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Marvel

Charles Pulliam-Moore
Charles Pulliam-Moore
Marvel’s Secret Invasion is here, and it brought AI-generated grotesquery with it.

The entire point of Marvel’s Secret Invasion series is to tap into people’s deep, existisitential anxieties about being replaced and destroyed by hostile adversaries. That makes the studio’s choice to create the show’s opening credits sequence with AI-generated art make a certain amount of sense.

But it’s hard to deny how bad these optics are for Marvel especially at a time when traditional artists are increasingly sounding the alarm about the threat AI-generated art poses to their livelihoods.

Secret Invasion brings the MCU down to Earth

Samuel L. Jackson and Olivia Colman shine in Marvel’s new Disney Plus show, which feels more like a souped-up Agents of SHIELD TV event than a proper spy thriller.

Charles Pulliam-Moore
Wes Davis
Wes Davis
Rise of the Beasts edged out Spider-Man in its opening weekend.

Transformers: Rise of the Beasts took first place at the box office this weekend with a $60.5 million opening across 3,678 theaters, according to Variety. Following it was Spider-Man: Across the Spider-Verse, at $55.4 million from 4,332 theaters.

But Variety pointing out the Transformers movie series is 16 years old was something I... wasn’t prepared to think about.

Richard Lawler
Richard Lawler
A five-minute teaser for Marvel’s Secret Invasion series awaits, if you jump through one hoop.

With the next MCU series set for a Disney Plus debut on June 21st, the marketing for Secret Invasion is winding up, but with a spy twist this time. Instead of just dropping yet another trailer, it’s stored on this dedicated site that requests a password (RSD3PX5N7S), which is conveniently listed in the tweet.

Figuring out which characters are Skrulls in hiding will hopefully be a little harder than that.

Charles Pulliam-Moore
Charles Pulliam-Moore
Meet the 14-year-old animator behind Across The Spider-Verse’s Lego world.

While most of Spider-Man: Across the Spider-Verses creatives were seasoned professionals, Preston Mutanga, the genius behind the movie’s brief foray into a stop-motion world full of Lego characters, is a Canadian teen — the same who recreated the movie’s trailer:

“We found out that it was a 14-year-old kid who made it and we were like, ‘This looks incredibly sophisticated for a nonadult, nonprofessional to have made,” [Across the Spider-Verse writer/producer Chris] Miller said on a video call. “It blew us all away, including some of the best animators in the world.”

Emma Roth
Emma Roth
Captain America: Brave New World.

That’s the new name for the franchise’s fourth installment, which was previously called Captain America: New World Order. The upcoming flick is part of Phase 5 of the MCU, and is set to hit theaters on May 3rd, 2024, starring Anthony Mackie, Harrison Ford, Danny Ramirez, and Shira Haas.

Across the Spider-Verse’s greatest feat is the way it takes Spider-Man’s fandom to task

Spider-Man: Across the Spider-Verse deepens the mythos of Miles Morales by turning one of the ugliest parts of Spider-Man’s fandom into a canonical conundrum.

Charles Pulliam-Moore
Charles Pulliam-Moore
Charles Pulliam-Moore
Across the Spider-Verse is the new definitive Spider-Man movie.

Sony’s Across the Spider-Verse isn’t just a breathtaking work of art — it’s a seminal piece of Spider-Man storytelling that rightfully establishes Miles Morales as this generation’s definitive webhead. Across the Spider-Verse’s trailers alone have been tremendous, but check out our review to read more about what makes the movie work so, so well.

Charles Pulliam-Moore
Charles Pulliam-Moore
Spider-Verse producer Amy Pascal says live-action Miles is on his way.

At Spider-Man: Across the Spider-Verse’s LA premiere this week, producer Amy Pascal teased that Miles Morales is definitely making his live-action debut in the near future, and Sony’s already working on another Spider-Man starring Tom Holland:

“We’re in the process, but the writers strike, nobody is working during the strike. We’re all being supporters and whenever they get themselves together, we’ll get started.”

Across the Spider-Verse is an animated masterpiece that upends Marvel’s Spider-canon

Sony’s Into the Spider-Verse sequel is a bigger, bolder, more ambitious film than its predecessor — and a powerful deconstruction of Marvel’s Spider-Man mythos.

Charles Pulliam-Moore
Charles Pulliam-Moore
Charles Pulliam-Moore
Traffic’s a multiversal constant every Spider-Man must contend with.

Spider-Man: Across the Spider-Verse (Part One) is very quickly getting into “the whole movie’s been spoiled by trailers” territory.

But Sony’s latest ad spot is a: a great introduction to Karan Soni’s Pavitr Prabhakar, and b: a useful note about one of the more important things all Spider-People have in common aside from the whole tragically losing loved ones thing.

