4 – Breaking News & Latest Updates 2026
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Copyright

Information wants to be free, the saying goes, but information also wants to be expensive. But which parts end up being free and which parts end up being expensive can get pretty complicated. With so much content flooding through Facebook, Twitter, Instagram, YouTube, and the rest of the online platforms, tracking down who owns what (and how much it’s worth) has turned into one of the central questions of the internet. The answer to that question is copyright — specifically, who holds it and why, as mediated by automated systems like Content ID and a seemingly unending fight between platforms and content companies. This is where we navigate those issues, inside and outside the big platforms, the good systems and bad systems alike. If you’ve ever wondered how much a tweet is worth or why your sing-along YouTube videos keep getting taken down, this is the place to find out.

Nilay Patel
Nilay Patel
The law around web scraping is a chaotic mess and AI is going to make it worse.

I wrote about Google’s essential hypocrisy when it comes to the value of AI training data this week, and now Kieran McCarthy has a good blog post outlining how incoherent and inconsistent the law around web scraping really is — in large part because the same big tech companies that scrape the entire web are quick to file lawsuits when you attempt to scrape their sites.

There are few, if any, legal domains where hypocrisy is as baked into the ecosystem as it is with web scraping.

Some of the biggest companies on earth—including Meta and Microsoft—take aggressive, litigious approaches to prohibiting web scraping on their own properties, while taking liberal approaches to scraping data on other companies’ properties.

Web Scraping for Me, But Not for Thee

[Technology & Marketing Law Blog]

Google and YouTube are trying to have it both ways with AI and copyright

Google has made clear it is going to use the open web to inform and create anything it wants, and nothing can get in its way. Except maybe Frank Sinatra.

Nilay Patel
Wes Davis
Wes Davis
Books3, a huge literary dataset used to train OpenAI and Meta chatbots, is filled with copyrighted works.

Programmer and writer Alex Reisner’s expansive piece for The Atlantic documents his deep dive into the dataset, identifying all but 20,000 of the 190,000 books it contains, as well as its history and controversy surrounding it.

Books3, part of a larger dataset called “The Pile” created by EleutherAI, is the linchpin of Sarah Silverman’s lawsuit against OpenAI.

Adi Robertson
Adi Robertson
How does Creative Commons work with AI, anyway?

The team behind the popular copyright framework has taken a stab at answering that question, and the short answer is “it’s complicated and depends on how courts interpret the scope of copyright protections and fair use.” Perhaps most importantly, they emphasize that copyright simply isn’t the only concern involved:

Though using CC licenses and legal tools for training data and works produced by generative AI may address some legal uncertainty, it does not solve all the ethical concerns raised, which go far beyond copyright — involving issues of privacy, consent, bias, economic impacts, and access to and control over technology, among other things. Neither copyright nor CC licenses can or should address all of the ways that AI might impact people.

Adi Robertson
Adi Robertson
The Internet Archive has agreed to lock down its online library program.

The deal follows an early defeat for the Archive in a copyright lawsuit with publishers this spring, and a judge will need to settle a dispute over its exact scope. But it’s a potential short-term resolution while the Internet Archive pursues an appeal. As the Archive explains:

We expect that, at least while the appeal is pending, there will be changes to our lending program, but the full scope of those changes is a question pending with the district court. We will provide an update on those changes once the district court decision is final.

Our fight is far from over — We remain steadfast in our belief that libraries should be able to own, preserve, and lend digital books outside of the confines of temporary licensed access. We believe that the judge made errors of law and fact in the decision, and we will appeal.

Adi Robertson
Adi Robertson
The hunt for a missing OverDrive feature and the future of library ebooks.

There are lots of reasons platforms remove features, so I can’t confirm writer Karawynn Long’s conclusions about why lending service OverDrive nixed one of her favorite buttons. But it’s a good exploration of why the private equity-owned OverDrive’s concentrated power in the library ebook space feels so risky, especially as publishers are trying to definitively ban library-run alternatives:

[F]or libraries in a resource-sharing ‘consortium’ — which seems to be most small and mid-sized public libraries, as well as some large ones — the new system is functionally useless. It’s no longer clear which titles were requested by their own patrons, as opposed to the patrons of another library in the same consortium.

In order to get that information — which until May was freely available — each library now has to pay a separate fee for an “Advantage” account.

Simon Hurtz
Simon Hurtz
Even more legal trouble for X.

