If you missed Sarah Jeong’s piece about the right wing’s coordinated harassment campaign against her (part of our very special Twitter series), you can enjoy it as a TikTok.
Kevin Nguyen

Features Editor
Features Editor
More From Kevin Nguyen

2023 was good for big movies, but maybe even better for the small ones

Michael Mann’s biopic of the Italian sports car maker feels at home in the director’s canon of obsessive men.
Verge alum Zoë Schiffer just announced her new book, Extremely Hardcore: Inside Elon Musk’s Twitter, which will expand on her reporting from Platformer, New York Magazine, and of course, this very website. Here’s what Bloomberg’s Matt Levine has to say about it:
Zoë Schiffer has written the definitive book on perhaps the weirdest business story of our time. A fast-paced and riveting account of a hilarious and tragic mess.
The book comes out next February. Pre-order it!
To celebrate what can only be described as “Godzilla Season” (Godzilla Minus One hitting theaters and the hilariously named Monarch: Legacy of Monsters arriving on Apple TV Plus), our friends at Polygon have cataloged the giant lizard’s looks over the past seven decades.
“We are currently investigating the Poloniex hack incident,” confirmed infamous hype man Justin Sun in a tweet. As we reported last year, Sun purchased “Polo” because of its gray-area approach to know-your-customer rules. Somewhat ironically, he is now offering a “white hat bounty” to the hacker.
Sofia Coppola’s latest, about the life of Priscilla Presley (married to You Know Who), is a solid film if you’re into what the director does best: sad girls, rich lifestyles, ahistorical soundtracks.
Priscilla review: heartbreak hotel
If Scorsese’s Killers of the Flower Moon’s 3.5-hour runtime is too daunting, consider the recently released Anatomy of a Fall for your weekend visit to the theater. It’s a magnificently twisty courtroom drama centered by a tremendous performance by Sandra Hüller. (But also, you should see Killers!)
Zone of Interest finally has a trailer, and an official US theatrical release date: December 15.
I saw Jonathan Glazer’s latest at NYFF and found it to be one of the most urgent and sobering films of the past decade. But it will be divisive, and I can’t wait to hear what you all think.




