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	<title type="text">2013 Sundance Film Festival: technology and film culture mix in Park City &#8211; The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2013-01-26T18:55:47+00:00</updated>

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		<entry>
			
			<author>
				<name>Ross Miller</name>
			</author>
			
			<title type="html"><![CDATA[&#8216;Jobs&#8217; review: Ashton Kutcher surprises with a feverish take on Apple&#8217;s co-founder]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2013/1/26/3918660/jobs-review-sundance-ashton-kutcher" />
			<id>https://www.theverge.com/2013/1/26/3918660/jobs-review-sundance-ashton-kutcher</id>
			<updated>2013-01-26T13:55:47-05:00</updated>
			<published>2013-01-26T13:55:47-05:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="Sundance" />
							<summary type="html"><![CDATA[This movie was reviewed at the 2013 Sundance Film Festival. Cupertino, 1980. Steve Jobs is giving an impassioned motivational speech to a small team working on Apple's Lisa. "It's social status. It's social currency," he says. His voice is deliberate, paced to emphasize the most emotionally-driven words. On the whiteboard behind him it reads "File [&#8230;]]]></summary>
			
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<img alt="" data-caption="jobs 2" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/13066957/ashton-kutcher-as-steve-jobs.1419979227.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	jobs 2	</figcaption>
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<p><em>This movie was reviewed at the 2013 Sundance Film Festival.</em></p>
<p>Cupertino, 1980. Steve Jobs is giving an impassioned motivational speech to a small team working on Apple's Lisa. "It's social status. It's social currency," he says. His voice is deliberate, paced to emphasize the most emotionally-driven words. On the whiteboard behind him it reads "File | Edit | Page Layout | Format." He asks the team how many typefaces are in Lisa, who in turn respond that it was deemed a less pressing issue. This isn't the answer Jobs expected.</p>
<p>"Everything… is a pressing issue," he says, his once-inspirational demeanor quickly escalating into a quiet rage. One …</p>
<p><a href="https://www.theverge.com/2013/1/26/3918660/jobs-review-sundance-ashton-kutcher">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Ross Miller</name>
			</author>
			
			<title type="html"><![CDATA[Shane Carruth’s ‘Upstream Color’ is a trippy, sci-fi take on the forces that bind us together]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2013/1/22/3903524/upstream-color-review-shane-carruth-sundance" />
			<id>https://www.theverge.com/2013/1/22/3903524/upstream-color-review-shane-carruth-sundance</id>
			<updated>2013-01-22T14:41:54-05:00</updated>
			<published>2013-01-22T14:41:54-05:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="Sundance" />
							<summary type="html"><![CDATA[Nine years ago, Shane Carruth won Sundance's Grand Jury Prize for Primer, a complex science fiction tale about the ramifications of time travel. Famously filmed on a $7,000 budget, Primer went on to gain a cult following for its incredibly strong and incredibly twisty plot (spoiler: this is as close as you can get to [&#8230;]]]></summary>
			
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<img alt="" data-caption="upstream lead" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/14212685/UC_Unit_Photo_01.1419979213.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	upstream lead	</figcaption>
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<p>Nine years ago, Shane Carruth won Sundance's Grand Jury Prize for <em>Primer</em>, a complex science fiction tale about the ramifications of time travel. Famously filmed on a $7,000 budget, <em>Primer</em> went on to gain a cult following for its incredibly strong and incredibly twisty plot (spoiler: <a href="http://unrealitymag.com/index.php/2011/09/30/at-last-a-definitive-timeline-for-primer/">this is as close as you can get to understanding it all</a>).</p>
<p><em>Upstream Color</em> is only Carruth's second film, shot on a decidedly larger budget and coming to theaters in April (it debuted this week at Sundance). Think of it as Terrence Malick-meets-Trent Reznor: abstract, brooding, moody, at times graphic. If you're willing to accept a broader, more indirect interpret …</p>
<p><a href="https://www.theverge.com/2013/1/22/3903524/upstream-color-review-shane-carruth-sundance">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Amar Toor</name>
			</author>
			
			<title type="html"><![CDATA[How one man made a film at Disney World without Disney&#8217;s permission]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2013/1/21/3899200/escape-from-tomorrow-movie-sundance-premier" />
			<id>https://www.theverge.com/2013/1/21/3899200/escape-from-tomorrow-movie-sundance-premier</id>
			<updated>2013-01-21T09:16:26-05:00</updated>
			<published>2013-01-21T09:16:26-05:00</published>
			<category scheme="https://www.theverge.com" term="Cameras" /><category scheme="https://www.theverge.com" term="Disney" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Streaming" /><category scheme="https://www.theverge.com" term="Sundance" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[There's a palpable buzz at this year's Sundance Film Festival, and much of it is swirling around an obscure, black-and-white movie that may never see a commercial release. That's because Randy Moore's Escape from Tomorrow is more than just a film; it's an exercise in guerilla moviemaking, and a meditation on our own gawk-fueled culture. [&#8230;]]]></summary>
			
