some significant percentage of that money undoubtedly going to the distribution platform Valve, which sold many skins in the first place.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>One report estimated that $7.4 billion worth of skins were wagered in 2016</p></blockquote></figure>
<p>Valve has since pledged a crackdown on skin gambling, of course, but a broader issue remains: the mentality that let it flourish for so long in the first place.</p>

<p>Martinelli concludes that &ldquo;the lack of regulation provides the perfect atmosphere for thirsty, tech-savvy entrepreneurs looking to capitalize on the craze&rdquo; and that &ldquo;courts may find it necessary to start reining in this millennial goldmine especially if a social policy concern such as underage gambling through e-sports and skins betting arises.&rdquo;</p>

<p>The implications of this argument go far beyond skin gambling. The question of whether virtual goods have &ldquo;real-world value&rdquo; is central to a range of ethical questions about microtransactions, and is at the heart of the loot box question as well. In all cases, the motivation behind each mechanic is quite simply a yearning to make as much money as possible. There are practical reasons for this: blockbuster video games routinely cost tens of millions of dollars to make now, with costs continuing to rise.</p>

<p>It&rsquo;s difficult to get sales figures on loot boxes by themselves, but they&rsquo;re normally grouped into a bucket of controversial practices that are known in business jargon as &ldquo;player recurring investment.&rdquo; In other words, any penny made from something other than the initial cost of purchasing a game. This can be downloadable content (DLC), microtransactions as a whole, in-game advertising, subscription fees, and of course, loot boxes. As implied by the name, it&rsquo;s money made from players who keep coming back to a game. Players &ldquo;recur,&rdquo; and the amount of time they spend in-game is more or less proportional to how much <em>money </em>they spend.</p>

<p>Ubisoft recently reported that for the first time, the company <a href="https://www.extremetech.com/extreme/258638-ubisofts-microtransaction-revenue-just-beat-digital-sales-first-time">made more money</a> from these microtransactions than it did from from digital sales of the games themselves. Not only that, but microtransaction sales had grown at a significantly faster rate than those overall unit sales compared to the previous year (83 percent compared to 57 percent).</p>

<p>More sensational individual stories have hit the wires as well. <em>Kotaku</em> interviewed a man who&rsquo;d spent over $10,000 on microtransaction payments. <a href="https://www.gamespot.com/articles/someone-spent-15000-on-mass-effect-multiplayer-car/1100-6454294/">In an interview with <em>Waypoint</em></a>, game developer Manveer Heir said that during his previous employment at BioWare, he had &ldquo;seen people literally spend $15,000 on <em>Mass Effect</em> multiplayer cards.&#8221; The reason, he said, was both profit and retention. Keep the players playing for longer, and thus <em>paying</em> for longer. The numbers, just from individuals, can be eye-watering.</p>

<p>But the entire lucrative enterprise depends on these goods being categorized as &ldquo;not real&rdquo; or having &ldquo;no value.&rdquo; This is, unsurprisingly, the mindset of game developers at large, and it&rsquo;s supported by at least a few regulators worldwide. The New Zealand Department of Interior Affairs, which oversees its gambling licensing, <a href="https://www.gamasutra.com/view/news/311463/New_Zealand_says_lootboxes_do_not_meet_the_legal_definition_for_gambling.php">told me that it</a> &ldquo;is of the view that loot boxes do not meet the legal definition of gambling.&rdquo; The Australian state of Queensland, meanwhile, <a href="https://www.kotaku.com.au/2017/11/queenslands-gambling-regulator-doesnt-think-loot-boxes-are-gambling/">disagreed with its southern counterpart in Victoria on the question</a>. At the heart of such opinions is whether virtual loot is real and valuable.</p>

