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	<title type="text">Wonder Woman: all the news and trailers from the next big DC film &#8211; The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2017-10-16T14:15:28+00:00</updated>

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		<entry>
			
			<author>
				<name>Noah Berlatsky</name>
			</author>
			
			<title type="html"><![CDATA[The crucial thing the new Wonder Woman movie gets right about the character’s history]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/10/16/16481692/wonder-woman-professor-marston-homophobia-history-sexuality-real-life-vs-fiction" />
			<id>https://www.theverge.com/2017/10/16/16481692/wonder-woman-professor-marston-homophobia-history-sexuality-real-life-vs-fiction</id>
			<updated>2017-10-16T10:15:28-04:00</updated>
			<published>2017-10-16T10:15:28-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Features" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Like most based-on-a-true-story biographical films, Angela Robinson's Professor Marston and the Wonder Women is only loosely connected to actual events. Psychology professor William Moulton Marston (played by Luke Evans in the film) did create the comic book character Wonder Woman, and he did live in a polyamorous relationship with his wife Elizabeth Marston (Rebecca Hall) [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Photo by Claire Folger / Annapurna Pictures" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9469585/professor_marston_the_wonder_women_PMWW_02832_R_rgb.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Like most based-on-a-true-story biographical films, Angela Robinson's <em>Professor Marston and the Wonder Women </em>is only loosely connected to actual events. Psychology professor William Moulton Marston (played by Luke Evans in the film) did create the comic book character Wonder Woman, and he did live in a polyamorous relationship with his wife Elizabeth Marston (Rebecca Hall) and their grad student Olive Byrne (Bella Heathcote). Everything else in the movie, though, is up for grabs. </p>
<p>Robinson frames her film around the explicit war against Marston's life and work. But in spite of complaints about the bondage in the Wonder Woman comics, Marston …</p>
<p><a href="https://www.theverge.com/2017/10/16/16481692/wonder-woman-professor-marston-homophobia-history-sexuality-real-life-vs-fiction">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Tasha Robinson</name>
			</author>
			
			<title type="html"><![CDATA[Angela Robinson on the frank eroticism of her Wonder Woman movie]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/10/13/16473612/professor-marston-and-the-wonder-women-director-angela-robinson-interview-wonder-woman-biopic-movie" />
			<id>https://www.theverge.com/2017/10/13/16473612/professor-marston-and-the-wonder-women-director-angela-robinson-interview-wonder-woman-biopic-movie</id>
			<updated>2017-10-13T16:54:05-04:00</updated>
			<published>2017-10-13T16:54:05-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[There's no denying that writer-director Angela Robinson has excellent timing. Her new film, Professor Marston and the Wonder Women, about the creation of the Wonder Woman comic book character, has been in the works for years. But it finally came to fruition the same year Warner Brothers' Wonder Woman climbed the box office charts and [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Photo by Claire Folger / Annapurna Pictures" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9457191/professor_marston_the_wonder_women_PMWW_02860_R_CROP_rgb.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>There's no denying that writer-director Angela Robinson has excellent timing. Her new film, <em>Professor Marston and the Wonder Women, </em>about the creation of the Wonder Woman comic book character, has been in the works for years. But it finally came to fruition the same year <a href="https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins">Warner Brothers' <em>Wonder Woman</em></a> climbed the box office charts and made a huge splash for the character. Interest in Wonder Woman and her <a href="https://www.theverge.com/2017/6/2/15730296/wonder-woman-movie-comics-william-marston-space-kangaroos">strange, colorful, bondage-filled history</a> is at an all-time high, and Robinson's seems poised to fill in the gap. The movie comes to theaters disguised as a lively, colorful origin story for a colorful character - a conventional biopic about  …</p>
<p><a href="https://www.theverge.com/2017/10/13/16473612/professor-marston-and-the-wonder-women-director-angela-robinson-interview-wonder-woman-biopic-movie">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Noah Berlatsky</name>
			</author>
			
