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	<title type="text">What we&#8217;re listening to, watching, and reading right now. &#8211; The Verge</title>
	<subtitle type="text">The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.</subtitle>

	<updated>2026-10-18T19:21:56+00:00</updated>

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		<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Mister Organ is one of the most unsettling documentaries I’ve ever seen]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/1013545/mister-organ-horror-documentary-review" />
			<id>https://www.theverge.com/?p=1013545</id>
			<updated>2026-10-18T15:21:56-04:00</updated>
			<published>2026-10-18T15:30:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" />
							<summary type="html"><![CDATA[Mister Organ doesn't reach the level of societal horror of The Act of Killing or the creepypasta-meets-true-crime gruesomeness of Beware the Slenderman, but there's something deeply unsettling about Michael Organ and his intimate campaign of terror against everyone who enters his life. Mister Organ is a documentary by David Farrier, an Auckland, New Zealand journalist. [&#8230;]]]></summary>
			
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<img alt="The poster for the documentary Mister Organ super imposed over a pixelated and distorted version of itself." data-caption="" data-portal-copyright="Image: Firefly Films" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/10/Mister-Organ-poster.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph"><em>Mister Organ</em> doesn't reach the level of societal horror of <em>The Act of Killing</em> or the creepypasta-meets-true-crime gruesomeness of <em>Beware the Slenderman</em>, but there's something deeply unsettling about Michael Organ and his intimate campaign of terror against everyone who enters his life. </p>
<p class="wp-block-paragraph"><em>Mister Organ</em> is a documentary by David Farrier, an Auckland, New Zealand journalist. The movie starts with Farrier reporting on Bashford Antiques, a shop in Ponsonby that has begun aggressively clamping cars in its lot and demanding exorbitant fees to release them - up to $760. Farrier's article for <em>The Spinoff</em> eventually led the government to introduce legi …</p>
<p><a href="https://www.theverge.com/entertainment/1013545/mister-organ-horror-documentary-review">Read the full story at The Verge.</a></p>
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									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[George A. Romero’s Season of the Witch is a slow-burn feminist occult drama]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/1009346/george-a-romero-season-of-the-witch-feminist-horror-review" />
			<id>https://www.theverge.com/?p=1009346</id>
			<updated>2026-10-11T18:31:45-04:00</updated>
			<published>2026-10-11T11:15:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" />
							<summary type="html"><![CDATA[George A. Romero is obviously best known as the father of the modern zombie movie. But between inventing the genre with Night of the Living Dead and his outbreak horror, The Crazies, Romero made two much lesser-known films: There's Always Vanilla, which I'll admit I've never seen, and Season of the Witch, or, as it [&#8230;]]]></summary>
			
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<img alt="Cover of Season of the Witch by George A. Romero." data-caption="" data-portal-copyright="Image: Arrow Films" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/10/b4cbdcb8-32ec-4f79-8a23-c2edbf8d58e9.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph"><a href="https://www.theverge.com/2017/7/16/15979320/george-a-romero-zombies-night-of-the-living-dead-obituary">George A. Romero</a> is obviously best known as the father of the modern zombie movie. But between inventing the genre with <em><a href="https://www.theverge.com/2016/11/4/13517892/night-of-the-living-dead-restored-moma-4k-george-romero">Night of the Living Dead</a></em> and his outbreak horror, <em>The Crazies</em>, Romero made two much lesser-known films: <em>There's Always Vanilla</em>, which I'll admit I've never seen, and <em>Season of the Witch</em>, or, as it was originally titled, <em>Hungry Wives</em>. </p>
<p class="wp-block-paragraph"><em>Hungry Wives</em> was supposed to be an exploitation film. The studio marketed it as a softcore porn, but it failed to find an audience - probably because the movie features minimal nudity, just one sex scene, and lots of talking. It was an undeniable flop upon its release in 1973. It was eventual …</p>
<p><a href="https://www.theverge.com/entertainment/1009346/george-a-romero-season-of-the-witch-feminist-horror-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Prick’s theatrical industrial punk is perfect for spooky season]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/1004595/prick-industrial-glam-punk-album-review" />
			<id>https://www.theverge.com/?p=1004595</id>
			<updated>2026-10-04T15:56:30-04:00</updated>
			<published>2026-10-04T16:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Music" /><category scheme="https://www.theverge.com" term="Music Review" />
							<summary type="html"><![CDATA[While deep in the recording process for The Downward Spiral, Trent Reznor lent some of his production talents to old friend Kevin McMahon, from the new wave band Lucky Pierre (which Reznor was briefly a member of). While Reznor is only credited as the producer on four tracks off Prick's self-titled debut record, his fingerprints [&#8230;]]]></summary>
			
