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	<title type="text">The Future of Fear: Into the terrifying world of immersive horror &#8211; The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2017-03-22T19:57:12+00:00</updated>

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		<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[How director Darren Lynn Bousman created The Tension Experience]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/3/22/15023010/the-tension-experience-interview-podcast-horror-show-sxsw-2017" />
			<id>https://www.theverge.com/2017/3/22/15023010/the-tension-experience-interview-podcast-horror-show-sxsw-2017</id>
			<updated>2017-03-22T15:57:12-04:00</updated>
			<published>2017-03-22T15:57:12-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Podcasts" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[Last year in Los Angeles, a mysterious cult began recruiting people through emails, phone calls, and one-on-one consultations. For nine months individuals were drawn into the group's web of intrigue, discovering that a young woman from Ohio had been taken in and brainwashed. In September, the cult finally opened its doors, and people had the [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Brennan Pierson" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8205949/C6ui2fcV4AAUZZA.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Last year in Los Angeles, a mysterious cult began recruiting people through emails, phone calls, and one-on-one consultations. For nine months individuals were drawn into the group's web of intrigue, discovering that a young woman from Ohio had been taken in and brainwashed. In September, the cult finally opened its doors, and people had the chance to walk its halls and try to find the young woman inside - or die trying.</p>
<p>The only thing was, none of it was real.</p>
<p><em>The Tension Experience </em><a href="http://www.theverge.com/2016/11/22/13716340/the-tension-experience-lust-darren-lynn-bousman-clint-sears-interview">represented a key moment</a> in the evolution of immersive entertainment. Combining alternate reality gaming, haunted house techniques, and a two-hour immersive t …</p>
<p><a href="https://www.theverge.com/2017/3/22/15023010/the-tension-experience-interview-podcast-horror-show-sxsw-2017">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[Cults, chaos, and community: how The Tension Experience rewrote the rules of storytelling]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2016/11/22/13716340/the-tension-experience-lust-darren-lynn-bousman-clint-sears-interview" />
			<id>https://www.theverge.com/2016/11/22/13716340/the-tension-experience-lust-darren-lynn-bousman-clint-sears-interview</id>
			<updated>2016-11-22T15:23:55-05:00</updated>
			<published>2016-11-22T15:23:55-05:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Last week I stood in front of a warehouse outside downtown Los Angeles, its exterior lit by errant street lamps and the glow of a supermoon. It was my fifth trip to the place, and over the past two months I'd been able to sit down for lengthy conversations with the alleged cult members inside. [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="" data-portal-copyright="Derrick Hinman" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/7518105/TensionSetImages_1805.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Last week I stood in front of a warehouse outside downtown Los Angeles, its exterior lit by errant street lamps and the glow of a supermoon. It was my fifth trip to the place, and over the past two months I'd been able to sit down for lengthy conversations with the alleged cult members inside. Some were people I was on a first-name basis with; others I'd chatted with on the phone, or taken brief rides with in their cars. I guess I considered them friends.</p>
<p>The front door opened and I stepped forward, passing a group of young women to my right - splattered with blood from head to toe. As I would soon find out, all of my friends inside were de …</p>
<p><a href="https://www.theverge.com/2016/11/22/13716340/the-tension-experience-lust-darren-lynn-bousman-clint-sears-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[The Future of Fear: How Los Angeles became the heart of immersive horror]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2016/10/29/13466072/haunted-houses-halloween-immersive-theater-los-angeles" />
			<id>https://www.theverge.com/2016/10/29/13466072/haunted-houses-halloween-immersive-theater-los-angeles</id>
			<updated>2016-10-29T15:49:51-04:00</updated>
			<published>2016-10-29T15:49:51-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Halloween" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="TL;DR" />
							<summary type="html"><![CDATA[Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In The Future of Fear, we're [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="" data-portal-copyright="Hatbox Photography / Creep LA" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/13088211/DSC_8598-2040.0.0.1477766797.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In</em> <a href="http://www.theverge.com/2016/10/15/13294448/future-of-fear-haunted-houses-immersive-horror-halloween">The Future of Fear</a><em>, we're talking to the creators of some of the most striking, immersive horror experiences to see how they're taking the genre in directions it's never gone before.</em></p>
<p>Over the past month I've been <a href="http://www.theverge.com/2016/9/30/13115910/tension-experience-ascension-haunted-house-escape-room-maze-bousman">indoctrinated into a cult</a>, had my wife <a href="http://www.theverge.com/2016/10/15/13292402/delusion-his-crimson-queen-interactive-play-jon-braver-interview">kidnapped by vampires</a>, and been choked to the ground by a mad king whil …</p>
<p><a href="https://www.theverge.com/2016/10/29/13466072/haunted-houses-halloween-immersive-theater-los-angeles">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[The Future of Fear: I was eaten alive by an escape room cannibal]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2016/10/22/13364882/escape-rooms-the-basement-trap-house-la-adam-milicevic-interview" />
			<id>https://www.theverge.com/2016/10/22/13364882/escape-rooms-the-basement-trap-house-la-adam-milicevic-interview</id>
			<updated>2016-10-22T12:05:03-04:00</updated>
			<published>2016-10-22T12:05:03-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Halloween" /><category scheme="https://www.theverge.com" term="TL;DR" />
							<summary type="html"><![CDATA[Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In The Future of Fear, we're [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/13088055/thebasement_la.0.0.1477114250.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In</em> <a href="http://www.theverge.com/2016/10/15/13294448/future-of-fear-haunted-houses-immersive-horror-halloween">The Future of Fear</a><em>, we're talking to the creators of some of the most striking, immersive horror experiences to see how they're taking the genre in directions it's never gone before.</em></p>
<p>They led us into the basement like lambs to slaughter, hoods pulled over our heads so we couldn't see the chain-link cage we were being stuf …</p>
<p><a href="https://www.theverge.com/2016/10/22/13364882/escape-rooms-the-basement-trap-house-la-adam-milicevic-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[The Future of Fear: The scariest movie this Halloween is a play called Delusion]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2016/10/15/13292402/delusion-his-crimson-queen-interactive-play-jon-braver-interview" />
			<id>https://www.theverge.com/2016/10/15/13292402/delusion-his-crimson-queen-interactive-play-jon-braver-interview</id>
			<updated>2016-10-15T11:30:03-04:00</updated>
			<published>2016-10-15T11:30:03-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Halloween" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="TL;DR" />
							<summary type="html"><![CDATA[Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In The Future of Fear, we're [&#8230;]]]></summary>
			
