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	<title type="text">SXSW 2019: all the news, panels, and activations &#8211; The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2019-03-24T17:00:00+00:00</updated>

	<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/9/18257836/sxsw-2019-updates-panels-activations-movies-gadgets-films-privacy-virtual-reality" />
	<id>https://www.theverge.com/rss/stream/18021877</id>
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		<entry>
			
			<author>
				<name>Adi Robertson</name>
			</author>
			
			<title type="html"><![CDATA[Girl on the Third Floor is a skin-crawling horror movie about home improvement]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/24/18264390/girl-on-the-third-floor-movie-review-sxsw-2019-cm-punk" />
			<id>https://www.theverge.com/2019/3/24/18264390/girl-on-the-third-floor-movie-review-sxsw-2019-cm-punk</id>
			<updated>2019-03-24T13:00:00-04:00</updated>
			<published>2019-03-24T13:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival. It's hard finding new ways to haunt a house. And Girl on the Third Floor, a horror film that premiered at 2019's SXSW Interactive Festival, doesn't make a point of [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15979610/DzGp_BHU0AAxFqu.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival.</em></p>
<p>It's hard finding new ways to haunt a house. And <em>Girl on the Third Floor, </em>a horror film that premiered at 2019's SXSW Interactive Festival, doesn't make a point of trying. It hits the classic beats of the genre, largely established by Shirley Jackson's <em>The Haunting of Hill House:</em> a protagonist with a troubled past moves into a grand but dilapidated old home with a dark secret, then finds a malevolent force dredging up his personal demons.</p>
<p>Instead of trying to push n …</p>
<p><a href="https://www.theverge.com/2019/3/24/18264390/girl-on-the-third-floor-movie-review-sxsw-2019-cm-punk">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Tasha Robinson</name>
			</author>
			
			<title type="html"><![CDATA[Jordan Peele’s Us turns a political statement into unnerving horror]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/9/18257721/us-review-jordan-peele-get-out-lupita-nyongo-winston-duke-elisabeth-moss-tim-heidecker-horror" />
			<id>https://www.theverge.com/2019/3/9/18257721/us-review-jordan-peele-get-out-lupita-nyongo-winston-duke-elisabeth-moss-tim-heidecker-horror</id>
			<updated>2019-03-22T10:47:21-04:00</updated>
			<published>2019-03-22T10:47:21-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival. It has been updated to coincide with the film's theatrical release. When Jordan Peele's directorial debut Get Out hit screens in 2017, it was a revelation. Peele was known as [&#8230;]]]></summary>
			
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<p><em>Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival. It has been updated to coincide with the film's theatrical release.</em></p>
<p>When Jordan Peele's <a href="https://www.theverge.com/2017/2/24/14724404/jordan-peele-get-out-movie-review-race-horror-film">directorial debut <em>Get Out</em></a> hit screens in 2017, it was a revelation. Peele was known as an incisive comedian from his racially frank, wide-ranging sketch show <em>Key and Peele</em>, but nothing in his history suggested he had such a talent for crafting mesmerizing horror stories. <em>Get Out</em> is a startling, frightening film, but it's also meticulously crafted to make the audience politically a …</p>
<p><a href="https://www.theverge.com/2019/3/9/18257721/us-review-jordan-peele-get-out-lupita-nyongo-winston-duke-elisabeth-moss-tim-heidecker-horror">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Tasha Robinson</name>
			</author>
			
			<title type="html"><![CDATA[Why the alien-occupation drama Captive State isn’t a Trump film]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/14/18265953/captive-state-interview-wyatt-goodman-chicago-rise-planet-of-the-apes-sxsw-2019" />
			<id>https://www.theverge.com/2019/3/14/18265953/captive-state-interview-wyatt-goodman-chicago-rise-planet-of-the-apes-sxsw-2019</id>
			<updated>2019-03-14T15:07:21-04:00</updated>
			<published>2019-03-14T15:07:21-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[2011's Rise of the Planet of the Apes was an intriguing surprise. At first blush, it looked like yet another tired franchise reboot, but it played out more like a personal drama than an ape-centric action movie, and it led up to a thrilling climax that set the scene for further enjoyable Apes films. It's [&#8230;]]]></summary>
			
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<p>2011's <em>Rise of the Planet of the Apes</em> was an intriguing surprise. At first blush, it looked like yet another tired franchise reboot, but it played out more like a personal drama than an ape-centric action movie, and it led up to a thrilling climax that set the scene for further enjoyable <em>Apes</em> films. It's difficult not to see <em>Captive State</em>, the latest feature from <em>Rise</em> director Rupert Wyatt, as closely related. It's also a surprisingly subdued insurrection movie, a science-fiction feature about revolution and resistance that defies genre expectations and focuses more on a personal story than on big action beats.</p>
<p>Ashton Sanders stars as Gabri …</p>
<p><a href="https://www.theverge.com/2019/3/14/18265953/captive-state-interview-wyatt-goodman-chicago-rise-planet-of-the-apes-sxsw-2019">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Tasha Robinson</name>
			</author>
			
