Interview
And now you can watch it at home.
For the first time in the game’s 30-year history, leaders and civilizations can be chosen independently of one another.
The murder mystery was a chance for showrunner Katie Robbins to imagine a different kind of sci-fi vision.
Director Gary Hustwit tells us about his living documentary and the technology that changes it for every screening.
Director Jess Jacklin talks to The Verge about her new documentary following the first all-quadriplegic esports team.
Harmonium: The Musical took a lot of time and resources, but according to its developers, it was worth it.
But he thinks players will be able to handle it.
Game director Corinne Busche talks about the next entry in the RPG franchise.
He stands behind the new app, which underwent months of testing, but acknowledges that Sonos should’ve warned its (very) passionate customers about missing features.
To understand Jane Schoenbrun and their new film, I Saw the TV Glow, you have to appreciate how Buffy the Vampire Slayer evolved in its second season.
Doctor Who showrunner Russell T. Davies says that bringing a bit more fantasy to the sci-fi show was key to making the new season feel fresh.
The director explains why you need to see his new film, Evil Does Not Exist, two or three times to understand the ending.
How Home Assistant plans to transition from an enthusiast platform to a mainstream consumer product.
Four nights of unique set lists and long jams presented a much different production challenge than U2’s 40-show residency.
To create the X-Men ‘97 score, Andy Grush and Taylor Stewart had to work through their nostalgia and create new sounds from the future.
Director Bertrand Bonello tells us how his new film confronts the past, present, and future
What free speech, war zones, and Aristotle have to do with internet infrastructure.
As Paul Sun-Hyung Lee sees it, truly loving a genre franchise means wanting to share it and pass it along to the next generation of fans.
Don’t worry, there’ll be plenty of ‘wonder and excitement’ to embrace as well.
An interview with Twin Peaks co-creator Mark Frost reveals a fateful conversation with Nintendo in 1990.
Avatar: The Last Airbender actor Dallas Liu opens up about turning to YouTube and co-star Paul Sun-Hyung Lee to figure out who the new Prince Zuko really is.
The editor of the popular tech newsletter talks about leaving Substack and where he’s seeing successful business models in media.
The Democratic senator from Hawaii on regulating social media: ‘An algorithm doesn’t have a First Amendment right.’
And he doesn’t want to control it. Maybe.
Monarch: Legacy of Monsters VFX supervisor Sean Konrad opens up about the challenges of creating new nightmares for Godzilla’s kaiju canon.
His replacement got the boot barely a year into the job. What brought Petersen back?