Tasha Robinson

Not a lot happens in this quirky, sleepy movie, and the action is erratic when it comes.

Daniel Kwan and Daniel Scheinert discuss their feature debut, why they’re afraid of their bodies, and Radcliffe’s corpse-impersonating talents.

The film has so many narratives and tones competing for space, none of them can breathe.

The film is so badly edited, it seems to be missing a reel’s worth of significant pieces.

In honor of Pixar’s latest short film, here’s a close look at spiny tongues and month-old bird-sperm

The co-writer / director / star of What We Do In The Shadows is moving on, in many directions

Taika Waititi’s follow-up to What We Do In The Shadows turns the same comedy bigger and faster

This time, Refn fetishizes femininity the way his films Drive and Only God Forgives fetishize masculinity

‘If you think of dead, altered images as beautiful, how do you relate to a real person?’

The sequel to 2003’s Finding Nemo isn’t entirely necessary, but it’s a sweet, sensitive complement to the earlier film.