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	<title type="text">TIFF 2025: Frankenstein, Knives Out 3, and all the biggest movies from Toronto &#8211; The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2025-09-19T13:21:45+00:00</updated>

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		<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Scarlet turns Shakespeare into an animated fantasy epic]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/toronto-international-film-festival/777609/tiff-2025-reviews-scarlet-project-y-sentimental-value" />
			<id>https://www.theverge.com/?p=777609</id>
			<updated>2025-09-14T08:53:58-04:00</updated>
			<published>2025-09-14T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[Well, I was wrong, and I did manage to make it to one last day at the Toronto International Film Festival. One of the movies I wanted to see the most this year was Scarlet, the latest from Mamoru Hosoda, whose most recent film was the metaverse fairy tale Belle. Whereas that film was a [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="Scarlet." data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/Scarlet_Still_01.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Scarlet.	</figcaption>
</figure>
<p class="has-text-align-none">Well, <a href="https://www.theverge.com/toronto-international-film-festival/775552/tiff-2025-reviews-dust-bunny-smashing-machine" data-type="link" data-id="https://www.theverge.com/toronto-international-film-festival/775552/tiff-2025-reviews-dust-bunny-smashing-machine">I was wrong</a>, and I<em> did</em> manage to make it to one last day at the Toronto International Film Festival. One of the movies I wanted to see the most this year was <em>Scarlet</em>, the latest from Mamoru Hosoda, whose most recent film was <a href="https://www.theverge.com/22866629/belle-mamoru-hosoda-director-interview">the metaverse fairy tale <em>Belle</em></a>. Whereas that film was a reimagining of <em>Beauty and the Beast</em>, <em>Scarlet</em> is a twist on <em>Hamlet</em> that's full of bold, creative ideas. I mostly enjoyed it, but unfortunately it's saddled with an ending that doesn't really fit.</p>
<p class="has-text-align-none">I also managed to squeeze in two other films: a Korean revenge / heist thriller, and a Norwegian film about connecting through art. You can read my thoughts on all th …</p>
<p><a href="https://www.theverge.com/toronto-international-film-festival/777609/tiff-2025-reviews-scarlet-project-y-sentimental-value">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Exit 8’s director was inspired by watching people play the game]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/interview/777509/exit-8-director-interview" />
			<id>https://www.theverge.com/?p=777509</id>
			<updated>2025-09-12T15:49:38-04:00</updated>
			<published>2025-09-13T09:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Report" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[Few video game adaptations understand their source material quite like the Exit 8 film. It takes the rules and structure of the game - which strands players inside of a looping hallway in a Tokyo subway station - and then builds on them with actual characters and a story. And according to director Genki Kawamura, [&#8230;]]]></summary>
			