<p>Tim Miller, the executive director of the UK Gambling Commission, <a href="http://www.eurogamer.net/articles/2017-12-14-the-big-interview-the-gambling-commission-on-loot-boxes">reinforced that point in an interview with Eurogamer&rsquo;s Vic Hood</a>, emphasizing that he doesn&rsquo;t believe loot box proceeds are &ldquo;valuable&rdquo; &mdash; an opinion that could transform the future of gaming. If they are deemed &ldquo;valuable,&rdquo; mechanics strewn through countless games on every platform, might end up being criminalized or strictly regulated in the US and abroad. Regulators could raise questions about card games and tabletop role-playing games that bank on similar mechanics with much tighter profit margins.</p>

<p>The recent statements from gambling regulators and legislators worldwide constitute an opening shot in the battle over loot boxes, not a climax. The industry&rsquo;s biggest players are unlikely to give up a multibillion-dollar revenue stream without a fight. But the stakes are larger than even that princely sum. This is a battle for the soul of gaming; we&rsquo;re at a crossroads where the industry has to choose who and what it wants to be.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>This is a battle for the soul of gaming; we’re at a crossroads where the industry has to choose who and what it wants to be.</p></blockquote></figure>
<p>The loot boxes of <em>Battlefront II</em> seemed to presage an industry that produced lavish <a href="https://www.oregonlottery.org/games/video-lottery">video lottery</a> machines, where all art had been sublimated into mere backdrops for mechanics whose sole purpose was the extraction of maximum profit. The gaming industry has been on the cusp of a digital nightmare where games and their stories were tailored around profitable systems, not the other way around. Thanks to this controversy, it has a chance to take a different path now.</p>

<p>Loot boxes are only one kind of microtransaction, but they&rsquo;re often discussed as a unit because all microtransactions rely on similarly seductive sales techniques. They also permit theoretically unlimited revenue to be drawn from a game. Cajoling and enticing players onto that limitless funicular track of spending raises serious ethical issues, especially where our youngest players are involved.</p>

<p>Because of the moral panics that have been weaponized against everything from <em>Dungeons &amp; Dragons</em> to <em>Grand Theft Auto </em>in the past, everyone who works in or around the gaming industry has a certain, marrow-deep revulsion to arguments that smack of &ldquo;what about the children!?&rdquo; But children aren&rsquo;t the only ones harmed by a gambling economy; their cases are just especially egregious. It is long past time to stop reliving the culture wars of the last three decades and move on. Many of the people complaining about loot boxes now <em>are</em> the very same people who play and adore games, not right-wing religious extremists who want to obliterate everything we love.</p>

<p>Seeking to ban a specific revenue-generating practice that is inessential to artistic expression is very different from banning games on the basis of content &mdash; or banning them altogether. If we can have the debate on those terms, rather than the apocalyptic ones we&rsquo;ve been saddled with, something good might come out of this whole mess.</p>

<p>The future could still be one in which we &mdash; consumers, regulators, developers, and critics &mdash; develop an entirely new ethical framework around microtransaction economies and the sale of digital content. Perhaps it will require government intervention, or perhaps it&rsquo;ll take the form of industry self-regulation. Either way, the industry could come out the other side of this acrimonious debate, and its forthcoming legal battles, not just intact, but better than it was before.</p>

<p><em><strong>Correction 12/19/17 2:30 PM ET</strong>: This article has been updated to include the correct name of Hawaii state representative Chris Lee.</em></p>
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			<entry>
			
			<author>
				<name>Katherine Cross</name>
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			<title type="html"><![CDATA[One of us]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/5/16/15643638/chelsea-manning-trans-woman-community" />
			<id>https://www.theverge.com/2017/5/16/15643638/chelsea-manning-trans-woman-community</id>
			<updated>2017-05-16T11:32:48-04:00</updated>
			<published>2017-05-16T11:32:48-04:00</published>
			<category scheme="https://www.theverge.com" term="Features" /><category scheme="https://www.theverge.com" term="Policy" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[When Chelsea Manning first appeared as a trans woman, the announcement came like a lightning bolt, electrifying an already charged political landscape. All of a sudden, those of us in the trans community had to brace against the inevitable backlash from what was now the most famous trans woman in the world being branded a [&#8230;]]]></summary>
			
