It can be really interesting to hear creators talk about how much money streaming studios like Netflix pour into their projects. But Scott Pilgrim Takes Off executive producer BenDavid Grabinski’s recent assertion to Empire magazine that the animated series would cost more than a “live-action” version of James Cameron’s Avatar raises more questions than it answers.
The Pokémon games may be in their open-world era, but Scarlet and Violet’s new DLC proves that a little bit more focus on smarter, more linear gameplay can work wonders.
Despite its strong action choreography and solid conceit, Peacock’s new John Wick prequel series shoots itself right in the foot with one inexplicable casting choice.
From the uncomfortably comedic horror of Dream Scenario to the outlandish heist / revenge movie Smugglers, there was a lot to love in Toronto this year.
Nicole Kidman might want to watch her back because Saw X’s Jigsaw seems to have made himself quite comfortable at the local cinema where people people come to laugh, to cry, and to care. You know, the kinda place where heartbreak feels real good or whatever.
In yet another sign that the workers behind some of Hollywood’s biggest movies are ready to fight to be paid what they’re owed, Marvel Studios’ VFX artists have unanimously voted in favor of forming a union under the IATSE.