							<content type="html">
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<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/13087919/33.Delusion.na_2040.0.0.1476510595.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In</em> <a href="http://www.theverge.com/2016/10/15/13294448/future-of-fear-haunted-houses-immersive-horror-halloween">The Future of Fear</a><em>, we're talking to the creators of some of the most striking, immersive horror experiences to see how they're taking the genre in directions it's never gone before.</em></p>
<p>It was a standoff.</p>
<p>I was in a decaying foyer, my siblings and I bathed in sunlight from the window above. That night we'd discovered our lo …</p>
<p><a href="https://www.theverge.com/2016/10/15/13292402/delusion-his-crimson-queen-interactive-play-jon-braver-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[The Future of Fear: How the creators of Blackout are bringing the extreme haunted house into your living room]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2016/10/7/13199698/blackout-haunted-house-twenty-one-josh-randall-kristjan-thor-interview" />
			<id>https://www.theverge.com/2016/10/7/13199698/blackout-haunted-house-twenty-one-josh-randall-kristjan-thor-interview</id>
			<updated>2016-10-07T12:46:56-04:00</updated>
			<published>2016-10-07T12:46:56-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Halloween" /><category scheme="https://www.theverge.com" term="TL;DR" />
							<summary type="html"><![CDATA[Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In The Future of Fear, we're [&#8230;]]]></summary>
			
							<content type="html">
											<![CDATA[

						
<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/13087791/BLACKOUT_CROP2.0.0.1475851080.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. In</em> <a href="http://www.theverge.com/2016/10/15/13294448/future-of-fear-haunted-houses-immersive-horror-halloween">The Future of Fear</a><em>, we're talking to the creators of some of the most striking, immersive horror experiences to see how they're inventing a new artistic medium to take the genre in directions it's never gone before.</em></p>
<p>The phone calls started around 2:30 in the morning.</p>
<p>There were just noises on the other end at first: the  …</p>
<p><a href="https://www.theverge.com/2016/10/7/13199698/blackout-haunted-house-twenty-one-josh-randall-kristjan-thor-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Bryan Bishop</name>
			</author>
			
			<title type="html"><![CDATA[The Future of Fear: Inside the psychological maze of LA&#8217;s most insidious theater event]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2016/9/30/13115910/tension-experience-ascension-haunted-house-escape-room-maze-bousman" />
			<id>https://www.theverge.com/2016/9/30/13115910/tension-experience-ascension-haunted-house-escape-room-maze-bousman</id>
			<updated>2016-09-30T10:00:52-04:00</updated>
			<published>2016-09-30T10:00:52-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Halloween" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="TL;DR" />
							<summary type="html"><![CDATA[Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. For October, we're introducing The Future [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="" data-portal-copyright="Derrick Hinman / The Tension Experience" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/7193649/IMG_2896-2040.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Audiences associate the word "horror" with scary movies or terrifying novels. But over the past half-decade, live theater and haunted house exhibits have merged, bringing new life to the genre with interactive, real-world experiences that let audiences step through the screen and into their own personal tales of terror. For October, we're introducing</em><a href="http://www.theverge.com/2016/10/15/13294448/future-of-fear-haunted-houses-immersive-horror-halloween"> The Future of Fear</a><em>. We'll talk to the creators of some of the most striking, immersive horror experiences to see how they're inventing a new artistic medium to take the genre in directions it's never gone before.</em></p>
<p>"Hold on, my agent's about to get naked."</p>
<p>I'm in the bowels of a dingy warehouse  …</p>
<p><a href="https://www.theverge.com/2016/9/30/13115910/tension-experience-ascension-haunted-house-escape-room-maze-bousman">Read the full story at The Verge.</a></p>
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