Tasha Robinson

Maybe Melville got it right the first time

The director of Pixar’s latest short talks about paying tribute to his father’s religion through animation.

Quentin Tarantino asked a bunch of newly trained projectionists to screen a 350-pound film on over 100 salvaged projectors. What could go wrong?

A story about a good girl, some bad people, and a mop

The style may outpace the substance in Alejandro González Iñárritu’s new film, but that doesn’t make the style any less magnificent.

Lee wants change, and he’s willing to go broad and over the top if that gets people talking, thinking, or best of all, taking action.

Long live the holiday mix tape.

When we’d rather watch the water than the characters, that’s a problem