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Movie Review

Are you looking for recommendations about the best and worst in current film releases? Our movie reviews try to get past brief opinions and dig into why a given movie works, and what it has to offer.

Warcraft review: not a disaster, just a struggle with ambition

The reports of this film’s artistic death have been greatly exaggerated

Tasha Robinson
The Fits is a narrative film that feels like a dance piece

Anna Rose Holmer’s poetic debut doesn’t need words to tell its hypnotic story.

Tasha Robinson
The Conjuring 2 review: 134 minutes of spooky faces in startling places

This movie would have made much more sense at around half the length

Tasha Robinson
Popstar is The Lonely Island’s ode to bloated, ridiculous pop stardom

Can Lonely Island gags make up an entire movie?

Lizzie Plaugic
Weiner is an embarrassing, unmissable ringside seat to scandal

The new Anthony Weiner documentary never feels like a one-sided apologia, because it gives the 2013 mayoral candidate enough screen time to damn himself with his own mesmerizing words and actions.

Tasha Robinson
Shane Black’s Nice Guys can’t live up to his first chatty crime comedy

It’s a fine character study and L.A. noir pastiche, but a messy mystery

Tasha Robinson
The Lobster draws out an illogical world to its most logical ends

In this world, failure to find love — or an acceptable fake equivalent — is punished by lobsterdom

Tasha Robinson
Jodie Foster’s gripping, bitterly funny Money Monster is more than it seems

Unfortunately, the ads may chase off the people who would love it most

Tasha Robinson
X-Men: Apocalypse has a bad case of Batman v Superman disease

How can so many varied characters all have the same glower?

Tasha Robinson
Captain America: Civil War is a satisfying clash of ideas and fists

Our spoiler-free review of the latest MCU ensemble piece.

Tasha Robinson
Ricky Gervais invents a different kind of lying in his Netflix movie Special Correspondents

The film, about deception at a New York radio station, wastes a strong start on a tepid finish

Tasha Robinson
In J.G. Ballard’s High-Rise, the metaphor eats the story, and Tom Hiddleston eats the metaphor

Ben Wheatley’s adaptation is a chilly, violent class struggle

Tasha Robinson
If Tribeca 2016 had a theme, it might be ‘adulting is hard’

Five films address the struggle for adult identity in radically different ways

Tasha Robinson
A Hologram For The King takes Tom Hanks on a frustrating journey of self-discovery

Tom Tykwer’s adaptation of Dave Eggers’ novel is spotty, but ultimately good-hearted.

Tasha Robinson
Elvis & Nixon is fun, fluffy filmmaker fan-fic

This straight-faced but enjoyably silly film deals with fame, power, and celebrity impersonations

Tasha Robinson
Three types of onscreen losers at the 2016 Tribeca Film Festival

How Nerdland, Dean, and Poor Boy take similarly awkward characters in very different directions

Tasha Robinson
HBO’s Confirmation looks for the real villains in the Anita Hill hearings

The new film is subtle about taking sides, except against the establishment

Tasha Robinson
John Carney rewrites his past as the bouncy pop musical Sing Street

The film completes his trilogy about salvation through song

Tasha Robinson
The Jungle Book is Disney’s first live-action remake with a strong point of view

The studio’s recent live-action remakes are cash-ins, but this one stakes out its own territory

Tasha Robinson
Green Room is a bloody, glorious punks vs. nazis fantasy

Arms are lacerated, bones snapped, skulls are stabbed, and not everyone makes it out alive, but The Ain’t Rights certainly make good on the promise of “Nazi Punks F*ck Off.”

Emily Yoshida
In The Boss, Melissa McCarthy drops her last pretense of sincerity

It isn’t necessary for comedy, but it sure helps a film like this

Tasha Robinson
Miyazaki meets Pixar in April and the Extraordinary World

The animated French film takes a steampunk adventurer and her talking cat around the world

Tasha Robinson
Batman v Superman is a very expensive reaction video for Man of Steel

And a teaser trailer for the next Justice League film

Tasha Robinson
Krisha breathes life into a familiar addiction narrative

The SXSW 2015 favorite arrives in theaters this week

Tasha Robinson
Dead Slow Ahead is a transcendent sci-fi documentary that must be experienced

There are very few films I’ve seen that I can confidently say “have everything.” 2001: A Space Odyssey is one. Dead Slow Ahead is most certainly another.

Emily Yoshida
Midnight Special is an E.T. riff that’s as much Stephen King as Steven Spielberg

Jeff Nichols’ follow-up to Take Shelter and Mud tries for Spielbergian blockbuster status on a Nicholsian tiny budget.

Tasha Robinson
The Jesse Owens biopic Race is a polite movie about an ugly time

Its racial-diversity message is so broad and non-confrontational that it’s hard to imagine it sparking a meaningful conversation. Siding against Owens literally means siding with Nazis.

Tasha Robinson
Zoolander 2 just can’t relax

It’s a gushing gasoline pump of a film, spewing in all directions.

Tasha Robinson
Deadpool: no rules, no consequences, lots of dick jokes

Marvel’s R-rated superhero makes for unexpectedly joyful viewing.

Tasha Robinson