			<title type="html"><![CDATA[James Cameron’s comments on Wonder Woman completely ignore her history of sex appeal]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/8/25/16206496/james-cameron-wonder-woman-patty-jenkins-comics-sex-appeal" />
			<id>https://www.theverge.com/2017/8/25/16206496/james-cameron-wonder-woman-patty-jenkins-comics-sex-appeal</id>
			<updated>2017-08-25T16:43:49-04:00</updated>
			<published>2017-08-25T16:43:49-04:00</published>
			<category scheme="https://www.theverge.com" term="Comics" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="DC Comics" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" />
							<summary type="html"><![CDATA[Wonder Woman is a feminist icon. She's also a sex symbol. She's a wish-fulfillment power fantasy and a sexual fantasy, which is part of why she's had such lasting appeal to fans all over the gender spectrum. But her sex appeal has been a consistent cause of consternation for critics, fans, and casual passersby since [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Warner Bros." data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9117211/WonderWoman.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Wonder Woman is a feminist icon. She's also a sex symbol. She's a wish-fulfillment power fantasy <em>and </em>a sexual fantasy, which is part of why she's had such lasting appeal to fans all over the gender spectrum. But her sex appeal has been a consistent cause of consternation for critics, fans, and casual passersby since her earliest days as a comic-book character.</p>
<p>Director James Cameron is the latest commenter to claim there's a contradiction there, that feminism and sexiness are somehow at odds. In a furor-raising recent interview at the <a href="https://www.theguardian.com/film/2017/aug/24/james-cameron-well-never-be-able-to-reproduce-the-shock-of-terminator-2">Guardian</a>, he said that in Patty Jenkins' new <em>Wonder Woman </em>film, the character is "just an objectified icon, …</p>
<p><a href="https://www.theverge.com/2017/8/25/16206496/james-cameron-wonder-woman-patty-jenkins-comics-sex-appeal">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Kaitlyn Tiffany</name>
			</author>
			
			<title type="html"><![CDATA[Patty Jenkins gave a great response to James Cameron’s dumb Wonder Woman comments]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/8/25/16202830/patty-jenkins-james-cameron-wonder-woman-response" />
			<id>https://www.theverge.com/2017/8/25/16202830/patty-jenkins-james-cameron-wonder-woman-response</id>
			<updated>2017-08-25T12:44:49-04:00</updated>
			<published>2017-08-25T12:44:49-04:00</published>
			<category scheme="https://www.theverge.com" term="Comics" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="DC Comics" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" />
							<summary type="html"><![CDATA[With a filmography full of characters like Aliens' Ellen Ripley and The Terminator's Sarah Connor, James Cameron is often credited with making movies that feature strong female leads. When recently asked about the tremendous success of Wonder Woman, however, his response came off as rather dismissive. In an interview with The Guardian, he said, amidst [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Photo by Alberto E. Rodriguez/Getty Images" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/9115359/688473402.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>With a filmography full of characters like <em>Aliens</em>' Ellen Ripley and <em>The Terminator</em>'s Sarah Connor, James Cameron is often credited with making movies that feature strong female leads. When recently asked about the tremendous success of <em>Wonder Woman</em>, however, his response came off as rather dismissive.</p>
<p>In <a href="https://www.theguardian.com/film/2017/aug/24/james-cameron-well-never-be-able-to-reproduce-the-shock-of-terminator-2">an interview with <em>The Guardian</em></a>, he said, amidst a long and confusing conversation about "strong, independent women" in film and his personal life, that he did not care for the film or its reception. "All of the self-congratulatory back-patting Hollywood's been doing over <em>Wonder Woman</em> has been so misguided," he said. "She's an objectified ic …</p>
<p><a href="https://www.theverge.com/2017/8/25/16202830/patty-jenkins-james-cameron-wonder-woman-response">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Tasha Robinson</name>
			</author>
			