			<title type="html"><![CDATA[I See You is a beautifully crafted puzzle of a horror movie]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/14/18265203/i-see-you-review-horror-movie-helen-hunt-sxsw-2019" />
			<id>https://www.theverge.com/2019/3/14/18265203/i-see-you-review-horror-movie-helen-hunt-sxsw-2019</id>
			<updated>2019-03-14T10:00:00-04:00</updated>
			<published>2019-03-14T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival. There's a striking tradition of kid-disappearance movies where a traumatized parent tries to convince authorities that something has happened to their child, but evidence suggests that there was never a [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Photo: Zodiac Features" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15960981/i_see_you_153525.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival.</em></p>
<p>There's a striking tradition of kid-disappearance movies where a traumatized parent tries to convince authorities that something has happened to their child, but evidence suggests that there was never a child in the first place. A subset of the "Who's crazy here?" mystery, which plays with the audience's sense of reality and understanding of a situation, movies like <em>Bunny Lake is Missing</em>, <em>Flightplan</em>, and <em>The Forgotten</em> rely on the audience to empathize with a protagon …</p>
<p><a href="https://www.theverge.com/2019/3/14/18265203/i-see-you-review-horror-movie-helen-hunt-sxsw-2019">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Adi Robertson</name>
			</author>
			
			<title type="html"><![CDATA[The interactive Syfy project Eleven Eleven will make you want to watch the same story six times]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/13/18262924/syfy-eleven-eleven-interactive-vr-ar-story-sky-vr-sxsw-2019" />
			<id>https://www.theverge.com/2019/3/13/18262924/syfy-eleven-eleven-interactive-vr-ar-story-sky-vr-sxsw-2019</id>
			<updated>2019-03-13T17:19:30-04:00</updated>
			<published>2019-03-13T17:19:30-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Gaming" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[When Netflix debuted Black Mirror: Bandersnatch late last year, it put a spotlight on interactive storytelling outside the traditional gaming industry. Bandersnatch's "choose your own adventure" format is one method of telling these interactive stories. For another flavor, you could try Syfy's Eleven Eleven: a virtual and augmented reality project that premiered at SXSW this [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15959666/eleven_eleven_VC148041.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p>When Netflix debuted <em>Black Mirror: Bandersnatch </em>late last year, it put a spotlight on interactive storytelling outside the traditional gaming industry. <em>Bandersnatch</em>'s <a href="https://www.theverge.com/2019/3/12/18261615/netflix-bandersnatch-black-mirror-more-interactive-shows-success">"choose your own adventure" format</a> is one method of telling these interactive stories. For another flavor, you could try Syfy's <em>Eleven Eleven</em>:<em> </em>a virtual and augmented reality project that <a href="https://schedule.sxsw.com/2019/films/2009913">premiered at SXSW</a> this week and will get a release in May.</p>
<p><em>Eleven Eleven</em> is a series of six interlocking stories set during the last 11 minutes and 11 seconds of life on a planet called Kairos Linea, which is about to be bombed into oblivion while its corporate overlords escape to a space sta …</p>
<p><a href="https://www.theverge.com/2019/3/13/18262924/syfy-eleven-eleven-interactive-vr-ar-story-sky-vr-sxsw-2019">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Adi Robertson</name>
			</author>
			
