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TV Show Reviews

Colony’s occupied LA is unimaginative, but its characters are worth your time

At the very least, it’ll make you appreciate your eggs

Jamieson Cox
Transparent is radically selfish, and that’s why it matters

The show’s world is expanding, but the Pfefferman family’s neuroses remain its core

Jamieson Cox
Review: Can The Knick cure its own dark protagonist?

Steven Soderbergh’s medical drama is now about a flawed genius, not a hopeless one

Emily Yoshida
The Leftovers still won’t explain the big mysteries, and that’s the point

All that you can’t leave behind

Ross Miller
Last Man on Earth can’t figure out what happens after the world ends

Will Forte’s show exists in a world so small it has no room to move

Lizzie Plaugic
Review: Fox’s Minority Report is all too predictable

A slick sci-fi procedural that misunderstands the point of the original movie

Kwame Opam
Review: Narcos is the next great Netflix show

A well-crafted blend of The Wire and Goodfellas, Narcos takes an unflinching look at one of the War on Drugs’ single most violent conflicts.

Kwame Opam
In AMC’s Humans, AI anxiety gets personal

We’re being rendered obsolete, and we’re not taking it well

Jamieson Cox
Review: True Detective’s overpopulated second season

Now with even more Pizzolatto

Emily Yoshida
Orange Is the New Black’s third season has a Piper problem

The series’ main character is as irrelevant as ever

Kwame Opam
Gaming the system: Halt and Catch Fire’s fun, slightly unfocused second season

Halt and Catch Fire invades video games, but it’s not sure what to do with them

Adi Robertson
Syfy’s 12 Monkeys is nothing like Terry Gilliam’s film — and that’s why I’m interested

Welcome to the expanded universe of TV reboots

Bryan Bishop
‘Doctor Who’ recap: ‘Dark Water’‘Doctor Who’ recap: ‘Dark Water’
Kwame Opam and Verge Support
Amazon should turn these pilots into TV shows

Five new shows enter, one (or, okay, maybe two) leave

Verge Staff