			<title type="html"><![CDATA[Elena Anaya reveals the secret motives and tragic history behind her Wonder Woman villain]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/6/13/15792508/elena-anaya-patty-jenkins-wonder-woman-villain-dr-maru-poison-secret-origin" />
			<id>https://www.theverge.com/2017/6/13/15792508/elena-anaya-patty-jenkins-wonder-woman-villain-dr-maru-poison-secret-origin</id>
			<updated>2017-06-13T12:41:36-04:00</updated>
			<published>2017-06-13T12:41:36-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[Fans of Spanish actress Elena Anaya might have had a hard time recognizing her in Patty Jenkins' superhero sensation Wonder Woman. Anaya is a headliner in Spain, with starring roles in films including Pedro Almod&#243;var's The Skin I Live In, the drama They Are All Dead, and the ghost story Fragile. She's become an international [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Image: Warner Bros." data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8678489/WW_08361cc.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Fans of Spanish actress Elena Anaya might have had a hard time recognizing her in Patty Jenkins' superhero sensation <em>Wonder Woman</em>. Anaya is a headliner in Spain, with starring roles in films including Pedro Almod&oacute;var's <em>The Skin I Live In</em>, the drama <em>They Are All Dead</em>, and the ghost story <em>Fragile</em>. She's become an international star as well, in the UK's <em>Swung</em>, France's high-profile criminal profile <em>Mesrine: Killer Instinct</em> and <em>Mesrine: Public Enemy #1</em>, and Chile's <em>The Memory of Water</em>. To people around the world, she's a memorable face.  </p>
<p>But in <em>Wonder Woman</em>, that face is largely covered by prosthetics and makeup, and Anaya's intensity only com …</p>
<p><a href="https://www.theverge.com/2017/6/13/15792508/elena-anaya-patty-jenkins-wonder-woman-villain-dr-maru-poison-secret-origin">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Kaitlyn Tiffany</name>
			</author>
			
			<title type="html"><![CDATA[Wonder Woman is a box office giant]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/6/5/15739564/wonder-woman-patty-jenkins-box-office-records" />
			<id>https://www.theverge.com/2017/6/5/15739564/wonder-woman-patty-jenkins-box-office-records</id>
			<updated>2017-06-05T09:28:00-04:00</updated>
			<published>2017-06-05T09:28:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Comics" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="DC Comics" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" />
							<summary type="html"><![CDATA[The numbers are in for Wonder Woman's first weekend, and they're even bigger than the projections. With $100.5 million in North America and an additional $122.5 million internationally, Patty Jenkins' Wonder Woman can boast the biggest-ever opening weekend for a film directed by a woman, Variety reports. With a budget of $150 million (which it [&#8230;]]]></summary>
			
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<p>The numbers are in for <em>Wonder Woman'</em>s first weekend, and they're even bigger than <a href="http://deadline.com/2017/05/wonder-woman-box-office-opening-worldwide-projection-gal-gadot-1202104439/">the projections</a>.</p>
<p>With $100.5 million in North America and an additional $122.5 million internationally, Patty Jenkins' <em>Wonder Woman </em>can boast the biggest-ever opening weekend for a film directed by a woman, <a href="http://variety.com/2017/film/news/wonder-woman-box-office-worldwide-1202453379/"><em>Variety </em>reports</a>. With a budget of $150 million (which it has already more than recouped), <em>Wonder Woman </em>was already the most expensive film ever directed by a woman.</p>
<p><em>Wonder Woman</em> unseats Sam Taylor-Johnson's <em>Fifty Shades of Grey</em>, which <a href="https://www.theverge.com/2015/2/16/8046275/fifty-shades-of-grey-box-office-female-director">nabbed the record</a> in February 2015, opening to a domestic take of $81.7 million. Before that, the record belonged to Cather …</p>
<p><a href="https://www.theverge.com/2017/6/5/15739564/wonder-woman-patty-jenkins-box-office-records">Read the full story at The Verge.</a></p>
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					</entry>
			<entry>
			