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<p>When Chelsea Manning first appeared as a trans woman, the announcement came like a lightning bolt, electrifying an already charged political landscape. All of a sudden, those of us in the trans community had to brace against the inevitable backlash from what was now the most famous trans woman in the world being branded a &ldquo;traitor.&rdquo; What I was not quite prepared for was for her to become a hero, even a saintly figure, to so many of us.</p>

<p>Rumors had been circulating about her gender since 2010, when journalist Xeni Jardin, writing for <em>Boing Boing</em>, <a href="http://boingboing.net/2010/06/19/wikileaks-a-somewhat.html">published chatlogs of a conversation between Manning and the hacker Adrian Lamo</a>. In the process, her words &ldquo;the CPU is not made for this motherboard,&rdquo; in veiled reference to her gender, were put out into the media sphere.</p>
<div class="wp-block-vox-media-highlight vox-media-highlight alignnone"><h3 class="wp-block-heading" id="">&nbsp;</h3>


<p>Read Russell Brandom&rsquo;s essay, <a href="https://www.theverge.com/2017/5/16/15646066/chelsea-manning-release-date-wikileaks-obama-commuted-sentence">&ldquo;Free Chelsea&rdquo;</a> on how Chelsea Manning helped transform the world she&rsquo;ll be released into.</p>
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<p>After a trans person tweeted at Jardin that she&rsquo;d just &ldquo;outed Manning,&rdquo; the journalist <a href="http://boingboing.net/2010/06/20/was-alleged-wikileak.html">wrote a follow-up piece explaining how she had no idea that the somewhat coded language</a>, or even Manning&rsquo;s use of the word &ldquo;transition,&rdquo; might refer to Manning talking about a transgender identity. To Jardin&rsquo;s everlasting credit, she gave an honest account of her reasoning and interpretation of the logs before editing the original piece to remove &ldquo;specifics of personal issues not directly related to the whistleblowing/national security concerns at hand.&rdquo; But it was in the water now, and though the revelation remained out of view from mainstream observers, it was fair to say that many trans women looked at the logs Jardin had published and saw our own faces staring back at us.</p>

<p>We knew.</p>

<p>Of course, not everyone welcomed the suggestion that Manning was Chelsea, even in seemingly open-minded communities. &ldquo;I mentioned in the comments on Queerty, I think it was, that we don&#8217;t know for sure that Manning is a man, so we should hold off placing anyone in the pantheon of gay heroes,&rdquo; April Daniels, the young adult fiction author and trans writer, told me. &ldquo;The comments shutting me down were swift and aggressive. Lots of really stern words that amounted to a polite &lsquo;fuck off how dare you.&rsquo;&rdquo; For Daniels, it was the first time that she realized she &ldquo;couldn&#8217;t trust places that said they were LGBT, because they would always forget the rest of us were in the acronym, too.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>We had to prepare for the fact that the face of the ultimate civic betrayal would be a trans face</p></blockquote></figure>
<p>But for the trans community, the familiarity in Manning&rsquo;s logs was too much to ignore. The odds that she was a #girllikeus, to borrow the Janet Mock-inspired hashtag, were suddenly very high indeed. We had to prepare for what that meant in a militaristic society where treason is a literal death sentence. We had to prepare for the fact that the face of the ultimate civic betrayal would be a trans face.</p>

<p>In August 2013, <a href="https://www.washingtonpost.com/world/national-security/bradley-manning-comes-out-as-transgendered-i-am-a-female/2013/08/22/0ae67750-0b25-11e3-8974-f97ab3b3c677_story.html">Manning publicly removed all doubt</a>. But we were prepared to defend her. &nbsp;</p>
<hr class="wp-block-separator" />
<p>There is a certain irony in the fact that Julian Assange, a man whose glory was built on the back of Manning&rsquo;s War Logs leaks, has been rehabilitated by a political right that once demanded he be shot. Meanwhile, Manning remains a fetish object of hatred for them. That has everything to do with the values that each committed themselves to in the years since the War Logs. The embassy-bound Assange asserted himself like a vengeful internet troll; Manning&rsquo;s prison dispatches revealed a woman whose commitment to radical politics was both sincere and principled.</p>

