The author of The Second Coming lives for French press and splurges on concert tickets.
The Image Line CEO hits the forums and subreddits every day to keep in touch with his users.
Fresh off a surprise appearance at this year’s WWDC, the Brooklyn-born rapper and producer is ready to explore new sounds.
The team behind Silo talks about managing the series as it gets even bigger in season 3.
But he’s quite happy gardening and listening to John Coltrane.
The experimental composer has a new album, a new plugin, and strong feelings about mattresses.
The podcast host, YouTuber, musician, and audio engineer has a lot on his plate.
The YouTube star has gone from reviewing synths to taking on the surveillance state.
Just let the man watch movie credits in peace!
Filmmakers like Kane Parsons are getting their start on YouTube, before moving to bigger productions.
His advice: Deep breaths, keep it simple, and maybe play a little VR mini golf.
“Power under capitalism comes from capital itself, and we need to figure out how to have collective control of that.”
Demand for AI-generated Bible content is high.
Sho Miyake has been celebrated for his quiet, careful character portraits in his home country. Now his two latest films are available stateside.
VFX supervisor Ashley Bernes had to think big to make the show’s heroine feel small.
The author explains why you should never approach writing a book like a movie.
Ghost in the Machine director Valerie Veatch wants you to understand how race science has shaped this moment in tech.
Khan’s FTC tried to expand the scope of antitrust law. Meta’s floundering VR ambitions shows why that mattered.
Author Andy Weir and screenwriter Drew Goddard talk about turning the book into a cinematic experience.
At this year’s Oscars, Sinners’ Autumn Durald Arkapaw became the first woman to win Best Cinematography. And just about a year ago, I sat down with Arkapaw to talk about her approach to bringing the film’s supernatural world of southern beauty to life.
Amy Kurzweil, the illustrator behind The Verge’s ‘Notes from a Burmese Prison,’ talks about how her ambitious collaboration with Danny Fenster came together.
The legendary composer is celebrating 40 years of Music Mouse, which brought algorithmic composition to home computers.
Now that Boys Go to Jupiter is streaming on HBO Max, you should check out our interview with writer / director Julian Glander about the movie and why he feels that open-source software programs like Blender are doing way more to “democratize” art than generative AI.
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Internet shutdowns, smuggled Starlink terminals, and state-sponsored AI slop.
Director Hlynur Pálmason wanted to make a new family film. So in The Love That Remains, he featured some of his own.
Junichi Okada talks about the new Netflix series and how his role as action planner touches nearly every part of it.
