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More from The Verge goes to Hollywood: TV, movies, and the people who make them

‘Pacific Rim’ review: epic, ambitious, and accessible

Guillermo del Toro creates a sci-fi universe you’ll want to explore

Todd Gilchrist
Making ‘Man of Steel’: a conversation with visual effects supervisor John ‘DJ’ DesJardin

“We wanted to see Superman punch things.”

Bryan Bishop
Inside Pixar (On The Verge)Inside Pixar (On The Verge)
Ross Miller
‘World War Z’ review: Brad Pitt’s zombie thriller is a scary summer surprise

Buckle up and get ready for a ride

Bryan Bishop
‘Monsters University’ review: Pixar makes prequels look easy

The studio behind ‘Toy Story’ rebounds with a college comedy that isn’t afraid to challenge

Bryan Bishop
‘Man of Steel’ review: finally, the Superman we deserve

Christopher Nolan and Zack Snyder deliver a superhero for the modern era

Todd Gilchrist
‘The Purge’ review: a thriller for the Occupy era that fails to deliver

Ethan Hawke’s latest tries to mix social commentary with scares

Bryan Bishop
‘The Internship’ review: welcome to Google’s island

In this buddy comedy, Google is your only friend

Dieter Bohn
‘People want to be amazed’: the man behind the magic of ‘Now You See Me’

How David Kwong turned Jesse Eisenberg and Isla Fisher into the magicians of tomorrow

Bryan Bishop
‘Arrested Development’ Season 4 review: ‘am I crazy, or is this good?’

“This isn’t over. I’m not some taco you can throw into the bay.”

David Pierce
‘Fast & Furious 6’ review: all roads lead to explosions

Why does everyone suddenly have grappling hooks?

Nilay Patel
‘Star Trek Into Darkness’ review: boldly going back to the future

J.J. Abrams’ latest keeps looking back when it could be forging ahead

Bryan Bishop
‘Iron Man 3’ review: Robert Downey Jr. becomes the latest lethal weapon

The ‘80s buddy action movie comes alive in Marvel’s new superhero epic

Bryan Bishop
‘The Machine’ review: a stylish indie sci-fi thriller about humanity’s obsolescence

When we create the new creators, where do we go?

Bryan Bishop
‘Oblivion’ review: a post-apocalyptic beauty that succeeds even while it stumbles

The director of ‘Tron: Legacy’ takes Tom Cruise on a trip into a grim future

Bryan Bishop
‘Jobs’ review: Ashton Kutcher surprises with a feverish take on Apple’s co-founder

We’ve come a long way since ‘Pirates of Silicon Valley’ — but not far enough

Ross Miller