<p>Assange, though under a de facto house arrest, retires to plum, Wi-Fi-equipped digs every night. Manning has had to endure torture in an actual prison &mdash; from being denied necessary transgender health care to solitary confinement, both, in their measure, contributing to her being a suicide risk. No one could begrudge Manning if she felt bitter, yet her writing has been a candle of hope. &ldquo;I am scared and I don&rsquo;t know what to do, but I feel a lot of responsibility,&rdquo; she wrote in a <a href="https://medium.com/@xychelsea/looking-forward-be816f2fa97f">post-election essay posted to Medium</a>. The messages she transmits through the layers of carceral bureaucracy, via her lawyers, onto Twitter and Medium, are statements of principle that never forget the neediest among us.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>No one could begrudge Manning if she felt bitter, yet her writing has been a candle of hope</p></blockquote></figure>
<p>&ldquo;How will we protect ourselves and unite together?&rdquo; she asks at the end of that Medium post; there is no swagger here, no score-settling, only a vulnerable responsibility. In response to leaked text of a disastrously anti-LGBT executive order being mooted by Trump in January, Manning tweeted: &ldquo;Now, each morning we wake up and ask &lsquo;What next?&rsquo; Answer: We keep going &lt;3&rdquo;</p>

<p>&ldquo;The word &lsquo;inspiring&rsquo; gets thrown about so much vis-a-vis trans matters,&rdquo; says trans author Casey Plett. &ldquo;Often, though, not always, by cis people writing about such trans matters. But I think Chelsea Manning has been an inspirational woman to us in the truest sense of the word. Or, at least, I&#8217;ve heard many trans women express admiration for her resolve and determination to do what she could in her position to right injustice.&rdquo;</p>

<p>When you consider the conditions she has lived under, between torture and her life&rsquo;s uttermost intimacies being held up to the glaring lights of angry public scrutiny, <a href="https://twitter.com/xychelsea/status/825459984712413184">Manning&rsquo;s optimism</a> seems almost superhuman. A trans friend of mine, Cassandra Kleinpeter, put it rather well: &ldquo;Her courage has been such an inspiration to me in my own journey. If she can be true to herself with all the adversity she&#8217;s faced for making a moral choice in an immoral system how can I do any less?&rdquo;</p>

<p>While Julian Assange was abetting the campaign of Donald Trump, who exploited every terrorist atrocity he could to whip up fear and hatred, Manning got a dispatch out to <em>The</em> <em>Guardian</em> where she decried those who used ISIS&rsquo;s terror to stoke Islamophobia and erode our privacy rights. In the aftermath of the bloody Bataclan massacre in Paris, <a href="https://www.theguardian.com/commentisfree/2015/nov/25/dot-let-isis-crimes-dictate-how-address-refugee-crisis-privacy">Manning found the courage to speak in defense of those values that terrorists and their unwitting handmaidens on the political right seek to erode</a>:</p>
<blockquote class="wp-block-quote has-text-align-none is-layout-flow wp-block-quote-is-layout-flow">
<p>&ldquo;I don&rsquo;t have all the answers &ndash; but I do know that blaming minority groups, refugees and immigrants, investing in gigantic surveillance platforms and calling for expansive legal authority and the creation of a neo-Gestapo and panopticon-style police state aren&rsquo;t one of them.&rdquo;</p>
</blockquote><figure class="wp-block-pullquote alignleft"><blockquote><p>“It was plain to see that a strong moral stance was fundamental to her understanding of her role in the military.”</p></blockquote></figure>
<p>Manning has become an infosec high priestess who expresses a keen interest in struggles at the intersection of technology and politics. She is often ready with <a href="https://twitter.com/xychelsea/status/844268674928193536">a comment</a> <a href="https://twitter.com/xychelsea/status/830126970520285185">on free speech</a> or policies surrounding whistleblowers, and she&rsquo;s just as willing to tweet extensively about the Trump administration&rsquo;s attempts to empower ISPs while <a href="https://twitter.com/xychelsea/status/847264510247190532">eviscerating our privacy</a>, or talk about health care, prisons, and the rights of minorities. If anyone had a right to cutthroat radical politics, red in tooth and claw that justified all means in service to its ends, it would be her. <a href="https://twitter.com/xychelsea/status/825459984712413184">Yet justice&rsquo;s sword, to her, is an instrument of &ldquo;wisdom&rdquo; rather than vengeance</a>.</p>