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<img alt="The cover of Prick’s self-titled album" data-caption="" data-portal-copyright="Image: Prick" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/10/Prick.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">While deep in the recording process for <em>The Downward Spiral</em>, Trent Reznor lent some of his production talents to old friend Kevin McMahon, from the new wave band Lucky Pierre (which Reznor was briefly a member of). While Reznor is only credited as the producer on four tracks off Prick's self-titled debut record, his fingerprints are all over it. But McMahon also can't suppress his inner theater kid, which also gives the songs the sort of glammy flamboyance found on T. Rex records. Prick embraces the inherent theatricality of goth in a way that Nine Inch Nails never did. </p>
<p class="wp-block-paragraph">Opener "Communiqu&eacute;" is a fuzzy blast of simple punk riffs with electro …</p>
<p><a href="https://www.theverge.com/entertainment/1004595/prick-industrial-glam-punk-album-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Out of the Park Baseball lets me enjoy baseball even when the Mets suck]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/games/1001206/out-of-the-park-baseball-cozy-sim-video-game-review" />
			<id>https://www.theverge.com/?p=1001206</id>
			<updated>2026-09-28T05:29:55-04:00</updated>
			<published>2026-09-27T17:59:57-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Games Review" /><category scheme="https://www.theverge.com" term="Gaming" />
							<summary type="html"><![CDATA[If you were to ask me what game or game series I've sunk the most time into, the answer would be easy: Out of the Park Baseball (OOTP). I have spent roughly 2,300 hours, according to Steam, playing various editions of the game. OOTP isn't like MLB The Show or Super Mega Baseball. It's not [&#8230;]]]></summary>
			
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<img alt="Cover of Out of the Park Baseball 27 showing a bunch of players collaged behind the logo." data-caption="" data-portal-copyright="Image: Out of the Park Developments" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/09/capsule_616x353.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">If you were to ask me what game or game series I've sunk the most time into, the answer would be easy: <em><a href="https://www.ootpdevelopments.com/out-of-the-park-baseball-home/">Out of the Park Baseball</a></em> (<em>OOTP</em>). I have spent roughly 2,300 hours, according to Steam, playing various editions of the game. <em>OOTP</em> isn't like <em>MLB The Show </em>or <em>Super Mega Baseball</em>. It's not graphically impressive. It's not a blast of simple arcade fun. It is basically a spreadsheet pretending to be a video game. It's fantasy baseball, but without having to wait six months to see how disappointing that sleeper draft pick will be, because you can plow through an entire season in as little as a few hours.</p>
<p class="wp-block-paragraph">You can play individual games and dig in …</p>
<p><a href="https://www.theverge.com/games/1001206/out-of-the-park-baseball-cozy-sim-video-game-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[No Dogs in Space is back to feed your need for obsessive music history]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/report/997948/no-dogs-in-space-is-back-punk-2-0-music-history-podcast" />
			<id>https://www.theverge.com/?p=997948</id>
			<updated>2026-09-20T17:12:49-04:00</updated>
			<published>2026-09-20T16:51:57-04:00</published>
			<category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Interview" /><category scheme="https://www.theverge.com" term="Music" /><category scheme="https://www.theverge.com" term="Report" />
							<summary type="html"><![CDATA[In August, I wrote about my love of the music history podcast No Dogs in Space, but mourned the fact that there hadn't been a new episode in over two years. Little did I know that hosts Carolina Hidalgo and Marcus Parks were gearing up to announce the show's return with season four, Punk 2.0. [&#8230;]]]></summary>
			
