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Movie Review

Are you looking for recommendations about the best and worst in current film releases? Our movie reviews try to get past brief opinions and dig into why a given movie works, and what it has to offer.

The Super Mario Galaxy Movie is beautiful but a little too busy

Nintendo and Illumination’s latest film is another visual stunner with a ho-hum story.

Charles Pulliam-Moore
The AI Doc is an overwrought hype piece for doomers and accelerationists alike

Focus Features’ new documentary about gen AI suffers from having too much access and not enough thought.

Charles Pulliam-Moore
Good Luck, Have Fun, Don’t Die is a rollicking parable about this moment in tech

Gore Verbinski’s latest film gets at the heart of everything that makes society feel poisoned about the big push for AI.

Charles Pulliam-Moore
Send Help is an ode to every worker who has had a bad boss

Depending on how you look at it, Sam Raimi’s new horror-thriller can be a nightmare or a dream come true.

Charles Pulliam-Moore
All You Need Is Kill is a dazzling movie with the soul of a video game

The new adaptation of Hiroshi Sakurazaka’s sci-fi light novel feels like a tribute to the roguelike genre.

Charles Pulliam-Moore
The Bone Temple turns 28 Years Later into a terrifying crisis of faith

Nia DaCosta’s 28 Years Later sequel turns the franchise on its head with a story about spirituality in the end times.

Charles Pulliam-Moore
Avatar: Fire and Ash is a gorgeous spectacle of titanic proportions

The third chapter of James Cameron’s sci-fi epic is a visual knockout but lacking in new ideas.

Charles Pulliam-Moore
Wake Up Dead Man digs deep for a darker, more powerful Knives Out

Rian Johnson’s latest mystery trades crowd-pleasing spectacle for something that pushes the series in a new direction.

Andrew Webster
Wicked: For Good is a soaring second act that brings it all full circle

Turns out splitting the musical into two movies was a pretty solid idea.

Charles Pulliam-Moore
The Running Man is a propulsive tribute to ‘80s action movies

The new movie stays true to Stephen King’s original novel to tell a story that doesn’t feel all that farfetched in 2025.

Charles Pulliam-Moore
Predator: Badlands is a lighthearted twist on the brutal sci-fi series

The latest Predator movie expands the franchise by humanizing its monsters.

Charles Pulliam-Moore
Bugonia is a galaxy brained masterpiece

Yorgos Lanthimos’ new dark comedy gets at the heart of what makes this era of conspiracy theories feel so bleak.

Charles Pulliam-Moore
Netflix’s Frankenstein jolts the classic tale with del Toro’s signature flair

The director builds on a familiar story with a new level of detail and heart.

Andrew Webster
Tron: Ares is a soft reboot that’s running low on RAM

The movie works as a Nine Inch Nails delivery system, but not much else.

Charles Pulliam-Moore
Him is a grueling and messy takedown of American football culture

The Jordan Peele-produced sports horror doesn’t quite come together in the end, but some of its core ideas are potent.

Charles Pulliam-Moore
The Long Walk is a dystopian slog where brutality is the main point

Francis Lawrence’s adaptation of the Stephen King classic feels like gory YA that’s light on real social commentary.

Charles Pulliam-Moore
Charles Pulliam-Moore
Charles Pulliam-Moore
Are you ready for the Light Jet show?

The latest Tron: Ares trailer is mostly a delivery system for new Nine Inch Nails music, but it also does a pretty good job of making it seem like the movie’s going to do some wildly cool stuff with Light Jet dogfights.

Weapons turns our deepest anxieties into a potent horror masterpiece

Zach Cregger’s latest film will leave you guessing, but its larger messages about boogeymen are crystal clear.

Charles Pulliam-Moore
Fantastic Four: First Steps’ greatest superpower is its gorgeous visuals

The new Fantastic Four movie is a little formulaic, but it features some of Marvel’s most impressive set pieces yet.

Charles Pulliam-Moore
James Gunn’s Superman is exactly what DC’s movies have been missing

DC Studios’ new Superman movie feels like a wild comic book that’s been brought to life.

Charles Pulliam-Moore
M3gan 2.0 is a fun upgrade that’s a little too self-aware

The M3gan sequel embraces sci-fi to tell a timely but muddled story about the dangers of artificial intelligence.

Charles Pulliam-Moore
28 Years Later is a bleak fever dream with rage pumping through its veins

The new 28 Days Later sequel’s infected ghouls aren’t all that scary, but the film’s Brexit-y undertones sure are.

Charles Pulliam-Moore
Predator: Killer of Killers is a short and sweet joyride through the franchise’s secret past

Hulu’s animated Predator prequel film feels like a perfect pre-Badlands appetizer.

Charles Pulliam-Moore
Ballerina is a dance-by-numbers return to the world of John Wick

Ana de Armas struggles to carry the weight of Lionsgate’s new John Wick parallel prequel on her back.

Charles Pulliam-Moore
Mountainhead succeeds at showing you how deranged the billionaire mindset can be

HBO’s Mountainhead is a snapshot of everything that’s ridiculous and terrible about Silicon Valley’s billionaire class.

Charles Pulliam-Moore
The new Mission: Impossible is a comedy wearing a convincing disguise

Mission: Impossible – The Final Reckoning is a spectacularly silly tribute to the franchise’s explosive past.

Charles Pulliam-Moore