Loki season 2 hits Disney Plus this OctoberLoki season 2 hits Disney Plus this October
Charles Pulliam-Moore
Richard Lawler
Richard Lawler
Microsoft will give you a Zune, really.

In coordination with the release of Guardians of the Galaxy 3 (and calling back this deleted scene from the second movie), Microsoft is giving away this unopened 8GB “green” Zune to a US resident over the age of 18.

No, it’s not a big-boy Zune 80GB or OLED touchscreen-equipped Zune HD, and there are no promises it will even work, but if you want to join the Zune squad (a real thing that exists, I promise), then this is your ticket in.

Image: Microsoft (Twitter)
Ash Parrish
Ash Parrish
We are Groot.

Guardians of the Galaxy Vol. 3 is out, and if the end of what is arguably one of the brighter moments of the seriously bloated MCU has you bummed, I have good news! There’s a Guardians of the Galaxy game from Eidos Montreal that was criminally underrated and will give you more time to hang out with the galaxy’s most dysfunctional chosen family.

Charles Pulliam-Moore
Charles Pulliam-Moore
When you yell at James Gunn, this is who you’re yelling at.

They might not be raccoons per se, but the furry creatures at the heart of Guardians of the Galaxy Vol. 3 are pretty damn cute and a technical marvel.

Guardians of the Galaxy Vol. 3 is a gorgeous spectacle that confuses schmaltz for sentimentality

James Gunn’s third Guardians movie is packed with stunning set pieces, but its saccharine attempts at sentimentality and a by-the-numbers plot keep it from ever reaching lift-off.

Charles Pulliam-Moore
Charles Pulliam-Moore
Charles Pulliam-Moore
Ms. Marvel’s (quantum) bangle might be the MCU’s coolest wearable.

With The Marvels’ new trailer comes a reminder that Ms. Marvel’s family heirloom — the mysterious bangle that unlocked her energy-manipulation powers — might just be the snazziest piece of wearable comics-inspired tech the MCU’s seen yet.

Marvel Studios VFX head Victoria Alonso is outMarvel Studios VFX head Victoria Alonso is out
Charles Pulliam-Moore
Charles Pulliam-Moore
Charles Pulliam-Moore
What If…Marvel’s new cosmically-powered Iroquois hero joined the MCU in season 2?

And then what if Marvel Studios made sure that the episode introducing Kahhori, the MCU’s new character who hails from the precolonial Haudenosaunee Confederacy, was “created in close collaboration with members of the Mohawk Nation” in order to make sure her debut was both respectful and authentic to Haudenosaunee culture?

You know, what if?

The Marvels is being pushed back to NovemberThe Marvels is being pushed back to November
Charles Pulliam-Moore
Charles Pulliam-Moore
Charles Pulliam-Moore
Jonathan Majors is ushering Marvel into its Kang era.

Jonathan Majors’ Kang the Conqueror may be Ant-Man and the Wasp: Quantumania’s villain, but in a new interview with The Washington Post, he makes it abundantly clear that his time-traveling character isn’t just a bad guy popping up in Quantumania and Loki. He’s the MCU’s new long-term Big Bad™ who’s going to make the Avengers sweat, and Majors wouldn’t have signed on if that weren’t the case.

Charles Pulliam-Moore
Charles Pulliam-Moore
Kevin Feige absolutely loathes the term “content.”

Kevin Feige doesn’t want people feeling like they have to study up on the MCU before they watch lore-heavy movies like the new Ant-Man, or to ever think of Marvel’s Disney Plus shows as just “content.”

In a recent interview with Entertainment Weekly, Feige acknowledged that the studio’s gotten into the habit of putting out a lot of new series, and said that it plans to slow its pace down in the future so that each of its shows “get a chance to shine.”

Ant-Man and the Wasp: Quantumania is your brain on Kangs

Watching the third Ant-Man film is sort of like being on a Marvel-themed acid trip that’s actually pretty fun until it comes to a confusingly abrupt halt.

Charles Pulliam-Moore
Disney’s Moon Girl and Devil Dinosaur is a slick, stylish break from the MCU and all its baggage

Disney’s brilliant new Moon Girl and Devil Dinosaur cartoon has smarts, style, substance, and one hell of a musical score.

Charles Pulliam-Moore
Raphael Saadiq wants Moon Girl and Devil Dinosaur’s music to move you

‘When I watched cartoons as a kid, there was a lot of serious orchestration. A lot of funk, a lot of R&B, and a lot of soul — all kinds of different styles of music. I wanted that for Moon Girl, too.’

Charles Pulliam-Moore
Ash Parrish
Ash Parrish
You just activated my Snap card.

Marvel Snap’s long awaited Battle Mode, which allows players to directly challenge others in a new game mode, launches tomorrow. Consequently, also launching tomorrow is Ash’s campaign to make new friends as all her old ones leave in disgust and shame after getting beat by her in Marvel Snap.