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<img alt="No Dogs in Space Returns" data-caption="" data-portal-copyright="Image: No Dogs in Space" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/09/810731213_18454823458185562_8102974567602315903_n.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">In August, I wrote about <a href="https://www.theverge.com/entertainment/977190/no-dogs-in-space-music-history-podcast">my love</a> of the music history podcast <em><a href="https://www.lastpodcastnetwork.com/no-dogs-in-space">No Dogs in Space</a></em>, but mourned the fact that there hadn't been a new episode in over two years. Little did I know that hosts Carolina Hidalgo and Marcus Parks were gearing up to announce the show's return with season four, Punk 2.0. The <a href="https://podcasts.apple.com/us/podcast/no-dogs-in-space/id1495604041">first episode</a> premiered this week, part one of a series on the <a href="https://youtu.be/2aQTGqqXHw4">New York Dolls</a>, a band near and dear to my heart as a native Staten Islander, home of frontman David Johansen.</p>
<p class="wp-block-paragraph">For the new season, Hidalgo and Parks decided it was time to get back to basics. Part of that was that they felt punk rock was where their passion and expertise were strongest. …</p>
<p><a href="https://www.theverge.com/report/997948/no-dogs-in-space-is-back-punk-2-0-music-history-podcast">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[The Units’ Digital Stimulation is synthpunk perfection]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/994415/the-units-digital-stimulation-synthpunk-review" />
			<id>https://www.theverge.com/?p=994415</id>
			<updated>2026-09-13T13:36:10-04:00</updated>
			<published>2026-09-13T13:36:10-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Music" /><category scheme="https://www.theverge.com" term="Music Review" />
							<summary type="html"><![CDATA[The Units are a band I discovered in part thanks to No Dogs in Space. During their miniseries on The Screamers (another incredible band worth checking out), they mention synthpunk.org as one of their sources. And there's no better way to get my attention than to combine two of my favorite things - punk rock [&#8230;]]]></summary>
			
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<img alt="The cover of The Units’ 1980 album Digital Stimulation." data-caption="" data-portal-copyright="Image: The Units / Scott Ryser" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/09/a1818657383_10.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">The Units are a band I discovered in part thanks to <a href="https://www.theverge.com/entertainment/977190/no-dogs-in-space-music-history-podcast">No Dogs in Space</a>. During their miniseries on <a href="https://youtu.be/MdCRcrgX080">The Screamers</a> (another incredible band worth checking out), they mention <a href="http://synthpunk.org">synthpunk.org</a> as one of their sources. And there's no better way to get my attention than to combine two of my favorite things - <a href="https://www.theverge.com/entertainment/986564/professor-murder-rides-the-subway-dance-punk-perfection-review">punk rock and synthesizers</a>. The site was down that day (it appears to be back up now), but I was able to access a version from July through the Wayback Machine. What greeted me was a bare-bones site with links for six bands, including The Screamers. But at the top was The Units, a band I'd never heard of and, after tracking down their 1980 record <a href="https://units-scottryser.bandcamp.com/album/digital-stimulation-special-40th-anniversary-remixed-edition"><em>D …</em></a></p>
<p><a href="https://www.theverge.com/entertainment/994415/the-units-digital-stimulation-synthpunk-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Professor Murder Rides the Subway is a forgotten slice of dance punk perfection]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/986564/professor-murder-rides-the-subway-dance-punk-perfection-review" />
			<id>https://www.theverge.com/?p=986564</id>
			<updated>2026-08-30T17:18:59-04:00</updated>
			<published>2026-08-30T17:18:59-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Music" /><category scheme="https://www.theverge.com" term="Music Review" />
							<summary type="html"><![CDATA[I recently dug out my CDs and started reripping them all. I've found a few forgotten gems in there, but few hit harder for me than the beautifully concise Professor Murder Rides the Subway EP. There was a period of time in the mid-aughts in NYC where it seemed like every indie band wanted you [&#8230;]]]></summary>
			
