You’ve got just a little over two months to get all caught up on Apple’s The Morning Show before its season 3 return that will see the United Broadcast Association entire operation — especially its on-air talent — upended as a tech giant’s interest in the network shakes things up.
Eight years ago, Zambian writer Malenga Mulendema entered to participate in a story development initiative sponsored by animation house Triggerfish — the South African studio behind “Aau’s Song” from Star Wars: Visions Volume 2.
Now, Supa Team 4 — Mulendema’s idea for a story about four teen girls transforming into thrifty superheroes — is slated to become Netflix’s first original animated African series, and the show’s trailer looks pretty damn slick.
The poor working conditions that prop up Korea’s film and TV industry are something that workers rights activists hoped Netflix might help combat as the streamer began to source more original programming in the country.
But in a bleak new report from the LA Times, production workers attached to a number of Korean Netflix projects say that post-Squid Game (with its relatively cheap budget), things are only becoming more dire.
Secret Invasion’s AI-generated opening credits aren’t Marvel’s best, but they do feel like a very telling sign of where the studio and the larger entertainment industry are at right now.