Nine months after taking over the company that was once known as Twitter, Elon Musk has sued and been sued a lot. Add AFP to the long list of plaintiffs. The French press agency has filed a copyright lawsuit accusing X of ignoring its obligations stemming from the national copyright law.

France requires platforms such as X to enter discussions with publishers seeking remuneration for distributing news. Google previously refused to comply but was forced to pay €500 million in 2021 by the French competition authority. Musk has called it “bizarre” to “pay *them* for traffic to their site where they make advertising revenue and we don’t”.

Richard Lawler
Richard Lawler
Nokia and Apple’s new patent license comes without any extra drama (this time).

Apple sued Nokia in 2009 for attempting to copy the iPhone as Nokia sued Apple for copyright violations. They settled in 2011. Then in 2016, they filed competing lawsuits again before reaching a deal that brought Withings products back to the Apple Store and included an up-front payment to Nokia of $2 billion.

Today Nokia announced a new agreement covering 5G and other tech to replace the last one, which was due to expire at the end of this year.

Nokia will “receive payments from Apple for a multi-year period.”

Adi Robertson
Adi Robertson
Ed Sheeran doesn’t have to quit music now.

The singer-songwriter defeated a lawsuit alleging “striking similarities” between his song “Thinking Out Loud” and Marvin Gaye’s “Let’s Get It On.” It’s certainly a better outcome than the disastrous “Blurred Lines” verdict, and we wish Sheeran all the best with his continued creative career.

Alex Cranz
Alex Cranz
Bungie gets a big $12 million default judgement against Destiny 2 cheat sellers.

Veterancheats, the Romania-based cheat selling organization, was initially sued by Bungie back in 2021, Veterancheats never responded to the suit, which is what led to this week’s default judgement against it. As TorrentFreak noted in this great piece, its part of a growing class of lawsuits where game makers claim cheats are a violation of the DMCA.

Nilay Patel
Nilay Patel
A little more on the looming AI copyright chaos.

James Vincent laid out the state of the law against the tech last year — it feels like things have escalated significantly since then, but this is an excellent weekend read if you’re looking for a primer on what’s to come. And lol at anyone banking on a consistent or coherent determination of fair use in the courts.

Nilay Patel
Nilay Patel
Legalize hip hop!

There’s more lawyers and litigation in the music industry than ever before (because it’s so much harder to make money) but the release of De La Soul’s catalog to streaming services came with a bunch of compromises because the samples weren’t cleared. That’s a tragedy, argues Dan Charnas in Slate:

While De La’s absence has been a musical deprivation, their return is marked by a more insidious cultural crime: the adulteration of a landmark work of sonic pastiche. It’s part of a larger injustice we’ve been tolerating for decades [...] But the way hip-hop makes music remains completely unprotected by law.

Adi Robertson
Adi Robertson
Flying toasters all the way down.

For 2023 Fair Use Week, University of Virginia professor Kevin Driscoll offers a thoughtful essay about how his students engage with an iconic piece of computing history: the screen saver collection After Dark.

The After Dark exercise is one of my favorites because it bridges the social and technical dimensions of media studies. Students journey from the manipulation of pixels and code to the cultural significance of a computer program that works only when you don’t.

And yet, this project is only possible thanks to the robust protections of fair use.

Emma Roth
Emma Roth
A years-long copyright lawsuit over Taylor Swift’s 2014 hit “Shake It Off” has come to a close.

In a dispute with two songwriters, Swift argued she’d never heard the song “Playas Gon’ Play” by 3LW, cited in 2015 by a judge dismissing another claim against “Shake It Off” over the same lyrics.

With a jury trial set to start on January 17th, Variety reports the parties settled and the credits of the song unchanged.

Compare that to Robin Thicke and Pharrell Williams paying Marvin Gaye’s family $7.3 million for “Blurred Lines.” That result, and this episode of Decoder, shows why artists like Olivia Rodrigo have opted to hand out credits instead of fighting in court.

How an online community took back the Legend of Zelda

Ship of Harkinian is a labor of love years in the making

Derek Hill
The tangled truth about NFTs and copyright

If code is law, countless NFTs are built on buggy code

James Grimmelmann, Yan Ji and 1 more
Bored Ape Yacht Club members want to build an empire, starting with weed

What do you do with the IP rights to your very expensive cartoon primate? Put him on cannabis packaging

Mia Sato