			<title type="html"><![CDATA[Snatchers finds the horror and humor in teen pregnancy by adding a parasitic bug-monster]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/13/18261716/snatchers-review-teen-pregnancy-high-school-drama-monsters-genre-sxsw-2019" />
			<id>https://www.theverge.com/2019/3/13/18261716/snatchers-review-teen-pregnancy-high-school-drama-monsters-genre-sxsw-2019</id>
			<updated>2019-03-13T14:38:53-04:00</updated>
			<published>2019-03-13T14:38:53-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="SXSW" />
							<summary type="html"><![CDATA[Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival. There's an entire subgenre of horror cinema about the fundamentally terrifying nature of pregnancy. And countless films hinge on teenagers, especially teenage girls, inviting certain doom by having premarital sex. [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="&lt;a href=&quot;https://i1.wp.com/horrorpedia.com/wp-content/uploads/2019/02/Snatchers-2019-movie-film-sci-fi-comedy-horror-3.png?w=1470&amp;ssl=1&quot;&gt;via Horrorpedia&lt;/a&gt;" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/15959482/Snatchers_2019_movie_film_sci_fi_comedy_horror_3.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p><em>Welcome to Cheat Sheet, our breakdown-style reviews of festival films, VR previews, and other special-event releases. This review comes from the 2019 SXSW Interactive Festival.</em></p>
<p>There's an entire subgenre of horror cinema about the fundamentally terrifying nature of pregnancy. And countless films hinge on teenagers, especially teenage girls, inviting certain doom by having premarital sex. The horror-comedy <em>Snatchers</em>, which debuted at this year's SXSW, combines both tropes - then filters them through a high-school-comedy setting.</p>
<p><em>Snatchers</em> is based on a short film and a later micro-series that <a href="https://www.heraldextra.com/entertainment/movies/sundance/snatchers-combines-teen-pregnancy-and-aliens-in-sundance-horror-comedy/article_7ce3186f-cf11-59aa-b251-714f5e8ae456.html">premiered at Sundance</a> in 2017, featuring the sam …</p>
<p><a href="https://www.theverge.com/2019/3/13/18261716/snatchers-review-teen-pregnancy-high-school-drama-monsters-genre-sxsw-2019">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Nick Statt</name>
			</author>
			
			<title type="html"><![CDATA[New documentary Autonomy makes the convincing case that self-driving cars will change everything]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/13/18262364/autonomy-film-review-self-driving-cars-malcolm-gladwell-documentary-sxsw-2019" />
			<id>https://www.theverge.com/2019/3/13/18262364/autonomy-film-review-self-driving-cars-malcolm-gladwell-documentary-sxsw-2019</id>
			<updated>2019-03-13T08:00:00-04:00</updated>
			<published>2019-03-13T08:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="AI" /><category scheme="https://www.theverge.com" term="Autonomous Cars" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="SXSW" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="Transportation" />
							<summary type="html"><![CDATA[Autonomy, a new documentary on self-driving cars directed by Alex Horwitz and produced by Car and Driver magazine, gets its most grievous sin out of the way in the first 15 minutes. Executive producer and New Yorker writer and author Malcolm Gladwell discusses his vintage BMW, while a rotating cast of other talking heads wax [&#8230;]]]></summary>
			
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<p><em>Autonomy</em>, a <a href="https://www.autonomydoc.com/">new documentary on self-driving cars</a> directed by Alex Horwitz and produced by <em>Car and Driver </em>magazine, gets its most grievous sin out of the way in the first 15 minutes. Executive producer and <em>New Yorker</em> writer and author Malcolm Gladwell discusses his vintage BMW, while a rotating cast of other talking heads wax poetic about the rise and fall of American car culture. As someone who doesn't own a car, or the book-deal advance to buy a vintage one, I had trouble relating.</p>
<p>Thankfully, the movie's nostalgic phase passes quickly. Even better, they are actually making a point. <em>Autonomy</em>, which had its world premiere here at SXSW in Au …</p>
<p><a href="https://www.theverge.com/2019/3/13/18262364/autonomy-film-review-self-driving-cars-malcolm-gladwell-documentary-sxsw-2019">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Nick Statt</name>
			</author>
			
			<title type="html"><![CDATA[Instagram founders say selling to Facebook didn’t reduce competition among social networks]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/11/18260607/instagram-facebook-regulation-acquisition-sxsw-2019-kevin-systrom-mike-krieger" />
			<id>https://www.theverge.com/2019/3/11/18260607/instagram-facebook-regulation-acquisition-sxsw-2019-kevin-systrom-mike-krieger</id>
			<updated>2019-03-11T16:54:42-04:00</updated>
			<published>2019-03-11T16:54:42-04:00</published>
			<category scheme="https://www.theverge.com" term="Business" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Facebook" /><category scheme="https://www.theverge.com" term="Instagram" /><category scheme="https://www.theverge.com" term="Meta" /><category scheme="https://www.theverge.com" term="News" /><category scheme="https://www.theverge.com" term="Policy" /><category scheme="https://www.theverge.com" term="SXSW" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[Talk of regulating Silicon Valley has dominated this year's SXSW festival in Austin, with Sen. Elizabeth Warren's (D-MA) pledge to break up Amazon, Apple, Google, and Facebook becoming a topic of conversation in almost every high-profile, tech-focused panel here. A sit-down with Instagram co-founders Kevin Systrom and Mike Krieger this afternoon was no exception. The [&#8230;]]]></summary>
			