<p>Lauren McNamara, a trans activist and videoblogger who opines under the name Zinnia Jones, knew Manning online long before she blew that fateful whistle; she confirms the character that so many other trans people would later come to admire. &ldquo;Even from our first conversations,&rdquo; she said in an interview for this piece, &ldquo;it was plain to see that a strong moral stance was fundamental to her understanding of her role in the military, a stance which ultimately drove her to do something she believed was necessary even at great personal cost to herself.&rdquo;</p>

<p>There was a clear sense, McNamara said, that many cisgender people saw transphobia as a way to punish or express disapproval of Manning. &ldquo;Good&rdquo; trans people would be gendered properly and receive health care, went the implication; &ldquo;bad&rdquo; ones would be punished by having their very humanity denied. &ldquo;When I spoke with news outlets after Chelsea came out as a trans woman,&rdquo; McNamara told me, &ldquo;I frequently encountered a tendency to treat her gender as being contingent upon their personal approval or arbitrary editorial decisions. It was common to hear from people who objected to her receiving appropriate medical care, or refused to recognize her as a woman, on the basis that she was a &lsquo;traitor.&rsquo;&rdquo;</p>

<p>And there it was, what we&rsquo;d all been preparing for: the fight to argue that our humanity should be ground in something more solid than the caprice of a cis mob&rsquo;s approval. Thus, to defend Manning&rsquo;s dignity was to defend us all.</p>
<hr class="wp-block-separator" />
<p>Often, famous trans women are cultivated by a media that wishes to exploit their bodies for maximally lurid gains. Caitlyn Jenner&rsquo;s inoffensive, initially apolitical coming-out was greeted with reams of glossy, sympathetic coverage. Our legs are spread &mdash; literally, as well as metaphorically &mdash;&nbsp;while our mouths are taped shut if we have anything <em>meaningful</em> to say. Thus we periodically see a newly out trans person revealing the most intimate, depoliticized details of their transitions to a salivating press, before they mysteriously disappear. The best of us &mdash; Laverne Cox and Janet Mock, among our number &mdash; are those who tell their own story while colossally astride the cis stage, making it theirs. They don&rsquo;t back down from being political in a discomfiting way.</p>

<p>That&rsquo;s a dangerous place for any woman to be. Since the days of Hypatia, Saint Catherine, or Mary Wollstonecraft, the outspoken woman has been threatened with being separated from her tongue. The endurance that Manning embodies in the face of attempts to break her is no small part of why we admire her; so many of us hope to hold her up against myriad attempts to grind her down.</p>

<p>While Jenner was, at this point in her life, merely famous for being famous, Manning has claim to being something of a historical figure who would rightly appear in a textbook. And unlike Jenner, she didn&rsquo;t ostentatiously spit on those who didn&rsquo;t share her background. Jenner, clothed in the immensity of wealth&rsquo;s solipsism, only ever seemed to vaguely understand the plight of white trans people. There was a weary sense of obligation on our parts, particularly as her myriad rhetorical stumbles congealed into ugly, reactionary politics that pledged fealty to the likes of Ted Cruz &mdash; no friend of LGBT people.</p>

<p>Meanwhile Manning developed an appreciation for the struggles of <em>others</em> as well, in all their intersectional complexity, shaped, at least in part, by how she came to understand what happened to her.</p>

