The YouTube star has gone from reviewing synths to taking on the surveillance state.
Just let the man watch movie credits in peace!
Filmmakers like Kane Parsons are getting their start on YouTube, before moving to bigger productions.
His advice: Deep breaths, keep it simple, and maybe play a little VR mini golf.
“Power under capitalism comes from capital itself, and we need to figure out how to have collective control of that.”
Demand for AI-generated Bible content is high.
Sho Miyake has been celebrated for his quiet, careful character portraits in his home country. Now his two latest films are available stateside.
VFX supervisor Ashley Bernes had to think big to make the show’s heroine feel small.
The author explains why you should never approach writing a book like a movie.
Ghost in the Machine director Valerie Veatch wants you to understand how race science has shaped this moment in tech.
Khan’s FTC tried to expand the scope of antitrust law. Meta’s floundering VR ambitions shows why that mattered.
Author Andy Weir and screenwriter Drew Goddard talk about turning the book into a cinematic experience.
At this year’s Oscars, Sinners’ Autumn Durald Arkapaw became the first woman to win Best Cinematography. And just about a year ago, I sat down with Arkapaw to talk about her approach to bringing the film’s supernatural world of southern beauty to life.
Amy Kurzweil, the illustrator behind The Verge’s ‘Notes from a Burmese Prison,’ talks about how her ambitious collaboration with Danny Fenster came together.
The legendary composer is celebrating 40 years of Music Mouse, which brought algorithmic composition to home computers.
Now that Boys Go to Jupiter is streaming on HBO Max, you should check out our interview with writer / director Julian Glander about the movie and why he feels that open-source software programs like Blender are doing way more to “democratize” art than generative AI.
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Internet shutdowns, smuggled Starlink terminals, and state-sponsored AI slop.
Director Hlynur Pálmason wanted to make a new family film. So in The Love That Remains, he featured some of his own.
Junichi Okada talks about the new Netflix series and how his role as action planner touches nearly every part of it.
The director behind Belle and Summer Wars on why his fantasy epic Scarlet is so timely.
On the slop-filled internet, Jeremy Carrasco uses his platforms to spread AI literacy.
The Steam Frame is a Trojan horse carrying Arm’s gaming future.
Speaking with director Joachim Trier about his awards season darling Sentimental Value
The director of Wake Up Dead Man talks about the direction of the series, and why each one is ‘a reaction to the present moment.’
