Gareth Edwards’ new dystopian sci-fi epic is a gorgeous morass of AI doomerism that’s lacking in the way of novel ideas.
It can be really interesting to hear creators talk about how much money streaming studios like Netflix pour into their projects. But Scott Pilgrim Takes Off executive producer BenDavid Grabinski’s recent assertion to Empire magazine that the animated series would cost more than a “live-action” version of James Cameron’s Avatar raises more questions than it answers.
The Pokémon games may be in their open-world era, but Scarlet and Violet’s new DLC proves that a little bit more focus on smarter, more linear gameplay can work wonders.
Despite its strong action choreography and solid conceit, Peacock’s new John Wick prequel series shoots itself right in the foot with one inexplicable casting choice.
From the uncomfortably comedic horror of Dream Scenario to the outlandish heist / revenge movie Smugglers, there was a lot to love in Toronto this year.
