Robyn Kanner

An interview with ‘Sheep in the Box’ director Hirokazu Kore-eda.

Sho Miyake has been celebrated for his quiet, careful character portraits in his home country. Now his two latest films are available stateside.

Director Hlynur Pálmason wanted to make a new family film. So in The Love That Remains, he featured some of his own.

Speaking with director Joachim Trier about his awards season darling Sentimental Value

A crime movie about a guy who can’t charm his way out of trouble.

Talking to director Brady Corbet on how he constructed The Brutalist, a 3.5-hour saga and now a major awards contender

Joshua Oppenheimer’s ‘The End’ is a musical about wicked people. But it’s very different from ‘Wicked.’

The director of Anora talks about representing sex work onscreen and how sticking the landing of a film means thinking about it first.

Director Bertrand Bonello tells us how his new film confronts the past, present, and future