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<img alt="" data-caption="" data-portal-copyright="Image: Neon" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/Exit-8_Still_03.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p class="has-text-align-none">Few video game adaptations understand their source material quite like <a href="https://www.theverge.com/film/769133/tiff-2025-nouvelle-vague-exit-8-reviews">the <em>Exit 8</em> film</a>. It takes the rules and structure of the game - which strands players inside of a looping hallway in a Tokyo subway station - and then builds on them with actual characters and a story. And according to director Genki Kawamura, one of the reasons that the movie feels so fresh could be because of how he approached it. "I wasn't necessarily thinking about a film adaptation of a video game," he tells <em>The Verge</em>. "I was thinking about how to create a new cinematic experience that blurs the lines between video game and cinema."</p>
<p class="has-text-align-none">The two are very similar, and the …</p>
<p><a href="https://www.theverge.com/interview/777509/exit-8-director-interview">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Netflix&#8217;s best movies deserve more time on the big screen]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/netflix/776477/netflix-movie-theaters-frankenstein-knives-out" />
			<id>https://www.theverge.com/?p=776477</id>
			<updated>2025-09-11T12:42:36-04:00</updated>
			<published>2025-09-11T13:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Netflix" /><category scheme="https://www.theverge.com" term="Streaming" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[Like the rest of the Knives Out movies, Wake Up Dead Man is full of extremely fun revelations - the kind that can turn the whodunit story on its head and, as was the case for many of those attending the film's premiere in Toronto, Canada, produce audible gasps. Those shared moments of surprise are [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="A still from Frankenstein." data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/076_PF_20240510_23550_R_302e07.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	A still from Frankenstein.	</figcaption>
</figure>
<p class="has-text-align-none">Like the rest of the <em>Knives Out</em> movies, <a href="https://www.theverge.com/movie-reviews/773429/tiff-2025-wake-up-dead-man-bad-apples-review"><em>Wake Up Dead Man</em></a> is full of extremely fun revelations - the kind that can turn the whodunit story on its head and, as was the case for many of those attending the film's premiere in Toronto, Canada, produce audible gasps. Those shared moments of surprise are part of what makes the movie such a great theatrical experience, so it sucks that most people won't get the opportunity to see it in a theater at all.</p>
<p class="has-text-align-none"><em>Wake Up Dead Man</em> isn't alone. Netflix was very present at the Toronto International Film Festival this year, with films like <a href="https://www.theverge.com/toronto-international-film-festival/774035/tiff-2025-reviews-frankenstein-normal-eternity">Guillermo del Toro's <em>Frankenstein</em></a>, <a href="https://www.theverge.com/toronto-international-film-festival/775552/tiff-2025-reviews-dust-bunny-smashing-machine">Edward Berger's <em>Ballad of a Small Play …</em></a></p>
<p><a href="https://www.theverge.com/netflix/776477/netflix-movie-theaters-frankenstein-knives-out">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Dust Bunny is a family-friendly horror from the creator of Hannibal]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/toronto-international-film-festival/775552/tiff-2025-reviews-dust-bunny-smashing-machine" />
			<id>https://www.theverge.com/?p=775552</id>
			<updated>2025-09-10T10:47:10-04:00</updated>
			<published>2025-09-10T10:45:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[When you have children of different ages, finding stuff to watch together can be a big challenge. Both of my kids - aged 10 and 12 - have a budding interest in horror, and there's not a lot of scary stuff that's appropriate for all of us. That's why I was pleasantly surprised while watching [&#8230;]]]></summary>
			