			<author>
				<name>Kwame Opam</name>
			</author>
			
			<title type="html"><![CDATA[Wonder Woman has come a long way since this failed 1967 screen test]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/6/4/15732112/wonder-woman-failed-tv-pilot-screen-test" />
			<id>https://www.theverge.com/2017/6/4/15732112/wonder-woman-failed-tv-pilot-screen-test</id>
			<updated>2017-06-04T13:00:02-04:00</updated>
			<published>2017-06-04T13:00:02-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="TL;DR" /><category scheme="https://www.theverge.com" term="TV Shows" /><category scheme="https://www.theverge.com" term="Watch This" />
							<summary type="html"><![CDATA[Along with Batman and Superman, Wonder Woman is a pillar of what's known among fans as the DC Trinity. At 75 years old, she's one of the oldest and most enduring of all superheroes, but where her counterparts have been featured in numerous TV shows and movies, Diana of Themyscira hasn't ever been as lucky. [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8627223/Screen_Shot_2017_06_04_at_11.02.22_AM.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>Along with Batman and Superman, Wonder Woman is a pillar of what's known among fans as the DC Trinity. At 75 years old, she's one of the oldest and most enduring of all superheroes, but where her counterparts have been featured in numerous TV shows and movies, Diana of Themyscira hasn't ever been as lucky. Up until <a href="https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins">this weekend's <em>Wonder Woman</em></a>, she's only appeared solo in one successful TV series, one failed TV movie, and one direct-to-video animated film. As a matter of fact, <a href="https://www.youtube.com/watch?v=KNiPYObd7z4">as <em>Polygon</em>'s Susana Polo noted</a>, the first major theatrical release Wonder Woman was even in was 2014's <em>The Lego Movie</em>.</p>
<p>It all goes to show how studios, thanks to a who …</p>
<p><a href="https://www.theverge.com/2017/6/4/15732112/wonder-woman-failed-tv-pilot-screen-test">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Kaitlyn Tiffany</name>
			</author>
			
			<title type="html"><![CDATA[Wonder Woman is a welcome sign that the online outrage game can change]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/6/3/15726146/wonder-woman-male-rage-women-only-screenings-trolls-misogyny" />
			<id>https://www.theverge.com/2017/6/3/15726146/wonder-woman-male-rage-women-only-screenings-trolls-misogyny</id>
			<updated>2017-06-03T13:00:01-04:00</updated>
			<published>2017-06-03T13:00:01-04:00</published>
			<category scheme="https://www.theverge.com" term="Comics" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="DC Comics" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Features" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="Web" />
							<summary type="html"><![CDATA[Last week, after the Alamo Drafthouse theater in Austin, Texas announced that it would host a screening of Wonder Woman limited to women (with proceeds benefiting Planned Parenthood), the men's-rights types of the world lost it. The screening, just one of dozens of Wonder Woman screenings scheduled at the Drafthouse, was deemed "sexist," "illegal," "tacky," [&#8230;]]]></summary>
			
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<p>Last week, after the Alamo Drafthouse theater in Austin, Texas announced that it would host a screening of <a href="https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins#comments"><em>Wonder Woman</em></a> limited to women (with proceeds benefiting Planned Parenthood), the men's-rights types of the world <a href="http://jezebel.com/men-lose-their-shit-over-alamo-drafthouses-women-only-w-1795606224?utm_campaign=socialfow_jezebel_twitter&amp;utm_source=jezebel_twitter&amp;utm_medium=socialflow">lost it</a>. The screening, just one of dozens of <em>Wonder Woman </em>screenings scheduled at the Drafthouse, <a href="https://www.washingtonpost.com/news/arts-and-entertainment/wp/2017/05/26/its-sexist-men-flip-out-over-women-only-wonder-woman-screenings/?hpid=hp_no-name_hp-in-the-news%3Apage%2Fin-the-news&amp;tid=sm_tw&amp;utm_term=.6698bcf50d8a">was deemed</a> "sexist," "illegal," "tacky," and "bigoted." After New York City's Drafthouse location announced similar screenings, one man <a href="http://mashable.com/2017/05/31/wonder-woman-alamo-drafthouse-complaint/#TQN4v_mCpiqo">filed a civil rights complaint</a> against Alamo Drafthouse. (And, for vague reasons, Carson Daly.)</p>
<p>It's a run-of-the-mill misogynist hissy fit, similar to those we saw around Paul Feig's women-led …</p>
<p><a href="https://www.theverge.com/2017/6/3/15726146/wonder-woman-male-rage-women-only-screenings-trolls-misogyny">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Noah Berlatsky</name>
			</author>
			