<p>&ldquo;What Chelsea did for the world,&rdquo; Casey Plett added, &ldquo;combined with her own struggle to be trans in a military prison makes her, I think, a particular representative of that interconnected struggle and maybe why she has struck a deep chord for many of us.&rdquo;</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>There remains the hope that Manning will be remembered as a courageous woman who blew the referee’s whistle in defense of democracy</p></blockquote></figure>
<p>As programmer and trans activist Lynn Cyrin would have it, &ldquo;[Manning] got imprisoned for an undue amount of time given the &lsquo;crime&rsquo; committed, and then was subject to the psychological torture that&#8217;s unfortunately business as usual for trans people in the criminal justice system.&rdquo; In a context where &ldquo;the criminal justice system is broken, society is oppressive, and shit is just generally Bad,&rdquo; she told me, &ldquo;Chelsea&rsquo;s imminent release is, at the very least, a step towards things in the world being slightly less broken.&rdquo;</p>

<p>There remains the hope that, in the sober light of historical hindsight, Manning will be remembered as a courageous woman who blew the referee&rsquo;s whistle in defense of democracy. For many trans people, who as a group indisputably lean left, Manning exposed the dark heart of American imperialism at a time when it was urgently needed, while also exercising the prudence necessary to prevent loss of life from her actions.</p>

<p>Not every trans woman supports Manning&rsquo;s actions, of course; she has her detractors, particularly among the many who&rsquo;ve served in the military and feel she was indecorous at best with her leaking. To some in this band of sisters, she harmed the cause of trans acceptance in the military by becoming the picture of disloyalty. In the estimation of one trans woman veteran&rsquo;s advocate I spoke to, &ldquo;She added a solid year to the timeline for getting open transgender service implemented. [S]he was part of [then-Secretary of Defense] Hagel&#8217;s reluctance to tackle the policy issue.&rdquo; She adds that friends of hers &ldquo;with security clearances were subjected to harassment and loss of their jobs, because of what [Manning] did.&rdquo;</p>

<p>Without discrediting the real experiences underlying these words, the core of the problem is less Manning herself than the prejudicial way she was made to represent all transgender servicepeople who already felt they had to work twice as hard to prove their loyalty.</p>

<p>Yet if the wider community is forced to have her represent us, then there are just as many trans women who are quite happy to have <em>her</em> as our face rather than, say, Jenner. However one feels about her actions, she moved the world on its axis and she&rsquo;s one of <em>us</em>. She had a story we could see ourselves in &mdash; the nerdy, shy lass awkwardly confessing her strange gender-feels on IRC while struggling to keep her head above the water.</p>
<figure class="wp-block-pullquote alignleft"><blockquote><p>She is not a saint, of course. Who on Earth is?</p></blockquote></figure>
<p>Thus, Manning became &ldquo;Chelsea&rdquo; to so many trans women, spoken about like a sister of blood. Her name was invoked to dispel the demonism of those who insisted on slandering her with her old, dead name as a means of undermining and insulting her. It expressed kinship and conviction. We followed updates on her status in prison with trepidation and a faint flicker of hope that seemed like an homage to Chelsea&rsquo;s own peaceful candle. We read her every dispatch, treating it like a precious missive from the other side of some unimaginable divide.</p>

<p>She is not a saint, of course. Who on Earth is? Plett was at pains to make that point when she spoke to me, &ldquo;Chelsea, if you&#8217;re reading this, I&#8217;m sorry, I don&#8217;t mean to reduce you to a political synecdoche! I think you&#8217;re wonderful and brave and I&#8217;m so glad you get your freedom back and I hope you get to meet at least some of the gaggle of us who are grateful for what you&#8217;ve done.&rdquo;</p>

<p>And on many levels, I think, that speaks for most of Manning&rsquo;s trans supporters. We appreciate that and welcome the day she returns from Hades to the embrace of her community on the outside. Then she will just be one of us in the colloquial sense &mdash; one of the girls like any other, human and frail again as we all must be.</p>

<p class="has-end-mark">The greatest gift we could give her is the ordinariness that is normally accorded to anonymity among the masses, a sense that she is not a holy woman whose every appendage is an icon to be treasured in some reliquary. &ldquo;One of us&rdquo; will have to mean something Chelsea Manning can rest in, can be herself in, can be flawed and silly in. That&rsquo;s what she deserves, and it is what I hope to play some small part in giving her.</p>
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