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<figure>

<img alt="A still image from the film Dust Bunny." data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/unnamed-1.png?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p class="has-text-align-none">When you have children of different ages, finding stuff to watch together can be a big challenge. Both of my kids - aged 10 and 12 - have a budding interest in horror, and there's not a lot of scary stuff that's appropriate for all of us. That's why I was pleasantly surprised while watching <em>Dust Bunny </em>on day 6 of the Toront oInternational Film Festival (TIFF).</p>
<p class="has-text-align-none">It's the feature film debut from Bryan Fuller, a TV veteran best-known for <em>Hannibal</em> and <em>Pushing Daisies</em>. And even though <em>Dust Bunny</em> is technically rated R, the violence is pretty restrained, and much of the darkest stuff is implied rather than shown explicitly. I actually had a chance …</p>
<p><a href="https://www.theverge.com/toronto-international-film-festival/775552/tiff-2025-reviews-dust-bunny-smashing-machine">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Guillermo del Toro makes Frankenstein his own]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/toronto-international-film-festival/774035/tiff-2025-reviews-frankenstein-normal-eternity" />
			<id>https://www.theverge.com/?p=774035</id>
			<updated>2025-09-19T09:21:45-04:00</updated>
			<published>2025-09-09T08:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[Frankenstein is one of those stories that's been retold countless times. And yet, Guillermo del Toro has managed to make a version that not only feels true to Mary Shelley's original, but is also imbued with the trademarks the director is known for. Maybe that shouldn't be too surprising - when presenting the film at [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/PF_20240917_58953_R.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p class="has-text-align-none"><em>Frankenstein</em> is one of those stories that's been retold countless times. And yet, Guillermo del Toro has managed to make a version that not only feels true to Mary Shelley's original, but is also imbued with the trademarks the director is known for.</p>
<p class="has-text-align-none">Maybe that shouldn't be too surprising - when presenting the film at its premiere at the Toronto International Film Festival this week, del Toro explained that he has been thinking about Frankenstein since he was seven years old, but it wasn't until he became a father that he truly understood how to tell the version of the story he wanted to. Well, all that time paid off.</p>
<p class="has-text-align-none">On day 5 of TIFF I als …</p>
<p><a href="https://www.theverge.com/toronto-international-film-festival/774035/tiff-2025-reviews-frankenstein-normal-eternity">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Arco is stunning sci-fi with shades of Moebius and Miyazaki]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/toronto-international-film-festival/773517/tiff-2025-reviews-arco-good-fortune-sacrifice" />
			<id>https://www.theverge.com/?p=773517</id>
			<updated>2025-09-07T22:40:00-04:00</updated>
			<published>2025-09-08T10:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[The best part of going to a film festival is finding something new. Sure, it's great to find out that movies you're excited about are in fact good - I've had luck so far with Exit 8, No Other Choice, and Wake Up Dead Man - but it's so much more exciting to be surprised [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/ARCO_Still_01_CourtesyofNEON.jpeg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p class="has-text-align-none">The best part of going to a film festival is finding something new. Sure, it's great to find out that movies you're excited about are in fact good - I've had luck so far with <em><a href="https://www.theverge.com/film/769133/tiff-2025-nouvelle-vague-exit-8-reviews" data-type="link" data-id="https://www.theverge.com/film/769133/tiff-2025-nouvelle-vague-exit-8-reviews">Exit 8</a></em>, <em><a href="https://www.theverge.com/movie-reviews/773376/tiff-2025-no-other-choice-man-in-my-basement-reviews" data-type="link" data-id="https://www.theverge.com/movie-reviews/773376/tiff-2025-no-other-choice-man-in-my-basement-reviews">No Other Choice</a></em>, and <em><a href="https://www.theverge.com/movie-reviews/773429/tiff-2025-wake-up-dead-man-bad-apples-review" data-type="link" data-id="https://www.theverge.com/movie-reviews/773429/tiff-2025-wake-up-dead-man-bad-apples-review">Wake Up Dead Man</a></em> - but it's so much more exciting to be surprised by something when you had no expectations going in.</p>
<p class="has-text-align-none">That's what happened to me when I walked into a theater to watch <em>Arco</em>, an absolutely gorgeous animated film from director Ugo Bienvenu, on day 4 of the Toronto International Film Festival. For the animation nerds out there, it's sort of like a cross between <em><a href="https://www.theverge.com/23912922/scavengers-reign-review-max" data-type="link" data-id="https://www.theverge.com/23912922/scavengers-reign-review-max">Scavengers Reign</a></em> and <em>Time Masters</em>, with a hint of <em>Castle in the Sky</em>. …</p>
<p><a href="https://www.theverge.com/toronto-international-film-festival/773517/tiff-2025-reviews-arco-good-fortune-sacrifice">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Wake Up Dead Man adds a delightfully dark twist to Knives Out]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/movie-reviews/773429/tiff-2025-wake-up-dead-man-bad-apples-review" />
			<id>https://www.theverge.com/?p=773429</id>
			<updated>2025-09-08T10:29:02-04:00</updated>
			<published>2025-09-07T09:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[When director Rian Johnson introduced the new Knives Out film on the third day of TIFF 2025, he exclaimed: "we're going back to church." By that he meant that Wake Up Dead Man, the latest Benoit Blanc mystery, would harken back to the origins of the whodunit, and in particular the gothic vibes of Edgar [&#8230;]]]></summary>
			