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<img alt="" data-caption="disney world (wikimedia)" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/14211388/Disney_World_Main_Entrance.1419979209.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	disney world (wikimedia)	</figcaption>
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<p>There's a palpable buzz at this year's Sundance Film Festival, and much of it is swirling around an obscure, black-and-white movie that may never see a commercial release. That's because Randy Moore's <em>Escape from Tomorrow</em> is <a href="http://www.latimes.com/entertainment/envelope/moviesnow/la-et-mn-sundance-2013-escape-from-tomorrow-disneyland-randy-moore-release-20130118,0,4296.story">more than just a film</a>; it's an exercise in guerilla moviemaking, and a meditation on our own gawk-fueled culture.</p>
<p>The movie debuted at Sundance on Friday to largely glowing reviews, though its incredible backstory began three years ago, when Moore decided to shoot a film at Disney World <em>without</em> Disney's permission. Armed with a Canon camera and a skeleton crew of actors, the 36-year-old director began surreptitiously fi …</p>
<p><a href="https://www.theverge.com/2013/1/21/3899200/escape-from-tomorrow-movie-sundance-premier">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Watch these Sundance short films to learn the dangers of catnip and zombies]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2013/1/19/3894784/sundance-short-films-on-youtube" />
			<id>https://www.theverge.com/2013/1/19/3894784/sundance-short-films-on-youtube</id>
			<updated>2013-01-19T18:32:04-05:00</updated>
			<published>2013-01-19T18:32:04-05:00</published>
			<category scheme="https://www.theverge.com" term="Creators" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Sundance" /><category scheme="https://www.theverge.com" term="Tech" /><category scheme="https://www.theverge.com" term="TL;DR" /><category scheme="https://www.theverge.com" term="Watch This" /><category scheme="https://www.theverge.com" term="Web" /><category scheme="https://www.theverge.com" term="YouTube" />
							<summary type="html"><![CDATA[In what's becoming an annual tradition, YouTube has partnered with the Sundance Film Festival to offer a small selection of short films through its Screening Room channel. This year you'll be able to watch a dozen short movies that will be making their debuts at Sundance; they've been selected from the 64 shorts to be [&#8230;]]]></summary>
			
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<img alt="" data-caption="Catnip Sundance short film" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/14210122/CATNIP.1419979207.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	Catnip Sundance short film	</figcaption>
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<p>In what's becoming an <a href="http://youtube-global.blogspot.ca/2012/01/bringing-creativity-of-sundance-film.html">annual tradition</a>, YouTube has partnered with the Sundance Film Festival to offer a small selection of short films through its Screening Room channel. This year you'll be able to watch a dozen short movies that will be making their debuts at Sundance; they've been selected from the 64 shorts to be screened at the festival starting this weekend. It's not a huge selection, and you won't be able to see <a href="http://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival">Ashton Kutcher's portrayal of Steve Jobs</a>, but there's quite a range of free movies to enjoy - covering everything from the horrors of catnip to, of course, the undead. And when you're finished watching these, YouTube says the …</p>
<p><a href="https://www.theverge.com/2013/1/19/3894784/sundance-short-films-on-youtube">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Dan Seifert</name>
			</author>
			
			<title type="html"><![CDATA[Ashton Kutcher&#8217;s portrayal of Steve Jobs to debut at the Sundance Film Festival in January]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival" />
			<id>https://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival</id>
			<updated>2012-12-03T17:25:02-05:00</updated>
			<published>2012-12-03T17:25:02-05:00</published>
			<category scheme="https://www.theverge.com" term="Apple" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Sundance" /><category scheme="https://www.theverge.com" term="Tech" />
							<summary type="html"><![CDATA[This coming January is likely to be the first time that anyone outside of a production facility will get a look at jOBS, the new biopic of Steve Jobs starring Ashton Kutcher. The movie, which was initially announced in April of this year, covers 30 years of Jobs' life from 1971 to 2000 as an [&#8230;]]]></summary>
			
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<img alt="" data-caption="via www.hollywoodreporter.com" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/14158272/jobs_ashton_kutcher.1419979048.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	via www.hollywoodreporter.com	</figcaption>
</figure>
<p>This coming January is likely to be the first time that anyone outside of a production facility will get a look at <em>jOBS</em>, the <a href="http://www.theverge.com/2012/4/1/2918801/ashton-kutcher-steve-jobs-movie">new biopic of Steve Jobs starring Ashton Kutcher</a>. The movie, which was initially announced in April of this year, covers <a href="http://www.theverge.com/2012/4/15/2949033/steve-jobs-movie-ashton-kutcher-planned-release-date">30 years of Jobs' life from 1971 to 2000</a> as an entrepreneur and leader of such companies as Apple, NeXT, and Pixar. It also stars Dermot Mulroney, Josh Gad, Lukas Haas, J.K. Simmons, and Matthew Modine.</p>
<p>The movie is not based on Walter Isaacson's biography of Jobs, released shortly after Jobs' death last fall. A separate film that is <a href="http://www.theverge.com/2012/11/15/3650260/aaron-sorkin-steve-jobs-movie-three-30-minute-sections">based on Isaacson's book is also in the works</a>, and is being writte …</p>
<p><a href="https://www.theverge.com/2012/12/3/3723954/ashton-kutchers-steve-jobs-sundance-film-festival">Read the full story at The Verge.</a></p>
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