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<img alt="The cover of Professor Murder Rides the Subway EP." data-caption="" data-portal-copyright="Image: Kanine Records" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/08/a0163061049_10.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">I recently <a href="https://bsky.app/profile/terrenceobrien.bsky.social/post/3mpwh72frx22r">dug out my CDs</a> and started <a href="https://bsky.app/profile/terrenceobrien.bsky.social/post/3moxvtgypq22z">reripping them all</a>. I've found a few <a href="https://www.theverge.com/entertainment/961484/mr-lif-emergency-rations-ep-post-9-11-review?utm_content=buffer8558a&amp;utm_medium=social&amp;utm_source=bsky.app&amp;utm_campaign=verge_social">forgotten gems</a> in there, but few hit harder for me than the beautifully concise <em><a href="https://professormurder.bandcamp.com/album/professor-murder-rides-the-subway">Professor Murder Rides the Subway</a></em> EP. There was a period of time in the mid-aughts in NYC where it seemed like every indie band wanted you to let loose, dance like no one was watching, and just have some damn fun. Few embodied that as much as New York dance punk band Professor Murder.</p>
<p class="wp-block-paragraph"><a href="https://www.theverge.com/tldr/2018/9/27/17909822/lcd-soundsystem-new-music-video-rian-johnson-sissy-spacek">LCD Soundsystem</a> and The Rapture were the biggest names of the dance punk revival. But there were also bands like Rahim, Liars, Dan Deacon, and countless lesser-known acts on DFA that you could see on any giv …</p>
<p><a href="https://www.theverge.com/entertainment/986564/professor-murder-rides-the-subway-dance-punk-perfection-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[We’re All Going to the World’s Fair is an intimate coming-of-age horror film]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/983177/jane-schoenbrun-were-all-going-to-the-worlds-fair-horror-movie-review" />
			<id>https://www.theverge.com/?p=983177</id>
			<updated>2026-08-21T08:46:21-04:00</updated>
			<published>2026-08-23T11:00:00-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Film" /><category scheme="https://www.theverge.com" term="Movie Review" />
							<summary type="html"><![CDATA[Jane Schoenbrun's latest film, Teenage Sex and Death at Camp Miasma, is making a splash in theaters right now. So it seems like the perfect time to revisit their first film, We're All Going to the World's Fair. I fell in love with this film when I first saw it at Sundance in 2021. We [&#8230;]]]></summary>
			
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<img alt="A closeup image of Casey the protaganist of We’re All Going to the World’s Fair with her face covered in something black light reactive, holding something up to her eye and just generally looking like a creep." data-caption="" data-portal-copyright="Image: Utopia" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/08/MV5BNGQyNmE1ZDctNzlhYS00NDQyLWIwNjctYTQzNGFkZTNiZmUwXkEyXkFqcGdeQVRoaXJkUGFydHlJbmdlc3Rpb25Xb3JrZmxvdw%40%40._V1_.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph"><a href="https://www.theverge.com/24159054/i-saw-the-tv-glow-jane-schoenbrun-interview">Jane Schoenbrun</a>'s latest film, <a href="https://www.theverge.com/entertainment/975850/teenage-sex-and-death-at-camp-miasma-production-design"><em>Teenage Sex and Death at Camp Miasma</em></a>, is making a splash in theaters right now. So it seems like the perfect time to revisit their first film, <em>We're All Going to the World's Fair</em>. I fell in love with this film when I first saw it at Sundance in 2021. </p>
<p class="wp-block-paragraph">We are immediately introduced to our protagonist, Casey, as she engages in the World's Fair Challenge, a sort of ARG creepypasta meets ice bucket challenge. There's a creepy mantra, some bloodletting, and a mysterious video - basically a speedrun of horror movie tropes. But having them all delivered by this young girl alone in her room who just stares directly in …</p>
<p><a href="https://www.theverge.com/entertainment/983177/jane-schoenbrun-were-all-going-to-the-worlds-fair-horror-movie-review">Read the full story at The Verge.</a></p>
						]]>
									</content>
			