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											<![CDATA[

						
<figure>

<img alt="" data-caption="" data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/jud-DC-in-car-2-4k_R.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
		</figcaption>
</figure>
<p class="has-text-align-none">When director Rian Johnson introduced the new <em>Knives Out</em> film on the third day of TIFF 2025, he exclaimed: "we're going back to church."</p>
<p class="has-text-align-none">By that he meant that <em>Wake Up Dead Man</em>, the latest Benoit Blanc mystery, would harken back to the origins of the whodunit, and in particular the gothic vibes of Edgar Allan Poe. And now that I've seen it, I have to say that Johnson pulled it off: the new movie has a darker and more spiritual feel than its predecessors, and yet it's still distinctly <em>Knives Out</em>, which is to say twisting and hilarious. I gasped a few times, as did the rest of audience, at the many reveals. I'll have a full review in the comin …</p>
<p><a href="https://www.theverge.com/movie-reviews/773429/tiff-2025-wake-up-dead-man-bad-apples-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[Park Chan-wook&#8217;s No Other Choice is as bleak as it is hilarious]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/movie-reviews/773376/tiff-2025-no-other-choice-man-in-my-basement-reviews" />
			<id>https://www.theverge.com/?p=773376</id>
			<updated>2025-09-06T11:00:48-04:00</updated>
			<published>2025-09-06T11:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[At my second day at TIFF 2025, the longest line I saw wasn't for a movie: it was for the Criterion Closet. The space is housed in a van so that it could make it up to Toronto, and honestly, it felt a little wrong to see the outside of it after watching everyone from [&#8230;]]]></summary>
			
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<figure>

<img alt="" data-caption="No Other Choice." data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/NOC_STI-MKT-02.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	No Other Choice.	</figcaption>
</figure>
<p class="has-text-align-none">At my second day at TIFF 2025, the longest line I saw wasn't for a movie: it was for the Criterion Closet. The space is housed in a van so that it could make it up to Toronto, and honestly, it felt a little wrong to see the outside of it after watching everyone from Michael Cera to Hideo Kojima spend time in its cramped interior digging through Blu-Rays.</p>
<p class="has-text-align-none">The line was long enough that I didn't even bother trying to get inside, which is probably a good thing since I'd just be overwhelmed anyways. Besides, standing in that line would cut into my movie time, which is already a precious resource given there are so many things to check out.</p>
<p class="has-text-align-none">If t …</p>
<p><a href="https://www.theverge.com/movie-reviews/773376/tiff-2025-no-other-choice-man-in-my-basement-reviews">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Andrew Webster</name>
			</author>
			
			<title type="html"><![CDATA[The Exit 8 movie is even scarier than the game]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/film/769133/tiff-2025-nouvelle-vague-exit-8-reviews" />
			<id>https://www.theverge.com/?p=769133</id>
			<updated>2025-09-05T11:26:13-04:00</updated>
			<published>2025-09-05T11:30:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" /><category scheme="https://www.theverge.com" term="TIFF" />
							<summary type="html"><![CDATA[Greetings from Toronto, Canada! I'm braving long lines and busy streets for the next week or so to attend the Toronto International Film Festival, better known as TIFF, and I'm planning to take you all along with me. Each day I'll be publishing a dispatch covering my time at the festival, including thoughts on every [&#8230;]]]></summary>
			
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											<![CDATA[

						
<figure>

<img alt="" data-caption="Exit 8." data-portal-copyright="" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2025/09/image001-4.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
	<figcaption>
	Exit 8.	</figcaption>
</figure>
<p class="has-text-align-none">Greetings from Toronto, Canada! I'm braving long lines and busy streets for the next week or so to attend the Toronto International Film Festival, better known as TIFF, and I'm planning to take you all along with me. Each day I'll be publishing a dispatch covering my time at the festival, including thoughts on every single movie I watch. As of now, I have more than 20 different features on my schedule so, uh, expect a lot of thoughts.</p>
<p class="has-text-align-none">TIFF is historically a nice preview of the fall and holiday film slate, featuring a mix of awards contenders, indie flicks, and blockbuster-adjacent movies from big-name directors. In recent years, that has in …</p>
<p><a href="https://www.theverge.com/film/769133/tiff-2025-nouvelle-vague-exit-8-reviews">Read the full story at The Verge.</a></p>
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