Tasha Robinson

Tom Tykwer’s adaptation of Dave Eggers’ novel is spotty, but ultimately good-hearted.

This straight-faced but enjoyably silly film deals with fame, power, and celebrity impersonations

The writer-director of Once and Begin Again on regrets, annoyances, and musical fantasy

One of Tribeca’s most anticipated films came out of ‘New Age exercises’ and a long-term collaboration

How a theme about secrets became a six-hour miniseries

How Nerdland, Dean, and Poor Boy take similarly awkward characters in very different directions

The new film is subtle about taking sides, except against the establishment

The film completes his trilogy about salvation through song

And how the movie’s war against skinheads reflects his own past in the DC punk scene

The studio’s recent live-action remakes are cash-ins, but this one stakes out its own territory