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<p>Talk of regulating Silicon Valley has dominated this year's SXSW festival in Austin, with Sen. Elizabeth Warren's (D-MA) <a href="https://www.theverge.com/2019/3/9/18257965/elizabeth-warren-break-up-apple-monopoly-antitrust">pledge to break up Amazon, Apple, Google, and Facebook</a> becoming a topic of conversation in almost every high-profile, tech-focused panel here.</p>
<p>A sit-down with Instagram co-founders Kevin Systrom and Mike Krieger this afternoon was no exception. The entrepreneurs sold their company to Facebook, worked there for years, then <a href="https://www.theverge.com/2018/9/24/17899208/instagram-cofounders-resign-facebook-kevin-systrom-mike-krieger">abruptly left last September</a> amid reported concerns over their autonomy and the future direction of the photo-sharing social network. Additionally, Facebook CEO Mark Zuckerberg last week <a href="https://www.theverge.com/2019/3/6/18253458/mark-zuckerberg-facebook-privacy-encrypted-messaging-whatsapp-messenger-instagram">announced a new, …</a></p>
<p><a href="https://www.theverge.com/2019/3/11/18260607/instagram-facebook-regulation-acquisition-sxsw-2019-kevin-systrom-mike-krieger">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Nick Statt</name>
			</author>
			
			<title type="html"><![CDATA[A cyclone of scooters has descended on Austin for SXSW, for better or worse]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/11/18260154/austin-scooters-bird-lime-uber-jump-sxsw-2019-dangerous-future-urban-transit" />
			<id>https://www.theverge.com/2019/3/11/18260154/austin-scooters-bird-lime-uber-jump-sxsw-2019-dangerous-future-urban-transit</id>
			<updated>2019-03-11T13:41:09-04:00</updated>
			<published>2019-03-11T13:41:09-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="Rideables" /><category scheme="https://www.theverge.com" term="Scooters" /><category scheme="https://www.theverge.com" term="SXSW" /><category scheme="https://www.theverge.com" term="Transportation" />
							<summary type="html"><![CDATA[Last Saturday night, for the first time in my four years of attending SXSW, I thought I was going to die. I crossed the road at the pedestrian crosswalk next to the Austin Convention Center, and four people - each traveling approximately 15 miles per hour on electric scooters - darted around me. Not only [&#8230;]]]></summary>
			
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<p>Last Saturday night, for the first time in my four years of attending SXSW, I thought I was going to die. I crossed the road at the pedestrian crosswalk next to the Austin Convention Center, and four people - each traveling approximately 15 miles per hour on electric scooters - darted around me.</p>
<p>Not only did I not see or hear them coming - the mostly silent scooters have lights that automatically activate at night, but they can still be hard to spot in the dark - but I also had no idea what the best course of action was. I simply froze in place, standing in the middle of the street as the scooter riders whizzed by, having the time of their  …</p>
<p><a href="https://www.theverge.com/2019/3/11/18260154/austin-scooters-bird-lime-uber-jump-sxsw-2019-dangerous-future-urban-transit">Read the full story at The Verge.</a></p>
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			<author>
				<name>Ashley Carman</name>
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			<title type="html"><![CDATA[HQ Trivia’s first live event was ruined by people who weren’t in the audience]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2019/3/11/18259271/hq-trivia-live-gameshow-sxsw-2019" />
			<id>https://www.theverge.com/2019/3/11/18259271/hq-trivia-live-gameshow-sxsw-2019</id>
			<updated>2019-03-11T09:45:06-04:00</updated>
			<published>2019-03-11T09:45:06-04:00</published>
			<category scheme="https://www.theverge.com" term="Apps" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="SXSW" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[HQ Trivia made "quiz-tory" this week when it hosted its first live, in-person game with a $10,000 prize. Host Scott Rogowsky flew into Austin, Texas, to host the show (donned in a full HQ-branded suit) at Comcast NBCUniversal's SXSW pop-up. Prior to the start, HQ projected a one-time link to the live show on a [&#8230;]]]></summary>
			
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<p>HQ Trivia made "quiz-tory" this week when it hosted its first live, in-person game with a $10,000 prize. Host Scott Rogowsky flew into Austin, Texas, to host the show (donned in a full HQ-branded suit) at Comcast NBCUniversal's SXSW pop-up. Prior to the start, HQ projected a one-time link to the live show on a screen, which audience members had to load in order to compete. I thought they'd bring contestants onstage to make it more of a live experience; instead, everyone played along on their phones as Rogowsky cued the questions from an iPad.</p>
<p>Naturally, people took photos of the stage (and the screen with the link) before the show began and …</p>
<p><a href="https://www.theverge.com/2019/3/11/18259271/hq-trivia-live-gameshow-sxsw-2019">Read the full story at The Verge.</a></p>
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