			<title type="html"><![CDATA[The new Wonder Woman film loses the comic&#8217;s playfulness — so don&#8217;t expect space kangaroos]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/6/2/15730296/wonder-woman-movie-comics-william-marston-space-kangaroos" />
			<id>https://www.theverge.com/2017/6/2/15730296/wonder-woman-movie-comics-william-marston-space-kangaroos</id>
			<updated>2017-06-02T13:22:59-04:00</updated>
			<published>2017-06-02T13:22:59-04:00</published>
			<category scheme="https://www.theverge.com" term="Comics" /><category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="DC Comics" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Features" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[The new Wonder Woman film has most of what Wonder Woman fans would expect from a cinematic adaptation of her comics. There's Paradise Island, the distant utopia where women warriors live and fight together, sans men. There's the magic golden lasso which compels people to tell the truth. There are the magical bracelets that deflect [&#8230;]]]></summary>
			
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<p><a href="https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins">The new <em>Wonder Woman </em>film</a> has most of what Wonder Woman fans would expect from a cinematic adaptation of her comics. There's Paradise Island, the distant utopia where women warriors live and fight together, sans men. There's the magic golden lasso which compels people to tell the truth. There are the magical bracelets that deflect bullets (and the occasional World War I shell, since the film is set in that era). Steve Trevor, brave airman in need of rescue? Yep. Etta Candy, jovial sidekick? She's there. Improbable CGI superfeats? Of course.</p>
<p>Fans of the classic comics may miss a few iconic bits of the <em>Wonder Woman</em> mythos, though. <em>Wonder Woma …</em></p>
<p><a href="https://www.theverge.com/2017/6/2/15730296/wonder-woman-movie-comics-william-marston-space-kangaroos">Read the full story at The Verge.</a></p>
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			<author>
				<name>Tasha Robinson</name>
			</author>
			
			<title type="html"><![CDATA[Wonder Woman review: a tremendous win for a franchise that desperately needed one]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins" />
			<id>https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins</id>
			<updated>2017-06-02T09:40:27-04:00</updated>
			<published>2017-06-02T09:40:27-04:00</published>
			<category scheme="https://www.theverge.com" term="Culture" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" />
							<summary type="html"><![CDATA[Ever since the DC Extended Universe launched with 2013's Man of Steel, it's been troubled and contentious. DC Comics' attempt at a revitalized, unified superhero film franchise has faced nonstop comparisons with Marvel's more long-running and critically acclaimed cinematic universe, and it's consistently come out worse in comparison. Warner Bros.' DC films (to date: Man [&#8230;]]]></summary>
			
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<p>Ever since the DC Extended Universe launched with 2013's <a href="https://www.theverge.com/2013/6/10/4412958/man-of-steel-review"><em>Man of Steel</em></a>, it's been troubled and contentious. DC Comics' attempt at a revitalized, unified superhero film franchise has faced nonstop comparisons with Marvel's more long-running and critically acclaimed cinematic universe, and it's consistently come out worse in comparison. Warner Bros.' DC films (to date: <em>Man of Steel</em>, <a href="https://www.theverge.com/2016/3/23/11294512/batman-vs-superman-dawn-of-justice-review-movie-spoilers"><em>Batman v Superman</em></a>, and <a href="https://www.theverge.com/2016/8/2/12356304/suicide-squad-review-dc-comics"><em>Suicide Squad</em></a>) have been dour, sullen, narratively messy, and heavily criticized for their particularly fetishized and unrestrained use of violence. They've also been distressingly obsessed with forcing their heroes through protracted existent …</p>
<p><a href="https://www.theverge.com/2017/6/2/15728630/wonder-woman-review-gal-gadot-dc-extended-universe-patty-jenkins">Read the full story at The Verge.</a></p>
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