I'll give the usual caveat: The horror novel Japanese Gothic is best experienced going in with as little information as possible. Content warnings for graphic gore, scenes of domestic violence, self-harm, and mental illness. If you're okay with that, then consider pausing here. While I will try to keep this relatively spoiler-free, there will be some plot points I can't avoid.

Kylie Lee Baker's latest novel, following her acclaimed Bat Eater and Other Names for Cora Zeng, is sort of a ghost story and sort of a time travel story. It follows two protagonists.

Lee Turner is an NYU student in 2026 who has fled to Japan to stay with his father …

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From the opening moments of bitknot, it's obvious that Feeble Little Horse has found an entirely new gear. Where on Girl with Fish the blown-out textures were more '90s indie rock and shoegaze, on their latest LP, there's a more modern edge to the distortion and the riffs cut cleaner. Similarly, where the digital glitchiness was mostly relegated to window dressing on their sophomore record, on bitknot it's integral to the arrangements and a core part of their emerging, distinct sound.

We got a preview of this new direction on the one-off single, and one of my favorite songs of 2025, "This Is Real." It blended blast beats, Sonic Youth-esque …

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Hokum recently hit theaters, and it's already outperforming box office expectations. If this Kubrick-referencing haunted hotel flick starring Adam Scott was your introduction to director Damian McCarthy, do yourself a favor and go watch his previous film, Oddity.

If you prefer to go in blind - the ideal way to watch any movie - Oddity is available to stream on Hoopla, Kanopy, Hulu, and Shudder.

Warning: Spoilers ahead.

Like Hokum, Oddity takes place in a sprawling Irish countryside location. They both traffic in similar kinds of scares - cursed objects, the occult, isolation, dark corners, and sketchy men living outside the norms of socie …

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I've got to thank my oldest friend and concert buddy, Tim, for turning me on to this one. Ashnymph is a London band that blends post-punk melodies with Krautrock rhythms and industrial grime. Their debut EP, Childhood, drifts between dreamy vocals buried in layers of reverb and four-on-the-floor dancefloor pounding. It's a thrilling opening salvo from a band that feels on the cusp of a major breakthrough.

Childhood opens with an ambient recording of someone walking down a hall (I think), and some swirling synth noise before the first song, "Island in the Sky" kicks off properly with a motorik beat and bass throb. The thin, digitally manipul …

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This might feel like a somewhat obvious recommendation to some, but it flew under my radar until now. Alfred Bester's The Stars My Destination (originally published as Tiger! Tiger! in the UK) is a 1956 sci-fi novel that some have cited as a precursor to cyberpunk. It's a work I admit I have some conflicted feelings about, but one I think is well worth reading if you consider yourself a fan of sci-fi. It's also well worth seeking out a physical copy, something I wish I had known before I started reading it in the objectively inferior ebook form that can't capture the ergodic elements of the climax.

It's hard to explain the plot of The Stars …

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For obvious reasons, I've had Moon on the mind all week. So I was trying to figure out what I should recommend this week that would thematically fit. Brian Eno's Apollo: Atmospheres and Soundtracks is incredible, and if you haven't listened to it, go do that now. But it also seemed a bit on the nose. Radiohead's A Moon Shaped Pool also came to mind. But it also felt a bit obvious. Then I remembered Kate NV's Room for the Moon, a record I had on repeat in 2020.

Russian artist Kate Shilonosova chases ideas across 11 tracks inspired by Russian and Japanese pop from the '70s and '80s, as well as children's movies. This obviously leads Room for …

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Los Thuthanaka basically came out of nowhere last year to capture Pitchfork's album of the year with their self-titled debut. Because it wasn't available on streaming, it largely flew under the radar. I honestly kind of forgot about it until Pitchfork gave it the number one spot in its year-end list. In retrospect, I'm not entirely sure how, though. Los Thuthanaka sounds like nothing else. It's joyous, jagged, and sounds like it's being blasted out of a broken Bluetooth speaker in your neighbor's backyard - it's glorious.

The follow-up EP Wak'a turns down the tempo and smooths some of the sharper edges. It uses the same sound palette of blo …

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