					</entry>
			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[Open Mike Eagle and Kenny Segal crafted a hip-hop breakup masterpiece]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/980799/open-mike-eagle-and-kenny-segal-doomed-review" />
			<id>https://www.theverge.com/?p=980799</id>
			<updated>2026-08-17T09:21:34-04:00</updated>
			<published>2026-08-16T16:31:37-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Music" />
							<summary type="html"><![CDATA["Breakups are… tough." It's the opening lines of an interlude toward the end of DOOMED! Called "It Happens in Every Universe." It's also basically the thesis of the entire record. It's no grand revelation, but it's a well-trodden subject that Open Mike Eagle manages to mine for artistic gold. Eagle's subject matter is usually personal, [&#8230;]]]></summary>
			
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<img alt="The cover of Open Mike Eagle and Kenny Segal’s Doomed!" data-caption="In every possible universe? | Image: Backwoodz Studioz" data-portal-copyright="Image: Backwoodz Studioz" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/08/a4080481202_10.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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	In every possible universe? | Image: Backwoodz Studioz	</figcaption>
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<p class="wp-block-paragraph">"Breakups are… tough."</p>
<p class="wp-block-paragraph">It's the opening lines of an interlude toward the end of <a href="https://openmikeeagle.bandcamp.com/album/doomed"><em>DOOMED!</em></a> Called "It Happens in Every Universe." It's also basically the thesis of the entire record. It's no grand revelation, but it's a well-trodden subject that Open Mike Eagle manages to mine for artistic gold.</p>
<p class="wp-block-paragraph">Eagle's subject matter is usually personal, and his productions tinged with nostalgia. But <em>DOOMED!</em> is his most intimate album yet. A lot of that is due to the production from Kenny Segal. The two have traveled in the same orbit and worked together before, but this is the first full-length album release from the two. </p>
<p class="wp-block-paragraph">These are some of Segal's most co …</p>
<p><a href="https://www.theverge.com/entertainment/980799/open-mike-eagle-and-kenny-segal-doomed-review">Read the full story at The Verge.</a></p>
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			<entry>
			
			<author>
				<name>Terrence O’Brien</name>
			</author>
			
			<title type="html"><![CDATA[No Dogs in Space is a music history podcast for true obsessives]]></title>
			<link rel="alternate" type="text/html" href="https://www.theverge.com/entertainment/977190/no-dogs-in-space-music-history-podcast" />
			<id>https://www.theverge.com/?p=977190</id>
			<updated>2026-08-10T05:24:53-04:00</updated>
			<published>2026-08-09T16:28:31-04:00</published>
			<category scheme="https://www.theverge.com" term="Column" /><category scheme="https://www.theverge.com" term="Entertainment" /><category scheme="https://www.theverge.com" term="Music" />
							<summary type="html"><![CDATA[Sadly, there hasn't been a new episode of No Dogs in Space since July of 2024. Part four of the podcast's series on Can wrapped up an abbreviated season 3, which focused on experimental rock. Don't get me wrong, I loved seasons 1 and 2, but the show seemed to be gearing up for a [&#8230;]]]></summary>
			
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<img alt="No Dogs in Space podcast logo." data-caption="" data-portal-copyright="Image: Last Podcast Network" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/08/NDIS_LOGO.webp?quality=90&#038;strip=all&#038;crop=0,0,100,100" />
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<p class="wp-block-paragraph">Sadly, there hasn't been a new episode of <a href="https://www.lastpodcastnetwork.com/no-dogs-in-space"><em>No Dogs in Space</em></a> since July of 2024. Part four of the podcast's series on Can wrapped up an abbreviated season 3, which focused on experimental rock. Don't get me wrong, I loved seasons 1 and 2, but the show seemed to be gearing up for a deep dive into Krautrock, and I was hype. Unfortunately, that episode ended with hosts Marcus Parks (<a href="https://www.lastpodcastontheleft.com/"><em>Last Podcast on the Left</em></a>) and Carolina Hidalgo declaring they were going to do another season on punk (the topic of season 1), only for the feed to go quiet. </p>
<p class="wp-block-paragraph">If you're a music obsessive, this is a must-listen podcast. Over the course of 73 episodes, the husband-and- …</p>
<p><a href="https://www.theverge.com/entertainment/977190/no-dogs-in-space-music-history-podcast">Read the full story at The Verge.</a></p>
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