Comics

There have been so many middling spinoffs of AMC’s The Walking Dead that it has become easy to miss when a new one’s debuting.

The first season of Disney and Marvel’s animation Moon Girl and Devil Dinosaur ended with a cliffhanger that made it seem like Lunella Lafayette might be lost somewhere in the multiverse.

Especially in a post One Piece world, there’s always some hope of Netflix’s live-action anime / manga adaptations exceeding everyone’s expectations.

Warner Bros Discovery debuted the season 2 trailer for House of the Dragon at CCXP in Brazil today. The season’s eight episodes will start streaming on Max in summer 2024.

Amazon’s adaptation of The Boys only just got to college with its Gen V spin-off, but the streamer has already greenlit yet another expansion of the franchise — this time set in Mexico — courtesy of Blue Beetle’s Gareth Dunnet-Alcocer, Diego Luna, and Gael García Bernal.

How Agatha Harkness: Darkhold Diaries will address the events of WandaVision and Doctor Strange in the Multiverse of Madness is anyone’s guess.

Yukinobu Tatsu’s sci-fi / action / romance manga Dandadan tells the story of two teens who are dead certain that ghosts and/or aliens are probably real.

The Marvels’ intriguing mid-credits sequence was yet another reminder that the X-Men are making their way to the MCU sooner rather than later.

As troubled as Warner Bros. Discovery’s universe of live-action projects based on DC’s comics are, none of that drama seems to be impacting Max’s Harley Quinn which has been renewed for a fifth season.

Not every comic book movie is getting a studio delay following the end of the actors strike. James Gunn posted on Threads today that Superman Legacy will still reboot the DC extended universe on its original planned date of July 11th, 2025.

I missed this in theaters, but I’m excited to catch up on it when it debuts on November 17th, as Warner Bros. Discovery announced yesterday.

Warner Bros. Discovery’s old cinematic universe of DC Comics adaptations is essentially dead at this point. But in case you were feeling nostalgic for Henry Cavill’s Superman or Cara Delevingne’s Enchantress, most of the DCEU is making its way to Netflix this December.

Netflix’s Scott Pilgrim Takes Off is an “anime” the same way Justin Trudeau is the president of Canada. But if the series’ opening credit sequence is any indication, Scott Pilgrim Takes Off is going to resonate with the North American otaku set when it hits Netflix on November 17th.

Somehow (see: the relentless passage of time) Loki season two is already two episodes out from its big finale. And this new teaser Marvel’s just dropped makes it seem like the Asgardian god of mischief (and friends) are going to be busy as hell keeping the universe from falling apart as this latest chapter draws to a close.

Marvel’s new Daredevil: Born Again Disney Plus series seemed to be in trouble earlier this month when the studio dismissed co-head writers Chris Ord and Matt Corman, and announced that it planned to bring on a proper showrunner to lead the project.

The assassin at the heart of Netflix’s adaptation of The Killer from director David Fincher has to be extremely good at what he does in order to stay in business.

Amazon’s Prime Video announced yesterday that the trailer is now on YouTube after showing it off at New York Comic Con.

It can be really interesting to hear creators talk about how much money streaming studios like Netflix pour into their projects. But Scott Pilgrim Takes Off executive producer BenDavid Grabinski’s recent assertion to Empire magazine that the animated series would cost more than a “live-action” version of James Cameron’s Avatar raises more questions than it answers.

It has been forever since star Jason Momoa and director James Wan were initially linked to DC’s Aquaman franchise, and now its second movie is set for release on December 20th.

Filmmaker James Gunn shared the news on Instagram last night (via Deadline). Sorkin had a long acting career in Television, most notably as Harley Quinn in Batman: The Animated Series.

Whereas most comics adaptations tend to fiddle around with the tone and visual language that defined the source material they’re based on, Apple’s forthcoming Strange Planet looks and sounds almost like a carbon copy of creator Nathan W. Pyle’s webcomics that took the internet by storm a few years back.