Smartphones have emerged as a critical tool for refugees fleeing war-torn countries in recent years, with many using their phones to navigate across Europe, keep in touch with their families, or even integrate in new societies. But a powerful new photo series explores how asylum seekers use their phones in far more personal ways, as well.
Syrian refugees share memories stored on their phones in powerful photo series
Photographer Alex John Beck depicts the smartphone as ‘a depository for memory’
Photographer Alex John Beck depicts the smartphone as ‘a depository for memory’


In February 2016, Alex John Beck traveled to Lebanon and Jordan to photograph Syrian refugees and their most treasured smartphone photos. Each entry in the series, released this month, includes a portrait of a refugee and an image of their phones displaying their most cherished photos. Some chose photos of family members that had been killed or left behind; others showed him snapshots of their old neighborhoods or family members that had safely arrived in Europe. Some said they deleted their entire library photo library due to invasive monitoring from local authorities.
“It is kind of a depository for memory.”
The aim, according to Beck, was to use the smartphone as a window into each person’s memories. “When they leave, it’s one of the few things they have,” Beck said by phone last week. “It’s not necessarily the most sentimental object that they take with them… But it is kind of a depository for memory, and it’s the way that they still have connections with home. They have them in their hands at all times, just like we do.”
The subject of each photo also wrote a short description of the images that matter most to them, and their handwriting remains intact in Beck’s photos. “I am naive most of the time about these situations, as the viewer, so I want the subject to present the material to me,” the photographer said. “I think handwriting itself — the way people hesitate, the way they misspell things, cross things out, the way other people come in and fill in things — I think handwriting says more than a portrait I take ever could, in some ways.”
Traveling with Oxfam, the UK-based charity organization, Beck visited the Zaatari refugee camp as well as other informal settlements in Jordan and Lebanon. Before embarking on the trip, Beck says he wanted to portray refugees in a way that would resonate with wider audiences, without positioning them as “the other.”
“There’s an attempt often made by photojournalists to make situations seem unreal — to make it seem very far from the norm, when the reality is it’s oftentimes quite banal,” Beck said. “People just get on with life in these absolutely ridiculous circumstances, and I think the use of the phone is a good example of that. These people are just trying to keep it going.”
A selection of Beck’s photos is published below, with the photographer’s original captions. (Translations of the handwriting are quoted before each caption.)
All photos provided courtesy of Alex John Beck.


![“We ask all the sects to lift the injustice, bring reconciliation, reunite all the Syrian communities, reconstruct Syria, and build the country anew.” | In the Beqaa settlements, people are wary of revealing their identity, due to extensive monitoring by Hezbollah and Lebanese security forces. Whenever they’re detained the soldiers go through their phones, looking for pictures showing the slightest Daesh [ISIS] sympathy. A bearded man is enough. The refugees do not send photos, and they immediately delete every message received.](https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8228641/201602_Oxfam_Beqaa_Ai.jpg?quality=90&strip=all&crop=0%2C0%2C100%2C100&w=2400)


![“I feel annoyed when I seem [sic] them living in their countries, and I have no country.” | J’s wife prefers to not be photographed, but was more than happy for us to photograph her daughter instead. She tells us a story of how, before they left, the regime called them to the mosque. They put the men in belly dancing clothes, played music, and made them dance in front of their wives, before killing them. “With a machine gun,” she says. This photo is of a family member jailed by the regime for three years before being released — he was anxiously trying to find a way out of Syria. “He had cigarette burns, and was beaten very, very badly. We think he was electrocuted. We saw the pictures,” she told us.](https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8228649/201602_Oxfam_Salt_JW.jpg?quality=90&strip=all&crop=0%2C0%2C100%2C100&w=2400)



![“The suffering of S, refugee from Hama. I hope Syria recovers its security, its stability. A request for the compotent [sic] states. Please help the refugees. Work on returning them to their countries. Support the refugees in Lebanon, Jordan, Turkey, and every country that hosts them.” | Beqaa Valley, Lebanon. All pictures deleted, to avoid detention by Hezbollah fighters searching the camps for Daesh [ISIS].](https://platform.theverge.com/wp-content/uploads/sites/2/chorus/uploads/chorus_asset/file/8228687/201602_Oxfam_Beqaa_S.jpg?quality=90&strip=all&crop=0%2C0%2C100%2C100&w=2400)
















