YouTube, Instagram, SoundCloud, and other online platforms are changing the way people create and consume media. The Verge’s Creators section covers the people using these platforms, what they’re making, and how those platforms are changing (for better and worse) in response to the vloggers, influencers, podcasters, photographers, musicians, educators, designers, and more who are using them.
The Verge’s Creators section also looks at the way creators are able to turn their projects into careers — from Patreons and merch sales, to ads and Kickstarters — and the ways they’re forced to adapt to changing circumstances as platforms crack down on bad actors and respond to pressure from users and advertisers. New platforms are constantly emerging, and existing ones are ever-changing — what creators have to do to succeed is always going to look different from one year to the next.
Parents can also set time limits, disable private messaging, and manage recommended content.
The recent slew of new creator-focused features on Instagram make sense for creators, but hardly anyone else.
According to Reuters, the DOJ has issued a memo stating that “employees of Executive Branch agencies may download TikTok onto their official devices, subject to the agency’s discretion,” now that the deal limiting ByteDance’s ownership is in place and US user data is secured in American data centers.
The idea to give their audience a central spot to see and discuss a creator’s newsletters, websites, and podcasts.
Communities are part of Beehiiv’s summer release, which also includes the launch of programmatic ads and an AI copilot to help creators better understand their business.
UK communications regulator Ofcom has opened an investigation to assess whether TikTok is complying with Online Safety Act duties to prevent children from seeing harmful content. The probe will also examine the effectiveness of TikTok’s age assurance systems. An update is expected in October 2026.
The infamous wormwood liqueur has enjoyed minor viral fame for its… let’s say unique flavor profile (frequently compared to bile). But, basic Malört reaction videos are old hat. The truly adventurous (or masochistic) are infusing Malört with ranch dip, brisket, and even Malört-flavored candy.
The platform is testing improvements to its spam detection system to help identify accounts posting AI-generated spam related to politics, current events, financial advice, medical information, and other topics that could “pose a risk to public trust or well-being.”
TikTok is also joining the C2PA Steering Committee.
As YouTube starts to look more and more like TV, the company now lets Partner Program creators make playlists that function as “shows,” which offer a “polished TV experience for your series.” YouTube has been working on them for a while.
Ali Berman and Raina Penchansky, the co-heads of UTA’s Creators division, on helping human creators in the age of AI.
Its founders insist the event platform offers a simple service for free. But in a time when users are aware of privacy and surveillance, Partiful has to prove it’s not too good to be true.
Readers are scrambling to develop ways to detect whether generative AI was used to write fanworks. The results are questionable.
What’s in, what’s out, and what’s a bit of both this summer.
The CEO of Digitas on why overpromising with AI is a dangerous path for marketers.
After more than a year and a half in court, satirical news site The Onion is rebooting Alex Jones’ InfoWars — even as the conspiracy channel hangs in legal limbo. Comedian and writer Tim Heidecker has been tapped as creative director, and he came on the show to share his vision for the platform. Also mentioned: peptides, The Beatles, and the state of Tim’s vocal chords. Enjoy!
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If you’ve ever found yourself wondering how course-peddling hustlebros manage to convince their followers that they’re selling enough subscriptions to galavant around the world in private jets, you need to check out this excellent 404 piece that highlights one of the trade’s shadiest tricks: fake dashboards.
The Grammy-winning satirical musician told Syracuse.com that he’s “not a fan” of the generative technology, and that he turned down “a nice pile of money” after walking away from a commerical for business productivity software.
”A week before we’re supposed to shoot it, I find out, oh, this is, it’s AI. And I thought, ‘Oh no, I can’t be the poster boy for AI, forget it.’ So I felt bad about kind of pulling out at the last minute. But yeah, I’m not down with that.”
The AI audio platform has adopted Google’s invisible watermarking technology to help identify AI-generated content online. SynthID is now included in text-to-speech generations for free users, and will expand coverage to all ElevenLabs audio generations “over the coming weeks.” The watermarks can be detected using the ElevenLabs Audio Detector.
The company just announced its Canva Grow 2.0 update, which allows users to create ad campaigns and publish them to TikTok, LinkedIn, and Meta platforms without leaving the Canva app. It also introduces a new insights dashboard, and automatically analyzes ads with AI to make performance of certain themes and formats easier to track.
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If you’ve ever wondered why colors look different in digital photographs compared to the real world, then boy do I have a fun deep-dive for you. Read this article to find out why green traffic lights aren’t really green, and why it’s “totally implausible” for a T-Rex’s vision to be based on movement.
[Ryan Moulton's Articles]
Yup, that about sums up where we are right now in the world of AI editing tools and content authenticity.
Over the weekend, the DoorDash X account posted repeatedly about the World Cup, but instead of tagging New Zealand soccer player Tim Payne, the account tagged musician T-Pain — who responded accordingly. The posts had no indication that they were an ad (as the Federal Trade Commission requires).
I asked DoorDash if this was a coordinated effort and whether T-Pain was paid for his posts. Head of social Zaria Parvez said in an email that the company noticed Payne was a fan favorite and happened to share a nearly identical name with T-Pain. “So, in partnership with T-Pain, we executed a fun campaign to connect fans from around the world and remind people that DoorDash has whatever they need throughout the World Cup.”
Patreon’s Jack Conte on the future of the creator economy and why he doesn’t “want to make better cigarettes.”
The experimental composer has a new album, a new plugin, and strong feelings about mattresses.
A new dashboard will show a creator’s most popular AI characters, along with metrics including interactions, likes, and discoveries. Character.AI is also launching a feature that will notify followers when a creator launches a new chatbot.
A major case surrounding lookalike products (“dupes”) came to a close this week, in which Deckers, the maker of UGG boots, sued direct-to-consumer brand Quince, alleging it had knocked off its shearling ankle boot. A jury found that Quince’s version was indeed substantially similar to the design patent for the UGG boots — but also that the patent itself was invalid in the first place.
As I wrote last year, brands are increasingly using design patents to go after dupes. The Deckers decision stress-tests that tactic.
The R&D team at Walt Disney Imagineering has embraced Adobe’s Firefly Foundry platform to “accelerate the design and pre-production visualization pipeline” for Disney Parks and Experiences. The partnership will use AI models trained on Disney assets to turn sketches into fully rendered concept art, 2D images into 3D prototypes, and more.
