If the ‘90s aren’t really back, then why does Netflix’s upcoming Mighty Morphin’ Power Rangers special featuring members from the original cast look so radical?
Charles Pulliam-Moore

Film & TV Reporter
Film & TV Reporter
More From Charles Pulliam-Moore

Director Jon S. Baird’s Apple TV Plus Tetris movie is a textbook example of a biopic that has no idea how to make its story pop.




Sweet Tooth’s young hybrid protagonist Gus might have grown up learning to hide from humans in order to avoid being captured and experimented on by them, but the kid seems downright ready for war in a new teaser trailer for the Netflix series’ upcoming second season.


Amazon’s Swarm is about a popstar-obsessed serial killer, but co-creator Janine Nabers also sees the series both as part of the great American antihero canon, and as a way of pushing viewers to ask themselves “Why do white guys get to do all of this? Why do white guys get to have all the fun, in terms of the Tony Sopranos and the Breaking Bad people?”
Why indeed.
[The Hollywood Reporter]

Amazon’s new psychological thriller series from Donald Glover and Janine Nabers is a dark sendup of stan culture, but it’s too caught up in its own obsession with Beyoncé.

John Wick 4 is a supersized all-you-can-eat buffet of the franchise’s signature dishes: bullet-riddled revenge, teeth-chattering action sequences, and gossamer-thin characters.
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